| 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180 | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | | | | | | | |
| Fantasie Nr. 4 in c-Moll, KV 475 | | | | | | | |
| Goldberg-Variationen, BWV 988: Aria | | | | | | | |
| Goldberg-Variationen, BWV 988: Aria da capo | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 6. Canone alla Seconda. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 7. a 1 ô vero 2 Clav. al tempo di Giga | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 8. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 9. Canone alla Terza. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 10. Fughetta. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 11. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 12. Canone alla Quarta | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 13. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 14. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 15. Canone alla Quinta. a 1 Clav. andante | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 16. Ouverture. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 17. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 18. Canone alla Sexta. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 19. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 20. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 21. Canone alla Settima | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 22. a 1 Clav. alla breve | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 23. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 24. Canone all'Ottava. a 1 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 25. a 2 Clav. adagio | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 26. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 27. Canone alla Nona. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 28. a 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 29. a 1 ô vero 2 Clav. | | | | | | | |
| Goldberg-Variationen, BWV 988: Variatio 30. a 1 Clav. Quodlibet | | | | | | | |
| Lélio, ou Le Retour à la vie, op. 14b: I. Le Pêcheur « L'onde frémit, l'onde s'agite » (Horatio) | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 1. Arietta | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 2. Vals | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 3. Vægtersang | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 4. Elverdans | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 5. Folkevise | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 6. Norsk | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 7. Stambogsblad | | | | | | | |
| Lyriske stykker, hefte I, op. 12: 8: Fædrelandssang | | | | | | | |
| Piano Concerto no. 2 in A minor, op. 85: I. Allegro moderato | | | | | | | |
| Piano Concerto no. 2 in A minor, op. 85: II. Larghetto | | | | | | | |
| Piano Concerto no. 2 in A minor, op. 85: III. Allegro moderato | | | | | | | |
| Piano Sonata no. 2, op. 59: I | | | | | | | |
| Piano Sonata no. 2, op. 59: II | | | | | | | |
| Piano Sonata no. 2, op. 59: III | | | | | | | |
| Piano Sonata no. 2, op. 59: IV | | | | | | | |
| Piano Sonata no. 7, op. 75: I. Preludio | | | | | | | |
| Piano Sonata no. 7, op. 75: II. Toccata | | | | | | | |
| Piano Sonata no. 7, op. 75: III. Invention. Adagio | | | | | | | |
| Piano Sonata no. 8, op. 76: I. Alla marcia | | | | | | | |
| Piano Sonata no. 8, op. 76: II. Zorzico | | | | | | | |
| Piano Sonata no. 8, op. 76: III. Finale | | | | | | | |
| Ragtime | | | | | | | |
| Rondo a capriccio for Piano in G major, op. 129 “The Rage Over the Lost Penny”: Allegro vivace | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: I. Tema con variazioni. Andante grazioso | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: II. Minuetto | | | | | | | |
| Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | | | | | | - 0O5-6807-6 (JASRAC ID)
- A major (Key)
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| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: I. Allegro moderato | | | | | | | |
| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: II. Andante | | | | | | | |
| Sonata for Piano no. 13 in A major, op. posth. 120, D. 664: III. Allegro | | | | | | | |
| Sonata for Piano no. 14 in C minor, K. 457: I. Molto allegro | | | | | | | |
| Sonata for Piano no. 14 in C minor, K. 457: II. Adagio | | | | | | | |
| Sonata for Piano no. 14 in C minor, K. 457: III. Allegro assai | | | | | | | |
| Sonata for Piano no. 16 in A minor, op. 42, D. 845: I. Moderato | | | | | | | |
| Sonata for Piano no. 16 in A minor, op. 42, D. 845: II. Andante poco mosso | | | | | | | |
| Sonata for Piano no. 16 in A minor, op. 42, D. 845: III. Scherzo. Allegro vivace - Trio. Un poco più lento | | | | | | | |
| Sonata for Piano no. 16 in A minor, op. 42, D. 845: IV. Rondo. Allegro vivace | | | | | | | |
| Sonata for Piano no. 21 in B-flat major, D. 960: I. Molto moderato | | | | | | | |
| Sonata for Piano no. 21 in B-flat major, D. 960: II. Andante sostenuto | | | | | | | |
| Sonata for Piano no. 21 in B-flat major, D. 960: III. Scherzo. Allegro vivace con delicatezza | | | | | | | |
| Sonata for Piano no. 21 in B-flat major, D. 960: IV. Allegro ma non troppo | | | | | | | |
| Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | | | | | | | |
| Sonata for Piano no. 24 in F-sharp major, op. 78 "A Thérèse": II. Allegro vivace | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto | | | | | | | |
| Sonata for Piano no. 28 in A major, op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | | | | | | | |
| Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | | | | | | | |
| Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | | | | | | | |
| V mlhách: I. Andante - Poco mosso | | | | | | | |
| V mlhách: II. Molto adagio - Presto | | | | | | | |
| V mlhách: III. Andantino - Poco mosso | | | | | | | |
| V mlhách: IV. Presto - Meno mosso - Andante | | | | | | | |
