40 airs anglois pour la flute: A Ground | | | | | | | |
Bassoon Sonata in F minor, TWV 41:f1: 1. Triste | | | | | | | |
Bassoon Sonata in F minor, TWV 41:f1: 2. Allegro | | | | | | | |
Bassoon Sonata in F minor, TWV 41:f1: 3. Andante | | | | | | | |
Bassoon Sonata in F minor, TWV 41:f1: 4. Vivace | | | | | | | |
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. | | - J. Brezina, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Gabor Ötvös
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- Münchener Bach‐Orchester, Karl Richter
- (show 163 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante | | - J. Brezina, Camerata Labacensis, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Gabor Ötvös
- [unknown]
- Musica Antiqua Köln, Reinhard Goebel
- The English Concert, Trevor Pinnock
- (show 151 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai | | - Rolf Quinque, Camerata Rhenania, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Philharmonia Slavonica, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Hanspeter Gmür, Francesco Macci, Heribert Münchner, Gabor Ötvös
- Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert
- Musica Antiqua Köln, Reinhard Goebel
- [unknown]
- (show 173 more)
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Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro | | | | | | | |
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante | | | | | | | |
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto | | | | | | | |
Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "Dal bel seno d'una stella" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "L'Autor d'ogni mio bene" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Aria. "Toccò la prima sorte a voi, pastori" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "Fortunati pastori" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "O di Betlemme altera" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Cantata pastorale per la natività di Nostro Signore Gesù Cristo: Recit. "Pres d'uomo la forma" | | - Kölner Kammerorchester, Helmut Müller‐Brühl
- Collegium Musicum 90, Simon Standage, Susan Gritton
- Emma Kirkby, London Baroque
- Nancy Argenta, Maya Homburger, Annette Isserlis, Rachel Isserlis, Malcolm Proud, Richard Tunnicliffe, The Chandos Baroque Players
- Dorothee Mields, Dorothee Oberlinger, Ensemble 1700
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Chaconne in D major | | | | | | | |
Concerto à 5 in B‐flat major: I. Allegro | | | | | | | |
Concerto à 5 in B‐flat major: II. Adagio | | | | | | | |
Concerto à 5 in B‐flat major: III. Allegro | | | | | | | |
Concerto doppio in C minor: I. Adagio | | | | | | | |
Concerto doppio in C minor: II. Allegro | | | | | | | |
Concerto doppio in C minor: III. Adagio | | | | | | | |
Concerto doppio in C minor: IV. Tempo di menuet | | | | | | | |
Concerto for Recorder and Viola da Gamba, TWV 52:a1: I. Grave | | | | Concerto | | | |
Concerto for Recorder and Viola da Gamba, TWV 52:a1: II. Allegro | | | | Concerto | | | |
Concerto for Recorder and Viola da Gamba, TWV 52:a1: III. Dolce | | | | Concerto | | | |
Concerto for Recorder and Viola da Gamba, TWV 52:a1: IV. Allegro | | | | Concerto | | | |
Concerto for Recorder and Violin in C major, GraunWV Cv:XIII:96: I. Allegro | | | | | | | |
Concerto for Recorder and Violin in C major, GraunWV Cv:XIII:96: II. Adagio | | | | | | | |
Concerto for Recorder and Violin in C major, GraunWV Cv:XIII:96: III. Allegro | | | | | | | |
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” | | | | | | | |
Concerto in E minor for Recorder, Traverso, Strings and Continuo, TWV 52:e1: I. Largo | | | | | | | |
Concerto in E minor for Recorder, Traverso, Strings and Continuo, TWV 52:e1: II. Allegro | | | | | | | |
Concerto in E minor for Recorder, Traverso, Strings and Continuo, TWV 52:e1: III. Largo | | | | | | | |
Concerto in E minor for Recorder, Traverso, Strings and Continuo, TWV 52:e1: IV. Presto | | | | | | | |
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1: I. Largo | | | | | | | |
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1: II. Vivace | | | | | | | |
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1: III. Grave | | | | | | | |
Concerto in F major for Recorder, Bassoon, Strings and Continuo, TWV 52:F1: IV. Allegro | | | | | | | |
Concerto per oboe, archi e continuo in re minore: II. Adagio | | | | | | | |
Concerto per oboe, archi e continuo in re minore: III. Presto | | | | | | | |
Essercizii Musici: Solo No. 10 for recorder & continuo in C major, TWV 41:C5: I. Adagio - Allegro - Adagio - Allegro | | | | | | | |
Essercizii Musici: Solo No. 10 for recorder & continuo in C major, TWV 41:C5: II. Larghetto | | | | | | | |
Essercizii Musici: Solo No. 10 for recorder & continuo in C major, TWV 41:C5: III. Vivace | | | | | | | |
Essercizii Musici: Trio No. 7 for recorder, viola da gamba & continuo in F major, TWV 42:F3: I. Vivace | | | | | | | |
Essercizii Musici: Trio No. 7 for recorder, viola da gamba & continuo in F major, TWV 42:F3: II. Mesto | | | | | | | |
Essercizii Musici: Trio No. 7 for recorder, viola da gamba & continuo in F major, TWV 42:F3: III. Allegro | | | | | | | |
Fantasia no. 5 in C major, TWV 40:6: I. Presto. Largo. Presto. Largo | | | | | | | |
Fantasia no. 5 in C major, TWV 40:6: II. Allegro | | | | | | | |
Fantasia no. 5 in C major, TWV 40:6: III. Allegro | | | | | | | |
