| chorus master |
|---|
| 1987-11 | Tagesbuch eines Verschollenen: IX. " Sei willkommen, Jan"/" Welcome, my handsome one" (Alt, Tenor, Chor) | | Marcus Creed, Brigitte Balleys, Philip Langridge, Women of the RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 2:31 |
| 1987-11 | Tagesbuch eines Verschollenen: X. "Gott dort oben, mag"/"Go all-powerful, God eternal" (Alt, Chor) | | Marcus Creed, Brigitte Balleys, Women of the RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 4:25 |
| 1990-02 | Les Troyens, H 133 : Acte 4. No. 29 Chasse royale et orage – Pantomime | | Marcus Creed, RIAS Kammerchor, Rundfunkchor Berlin, Berliner Philharmoniker, James Levine | 9:37 |
| 1991-12-31 | Fantasia in C minor for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80: Adagio - Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia, assai vivace - Allegro - Allegretto ma non troppo (quasi andante con moto): »Schmeichelnd hold und lieblich klingen« - Presto | | Marcus Creed, John Aler, Camille Capasso, Kristina Clemenz, Friedrich Molsberger, Hiroshi Oshima, RIAS Kammerchor, Cheryl Studer, Евгений Игоревич Кисин, Berliner Philharmoniker, Claudio Abbado | 18:44 |
| Der Gärtner | | Marcus Creed, RIAS Kammerchor | 3:04 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio | | Evgeny Kissin, Berliner Philharmoniker, Claudio Abbado | 3:19 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-i. Finale. Allegro - Meno allegro - Allegro molto | | Evgeny Kissin, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 6:18 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-ii. Adagio ma non troppo | | Evgeny Kissin, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 2:52 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iii. Marcia, assai vivace - Allegro | | Evgeny Kissin, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 2:09 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iv. Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" | | Evgeny Kissin, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 2:18 |
| Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-v. Presto | | Evgeny Kissin, RIAS Kammerchor, Berliner Philharmoniker, Claudio Abbado | 1:37 |
| Lamentatio Jeremiæ Prophetæ: In coena Domini: Lectio Prima | | RIAS Kammerchor, Marcus Creed | 10:10 |
| Lamentatio Jeremiæ Prophetæ: In coena Domini: Lectio Secunda | | RIAS Kammerchor, Marcus Creed | 7:26 |
| Lamentatio Jeremiæ Prophetæ: In coena Domini: Lectio Tertia | | RIAS Kammerchor, Marcus Creed | 9:33 |
| Lamentatio Jeremiæ Prophetæ: In Parasceve: Lectio Prima | | RIAS Kammerchor, Marcus Creed | 7:10 |
| Lamentatio Jeremiæ Prophetæ: In Parasceve: Lectio Secunda | | RIAS Kammerchor, Marcus Creed | 9:15 |
| Lamentatio Jeremiæ Prophetæ: In Parasceve: Lectio Tertia | | RIAS Kammerchor, Marcus Creed | 5:54 |
| Lamentatio Jeremiæ Prophetæ: In Sabbato Sancto: Lectio Prima | | RIAS Kammerchor, Marcus Creed | 8:04 |
| Lamentatio Jeremiæ Prophetæ: In Sabbato Sancto: Lectio Secunda | | RIAS Kammerchor, Marcus Creed | 9:07 |
| Lamentatio Jeremiæ Prophetæ: In Sabbato Sancto: Lectio Tertia | | RIAS Kammerchor, Marcus Creed | 7:34 |
| Missa: Agnus Dei | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 13:32 |
| Missa: Credo: et in Jesum Christum | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 5:37 |
| Missa: Credo: et in spiritum sanctum | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 7:26 |
| Missa: Credo: pistoyomen eis hena theon | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 7:58 |
| Missa: Gloria | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 12:58 |
| Missa: Kyrie | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 16:06 |
| Missa: Sanctus: baruch habah | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 4:10 |
