| appears on video |
---|
1982 | The Pirates of Penzance: Featurette | | Judith de Paul, Peter Allen, Keith Michell, Michael Geliot | 17:05 |
| instruments |
---|
| Angels With Dirty Faces | piano | Peter Allen | 3:49 |
| Don’t Cry Out Loud | piano | Peter Allen | 4:07 |
| Don’t Leave Me Now | piano | Peter Allen | 3:22 |
| Don’t Wish Too Hard | piano | Peter Allen | 5:13 |
| I Could Have Been a Sailor | piano | Peter Allen | 3:52 |
| I Don’t Go Shopping | piano | Peter Allen | 4:34 |
| I’d Rather Leave While I’m in Love | piano | Peter Allen | 3:38 |
| If You Were Wondering | piano | Peter Allen | 4:47 |
| Paris at 21 | piano | Peter Allen | 6:58 |
| Simon | Rhodes piano | Peter Allen | 3:25 |
| Somebody’s Angel | Rhodes piano | Peter Allen | 4:02 |
| Two Boys | piano | Peter Allen | 3:27 |
| We’ve Come to an Understanding | piano | Peter Allen | 3:51 |
| vocals |
---|
1977 | Tenterfield Saddler | | Olivia Newton‐John with Peter Allen | 4:07 |
1982 | The Pirates of Penzance: Featurette | spoken vocals | Judith de Paul, Peter Allen, Keith Michell, Michael Geliot | 17:05 |
| Angels With Dirty Faces | lead vocals | Peter Allen | 3:49 |
| Bi‐Coastal | lead vocals | Peter Allen | 4:22 |
| Don’t Cry Out Loud | lead vocals | Peter Allen | 4:07 |
| Don’t Leave Me Now | lead vocals | Peter Allen | 3:22 |
| Don’t Wish Too Hard | lead vocals | Peter Allen | 5:13 |
| Easy on the Weekend | | Peter Allen | 4:00 |
| Fade to Black | | Peter Allen | 3:52 |
| Fly Away | lead vocals | Peter Allen | 4:01 |
| Hit in the Heart | lead vocals | Peter Allen | 3:24 |
| I Could Have Been a Sailor | lead vocals | Peter Allen | 3:52 |
| I Could Really Show You Around | lead vocals | Peter Allen | 4:14 |
| I Don’t Go Shopping | lead vocals | Peter Allen | 4:34 |
| I’d Rather Leave While I’m in Love | lead vocals | Peter Allen | 3:38 |
| If You Were Wondering | lead vocals | Peter Allen | 4:47 |
| Just Another Make Out Song | | Peter Allen | 4:09 |
| Not the Boy Next Door | | Peter Allen | 6:53 |
| Once Before I Go | | Peter Allen | 4:22 |
| One Step Over the Borderline | lead vocals | Peter Allen | 3:54 |
| Paris at 21 | lead vocals | Peter Allen | 6:58 |
| Pass This Time | lead vocals | Peter Allen | 4:00 |
| Simon | lead vocals | Peter Allen | 3:25 |
| Somebody’s Angel | lead vocals | Peter Allen | 4:02 |
| Somebody’s Got Your Love | | Peter Allen | 3:34 |
| The Pirates of Penzance: Act I. Oh, Better Far to Live and Die | bass-baritone vocals [The Pirate King] | Peter Allen, London Symphony Orchestra, Alexander Faris | 2:20 |
| The Pirates of Penzance: Act I. Oh, Men of Dark and Dismal Fate | bass-baritone vocals [The Pirate King] | Keith Michell, Peter Allen, Brian Donlan, Gillian Knight, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 8:21 |
| The Pirates of Penzance: Act II. Away, Away! My Heart’s on Fire! | bass-baritone vocals [The Pirate King] | Peter Allen, Gillian Knight, Alexander Oliver, London Symphony Orchestra, Alexander Faris | 1:31 |
| The Pirates of Penzance: Act II. Now for the Pirates’ Lair | bass-baritone vocals [The Pirate King] | Alexander Oliver, Peter Allen, Gillian Knight, London Symphony Orchestra, Alexander Faris | 1:24 |
| The Pirates of Penzance: Act II. Sighing Softly to the River / Credits | bass-baritone vocals [The Pirate King] | Keith Michell, Janis Kelly, Alexander Oliver, Peter Allen, Paul Hudson, Gillian Knight, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | 10:35 |
| The Pirates of Penzance: Act II. When You Had Left Our Pirate Fold | bass-baritone vocals [The Pirate King] | Gillian Knight, Alexander Oliver, Peter Allen, London Symphony Orchestra, Alexander Faris | 3:07 |
| Two Boys | lead vocals | Peter Allen | 3:27 |
| We’ve Come to an Understanding | lead vocals | Peter Allen | 3:51 |
