| arranged |
---|
| Cherry Ripe | | | Pro Arte Orchestra, Charles Mackerras | 2:12 |
| Easter Alleluia | | | Elisabeth Schwarzkopf | 3:29 |
| I Saw Three Ships | | | Elisabeth Schwarzkopf | 1:25 |
| In dulci jubilo | | | Elisabeth Schwarzkopf | 3:00 |
| In einem kühlen Grunde | | | Elisabeth Schwarzkopf | 2:40 |
| Maria auf dem Berge | | | Elisabeth Schwarzkopf | 1:50 |
| O Come All Ye Faithful | | | Elisabeth Schwarzkopf | 3:11 |
| O du fröhliche | | | Elisabeth Schwarzkopf | 2:14 |
| Panis Angelicus | | | Elisabeth Schwarzkopf | 4:41 |
| Sandmännchen | | | Elisabeth Schwarzkopf | 2:50 |
| Songs My Mother Taught Me | Sir Charles Mackerras | | Charlotte Church | 2:25 |
| The Ash Grove | | | Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 3:08 |
| The First Nowell | | | Elisabeth Schwarzkopf | 5:46 |
| The Keel Row | | | Hendon Grammar School Choir, Charles Mackerras | 1:22 |
| The Miller of Dee | | | Owen Brannigan, Pro Arte Orchestra, Charles Mackerras | 1:35 |
| The Vicar of Bray | | | Owen Brannigan, Hendon Grammar School Choir, Pro Arte Orchestra, Charles Mackerras | 3:44 |
| The Walk to the Paradise Garden | | | Melbourne Symphony Orchestra, Sir Charles Mackerras | 11:19 |
| Vom Himmel hoch | | | Elisabeth Schwarzkopf | 3:15 |
| Weihnachten | | | Elisabeth Schwarzkopf | 3:10 |
| conducted |
---|
1955-05 | The Road to Mandalay | | | Peter Dawson, Edward Greenfield, London Symphony Orchestra, Charles Mackerras | 3:42 |
1956-05-23 – 1956-05-24 | At the Dance (from Summer Days Suite) | | | London Symphony Orchestra, Charles Mackerras | 4:07 |
1956-05-23 – 1956-05-24 | By the Sleepy Lagoon | | | London Symphony Orchestra, Charles Mackerras | 3:10 |
1956-05-23 – 1956-05-24 | The Merrymakers (Miniature Overture) | | | London Symphony Orchestra, Charles Mackerras | 4:34 |
1956-05-23 – 1956-05-24 | The Three Bears Phantasy | | | London Symphony Orchestra, Charles Mackerras | 9:20 |
1956-06-09 | Ruddigore (or The Witch’s Curse): Overture | | | Philharmonia Orchestra, Charles Mackerras | 6:30 |
1956-06-09 – 1956-09 | The Mikado (or The Town of Tiputu): Overture | | | Philharmonia Orchestra, Charles Mackerras | 8:29 |
1957-06-01 | 14 Volks-Kinderlieder: No. 4. Sandmännchen | | | Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras | 2:56 |
1957-06-25 | Panis angelicus | | | Elisabeth Schwarzkopf, Philharmonia Orchestra, Charles Mackerras | 4:50 |
1958-05-26 – 1958-05-30 | Finlandia, op. 26 no. 7 | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 8:48 |
1958-05-26 – 1958-05-30 | King Christian II Suite, op. 27: I. Elégie / II. Musette | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 7:41 |
1958-05-26 – 1958-05-30 | King Christian II Suite, op. 27: IIa. Élégie | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 5:24 |
1958-05-26 – 1958-05-30 | King Christian II Suite, op. 27: IIb. Musette | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 2:06 |
1958-05-26 – 1958-05-30 | Pellèas et Mélisande, op. 46: VIII. Intermezzo | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 2:27 |
1958-05-26 – 1958-05-30 | Two Elegiac Melodies, op. 34: Heart Wounds / The Last Spring | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 7:34 |
1958-05-26 – 1958-05-30 | Two Melodies, op. 63 no. 2: Cow-Keeper's Tune, Country Dance | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 5:23 |
1958-05-26 – 1958-05-30 | Valse triste, op. 44 no. 1 | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | 4:57 |
1958-05-26 – 1958-05-30 | Wedding Day At Troldhaugen, op. 65 no. 6 (arr. by Huppertz) | | | The London Proms Symphony Orchestra, Sir Charles Mackerras | ?:?? |
1958-09-22 – 1958-09-29 | "Ah se in ciel, benigne stelle", K. 538 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 7:45 |
1958-09-22 – 1958-09-29 | "Mia speranza adorata!... Ah, non sai qual pena sia", K. 416 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 8:41 |
1958-09-22 – 1958-09-29 | "Nehmt meinen dank, ihr holden gönner!", K. 383 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 3:46 |
1958-09-22 – 1958-09-29 | "No, che non sei capace", K. 419 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 4:32 |
1958-09-22 – 1958-09-29 | "Popoli di tessaglia!... Io non chiedo, eterni dei", K. 316 (300b) | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 11:08 |
1958-09-22 – 1958-09-29 | "Vado, ma dove? Oh dei!", K. 583 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 4:01 |