| Missa: Sanctus: und ich sah den Herrn | | Marcus Creed, Clytus Gottwald, RIAS Kammerchor, Südfunk-Chor, Zigmond Szatmáry, SWR Sinfonieorchester Baden‐Baden, Zoltán Peskó | 15:18 |
| conducted |
|---|
| 1994-12 | Gruppen | | Berliner Philharmoniker, Claudio Abbado, Marcus Creed, Friedrich Goldmann | 22:34 |
| 1994-12 | Gruppen | | Berliner Philharmoniker, Marcus Creed, Friedrich Goldmann, Claudio Abbado | 22:21 |
| 1994 | Jephtha: Act I. Accompagnato "If, Lord, sustained" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 1:10 |
| 1994 | Jephtha: Act I. Accompagnato "It must be so" (Zebul) | | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 1:30 |
| 1994 | Jephtha: Act I. Air "Dull delay, in piercing anguish" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 3:05 |
| 1994 | Jephtha: Act I. Air "In gentle murmurs will I mourn" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 5:10 |
| 1994 | Jephtha: Act I. Air "Pour forth no more" (Zebul) | | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 4:58 |
| 1994 | Jephtha: Act I. Air "Scenes of horror, scenes of woe" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 4:17 |
| 1994 | Jephtha: Act I. Air "Take the heart you fondly gave" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 3:57 |
| 1994 | Jephtha: Act I. Air "The smiling dawn of happy days" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 3:18 |
| 1994 | Jephtha: Act I. Air "Virtue my soul shall still embrace" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 4:07 |
| 1994 | Jephtha: Act I. Chorus "O God, behold our sore distress" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 4:10 |
| 1994 | Jephtha: Act I. Chorus "When his loud voice in thunder spoke" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 4:20 |
| 1994 | Jephtha: Act I. Chorus: "No more to Ammon's god and king" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 2:38 |
| 1994 | Jephtha: Act I. Duet "These labours past, how happy we" (Iphis, Hamor) | | Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 5:47 |
| 1994 | Jephtha: Act I. Recitative "But Jephtha comes" (Zebul, Jephtha) | | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 1:05 |
| 1994 | Jephtha: Act I. Recitative "Happy this embassy" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 0:51 |
| 1994 | Jephtha: Act I. Recitative "I go, my soul" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 0:31 |
| 1994 | Jephtha: Act I. Recitative "Ill suits the voice of love" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:30 |
| 1994 | Jephtha: Act I. Recitative "Say, my dear mother" (Iphis, Storge) | | Catherine Denley, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:59 |
| 1994 | Jephtha: Act I. Recitative "Some dire event" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 0:28 |
| 1994 | Jephtha: Act I. Recitative "Such, Jephtha, was the haughty king's reply" (Zebul, Jephtha) | | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 0:29 |
| 1994 | Jephtha: Act I. Recitative "Twill be a painful separation" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 0:30 |
| 1994 | Jephtha: Act I. Recitative "What mean these doubtful fancies" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 0:56 |
| 1994 | Jephtha: Act II: Air "Tune the soft melodious lute" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 4:19 |
| 1994 | Jephtha: Act II. Accompagnato "Deeper and deeper still" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 3:37 |
| 1994 | Jephtha: Act II. Accompagnato "For joys so vast" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:49 |
| 1994 | Jephtha: Act II. Accompagnato and Arioso "First perish thou" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 2:14 |
| 1994 | Jephtha: Act II. Air "Happy they!" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 3:40 |