| When This Love Affair Is Over | lead vocals | Peter Allen | 6:05 |
| You and Me (We Wanted It All) | | Peter Allen | 4:14 |
| You Haven’t Heard the Last of Me | | Peter Allen | 4:14 |
| You’ll Always Get Your Way | | Peter Allen | 4:32 |
| instruments |
---|
| Not the Boy Next Door | keyboard | Peter Allen | |
| Not the Boy Next Door | keyboard | Peter Allen | |
| Not the Boy Next Door | keyboard | Peter Allen | |
| Not the Boy Next Door | keyboard | Peter Allen | |
| composed |
---|
1976 | Don’t Cry Out Loud | | | |
| 5 O’Clock in L.A. | | | |
| After All | | | |
| Again | | | |
| All I Wanted Was the Dream | | | |
| Come Save Me | | | |
| Dixie | | | |
| Don’t Leave Me Now | | | |
| Don’t Wish Too Hard | | | |
| Easy on the Weekend | | | |
| Fade to Black | | | |
| Harbour | | | |
| I Could Have Been a Sailor | | | |
| I Go to Rio | | | |
| I Honestly Love You | | | |
| I Still Call Australia Home | | | |
| I’d Rather Leave While I’m in Love | | | |
| If You Were Wondering | | | |
| Just Another Make‐Out Song | | | |
| Just Ask Me I’ve Been There | | | |
| Marriage | | | |
| Only an Older Woman | | | |
| Paris at 21 | | | |
| Simon | | | |
| Six Thirty Sunday Morning | | | |
| Tenterfield Saddler | | | |
| The Lives of Me | | | |
| This Time Around | | | |
| Two Boys | | | |
| We’ve Come to an Understanding | | | |
| When I Get My Name in Lights | | | |
| You and Me (We Wanted It All) | | | |
| あなたしか見えない | | | |
| あなたしか見えない | | | |
| 樣樣做到好 | | | |
| lyrics |
---|
| 5 O’Clock in L.A. | | | |
| After All | | | |
| Again | | | |
| All I Wanted Was the Dream | | | |
| Come Save Me | | | |
| Dixie | | | |
| Easy on the Weekend | | | |
| Fade to Black | | | |
| Harbour | | | |
| I Could Have Been a Sailor | | | |
| I Still Call Australia Home | | | |
| If You Were Wondering | | | |
| Just Another Make‐Out Song | | | |
| Just Ask Me I’ve Been There | | | |
| Marriage | | | |
| Only an Older Woman | | | |
| Paris at 21 | | | |
| Simon | | | |
| Six Thirty Sunday Morning | | | |
| Tenterfield Saddler | | | |
| The Lives of Me | | | |
| This Time Around | | | |
| We’ve Come to an Understanding | | | |
| When I Get My Name in Lights | | | |
| 樣樣做到好 | | | |
| wrote |
---|
1976 | Je vais à Rio | | | |
| (I’ve Been) Taught by Experts | | | |
| (The Tragedy of) Butterfly McHeart | | | |
| Ah, My Sister | | | |
| Angels With Dirty Faces | | | |
| Arthur’s Theme (Best That You Can Do) | | | |
| Back Doors Crying | | | |
| Bi‐Coastal | | | |
| Continental American | | | |
| Every Teardrop Is a Waterfall | | | |
| Everything Old Is New Again | | | |
| Fly Away | | | |
| Glittering Zero | | | |
| He Couldn’t Care Less | | | |
| Hit in the Heart | | | |
| Honest Queen | | | |
| I Could Really Show You Around | | | |
| I Don’t Go Shopping | | | |
| I’ve Been Wanting You So Long | | | |
| Long Time Looking | | | |
| Looking Thru the Eye | | | |
| Love Crazy | | | |
| Love Don’t Need a Reason | | | |
| More Than I Like You | | | |
| Not the Boy Next Door | | | |
| Once Before I Go | | | |
| One Step Over the Borderline | | | |
| Only Wounded | | | |
| Other Side | | | |
| Pass This Time | | | |
| Planes | | | |
| Pretty, Pretty | | | |
| Quiet Please (There’s a Lady on Stage) | | | |
| Ritmo de la noche | | | |
| She Loves to Hear the Music | | | |
| Shy as a Violet | | | |
| Somebody’s Angel | | | |
| Someone Waits for You | | | |
| Spit Before You Swallow | | | |
| Sweetest Music | | | |
| The Answer to My Prayer | | | |
| The Heart of Everything | | | |
| The Love Too Good to Last | | | |
| The World Through a Tear | | | |
| Think I’ll Write a Song | | | |
| Truth and Honesty | | | |
| What Difference Does It Make | | | |
| When This Love Affair Is Over | | | |
| Where the Sun Never Shines | | | |
| You’ll Always Get Your Way | | | |