| A Bernstein Birthday Bouquet | | | | | | | |
| A Bernstein Birthday Bouquet: Variations on Bernstein "Let's Hear It For Lenny!" | | | | | | | |
| A Free Song: Part I. "Look Down, Fair Moon" | | | | | | | |
| A Free Song: Part II. Song of the Banner | | | | | | | |
| A Question of Taste | | | | Opera | | | |
| A Song of Orpheus | | | | | | | |
| American Festival Overture | | | | Overture | | | |
| Carols of Death | | | | Song-cycle | | | |
| Carols of Death: I. The Last Invocation | | | | | | | |
| Carols of Death: II. The Unknown Region | | | | | | | |
| Carols of Death: III. To All, to Each | | | | | | | |
| Chester Overture | | | | Overture | | | |
| Circus Overture | | | | Overture | | | |
| Credendum (Article of Faith) | | | | | | | |
| Credendum (Article of Faith): I. Declaration. Moderato con fuoco - attacca | | | | | | | |
| Credendum (Article of Faith): II. Chorale. Lento - attacca | | | | | | | |
| Credendum (Article of Faith): III. Finale. Presto | | | | | | | |
| Esses: Short Suite for Singers on Words beginning with S | | | | Suite | | | |
| Esses: Short Suite for Singers on Words beginning with S: I. Suggestions | | | | | | | |
| Esses: Short Suite for Singers on Words beginning with S: II. Serenáta | | | | | | | |
| Esses: Short Suite for Singers on Words beginning with S: III. Stillness | | | | | | | |
| Esses: Short Suite for Singers on Words beginning with S: IV. Sing-a-Ling | | | | | | | |
| Five Rounds on Famous Words | | | | | | | |
| Five Rounds on Famous Words: I. Health | | | | | | | |
| Five Rounds on Famous Words: II. Thrift | | | | | | | |
| Five Rounds on Famous Words: III. Caution | | | | | | | |
| Five Rounds on Famous Words: IV. Beauty | | | | | | | |
| Five Rounds on Famous Words: V. Haste | | | | | | | |
| George Washington Bridge | | | | | | | |
| In Praise of Shahn | | | | | | | |
| Judith (Choreographic Poem for Orchestra) | | | | Ballet | | | |
| Mail Order Madrigals | | | | | | | |
| Mail Order Madrigals: I. Attention, Ladies! | | | | | | | |
| Mail Order Madrigals: II. Superfluous Hair | | | | | | | |
| Mail Order Madrigals: III. Sweet Refreshing Sleep | | | | | | | |
| Mail Order Madrigals: IV. Dr. Worden's Pills | | | | | | | |
| New England Triptych | | | | | | | |
| New England Triptych: I. Be Glad then, America | | | | | | | |
| New England Triptych: II. When Jesus Wept | | | | | | | |
| New England Triptych: III. Chester | | | | | | | |
| Newsreel in Five Shots | | | | | | | |
| Newsreel in Five Shots: I. Horse Race | | | | | | | |
| Newsreel in Five Shots: II. Fashion Show | | | | | | | |
| Newsreel in Five Shots: III. Tribal Dance | | | | | | | |
| Newsreel in Five Shots: IV. Monkeys at the Zoo | | | | | | | |
| Newsreel in Five Shots: V. Parade | | | | | | | |
| Night Journey | | | | Ballet | | | |
| Orchestra Song | | | | | | | |
| Orpheus with his lute | | | | | | | |
| Orpheus with his lute | | | | | | | |
| Perceptions | | | | | | | |
| Perceptions: I. Thought | | | | | | | |
| Perceptions: II. Beautiful Women | | | | | | | |
| Perceptions: III. To Old Age | | | | | | | |
| Perceptions: IV. Each of Us | | | | | | | |
| Perceptions: V. To the States | | | | | | | |
| Perceptions: VI. A Farm Picture | | | | | | | |
| Perceptions: VII. Whoever You Are! | | | | | | | |
| Perceptions: VIII. To You | | | | | | | |
| Piano Concerto | | | | Concerto | | | |
| Prayer in a Time of War | | | | | | | |
| Prelude for Voices | | | | | | | |
| Quartettino for Four Bassoons | | | | | | | |
| Quartettino for Four Bassoons: I. Ostinato | | | | | | | |
| Quartettino for Four Bassoons: II. Nocturne | | | | | | | |
| Quartettino for Four Bassoons: III. Valse | | | | | | | |
| Quartettino for Four Bassoons: IV. Fughetta | | | | | | | |
| Secular Cantata no. 2: A Free Song | | | | Cantata | | | |
| Seven Anniversaries: VII. For William Schuman | | | | | | | |
| String Quartet no. 3 | | | | Quartet | | | |
| String Quartet no. 3: I. Introduction and Fugue | | | | | | | |
| String Quartet no. 3: II. Intermezzo | | | | | | | |
| String Quartet no. 3: III. Rondo Variations | | | | | | | |
| Symphony for Strings (Symphony no. 5) | | | | Symphony | | | |
| Symphony for Strings (Symphony no. 5): I. Molto agitato ed energico | | | | | | | |
| Symphony for Strings (Symphony no. 5): II. Larghissimo | | | | | | | |
| Symphony for Strings (Symphony no. 5): III. Presto | | | | | | | |
| Symphony no. 3 | | | | Symphony | | | |
| Symphony no. 3: Part I: I. Passacaglia | | | | | | | |
| Symphony no. 3: Part I: II. Fugue | | | | | | | |
| Symphony no. 3: Part II: I. Chorale | | | | | | | |
| Symphony no. 3: Part II: II. Toccata | | | | | | | |
| Symphony no. 4 | | | | Symphony | | | |
| Symphony no. 4: I. ♩ = 72 | | | | | | | |
| Symphony no. 4: II. Tenderly, simply | | | | | | | |
| Symphony no. 4: III. ♩ = 144 | | | | | | | |
| Symphony no. 6 | | | | Symphony | | | |
| Symphony no. 7 | | | | Symphony | | | |
| Symphony no. 7: I. Largo assai - | | | | | | | |
| Symphony no. 7: II. Vigoroso - | | | | | | | |
| Symphony no. 7: III. Cantabile intensamente - | | | | | | | |
| Symphony no. 7: IV. Scherzando brioso | | | | | | | |
| Symphony no. 8 | | | | Symphony | | | |
| Symphony no. 8: I. Lento sostenuto | | | | | | | |
| Symphony no. 8: II. Largo | | | | | | | |
| Symphony no. 8: III. Presto | | | | | | | |
| Symphony no. 9 "Le Fosse Ardeatine" | | | | Symphony | | | |
| Symphony no. 9 "Le Fosse Ardeatine": I. Anteludium | | | | | | | |
| Symphony no. 9 "Le Fosse Ardeatine": II. Offertorium | | | | | | | |
| Symphony no. 9 "Le Fosse Ardeatine": III. Postludium | | | | | | | |
