From the House of the Dead: Act II. "Dnes bude můj poslední den!" (Don Juan) | | | | | | | |
From the House of the Dead: Act II. “Poslali mne v Jurjea” (Skuratov, Drunken Prisoner, Prisoners' Chorus, Šapkin, Blacksmith, Luka, Kedril) | | | | | | | |
Il corsaro: Atto II, Scena I, "Né sulla terra creatura alcuna" (Gulnara) | | | | | | | |
Il corsaro: Atto II, Scena I, "Vola talor dal carcere" (Gulnara) | | | | | | | |
Il corsaro: Atto II, Scena II, "Seide celebra con gioia e festa" (Eunuco, Gulnara) | | | | | | | |
Il corsaro: Atto II, Scena V-VI, "Giunge un Dervis fuggito alle catene" (Schiavo, Seid, Corrado) | | | | | | | |
Il corsaro: Atto II, Scena VI, "Di': que' ribaldi fremono" (Seid, Corrado) | | | | | | | |
Il corsaro: Atto II, Scena VI, "Resta ancora. - Signore..." (Seid, Corrado) | | | | | | | |
Iolanthe: Act I Finale, no. 13 “When Darkly Looms the Day…” (Ensemble) | | - Alexander Oliver, Kate Flowers, Thomas Hemsley, Beverley Mills, David Hillman, Derek Hammond-Stroud, Anne Collins, Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Gilbert & Sullivan
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Iolanthe: Act I, no. 3 “Good-Morrow, Good Mother” (Strephon, Chorus of Fairies) | | | | Song | | | |
Iolanthe: Act I, no. 4a “Good-Morrow, Good Lover” (Phyllis, Strephon) | | | | Song | | | |
Iolanthe: Act I, no. 5 “None Shall Part Us From Each Other” (Phyllis, Strephon) | | | | | | | |
Iolanthe: Act I, no. 11 “My Lords, It May Not Be…” (Phyllis, Tolloller, Mountararat, Strephon, Lord Chancellor, Peers) | | - Kate Flowers, Derek Hammond-Stroud, Alexander Oliver, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Philip Blake-Jones, Philip Creasy, D'Oyly Carte Opera Chorus, Lawrence Richard, Richard Suart, Elizabeth Woollett, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- Gilbert & Sullivan
- The D’Oyly Carte Opera Company, Isidore Godfrey
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Iolanthe: Act II, No. 22, Duet “If We’re Weak Enough to Tarry” (Phyllis, Strephon) | | | | | | | |
La traviata: Atto I. “Che è ciò?” (Violetta, Alfredo, Coro) | | - Ileana Cotrubaș, Plácido Domingo, Giovanni Foiani, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
- Maria Callas, Francesco Albanese, Coro di Torino della RAI, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Maria Callas, Coro del Teatro alla Scala di Milano, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
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La traviata: Atto I. “Dell’invito trascorsa è già l’ora” (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) | | - Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Ileana Cotrubaș, Plácido Domingo, Giovanni Foiani, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
- Alberto Albertini, Maria Callas, Mariano Caruso, Coro Cetra, Francesco Albanese, Ede Marietti Gandolfo, Mario Zorgniotti, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Maria Callas, Coro del Teatro alla Scala di Milano, Arturo La Porta, Giuseppe Zampieri, Silvana Zanolli, Antonio Zerbini, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Anna Netrebko, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi
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La traviata: Atto I. Duetto “Un dì felice, eterea” (Alfredo, Violetta) | | - Ileana Cotrubaș, Plácido Domingo, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber
- Plácido Domingo
- Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge
- Anna Moffo, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
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La traviata: Atto II, scena 2. "Di sprezzo degno sè stesso rende" (Germont, Alfredo, Barone, Coro) | | - Rupert Huber, Konzertvereinigung Wiener Staatsopernchor, Salvatore Cordella, Paul Gay, Thomas Hampson, Luigi Roni, Helene Schneiderman, Rolando Villazón, Herman Wallén, Wiener Philharmoniker, Carlo Rizzi
- Wolfgang Baumgart, Chor der Bayerischen Staatsoper, Plácido Domingo, Giovanni Foiani, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Stefania Malagú, Sherrill Milnes, Bayerisches Staatsorchester, Carlos Kleiber
- Ettore Bastianini, Coro del Teatro alla Scala di Milano, Arturo La Porta, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Carlo Bergonzi, Coro del Maggio Musicale Fiorentino, Robert Merrill, Paolo Pedani, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard
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La traviata: Atto II, scena 2. “Alfredo! Voi!” (Alfredo, Flora, Barone, Violetta, Gastone, Coro) | | - Ileana Cotrubaș, Plácido Domingo, Paul Friess, Bruno Grella, Walter Gullino, Stefania Malagú, Bayerisches Staatsorchester, Carlos Kleiber
