| 6 Bagatelles, op. 126: No. 1 in G major: Andante con moto cantabile e compiacevole | | | | | | | |
| 6 Bagatelles, op. 126: No. 3 in E-flat major: Andante cantabile e grazioso | | | | | | | |
| Arabeske in C major, op. 18 | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: I. Allegro | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: II. Andante | | | | | | | |
| Concerto for Piano no. 21 in C major, K. 467: III. Allegro vivace assai | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | | | | | | | |
| Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | | | | | | | |
| Davidsbündlertänze, op. 6: I. Lebhaft | | | | | | | |
| Davidsbündlertänze, op. 6: II. Innig | | | | | | | |
| Davidsbündlertänze, op. 6: III. Mit Humor (Etwas hahnbüchen) | | | | | | | |
| Davidsbündlertänze, op. 6: IV. Ungeduldig | | | | | | | |
| Davidsbündlertänze, op. 6: IX. Lebhaft | | | | | | | |
| Davidsbündlertänze, op. 6: V. Einfach | | | | | | | |
| Davidsbündlertänze, op. 6: VI. Sehr rasch und in sich hinein | | | | | | | |
| Davidsbündlertänze, op. 6: VII. Nicht schnell mit äußerst starker Empfindung | | | | | | | |
| Davidsbündlertänze, op. 6: VIII. Frisch | | | | | | | |
| Davidsbündlertänze, op. 6: X. Balladenmäßig. Sehr rasch | | | | | | | |
| Davidsbündlertänze, op. 6: XI. Einfach | | | | | | | |
| Davidsbündlertänze, op. 6: XII. Mit Humor | | | | | | | |
| Davidsbündlertänze, op. 6: XIII. Wild und Lustig | | | | | | | |
| Davidsbündlertänze, op. 6: XIV. Zart und Singend | | | | | | | |
| Davidsbündlertänze, op. 6: XV. Frisch | | | | | | | |
| Davidsbündlertänze, op. 6: XVI. Mit gutem Humor | | | | | | | |
| Davidsbündlertänze, op. 6: XVII. Wie aus der Ferne | | | | | | | |
| Davidsbündlertänze, op. 6: XVIII. Nicht Schnell (Ganz zum Überfluss) | | | | | | | |
| Fantasia for Piano in G minor, op. 77 | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 1: Zart und mit Ausdruck | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 2: Lebhaft, leicht | | | | | | | |
| Fantasiestücke für Klarinette und Klavier, op. 73, Nr. 3: Rasch und mit Feuer | | | | | | | |
| Fantasiestücke, op. 12: I. Des Abends | | | | | | | |
| Fantasiestücke, op. 12: II. Aufschwung | | | | | | | |
| Fantasiestücke, op. 12: III. Warum? | | | | | | | |
| Fantasiestücke, op. 12: IV. Grillen | | | | | | | |
| Fantasiestücke, op. 12: V. In der Nacht | | | | | | | |
| Fantasiestücke, op. 12: VI. Fabel | | | | | | | |
| Fantasiestücke, op. 12: VII. Traumes Wirren | | | | | | | |
| Fantasiestücke, op. 12: VIII. Ende vom Lied | | | | | | | |
| Fantasy in C major, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen - Adagio - Im lebhaften Tempo - Im Legenden Ton | | | | | | | |
| Fantasy in C major, op. 17: II. Mäßig. Durchaus energisch - Etwas langsamer - Viel bewegter | | | | | | | |
| Fantasy in C major, op. 17: III. Langsam getragen. Durchweg leise zu halten - Etwas bewegter | | | | | | | |
| Gesänge der Frühe, op. 133: Nr. 5. Im Anfange ruhiges, im Verlauf bewegtes Tempo | | | | | | | |
| Játékok: Hommage à Schubert | | | | | | | |
| Kreisleriana, op. 16: I. Äußerst bewegt | | | | | | | |
| Kreisleriana, op. 16: II. Sehr innig und nicht zu rasch | | | | | | | |
| Kreisleriana, op. 16: III. Sehr aufgeregt | | | | | | | |
| Kreisleriana, op. 16: IV. Sehr langsam | | | | | | | |
| Kreisleriana, op. 16: V. Sehr lebhaft | | | | | | | |
| Kreisleriana, op. 16: VI. Sehr langsam | | | | | | | |
| Kreisleriana, op. 16: VII. Sehr rasch | | | | | | | |
| Kreisleriana, op. 16: VIII. Schnell und spielend | | | | | | | |
| Myrthen, op. 25: Nr. 1. Widmung | | | | Song | | | |
| Myrthen, op. 25: Nr. 3. Der Nußbaum | | | | Song | | | |
| On an Overgrown Path, Book 1: No. 1. Our Evenings | | | | | | | |
| On an Overgrown Path, Book 1: No. 2. A Blown Away Leaf | | | | | | | |
| On an Overgrown Path, Book 1: No. 3. Come With Us! | | | | | | | |
| On an Overgrown Path, Book 1: No. 4. The Madonna of Frýdek | | | | | | | |
| On an Overgrown Path, Book 1: No. 7. Good Night! | | | | | | | |
| Papillons, op. 2: Nr. 1 | | | | | | | |
| Papillons, op. 2: Nr. 2 Prestissimo | | | | | | | |
| Papillons, op. 2: Nr. 3 | | | | | | | |
| Papillons, op. 2: Nr. 4 Presto | | | | | | | |
| Papillons, op. 2: Nr. 5 | | | | | | | |
| Papillons, op. 2: Nr. 6 | | | | | | | |
| Papillons, op. 2: Nr. 7 Semplice | | | | | | | |
| Papillons, op. 2: Nr. 8 | | | | | | | |
| Papillons, op. 2: Nr. 9 Prestissimo | | | | | | | |
| Papillons, op. 2: Nr. 10 Vivo - Più lento | | | | | | | |
| Papillons, op. 2: Nr. 11 | | | | | | | |
| Papillons, op. 2: Nr. 12 Finale | | | | | | | |
| Piano Quintet in E-flat major, op. 44: I. Allegro brillante | | | | | | | |
| Piano Quintet in E-flat major, op. 44: II. In modo d'una marcia. Un poco largamente | | | | | | | |
| Piano Quintet in E-flat major, op. 44: III. Scherzo. Molto vivace | | | | | | | |
| Piano Quintet in E-flat major, op. 44: IV. Allegro, ma non troppo | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: I. Allegro ma non tanto | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: II. Dumka: Andante con moto | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: III. Scherzo – Furiant: Molto vivace | | | | | | | |
| Piano Quintet no. 2 in A major, op. 81: IV. Finale: Allegro | | | | | | | |
| Sechs Gedichte von Nikolaus Lenau und Requiem, op. 90: II. Meine Rose | | | | Song | | | |
| Sechs Gedichte von Nikolaus Lenau und Requiem, op. 90: VII. Requiem | | | | | | | |
| Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | | | | | | | 5 |
| Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | | | | | | | 5 |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | | | | | | | |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: II. Adagio molto | | | | | | | |
| Sonata for Piano no. 5 in C minor, op. 10 no. 1: III. Prestissimo | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | | | | | | | |
| Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | | | | | | | |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: I. Allegro | | | | | | | |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: II. Allegretto | | | | | | | |
| Sonata for Piano no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | | | | | | | |
| Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | | | | | | | |
| Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molto espressione | | | | | | | |
| Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | | | | | | | |
| Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": I. Andante con Variazioni | | | | | | | |
| Sonata for Piano no. 12 in A-flat major, op. 26 "Funeral March": II. Scherzo. Allegro molto | | | | | | | |