1958-09-22 – 1958-09-29 | "Vorrei spiegarvi, of dio!... Ah, conte, partite", K. 418 | Sir Charles Mackerras | | Rita Streich, Bavarian Radio Symphony, Sir Charles Mackerras | 6:28 |
1959-07-19 – 1959-07-24 | Sinfonietta: I. Allegretto | | | Pro Arte Orchestra of London, Charles Mackerras | 2:26 |
1959-07-19 – 1959-07-24 | Sinfonietta: II. Andante | | | Pro Arte Orchestra of London, Charles Mackerras | 6:19 |
1959-07-19 – 1959-07-24 | Sinfonietta: III. Moderato | | | Pro Arte Orchestra of London, Charles Mackerras | 5:54 |
1959-07-19 – 1959-07-24 | Sinfonietta: IV. Allegretto | | | Pro Arte Orchestra of London, Charles Mackerras | 3:06 |
1959-07-19 – 1959-07-24 | Sinfonietta: V. Andante con moto | | | Pro Arte Orchestra of London, Charles Mackerras | 7:34 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene One. Belaye’s Solo | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:22 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene One. Finale | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:57 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene One. Opening Dance | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:39 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene One. Pas de trois | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:03 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene One. Poll’s Solo & Pas de deux | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:38 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Three. Belaye’s Solo and Sailors’ Dance | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:27 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Three. Entry of Belaye with Blanche as Bride | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:31 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Three. Grande Finale | | | Royal Philharmonic Orchestra, Charles Mackerras | 5:33 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Three. Poll’s Solo | | | Royal Philharmonic Orchestra, Charles Mackerras | 4:38 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Three. Reconciliation | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:03 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Two. Jasper’s Solo | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:50 |
1960-10-03 – 1960-10-05 | Pineapple Poll (arr. Mackerras): Scene Two. Poll’s Solo | | | Royal Philharmonic Orchestra, Charles Mackerras | 3:59 |
1960-11-23 | Pineapple Poll: Scene 3. Grand Finale | | | Philharmonic Orchestra, Sir Charles Mackerras | 6:12 |
1960 | Wedding Day at Troldhaugen | | | New Symphony Orchestra of London, Charles Mackerras | 5:41 |
1961-07-19 – 1961-07-23 | Abu Hassan Overture | | | London Symphony Orchestra, Charles Mackerras | 3:29 |
1961-07-19 – 1961-07-23 | Coronation March from "Le Prophète" | | | London Symphony Orchestra, Charles Mackerras | 3:38 |
1961-07-19 – 1961-07-23 | Cossack Dance from "Mazeppa" | | | London Symphony Orchestra, Charles Mackerras | 4:19 |
1961-07-19 – 1961-07-23 | Dance of the Comedians from "The Bartered Bride" | | | London Symphony Orchestra, Charles Mackerras | 5:58 |
1961-07-19 – 1961-07-23 | Hungarian Dance no. 1 | | | London Symphony Orchestra, Charles Mackerras | 3:05 |
1961-07-19 – 1961-07-23 | Invitation to the Dance | | | London Symphony Orchestra, Charles Mackerras | 10:10 |
1961-07-19 – 1961-07-23 | Jota Aragonesa | | | London Symphony Orchestra, Charles Mackerras | 9:21 |
1961-07-19 – 1961-07-23 | Mignon Overture | | | London Symphony Orchestra, Charles Mackerras | 8:09 |
1961-07-19 – 1961-07-23 | Orpheus in the Underworld: I. Overture | | | London Symphony Orchestra, Charles Mackerras | 7:27 |
1961-07-19 – 1961-07-23 | Orpheus in the Underworld: II. Can-Can | | | London Symphony Orchestra, Charles Mackerras | 2:05 |
1961-07-19 – 1961-07-23 | Radetzky March | | | London Symphony Orchestra, Charles Mackerras | 2:57 |
1961-07-19 – 1961-07-23 | The Jolly Robbers Overture | | | London Symphony Orchestra, Charles Mackerras | 7:07 |
1961-07-19 – 1961-07-23 | The Merry Wives of Windsor Overture | | | London Symphony Orchestra, Charles Mackerras | 8:42 |
1961-07 | Aufforderung zum Tanz, op. 65 | Sir Charles Mackerras | | London Symphony Orchestra, Sir Charles Mackerras | 10:13 |
1961-07 | Overture “Abu Hassan” | Sir Charles Mackerras | | London Symphony Orchestra, Sir Charles Mackerras | 3:35 |
