| “Hail! Bright Cecilia”, Z. 328: I. Symphony | | | | Overture | | | |
| “Hail! Bright Cecilia”, Z. 328: II. “Hail! Bright Cecilia” | | - Paul Elliott, Brian Gordon, Monteverdi Choir, Jennifer Smith, Ashley Stafford, David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, English Chamber Orchestra, Charles Mackerras
- Mark le Brocq, Gabrieli Consort, Peter Harvey, Susan Hemington Jones, Timothy Wilson, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, John Mark Ainsley, James Bowman, Choir of New College Oxford, Gillian Fisher, Michael George, The King’s Consort, Robert King
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| “Hail! Bright Cecilia”, Z. 328: III. “Hark! Hark! Each tree its silence breaks” | | - Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- James Bowman, Michael George, The King’s Consort, Robert King
- John Shirley‐Quirk, Simon Woolf, Charles Mackerras
- Charles Pott, Timothy Wilson, Gabrieli Players, Paul McCreesh
- (show 7 more)
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| “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: IX. “The airy violin” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: V. “Soul of the world” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: VI. “Thou tun’st this world” | | - Jennifer Smith, English Baroque Soloists, Sir John Eliot Gardiner
- Gabrieli Consort, Susan Hemington Jones, Gabrieli Players, Paul McCreesh
- Edward Higginbottom, Choir of New College Oxford, Gillian Fisher, The King’s Consort, Robert King
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 9 more)
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| “Hail! Bright Cecilia”, Z. 328: VII. “With that sublime celestial lay” | | - Brian Gordon, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Mark le Brocq, Christopher Purves, Timothy Wilson, Gabrieli Players, Paul McCreesh
- John Mark Ainsley, James Bowman, Simon Keenlyside, The King’s Consort, Robert King
- Jonathan Arnold, Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- (show 7 more)
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| “Hail! Bright Cecilia”, Z. 328: VIII. “Wondrous machine!” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XI. “The fife and all the harmony of war” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: XII. “Let these amongst themselves contest” | | - David Thomas, Stephen Varcoe, English Baroque Soloists, Sir John Eliot Gardiner
- Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras
- Peter Harvey, Julian Podger, Christopher Purves, Gabrieli Players, Paul McCreesh
- Michael George, Simon Keenlyside, The King’s Consort, Robert King
- (show 6 more)
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| “Hail! Bright Cecilia”, Z. 328: XIII. “Hail! Bright Cecilia, hail to thee” | | - The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras
- Paul Elliott, Brian Gordon, Monteverdi Choir, Ashley Stafford, David Thomas, English Baroque Soloists, Sir John Eliot Gardiner
- Susan Hamilton, Mark Padmore, Siri Karoline Thornhill, Philippe Herreweghe, Collegium Vocale Gent
- Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras
- (show 10 more)
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| 6 Pieces, op. 51 no. 6: Valse sentimentale | | | | | | | |
| 14 Volks-Kinderlieder, WoO 31: 4. "Sandmännchen" | | | | Song | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: No. 1 in G minor (Allegro molto) | | - Berliner Symphoniker, Orchestre Symphonique de Dresde, Festivalový orchestr Praha, London Festival Orchestra, London Philharmonic Orchestra, Philharmonia Slavonica, Julian Armstrong, Cesare Cantieri, Edvard Kronau, Alfred Scholz, Pavel Urbanek
- [unknown]
- Philharmonia Cassovia, Andrew Mogrelia
- St. Petersburg Festival Symphony Orchestra, Leonid Malyshev
- (show 29 more)
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| 21 Hungarian Dances for Orchestra, WoO 1: No. 20 in E minor (Poco allegretto) | | | | | | | |
| 21 Hungarian Dances for Orchestra, WoO 1: no. 21 in E minor (Vivace) | | | | | | | |
| A Night on Bald Mountain | | | | Symphonic poem | | | |
| A Night on the Bare Mountain | | | | Symphonic poem | | | |
| A Village Romeo and Juliet, Scene 1: I. Prelude | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 1: II. A shame it is | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 1: III. How strange the wind sounds | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 1: IV. 'Twixt us, methinks, will lie the bidding | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 2: I. Prelude | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 2: II. Vreli! … Sali! | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 3: I. I knew we'd meet again | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 3: II. O Sali, I'm afraid! | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 3: III. Shameless hussy! | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 4: I. Prelude | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 4: II. Ah, the night is approaching | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 4: III. Dearest, I'll leave you no more | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 4: IV. The Dream of Sali and Vreli | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 4: V. Ah, it was a dream! | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 5: I. Prelude | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 5: II. O Sali, see | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 5: III. Well, well, gracious me | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 5: IV. The walk to the Paradise Garden | | | | | | | |
