Abide With Me | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | | | 4:00 | |
Abide With Me | Ambrosian Singers, Stuart Burrows | | | 4:02 | |
Abschied | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 4:37 | |
Act I, Conclusion: "Masetto, senti un po'" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 18:13 | |
Act I, Part 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 18:58 | |
Act I, Part 2: "Orsù, spicciati" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 26:50 | |
Act I, Part 3: "Mi par ch'oggi" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 24:38 | |
Act II, Conclusion: "Già la mensa è preparata | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 21:19 | |
Act II, Part 1: "Eh via buffone" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 22:00 | |
Act II, Part 2: "Di molte faci il lume" | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 21:34 | |
Act II, Part 3: "Andiam, andiam, Signora | Wolfgang Amadeus Mozart, Bernd Weikl, Gabriel Bacquier, Stuart Burrows, Kurt Moll, Margaret Price, Sylvia Sass, Lucia Popp, Alfred Šramek, London Philharmonic Orchestra & Sir Georg Solti | | | 23:37 | |
All they that see Him - Accompagnato | Stuart Burrows, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | | | 0:42 | |
An Die Musik | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 3:02 | |
An Silvia | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 2:38 | |
Anna Bolena: Atto I, Scena 1 (Conclusion) / Scena 2 (Beginning) | Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd | | | 27:09 | |
Anna Bolena: Atto I, Scena 2 (Conclusion) / Scena 3 (Beginning) | Beverly Sills, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear | | | 18:17 | |
Anna Bolena: Atto I, Scena 2. “Ah! cosi nei di ridenti” (Percy) | Stuart Burrows, London Symphony Orchestra, Julius Rudel | | | 3:19 | |
Anna Bolena: Atto I, Scena 2. “Ah! cosi nel di ridenti“ (Percy) | Stuart Burrows, London Symphony Orchestra, Julius Rudel | | | 3:18 | |
Anna Bolena: Atto I, Scena 2. “Chi veggo? In Inghilterra” (Rochefort) | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | | | 3:13 | |
Anna Bolena: Atto I, Scena 2. “Chi veggo?“ (Rochefort, Percy) | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | | | 3:13 | |
Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta“ (Percy, Rochefort) | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | | | 3:15 | |
Anna Bolena: Atto I, Scena 2. “Da quel di che, lei perduta” (Percy) | Stuart Burrows, Robert Lloyd, London Symphony Orchestra, Julius Rudel | | | 3:15 | |
Anna Bolena: Atto I, Scena 2. “Desta si tosto” (Enrico) | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | | | 3:42 | |
Anna Bolena: Atto I, Scena 2. “Io sentii sulla mio mano” | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | | | 2:54 | |
Anna Bolena: Atto I, Scena 2. “Or che reso ai patrii lidi” (Enrico) | Stuart Burrows, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 1:31 | |
Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato“ (Tutti, Percy, Anna, Rochefort, Enrico) | John Aldis, Stuart Burrows, The John Alldis Choir, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel | | | 2:27 | |
Anna Bolena: Atto I, Scena 2. “Questo di per noi spuntato” (Tutti) | Stuart Burrows, Robert Lloyd, Paul Plishka, London Symphony Orchestra, Julius Rudel | | | 2:28 | |
Anna Bolena: Atto I, Scena 3 (Conclusion) | Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Patricia Kern | | | 25:50 | |
Anna Bolena: Atto I, Scena 3. “Ah! per pietà del mio spavento” (Anna) | Stuart Burrows, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 3:07 | |
Anna Bolena: Atto I, Scena 3. “Alcun potria ascoltarti” (Anna) | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 1:44 | |
Anna Bolena: Atto I, Scena 3. “Anna!” - “Riccardo!” | Stuart Burrows, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 3:10 | |
Anna Bolena: Atto I, Scena 3. “In quegli sguardi impresso” (Anna, Enrico, Percy, Giovanna, Smeaton, Rochefort) | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 3:55 | |
Anna Bolena: Atto I, Scena 3. “In separato carcere“(Enrico, Anna, Giovanna, Smeton, Percy, Rochefort, Coro) | Beverly Sills, Shirley Verrett, Stuart Burrows, Paul Plishka, Patricia Kern, Robert Lloyd | | | 4:44 | |
Anna Bolena: Atto I, Scena 3. “S'ei t'abborre, io t'amo ancora” (Percy) | Stuart Burrows, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 4:25 | |
Anna Bolena: Atto I, Scena 3. “Tace ognuno” (Enrico) | Stuart Burrows, Patricia Kern, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 2:16 | |