1966-06-29 – 1966-08-09 | For Unto us a child is born (Messiah) | | | John McCarthy, Ambrosian Singers, English Chamber Orchestra, Charles Mackerras | 4:21 |
1966-06-29 – 1966-08-09 | Le Messie Part 3: No. 43. Aria: I know that my Redeemer liveth | | | Ambrosian Singers, Elizabeth Harwood, English Chamber Orchestra, Charles Mackerras | 6:42 |
1966-06-29 – 1966-08-09 | Messiah, oratorio, HWV 56: Hallelujah Chorus | Sir Charles Mackerras | | Elizabeth Harwood, Ambrosian Singers, English Chamber Orchestra, Sir Charles Mackerras | 4:03 |
1966-11-29 – 1966-12-02 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | | | Maureen Forrester, Orchester der Wiener Staatsoper, Charles Mackerras | 1:22 |
1966-11-29 – 1966-12-02 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | | | Maureen Forrester, Orchester der Wiener Staatsoper, Charles Mackerras | 1:17 |
1966-11-29 – 1966-12-02 | Orfeo ed Euridice: Che farò (modern application of ornamentation) | | | Maureen Forrester, Orchester der Wiener Staatsoper, Charles Mackerras | 1:44 |
1966 | The Indian Queen: Act I: "I Come to Sing Great Zempoalla's Story" | | | Henry Purcell | 5:19 |
1966 | The Indian Queen: Act I: Symphony | | | Henry Purcell | 4:44 |
1966 | The Indian Queen: Act III: "Ah, How Happy Are We" | | | Henry Purcell | 3:39 |
1966 | The Indian Queen: Act III: "I Attempt From Love's Sickness" | | | Henry Purcell | 5:03 |
1966 | The Indian Queen: Act III: Dance - "Ye Twice Ten Hundred Deities" | | | Henry Purcell | 5:56 |
1966 | The Indian Queen: Act III: Symphony - "Seek Not to Know" | | | Henry Purcell | 3:52 |
1966 | The Indian Queen: Act III: Trumpet Overture | | | Henry Purcell | 3:30 |
1966 | The Indian Queen: Act IV: "They Tell Us" | | | Henry Purcell | 4:28 |
1966 | The Indian Queen: Act V: "While Thus We Bow" | | | Henry Purcell | 6:57 |
1966 | The Indian Queen: First Music - Second Music | | | Henry Purcell | 5:31 |
1966 | The Indian Queen: Overture | | | Henry Purcell | 4:24 |
1966 | The Indian Queen: Prologue: "Wake, Quivera" | | | Henry Purcell | 8:10 |
1967-10 | Dido and Æneas: “If not for mine” / “Pursue thy conquest, Love” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:28 |
1967-10 | Dido and Æneas: “Ruinnd ere” / “Ho,ho,ho” / “But ere.” / “In our deep.” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 2:48 |
1967-10 | Dido and Æneas: Act I. “Ah! Belinda” / “Grief increases” / “When monarchs unite” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 5:31 |
1967-10 | Dido and Æneas: Act I. “See, your royal guest appears” / “Cupid only throws.” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:29 |
1967-10 | Dido and Æneas: Act II. “Behold, upon my bending spear” / “Haste, haste to town” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 1:26 |
1967-10 | Dido and Æneas: Act III. “Thy hand, Belinda” / “When I am laid in earth” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 5:53 |
1967-10 | Dido and Æneas: Overture | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 2:41 |
1967-10 | eDido and Aeneas: Act II. Prelude for the Witches / “Wayward sisters” / “Harm’s our delight” / “The Queen of Carthage” / “Ho, ho, ho” | | | Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras | 2:39 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: 'Tis Nature's voice (Countertenor I) | | | Paul Esswood, English Chamber Orchestra, Charles Mackerras | 3:44 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | | | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | 1:18 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia, hail to thee! (Chorus) | | | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | 2:09 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Bass I) | | | Michael Rippon, English Chamber Orchestra, Charles Mackerras | 0:28 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Hail, bright Cecilia! (Chorus with solos) | | | Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | 3:27 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Hark, hark, each tree its silence breaks (Treble, Bass II) | | | John Shirley‐Quirk, Simon Woolf, Charles Mackerras | 4:54 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: In vain the am'rous flute and soft guitar (Countertenor I, Tenor) | | | Paul Esswood, Alexander Young, English Chamber Orchestra, Charles Mackerras | 