- Alberto Albertini, Maria Callas, Mariano Caruso, Francesco Albanese, Ede Marietti Gandolfo, Coro di Torino della RAI, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
- Maria Callas, Coro del Teatro alla Scala di Milano, Arturo La Porta, Giuseppe Zampieri, Silvana Zanolli, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Carlo Maria Giulini
- Paul Gay, Anna Netrebko, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
- (show 31 more)
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La traviata: Atto II, scena 2. “Ogni suo aver tal femmina” (Alfredo, tutti) | | - Wolfgang Baumgart, Stefania Malagú, Chor der Bayerischen Staatsoper, Plácido Domingo, Giovanni Foiani, Alfredo Giacomotti, Bruno Grella, Walter Gullino, Bayerisches Staatsorchester, Carlos Kleiber
- Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi
- Giuseppe Conca, Coro del Teatro dell’Opera di Roma, Richard Tucker, Orchestra del Teatro dell’Opera di Roma, Fernando Previtali
- Francesco Albanese, Coro di Torino della RAI, Orchestra Sinfonica di Torino della RAI, Gabriele Santini
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Le nozze di Figaro, KV 492: Atto IV. “Ah tutti contenti” | | - Anne Howells, Robin Leggate, Felicity Lott, Alexander Oliver, Patricia Payne, Samuel Ramey, Deborah Rees, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner
- Wolfgang Amadeus Mozart
- BBC Symphony Chorus, Mirella Freni, Wladimiro Ganzarolli, Yvonne Minton, Jessye Norman, Robert Tear, Ingvar Wixell, BBC Symphony Orchestra, Sir Colin Davis
- Sir Thomas Allen, Kiri Te Kanawa, London Philharmonic Orchestra, Sir Georg Solti
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Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie | | - Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Kathleen Battle, Gösta Winbergh, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
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| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 45 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: III. Credo | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus | | - Júlia Hamari, Bavarian Radio Chorus, Dietrich Fischer‐Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Symphony Orchestra, Eugen Jochum
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 45 more)
| | Mass | | | |
The Pirates of Penzance: Act I, Finale No. 14 “Oh, men of dark and dismal fate …” (Mabel, Edith, Kate, Frederic, Samuel, Pirate King, Major-General, Ruth, Chorus) | | - Gilbert & Sullivan
- Keith Michell, Peter Allen, Brian Donlan, Gillian Knight, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Pauline Birchall, Patricia Cameron, Philip Creasy, D'Oyly Carte Opera Chorus, Susan Gorton, Gareth Jones, Malcolm Rivers, Eric Roberts, Marilyn Hill Smith, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- Pirates of Penzance
- Orchestra of the Welsh National Opera, Charles Mackerras
| | Song | | | |
The Pirates of Penzance: Act I, no. 4. "Oh, false one, you have deceiv'd me ... You told me you were fair as gold” (Fredric, Ruth) | | | | Song | | | |
The Pirates of Penzance: Act I, no. 6. “Stop, ladies, pray!” (Fredric, Girls, Edith, Kate) | | - Gilbert & Sullivan
- Alexander Oliver, Kate Flowers, Jenny Wren, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Pauline Birchall, Patricia Cameron, Philip Creasy, D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- Pirates of Penzance
- (show 2 more)
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The Pirates of Penzance: Act I, no. 7. “Oh, is there not one maiden breast?” (Frederic, Girls, Mabel) | | - Gilbert & Sullivan
- Alexander Oliver, Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Elsie Griffin, Derek Oldham, Chorus, Sir Malcolm Sargent
- Philip Creasy, D'Oyly Carte Opera Chorus, Marilyn Hill Smith, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- (show 8 more)
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The Pirates of Penzance: Act I, no. 11. “Stay, We Must Not Lose Our Senses” (Frederic, Girls) | | | | | | | |
The Pirates of Penzance: Act II Finale, no. 28 “Now What Is This” (Major General, Pirate King, Frederic, Mabel, Sergeant, Ruth, Pirates, Girls, Policemen) | | - Keith Michell, Janis Kelly, Alexander Oliver, Peter Allen, Paul Hudson, Gillian Knight, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Gilbert & Sullivan
- Philip Creasy, D'Oyly Carte Opera Chorus, Susan Gorton, Malcolm Rivers, Eric Roberts, Marilyn Hill Smith, Simon Masterton Smith, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- Orchestra of the Welsh National Opera, Charles Mackerras
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The Pirates of Penzance: Act II, no. 16. “Then, Frederic, Let Your Escort Lion-Hearted” (Frederic, Major-General) | | | | | | | |