| 1994 | Jephtha: Act II. Air "His mighty arm" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 5:26 |
| 1994 | Jephtha: Act II. Air "On me let blind mistake zeal" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 1:36 |
| 1994 | Jephtha: Act II. Air "Open thy marble jaws, O tomb" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 4:32 |
| 1994 | Jephtha: Act II. Air "Up the dreadful steep ascending" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 4:33 |
| 1994 | Jephtha: Act II. Air And Chorus: "Welcome, as the cheerful light" (Iphis) | | Christiane Oelze, RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 3:57 |
| 1994 | Jephtha: Act II. Chorus "Cherub and Seraphim" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 3:07 |
| 1994 | Jephtha: Act II. Chorus "How dark, O Lord, are thy decrees!" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 7:09 |
| 1994 | Jephtha: Act II. Chorus: "In glory high" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 2:24 |
| 1994 | Jephtha: Act II. Quartet "O spare your daughter!" (Storge, Hamor, Jephtha, Zebul) | | John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 2:47 |
| 1994 | Jephtha: Act II. Recitative "Glad things of great joy" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 1:19 |
| 1994 | Jephtha: Act II. Recitative "Hail, glorious conqueror!" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:24 |
| 1994 | Jephtha: Act II. Recitative "Heav'n smiles once more" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 0:33 |
| 1994 | Jephtha: Act II. Recitative "Horror! confusion!" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 0:26 |
| 1994 | Jephtha: Act II. Recitative "If such thy cruel purpose" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 0:23 |
| 1994 | Jephtha: Act II. Recitative "Such news flies swift" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:30 |
| 1994 | Jephtha: Act II. Recitative "Tis well, haste, haste, ye maidens" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:23 |
| 1994 | Jephtha: Act II. Recitative "Why is my brother thus afflicted?" (Zebul, Jephtha) | | John Mark Ainsley, Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 1:06 |
| 1994 | Jephtha: Act II. Symphony | | Akademie für Alte Musik Berlin, Marcus Creed | 1:13 |
| 1994 | Jephtha: Act III. Accompagnato "A father, Off'ring up" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 0:26 |
| 1994 | Jephtha: Act III. Accompagnato "Ye sacred priests" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:35 |
| 1994 | Jephtha: Act III. Air "Farewell, ye limpid springs" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 5:02 |
| 1994 | Jephtha: Act III. Air "Happy, Iphis, shalt thou live" (Angel) | | Julia Gooding, Akademie für Alte Musik Berlin, Marcus Creed | 4:42 |
| 1994 | Jephtha: Act III. Air "Laud her, all ye virgin train" (Zebul) | | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 2:16 |
| 1994 | Jephtha: Act III. Air "Sweet as sight to the blind" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 1:56 |
| 1994 | Jephtha: Act III. Air "Waft her, angels" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 4:06 |
| 1994 | Jephtha: Act III. Arioso "For ever blessed be" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 1:31 |
| 1994 | Jephtha: Act III. Arioso "Hide thou thy hated beams" (Jephtha) | | John Mark Ainsley, Akademie für Alte Musik Berlin, Marcus Creed | 2:40 |
| 1994 | Jephtha: Act III. Chorus "Doubtful fear and reverend awe" (Priests) | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 3:43 |
| 1994 | Jephtha: Act III. Chorus "Theme Sublime" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 3:25 |
| 1994 | Jephtha: Act III. Chorus "Ye house of Gilead" | | RIAS Kammerchor, Akademie für Alte Musik Berlin, Marcus Creed | 3:21 |