Anna Bolena: Atto I, Scena 3. Finale “In separato carcere” (Enrico) | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Paul Plishka, Beverly Sills, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 4:53 | |
Anna Bolena: Atto II, Scena 2 (Beginning) | Beverly Sills, Stuart Burrows, Paul Plishka, Robert Tear | | | 21:00 | |
Anna Bolena: Atto II, Scena 2 (Conclusion) / Scena 3 (Beginning) | Shirley Verrett, Stuart Burrows, Paul Plishka, Robert Lloyd, Robert Tear | | | 23:42 | |
Anna Bolena: Atto II, Scena 2. “Al Consiglio sien tratti” (Enrico) | Stuart Burrows, Paul Plishka, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 3:50 | |
Anna Bolena: Atto II, Scena 2. “Ambo morrete, o perfidi” (Enrico) | Stuart Burrows, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | | | 6:50 | |
Anna Bolena: Atto II, Scena 2. “Scostatevi...il Re giunge...” (Hervey) | Stuart Burrows, Paul Plishka, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | | | 5:26 | |
Anna Bolena: Atto II, Scena 2. “Tu pur dannato a morte” (Percy) | Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 1:48 | |
Anna Bolena: Atto II, Scena 3 (Conclusion) | Beverly Sills, Stuart Burrows, Patricia Kern, Robert Lloyd | | | 26:50 | |
Anna Bolena: Atto II, Scena 3. “Cielo, a' miei lunghi spasimi” (Anna) | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, London Symphony Orchestra, Julius Rudel | | | 4:24 | |
Anna Bolena: Atto II, Scena 3. “Nel veder la tua costanza” (Percy) | Stuart Burrows, London Symphony Orchestra, Julius Rudel | | | 3:24 | |
Anna Bolena: Atto II, Scena 3. “Qual mesto suon?” (Anna) | Stuart Burrows, The John Alldis Choir, Patricia Kern, Robert Lloyd, Beverly Sills, Robert Tear, London Symphony Orchestra, Julius Rudel | | | 4:26 | |
Anna Bolena: Atto II, Scena 3. “Tu pur dannato a morte“ (Percy, Rochefort, Hervey) | Stuart Burrows, Robert Lloyd, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 1:48 | |
Anna Bolena: Atto II, Scena 3. “Vive tu, te ne scongiuro” | Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 3:23 | |
Anna Bolena: Atto II, Scena 3. “Vivi tu, te ne scongiuro“ (Rochefort, Percy, Hervey) | Stuart Burrows, Robert Lloyd, Robert Tear, Shirley Verrett, London Symphony Orchestra, Julius Rudel | | | 3:23 | |
Anna Bolena: Atto II, Scena 3. Aria "Nel veder la tue costanza“ (Percy) | Stuart Burrows, London Symphony Orchestra, Julius Rudel | | | 3:23 | |
Anna Bolena: Atto II. "Cielo a' miei lunghi spasmi" / "Coppia iniqua" | Beverly Sills, Patricia Kern, Stuart Burrows, John Alldis Chorus, Julius Rudel, London Symphony Orchestra | | | 7:30 | |
Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen" | Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis | | | 4:27 | |
Ave Maria | The Ambrosian Singers, Stuart Burrows, Martin Neary, Wyn Morris | | | 4:22 | |
Ave Maria | Stuart Burrows (Tenor) With The Ambrosian Singers Conducted By Wyn Morris | | | 4:26 | |
Chuggernaut | Stuart Burrows | | | 3:16 | |
Chuggernaut (30 second version) | Stuart Burrows | | | 0:30 | |
Chuggernaut (60 second version) | Stuart Burrows | | | 1:00 | |
Csi 02 | Stuart Burrows | | | 3:10 | |
Csi 02 (30 second version) | Stuart Burrows | | | 0:30 | |
Csi 02 (60 second version) | Stuart Burrows | | | 1:00 | |
Csi London | Stuart Burrows | | | 2:48 | |
Csi London (30 second version) | Stuart Burrows | | | 0:30 | |
Csi London (60 second version) | Stuart Burrows | | | 1:00 | |
Das klagende Lied: II. Der Spielmann | Arthur Oldham, Stuart Burrows, Grace Hoffman, Evelyn Lear, London Symphony Chorus, London Symphony Orchestra, Pierre Boulez | | | 19:36 | |
Das klagende Lied: III. Hochzeitsstück | Arthur Oldham, Stuart Burrows, Grace Hoffman, Evelyn Lear, London Symphony Chorus, London Symphony Orchestra, Pierre Boulez | | | 20:46 | |
Der Musensohn | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 2:15 | |
Die Entführung aus dem Serail KV 384: Wenn der Freude Tränen fließen | Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis | | | 4:16 | |
Die Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte) | Stuart Burrows, Robert Lloyd, Academy of St Martin in the Fields, Sir Colin Davis | | | 6:45 | |
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte) | Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis | | | 4:12 | |
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) | Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | | | 6:38 | |
Die Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde) | Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | | | 4:43 | |
Die Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) | Stuart Burrows, Academy of St Martin in the Fields, Sir Colin Davis | | | 7:46 | |
Die Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte) | Stuart Burrows, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | | | 2:38 | |