The Pirates of Penzance: Act II, no. 18 “Now for the Pirates’ Lair!…” (Frederic, Ruth, Pirate King) | | | | | | | |
The Pirates of Penzance: Act II, no. 19 “When You Had Left Our Pirate Fold” (Ruth, Frederic, Pirate King) | | - Gilbert & Sullivan
- Gillian Knight, Alexander Oliver, Peter Allen, London Symphony Orchestra, Alexander Faris
- Darrell Fancourt, Bertha Lewis, Derek Oldham, Sir Malcolm Sargent
- Philip Creasy, Susan Gorton, Malcolm Rivers, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- (show 4 more)
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The Pirates of Penzance: Act II, no. 20. “Away, away, my heart’s on fire” (Ruth, Frederic, Pirate King) | | | | Song | | | |
The Pirates of Penzance: Act II, no. 21 “All Is Prepar’d; Your Gallant Crew Await You” (Mabel, Frederic) | | | | | | | |
The Pirates of Penzance: Act II, no. 22. “Stay, Fred’ric stay!…” (Mabel, Frederic, Ensemble) | | | | | | | |
The Pirates of Penzance: Act II, no. 27. “Hush! Hush! Not a word” (Frederic, Pirate King, Major-General, Policemen, Pirates) | | - Gilbert & Sullivan
- Alexander Oliver, Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Philip Creasy, D'Oyly Carte Opera Chorus, Malcolm Rivers, Eric Roberts, D'Oyly Carte Opera Orchestra, John Pryce-Jones
- Gilbert and Sullivan
- Orchestra of the Welsh National Opera, Charles Mackerras
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The Sorcerer: Act I. “All is prepar’d for sealing and for signing” (Aline, Alexis, Lawyer, Chorus) | | | | | | | |
The Sorcerer: Act I. “Love feeds on many kinds of food” (Alexis) | | | | | | | |
The Sorcerer: Act I. “Sir marmaduke” (Sir Marmaduke, Dr. Daly, Alexis) | | | | | | | |
The Sorcerer: Act I. “Sprites of earth and air” (Aline, Alexis, Mr. Wells, Chorus) | | | | | | | |
The Sorcerer: Act I. “With heart and with voice” (Chorus of Men) | | | | | | | |
The Sorcerer: Act I. Finale “Now to the Banquet We Press…” (Ensemble) | | | | | | | |
The Sorcerer: Act II. “’Tis twelve, I think” (Aline, Alexis, Mr. Wells, Chorus) | | | | | | | |
The Sorcerer: Act II. “Dear friends, take pity on my lot” (Constance, Notary, Aline, Alexis, Chorus) | | | | | | | |
The Sorcerer: Act II. “I rejoice that it’s decided” (Aline, Mrs. Partlet, Alexis, Dr. Daly, Sir Marmaduke) | | | | | | | |
The Sorcerer: Act II. “Oh, joyous boon!” (Aline, Alexis, Dr. Daly, Chorus) | | | | | | | |
The Sorcerer: Act II. “Prepare for sad surprises” (Alexis) | | | | | | | |
The Sorcerer: Act II. “Thou hast the pow’r thy vaunted love to sanctify… It is not love” (Alexis) | | | | | | | |
The Sorcerer: Act II. Finale “Or he or I must die” | | - Clive Revill, Donald Adams, David Kernan, Nuala Willis, Alexander Oliver, Nan Christie, Janis Kelly, Mark Lufton, Enid Hartle, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris
- Gilbert & Sullivan
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Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato) | | - Ettore Bastianini, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Helen Donath, Sherrill Milnes, Pier Francesco Poli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Tito Gobbi, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Plácido Domingo, Sumi Jo, Leo Nucci, Wolfgang Witte, Wiener Philharmoniker, Herbert von Karajan
- (show 23 more)
| | Aria | | | |
Un ballo in maschera: Atto I, scena 1. Nº 5b Ballata “Volta la terrea fronte alle stelle” (Oscar, Riccardo) | | - Nicolas Christou, Coro dell’Accademia Nazionale di Santa Cecilia, Helen Donath, Sherrill Milnes, Leonardo Monreale, Luciano Pavarotti, Pier Francesco Poli, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti, Umberto Vedovelli
- Eugenia Ratti, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Plácido Domingo, Sumi Jo, Wolfgang Witte, Wiener Philharmoniker, Herbert von Karajan
- Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- (show 17 more)
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Un ballo in maschera: Atto I, scena 1. Nº 6b “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro) | | - Luciano Pavarotti, Orchestra dell’Accademia Nazionale di Santa Cecilia, Bruno Bartoletti
- Ettore Bastianini, Antonio Cassinelli, Coro del Teatro alla Scala di Milano, Eugenia Ratti, Marco Stefanoni, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Gianandrea Gavazzeni
- Coro del Teatro alla Scala di Milano, Tito Gobbi, Silvio Maionica, Eugenia Ratti, Nicola Zaccaria, Giuseppe di Stefano, Orchestra del Teatro alla Scala di Milano, Antonino Votto
- Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti
- (show 10 more)
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