| 1994 | Jephtha: Act III. Quintet "All that is in Hamor mine" | | John Mark Ainsley, Catherine Denley, Michael George, Axel Köhler, Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 3:36 |
| 1994 | Jephtha: Act III. Recitative "Let me congratulate" (Zebul) | | Michael George, Akademie für Alte Musik Berlin, Marcus Creed | 0:30 |
| 1994 | Jephtha: Act III. Recitative "My faithful Hamor" (Iphis) | | Christiane Oelze, Akademie für Alte Musik Berlin, Marcus Creed | 0:15 |
| 1994 | Jephtha: Act III. Recitative "O let me fold thee" (Storge) | | Catherine Denley, Akademie für Alte Musik Berlin, Marcus Creed | 0:20 |
| 1994 | Jephtha: Act III. Recitative "Rise, Jephtha" (Angel) | | Julia Gooding, Akademie für Alte Musik Berlin, Marcus Creed | 1:10 |
| 1994 | Jephtha: Act III. Recitative "With transport, Iphis" (Hamor) | | Axel Köhler, Akademie für Alte Musik Berlin, Marcus Creed | 0:21 |
| 1994 | Jephtha: Act III. Symphony | | Akademie für Alte Musik Berlin, Marcus Creed | 1:54 |
| 1994 | Jephtha: Menuet | | Akademie für Alte Musik Berlin, Marcus Creed | 1:38 |
| 1994 | Jephtha: Ouverture | | Akademie für Alte Musik Berlin, Marcus Creed | 5:30 |
| 1997-04 | Drei Quartette, op. 31: I. Wechsellied zum Tanze | | RIAS Kammerchor, Marcus Creed, Alain Planès | 5:57 |
| 1997-04 | Drei Quartette, op. 31: II. Neckereien | | RIAS Kammerchor, Marcus Creed, Alain Planès | 2:29 |
| 1997-04 | Drei Quartette, op. 31: III. Der Gang zum Liebchen | | RIAS Kammerchor, Marcus Creed, Alain Planès | 3:03 |
| 1997-04 | Drei Quartette, op. 64: I. An die Heimat | | RIAS Kammerchor, Marcus Creed, Alain Planès | 5:30 |
| 1997-04 | Drei Quartette, op. 64: II. Der Abend | | RIAS Kammerchor, Marcus Creed, Alain Planès | 4:34 |
| 1997-04 | Drei Quartette, op. 64: III. Fragen | | RIAS Kammerchor, Marcus Creed, Alain Planès | 3:42 |
| 1997-04 | Elf Zigeunerlieder, op. 103: I. He, Zigeuner, greife in die Saiten ein! | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:22 |
| 1997-04 | Elf Zigeunerlieder, op. 103: II. Hochgetürmte Rimaflut, wie bist du trüb | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:14 |
| 1997-04 | Elf Zigeunerlieder, op. 103: III. Wißt ihr, wann mein Kindchen am allerschönsten ist? | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:25 |
| 1997-04 | Elf Zigeunerlieder, op. 103: IV. Lieber Gott, du weißt, wie oft bereut ich hab' | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:03 |
| 1997-04 | Elf Zigeunerlieder, op. 103: IX. Weit und breit schaut niemand mich an | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:45 |
| 1997-04 | Elf Zigeunerlieder, op. 103: V. Brauner Bursche führt zum Tanze | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:17 |
| 1997-04 | Elf Zigeunerlieder, op. 103: VI. Röslein dreie in der Reihe blühn so rot | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:27 |
| 1997-04 | Elf Zigeunerlieder, op. 103: VII. Kommt dir manchmal in den Sinn | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:34 |
| 1997-04 | Elf Zigeunerlieder, op. 103: VIII. Horch, der Wind klagt in den Zweigen traurig sacht | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:55 |
| 1997-04 | Elf Zigeunerlieder, op. 103: X. Mond verhüllt sein Angesicht | | RIAS Kammerchor, Marcus Creed, Alain Planès | 2:49 |
| 1997-04 | Elf Zigeunerlieder, op. 103: XI. Rote Abendwolken ziehn am Firmament | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:17 |
| 1997-04 | Gesang der Geister über den Wassern, D 714 | | Marcus Creed, RIAS Kammerchor, Scharoun Ensemble | 10:33 |
| 1997-04 | Nachtgesang im Walde, D 913 | | RIAS Kammerchor, Scharoun Ensemble, Marcus Creed | 7:01 |
| 1997-04 | Vier Quartette, op. 92: I. O schöne Nacht! | | RIAS Kammerchor, Marcus Creed, Alain Planès | 3:45 |
