Timothy Spurgin

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Name Artist ISRCs Rating Length
A Baggy Monster — War and Peace Professor Timothy Spurgin ?:??
A Classic Novel — The Age of Innocence Professor Timothy Spurgin ?:??
A Long Short Story — "Runaway" Professor Timothy Spurgin ?:??
Adaptation — From Fiction to Film Professor Timothy Spurgin ?:??
After 1750 — Sterne, Burney, and Radcliffe Professor Timothy Spurgin ?:??
After 1870 — Review and Preview Professor Timothy Spurgin ?:??
Artful Reading and Everyday Reading Professor Timothy Spurgin ?:??
Austen and the Comedic Tradition Professor Timothy Spurgin ?:??
Austen and the History of Consciousness Professor Timothy Spurgin ?:??
Authors, Real and Implied Professor Timothy Spurgin ?:??
Chapters, Patterns, and Rhythms Professor Timothy Spurgin ?:??
Characters — Beyond Round and Flat Professor Timothy Spurgin ?:??
Conrad and the “scramble for Africa” Professor Timothy Spurgin ?:??
Definitions and Distinctions Professor Timothy Spurgin ?:??
Descriptions — People, Places, and Things Professor Timothy Spurgin ?:??
Dialogue — The Good, the Bad, the Ugly Professor Timothy Spurgin ?:??
Dickens — Early Works Professor Timothy Spurgin ?:??
Dickens — Later Works Professor Timothy Spurgin ?:??
Eliot and the Multiplot Novel Professor Timothy Spurgin ?:??
Eliot and the Unfolding of Character Professor Timothy Spurgin ?:??
Explosive Devices — Irony and Ambiguity Professor Timothy Spurgin ?:??
Ford and Forster — Transition to Modernism Professor Timothy Spurgin ?:??
Hardy and the Natural World Professor Timothy Spurgin ?:??
Historical Context of Early English Fiction Professor Timothy Spurgin ?:??
James and the Art of Fiction Professor Timothy Spurgin ?:??
Joyce — Dublin and Dubliners Professor Timothy Spurgin ?:??
Joyce — Realism and Anti-Realism Professor Timothy Spurgin ?:??
Lawrence and the “bright Book of Life” Professor Timothy Spurgin ?:??
Master Plots — The Stranger and the Journey Professor Timothy Spurgin ?:??
Metafiction — Fiction About Fiction Professor Timothy Spurgin ?:??
Minimalists to Maximalists to Lyricists Professor Timothy Spurgin ?:??
Narrators — Their Voices and Their Visions Professor Timothy Spurgin ?:??
Novelists of the 1840s — Thackeray Professor Timothy Spurgin ?:??
Novelists of the 1840s — The Brontës Professor Timothy Spurgin ?:??
Picking Up the Tools Professor Timothy Spurgin ?:??
Reading for the Plot — Five Simple Words Professor Timothy Spurgin ?:??
Realism Times Four Professor Timothy Spurgin ?:??
Scene and Summary, Showing and Telling Professor Timothy Spurgin ?:??
Scott and the Historical Novel Professor Timothy Spurgin ?:??
Subtexts, Motives, and Secrets Professor Timothy Spurgin ?:??
The “Englishness” of the English Novel Professor Timothy Spurgin ?:??
The Game Is Afoot — Sherlock Holmes Professor Timothy Spurgin ?:??
The Impact of the Novel Professor Timothy Spurgin ?:??
The Plot Thickens — Scott and Brontë Professor Timothy Spurgin ?:??
The Plot Vanishes — Faulkner and Woolf Professor Timothy Spurgin ?:??
The Rise of the Novel — Richardson and Fielding Professor Timothy Spurgin ?:??
Thumbs Up? — Interpretation and Evaluation Professor Timothy Spurgin ?:??
Woolf and the Poetic Novel Professor Timothy Spurgin ?:??

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