Die Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange" | Norma Burrowes, Stuart Burrows, Christiane Eda‐Pierre, The John Alldis Choir, Robert Lloyd, Robert Tear, Academy of St Martin in the Fields, Sir Colin Davis | | | 5:34 | |
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze) | Stuart Burrows, Christiane Eda‐Pierre, Academy of St Martin in the Fields, Sir Colin Davis | | | 2:01 | |
Die Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze) | Stuart Burrows, Christiane Eda‐Pierre, Academy of St Martin in the Fields, Sir Colin Davis | | | 6:42 | |
Die Forelle | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | | 1:45 | |
Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) | Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | | | 6:50 | |
Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) | Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | | | 5:01 | |
Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) | Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | | | 6:32 | |
Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) | Norbert Balatsch, Stuart Burrows, Pilar Lorengar, Hermann Prey, Gerhard Stolze, Wiener Philharmoniker, Sir Georg Solti | | | 4:31 | |
Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) | Norbert Balatsch, Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | | | 3:01 | |
Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) | Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | | | 1:59 | |
Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) | Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | | | 3:55 | |
Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) | Norbert Balatsch, Stuart Burrows, Hermann Prey, Wiener Philharmoniker, Sir Georg Solti | | | 4:44 | |
Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | Norbert Balatsch, Stuart Burrows, Pilar Lorengar, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | | | 4:58 | |
Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) | Norbert Balatsch, Stuart Burrows, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti | | | 5:11 | |
Die Zauberflöte, K. 620: Herr, Ich Bin Zwar Verbrecherin | Norbert Balatsch, Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Gerhard Stolze, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | | | 6:28 | |
Die Zauberflöte, K. 620: Tamino Mein! O Welch Ein Glück! | Norbert Balatsch, Stuart Burrows, Konzertvereinigung Wiener Staatsopernchor, Pilar Lorengar, Wiener Philharmoniker, Sir Georg Solti | | | 3:27 | |
Die Zauberflöte, K. 620: Wo Willst Du, Kühner Fremdling, Hin? | Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | | | 6:56 | |
Die Zauberflöte, K. 620: Zum Ziele Führt Dich Diese Bahn | Norbert Balatsch, Stuart Burrows, Wiener Philharmoniker, Sir Georg Solti | | | 1:53 | |
Die Zauberflöte: Akt 1, Szene 1. Rezitativ und Arie: "O zittre nicht, mein lieber Sohn... Zum Leiden bin ich auserkoren" (Königin der Nacht) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 20:19 | |
Die Zauberflöte: Akt I, Szene 3. Finale: "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino, Sprecher, Pamina, Papageno, Monostatos, Sarastro, Chor) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 25:04 | |
Die Zauberflöte: Akt II, Szene 1. Marsch der Priester: "Ihr eingeweihten Diener" (Sarastro, drei Priester) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 28:47 | |
Die Zauberflöte: Akt II, Szene 4 - Terzett: "Seid uns zum zweiten Mal willkommen" (Drei Knaben) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 25:57 | |
Die Zauberflöte: Akt II, Szene 7, 8, 9 & 10 - Finale: "Bald prangt, den Morgen zu verkünden" (Drei Knaben, Pamina, die zwei Geharnischten, Tamino, Papageno, Papagena, Monostatos, Königin der Nacht, drei Damen, Sarastro, Chor) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 31:18 | |
Die Zauberflöte: Ouvertüre / Akt I, Szene 1. Introduktion: "Zu Hilfe! zu Hilfe!" (Tamino, drei Damen) | Wolfgang Amadeus Mozart, Pilar Lorengar, Cristina Deutekom, Stuart Burrows, Dietrich Fischer‐Dieskau, Hermann Prey, Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker & Sir Georg Solti | | | 24:08 | |
Don Giovanni, K 527: Ah! dov'è il perfido? | Margaret Price, Sylvia Sass, Lucia Popp, Stuart Burrows, Gabriel Bacquier, Alfred Šramek, London Philharmonic Orchestra, Sir Georg Solti | | | ?:?? | |
Don Giovanni, K. 527: "Il mio tesoro intanto" | Stuart Burrows, London Philharmonic Orchestra, Sir John Pritchard | | | 4:10 | |
Don Giovanni, K. 527: "Or sai chi l'onore" | Margaret Price, Stuart Burrows, London Philharmonic Orchestra, Sir Georg Solti | | | 3:01 | |