5:39 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Let these amongst themselves contest (Bass I & II) | | | Michael Rippon, John Shirley‐Quirk, English Chamber Orchestra, Charles Mackerras | 3:16 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Overture - Canzona | | | English Chamber Orchestra, Charles Mackerras | 11:49 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Soul of the world (Chorus) | | | The Ambrosian Singers, Tiffin Boys’ Choir, English Chamber Orchestra, Charles Mackerras | 2:56 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: The airy violin (Countertenor I) | | | Paul Esswood, English Chamber Orchestra, Charles Mackerras | 1:38 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: The fife and all the harmony of war (Countertenor I) | | | Paul Esswood, English Chamber Orchestra, Charles Mackerras | 3:06 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: Thou tun'st this world below, the spheres above (Treble, Chorus) | | | The Ambrosian Singers, Tiffin Boys’ Choir, Simon Woolf, English Chamber Orchestra, Charles Mackerras | 3:38 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: With rapture of delight (Countertenor I & II, Tenor, Bass I) | | | Paul Esswood, Michael Rippon, Roland Tatnell, Alexander Young, English Chamber Orchestra, Charles Mackerras | 0:57 |
1969-01 | Ode for St Cecilia's Day (1692), Z. 328: With that sublime celestial lay (Countertenor I & II, Bass) | | | Paul Esswood, Michael Rippon, Roland Tatnell, English Chamber Orchestra, Charles Mackerras | 2:52 |
| See all 3,568 relationships |
| vocals |
---|
| Alyn Shipton interviews Sir Charles Mackerras on the unique aspects of this chamber-sized Brahms cycle | | other vocals | [dialogue] | 36:11 |
| Interview with Sir Charles Mackerras: "…not very interested…" | | other vocals | [dialogue] | 3:04 |
| Interview with Sir Charles Mackerras: "…quite a profund conducting of Janáček…" | | other vocals | [dialogue] | 4:14 |
| Interview with Sir Charles Mackerras: "…so you are the master of Janáček…" | | other vocals | [dialogue] | 2:12 |
| Interview with Sir Charles Mackerras: "…The Makropulos Case…" | | other vocals | [dialogue] | 15:25 |
| Interview with Sir Charles Mackerras: "…who was Australian singer…" | | other vocals | [dialogue] | 1:24 |
| Interview with Sir Charles Mackerras: "Sir Charles, you've devoted so much of your life to Janáček…" | | other vocals | [dialogue] | 3:11 |
| conducted |
---|
| Arias | | | Händel; Bryn Terfel | |
| Jenůfa | | | Leoš Janáček; Sir Charles Mackerras, Wiener Philharmoniker | |
| La traviata | | | Giuseppe Verdi; Valerie Masterson, John Brecknock, Christian du Plessis, English National Opera Orchestra & Chorus, Sir Charles Mackerras | |
| Renée Fleming | | | Renée Fleming | |
| Sinfonietta / Taras Bulba | | | Leoš Janáček; Wiener Philharmoniker, Sir Charles Mackerras | |
| Sir Charles Mackerras Conducts Janáček | | | Leoš Janáček; Czech Philharmonic Orchestra, Sir Charles Mackerras | |
| Věc Makropulos | | | Leoš Janáček; Elisabeth Söderström, Peter Dvorský, Beno Blachut, Wiener Staatsopernchor, Wiener Philharmoniker, Sir Charles Mackerras | |
| liner notes |
---|
| Symphony no. 9 "The Great" / Symphony no. 8 "Unfinished" | Sir Charles Mackerras | | Franz Schubert; Scottish Chamber Orchestra, Sir Charles Mackerras | |
| arranged |
---|
1950 | Pineapple Poll | | | | |
1950 | Pineapple Poll: Scene I. Belaye’s Solo | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene I. Finale | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene I. Opening Dance | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene I. Pas de trois | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene I. Poll’s Solo and Pas de deux | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene II. Jasper’s Solo | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene II. Poll’s Solo | | | | |
1950 | Pineapple Poll: Scene III. Belaye’s Solo and Sailors’ Drill | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene III. Entry of Belaye with Blanche as Bride | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene III. Grande Finale | Charles Mackerras | | | |
1950 | Pineapple Poll: Scene III. Poll’s Solo | Sir Charles Mackerras | | | |
1950 | Pineapple Poll: Scene III. Reconciliation | Sir Charles Mackerras | | | |
| In dulci jubilo | | | | |
| The Lady and the Fool | | | | |