| A Village Romeo and Juliet, Scene 6: I. Dance along | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
| | | | | |
| A Village Romeo and Juliet, Scene 6: II. So you want to know | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 6: III. 'Tis almost night | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet, Scene 6: IV. Come and live with us | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
| | | | | |
| A Village Romeo and Juliet, Scene 6: V. Halleo! Halleo! | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
| | | | | |
| A Village Romeo and Juliet, Scene 6: VI. See, the moonbeams | | - Arnold-Schönberg-Chor, Arthur Davies, Stafford Dean, Helen Field, Thomas Hampson, Barry Mora, ORF Symphonieorchester, Sir Charles Mackerras
- Dorothy Bond, Gordon Clinton, Denis Dowling, Lorely Dyer, Margaret Ritchie, Frederick Sharp, René Soames, Royal Philharmonic Orchestra, Sir Thomas Beecham
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| A Village Romeo and Juliet: Interlude – Prelude to Scene 3 | | | | | | | |
| A-hunting we will go | | | | | | | |
| Abu Hassan: Ouvertüre | | | | Overture | | | |
| Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) | | | | | | | |
| Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) | | | | Aria | | | |
| Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | |
| Adagio and Fugue in C minor, K. 546: II. Fugue | | | | | | | |
| Adagio on Celtic Themes, op. 56 | | | | | | | |
| Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana) | | | | Aria | | | |
| Akademische Fest-Ouvertüre, op. 80 | | | | Overture | | | |
| Alcina, HWV 34: Atto II, Scena XII. Aria “Verdi prati, selva amene” (Ruggiero) | | | | Aria | | | |
| Alexander's Feast, HWV 75: Part II, no. 4. Aria "Revenge, Timotheus cries" (Bass) | | | | Aria | | | |
| Alexander's Feast, HWV 75: Part II, no. 5. Aria "Behold the ghastly band" | | | | Aria | | | |
| Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
| Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | | | | | | |
| Andante cantabile, TH 63, ČW 348 | | | | | | | |
| Andante spianato et Grande polonaise brillante in E-flat major, op. 22: I. Andante spianato | | | | | | | |
| Andante spianato et Grande polonaise brillante in E-flat major, op. 22: II. Grande polonaise brillante. Allegro molto | | | | | | | |
| Appalachia, RT ii/2 | | | | | | | |
| Ar hyd y nos | | | | Song | | | |
| Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" | | - Bryn Terfel, Scottish Chamber Orchestra, Charles Mackerras
- Ezio Maria Tisi, The Chamber Orchestra of Europe, Wilhelm Keitel
- Robert Lloyd, Mozarteum Orchester Salzburg, Leopold Hager
- Sabine Meyer, Kammerorchester Basel, Andreas Spering
- Vesselina Kasarova, Staatskapelle Dresden, Sir Colin Davis
| | Aria | | | |
| Aria for Soprano & Orchestra in A major, K. 418: "Vorrei spiegarvi, oh Dio" | | | | Aria | | | |
| Aria for Soprano & Orchestra in C major, K. 419: "No no, che non sei capace" | | | | Aria | | | |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | | | | Aria | | | |
| Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” | | | | Aria | | | |
| Aria for Soprano and Orchestra in F major, K. 538: Allegro “Ah se in ciel, benigne stelle” | | | | Aria | | | |
| Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | | | | | | | |
| Aufforderung zum Tanz, J. 260 | | | | | | | |
| Aufforderung zum Tanz, op. 65 | | | | | | | |
| Ave Maria, op. 61 | | | | | | | |
| Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major | | | | | | | |
| Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major | | | | | | | |
| Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major | | | | | | | |
| Banditenstreiche: Ouvertüre | | | | | | | |
| Berenice, HWV 38: Atto II | | | | | | | |
| Bojarenes inntogsmarsj | | | | | | | |
| Brigg Fair, RT vi/16 | | | | Symphonic poem | | | |
| By the Sleepy Lagoon | | | | Song | | | |
| Canzone, op. 55 | | | | | | | |
| Capriccio espagnol, op. 34: I. Alborada | | | | | | | |
| Capriccio Espagnol, op. 34: II. Variazioni | | | | | | | |
| Capriccio Espagnol, op. 34: III. Alborada | | | | | | | |
| Capriccio Espagnol, op. 34: IV. Scena e canto gitano | | | | | | | |
| Capriccio Espagnol, op. 34: V. Fandango asturiano | | | | | | | |
| Capriccio for Piano (Left Hand) & Seven Wind Instruments "Defiance", JW 7/12: I. Allegro | | | | | | | |
| Capriccio for Piano (Left Hand) & Seven Wind Instruments "Defiance", JW 7/12: II. Adagio | | | | | | | |
| Capriccio for Piano (Left Hand) & Seven Wind Instruments "Defiance", JW 7/12: III. Allegretto | | | | | | | |
| Capriccio for Piano (Left Hand) & Seven Wind Instruments "Defiance", JW 7/12: IV. Andante | | | | | | | |
| Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) | | - Plácido Domingo, London Symphony Orchestra, Claudio Abbado
- John Alldis, Plácido Domingo, The John Alldis Choir, Tatiana Troyanos, London Philharmonic Orchestra, Sir Georg Solti
- Luciano Pavarotti, Orchester der Wiener Volksoper & Leone Magiera
- Nicolai Gedda, Maria Callas, Orchestre de l’Opéra national de Paris, Georges Prêtre
- (show 125 more)
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