Flautino Concerto in C major, RV 443: I. Allegro | | | | | | | |
Flautino Concerto in C major, RV 443: II. Largo | | | | | | | |
Flautino Concerto in C major, RV 443: III. Allegro molto | | | | | | | |
Flute Concerto in A minor "a 4": I. Allegro | | | | | | | |
Flute Concerto in A minor "a 4": II. Gavotte I & II | | | | | | | |
Flute Concerto in A minor "a 4": III. Allegro | | | | | | | |
Folle è ben che si crede | | | | | | | |
Hor che’l ciel e la terra e’l vento tace SV 147 | | | | | | | |
Il giardino d'amore | | | | | | | |
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" | | - Anna Reynolds, Karl Kolbinger, Herbert Duft, Johannes Fink, Kurt Hausmann, Günther Höller, Fritz Kiskalt, Manfred Clement, Detlef Kühl, Hans-Martin Linde, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- English Baroque Soloists, Sir John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 7 more)
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Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" | | | | | | | |
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ | | - Choir of King’s College, Cambridge, Academy of St Martin in the Fields, Sir David Willcocks
- Münchener Bach‐Chor, Munich Bach Orchestra, Solistengemeinschaft der Bachwoche Ansbach, Karl Richter
- The Monteverdi Choir, The English Baroque Soloists, John Eliot Gardiner
- Gerhard Schmidt‐Gaden, Tölzer Knabenchor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 107 more)
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Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" | | | | | | | |
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": II. Recitativo (Alt) "Die Welt, das Sündenhaus" | | | | | | | |
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": III. Aria (Alt) "Wie jammern mich doch die verkehrten Herzen" | | | | | | | |
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": IV. Recitativo (Alt) "Wer sollte sich demnach" | | | | | | | |
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": V. Aria (Alt) "Mir ekelt mehr zu leben" | | | | | | | |
Kantate, BWV 182 "Himmelskönig, sei willkommen": I. Sonata | | | | | | | |
Kantate, BWV 182 "Himmelskönig, sei willkommen": V. Aria (Alt) "Leget euch dem Heiland unter" | | | | | | | |
L' Incoronazione di Poppea: Act 1 - E pur io torno | | | | | | | |
La cattarina, op. 12 no. 10 | | | | | | | |
La Noce Champêtre ou l'Himen Pastoral: Le Coucher - Le Réveil Matin | | | | | | | |
La Noce Champêtre ou l'Himen Pastoral: Menuet I & II - Contredanse - Cotillon | | | | | | | |
La Noce Champêtre ou l'Himen Pastoral: Ouverture (le Festin) | | | | | | | |
La Noce Champêtre ou l'Himen Pastoral: Prélude. Appel pour rassembler la troupe | | | | | | | |
La Noce Champêtre ou l'Himen Pastoral: Sarabande l'Himen | | | | | | | |
Le Rossignol-en-amour | | | | | | | |
Les Delices, ou le Fargis | | | | | | | |
Les Saisons amusantes, part 1 “Le Printemps”: I. Allegro | | | | | | | |
Les Saisons amusantes, part 2 "Les Plaisirs de l'eté": II. Largo | | | | | | | |
Les Saisons amusantes, part 2 "Les Plaisirs de l'eté": III. La Caccia. Allegro | | | | | | | |
Oboe Concerto in D minor, S.Z799: I. Andante | | | | | | | |
Organ Concerto in F major, op. 4 no. 5, HWV 293: I. Larghetto | | - Michala Petri, Academy of St Martin in the Fields, Iona Brown
- Dorothee Oberlinger, Ensemble 1700
- Huguette Fernandez, Jean‐Pierre Rampal, Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard
- Nicanor Zabaleta, English Chamber Orchestra, Luis Antonio García Navarro
- Bernard Krainis, The London Strings, Sir Neville Marriner
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Organ Concerto in F major, op. 4 no. 5, HWV 293: II. Allegro | | - Michala Petri, Academy of St Martin in the Fields, Iona Brown
- Dorothee Oberlinger, Ensemble 1700
- Huguette Fernandez, Jean‐Pierre Rampal, Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard
- Nicanor Zabaleta, English Chamber Orchestra, Luis Antonio García Navarro
- Bernard Krainis, The London Strings, Sir Neville Marriner
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Organ Concerto in F major, op. 4 no. 5, HWV 293: III. Alla Siciliana | | | | | | | |
Organ Concerto in F major, op. 4 no. 5, HWV 293: IV. Presto | | - Michala Petri, Academy of St Martin in the Fields, Iona Brown
- Dorothee Oberlinger, Ensemble 1700
- Huguette Fernandez, Jean‐Pierre Rampal, Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard
- Nicanor Zabaleta, English Chamber Orchestra, Luis Antonio García Navarro
- Bernard Krainis, The London Strings, Sir Neville Marriner
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Ouverture in F major, GWV 447: I. Ouverture | | | | | | | |
Ouverture in F major, GWV 447: II. La Speranza | | | | | | | |
Ouverture in F major, GWV 447: III. Air en Gavotte | | | | | | | |
Ouverture in F major, GWV 447: IV. Menuet | | | | | | | |
Ouverture in F major, GWV 447: V. Air | | | | | | | |
Ouverture in F major, GWV 447: VI. Plaisanterie | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: I. Preludio. Con affetto | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: II. Aria 1. Presto | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: III: Aria 2. Dolce | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: IV. Aria 3. Vivace | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: V. Aria 4. Largo | | | | | | | |
Partita no. 1 in B-flat major, TWV 41:B1: VI. Aria 5. Vivace | | | | | | | |