| 1997-04 | Vier Quartette, op. 92: II. Spätherbst | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:55 |
| 1997-04 | Vier Quartette, op. 92: III. Abendlied | | RIAS Kammerchor, Marcus Creed, Alain Planès | 3:01 |
| 1997-04 | Vier Quartette, op. 92: IV. Warum? | | RIAS Kammerchor, Marcus Creed, Alain Planès | 2:27 |
| 1997-04 | Vier Zigeunerlieder, op. 112b: I. Himmel straht so helle und klar | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:49 |
| 1997-04 | Vier Zigeunerlieder, op. 112b: II. Rote Rosenknopsen | | RIAS Kammerchor, Marcus Creed, Alain Planès | 0:54 |
| 1997-04 | Vier Zigeunerlieder, op. 112b: III. Brennessel steht an Weges Rand | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:19 |
| 1997-04 | Vier Zigeunerlieder, op. 112b: IV. Liebe Schwalbe, kleine Schwalbe | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:14 |
| 1997-04 | Zwei Quartette, op. 112a: I. Sehnsucht | | RIAS Kammerchor, Marcus Creed, Alain Planès | 2:57 |
| 1997-04 | Zwei Quartette, op. 112a: II. Nächtens | | RIAS Kammerchor, Marcus Creed, Alain Planès | 1:57 |
| 1998-05 | Coronach, D 836 | | RIAS Kammerchor, Philip Mayers, Marcus Creed | 5:06 |
| 1998-05 | Der Gondelfahrer, D 809 | | RIAS Kammerchor, Philip Mayers, Marcus Creed | 2:51 |
| 1998-05 | Die Nacht, D 983C | | RIAS Kammerchor, Marcus Creed | 3:00 |
| See all 606 relationships |
| instruments |
|---|
| Nachtwach | wood block | Barbara van den Boom, Bernhard Hartmann, Rüdiger Linn, Aleksandra Lustig, Hubert Mayer, Susanne Meißner-Schaufelberger, SWR Vokalensemble Stuttgart, Mikhail Shashkov, Ute Wille, Marcus Creed, Angelika Frei, Heinrich Gölzenleuchter, Martin Huber, Michael Peuse | 11:17 |
| vocals |
|---|
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: For H is a spirit and therefore he is God — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 3:49 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 2:26 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: For I will consider my Cat Jeoffry — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 2:10 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: For the flowers are great blessings — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 2:00 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: For the Mouse is a creature of great personal valour — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 0:54 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: Hallelujah from the heart of God | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 1:10 |
| 1974-03-18 – 1974-03-20 | Rejoice in the Lamb, Op. 30: Rejoice in God, O ye Tongues — | bass vocals | James Bowman, Choir of King’s College, Cambridge, Marcus Creed, Richard Morton, David Corkhill, James Lancelot, Philip Ledger | 3:56 |
| Canticum sacrum: Dedicatio | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 0:48 |
| Canticum sacrum: I. Euntes in mundum | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 2:09 |
| Canticum sacrum: II. Surge, aquilo | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 2:49 |
| Canticum sacrum: III. Ad tres virtutes hortationes | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 8:00 |
| Canticum sacrum: IV. Brevis motus cantilenae | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 3:18 |
| Canticum sacrum: V. Illi autem profecti | baritone vocals | Christ Church Cathedral Choir, Oxford, Marcus Creed, Richard Morton, Philip Jones Ensemble, Simon Preston | 2:13 |
| conducted |
|---|
| Ave Maria / Trout Quintet / Piano Sonata in B-flat | | Schubert | |
| Geistliche Chormusik | | Johannes Brahms | |
| Harmonia Mundi: '50 - Le Coffret du Cinquantième Anniversaire | | Various Artists | |
| creative direction |
|---|
| Geistliche Chormusik | | Johannes Brahms | |
