| From the House of the Dead: Act II. “Poslali mne v Jurjea” (Skuratov, Drunken Prisoner, chorus, Šapkin, Blacksmith, Luka, Kedril) | Ulrich Grossrubatscher, Konzertvereinigung Wiener Staatsopernchor, Philip Langridge, Barry McCauley, Alexander Oliver, Josef Stangl, Heinz Zednik, Wiener Philharmoniker, Claudio Abbado | | | 7:06 | |
| From the House of the Dead: Act II. Opera: “Kedril and Don Juan”: “Dnes bude můj posledni den!” (Don Juan, chorus, Kedril) | Konzertvereinigung Wiener Staatsopernchor, Alexander Oliver, Wiener Philharmoniker, Claudio Abbado | | | 4:32 | |
| Il corsaro: "Né sulla terra creatura alcuna" | Montserrat Caballé, Alexander Oliver, Philharmonia Orchestra, Lamberto Gardelli | | | 4:38 | |
| Il corsaro: Atto II, scena 1. Cavatina “Né sulla terra creatura alcuna … Vola talor dal carcere … Seide celebra con gioia e festa” | Montserrat Caballé, Alexander Oliver, Philharmonia Orchestra, Lamberto Gardelli | | | 4:28 | |
| Il corsaro: Atto II, scena 2. Finale “Resta ancora” | John McCarthy, Ambrosian Singers, Montserrat Caballé, José Carreras, Alexander Oliver, Philharmonia Orchestra, Lamberto Gardelli | | | 3:38 | |
| Il corsaro: Atto II, scena 2. Recitativo e Duettino “Giunge un Dervis” … “Di' - que' ribaldi tremano“ | José Carreras, Gian-Piero Mastromei, Alexander Oliver, Philharmonia Orchestra, Lamberto Gardelli | | | 2:55 | |
| Iolanthe: Act I Finale. 13. When Darkly Looms the Day | Alexander Oliver, Kate Flowers, Thomas Hemsley, Beverley Mills, David Hillman, Derek Hammond-Stroud, Anne Collins, Sandra Dugdale, Pamela Field, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 17:41 | |
| Iolanthe: Act I. 3. Good-Morrow, Good Mother | Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 0:42 | |
| Iolanthe: Act I. 4a. Good-Morrow, Good Lover | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:44 | |
| Iolanthe: Act I. 5. None Shall Part Us | Kate Flowers, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 3:01 | |
| Iolanthe: Act I. 11. My Lords, It May Not Be | Kate Flowers, Derek Hammond-Stroud, Alexander Oliver, Thomas Hemsley, David Hillman, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:47 | |
| Iolanthe: Act II. 22. If We’re Weak Enough to Tarry | Alexander Oliver, Kate Flowers, London Symphony Orchestra, Alexander Faris | | | 1:21 | |
| La traviata: Atto I. “Che è ciò?” (Coro, Violetta, Alfredo) | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | | | 2:10 | |
| La traviata: Atto I. “Dell'invito trascorsa” (Coro, Violetta, Alfredo) | Terry Edwards, Della Jones, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | | | 4:39 | |
| La traviata: Atto I. “Un dì felice, eterea” (Alfredo, Violetta) | Alexander Oliver, Luciano Pavarotti, Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | | | 6:10 | |
| La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, David Wilson‐Johnson, National Philharmonic Orchestra, Richard Bonynge | | | 8:50 | |
| La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) | Della Jones, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | | | 6:28 | |
| Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti" | Anne Howells, Robin Leggate, Felicity Lott, Alexander Oliver, Patricia Payne, Samuel Ramey, Deborah Rees, Richard Stilwell, John Tomlinson, Willard White, Academy of St Martin in the Fields, Sir Neville Marriner | | | 2:36 | |
| Mass in C major, K. 317 "Coronation": I. Kyrie | Margaret Hillis, Chicago Symphony Chorus, Alexander Oliver, Lucia Popp, Chicago Symphony Orchestra, Rafael Kubelík | | | 2:53 | |
| Mass in C major, K. 317 "Coronation": II. Gloria | Margaret Hillis, Chicago Symphony Chorus, Malcolm King, Alexander Oliver, Lucia Popp, Mira Zakai, Chicago Symphony Orchestra, Rafael Kubelík | | | 4:30 | |
| Mass in C major, K. 317 "Coronation": III. Credo | Margaret Hillis, Chicago Symphony Chorus, Malcolm King, Alexander Oliver, Lucia Popp, Mira Zakai, Chicago Symphony Orchestra, Rafael Kubelík | | | 6:40 | |
| Mass in C major, K. 317 "Coronation": V. Benedictus | Margaret Hillis, Chicago Symphony Chorus, Malcolm King, Alexander Oliver, Lucia Popp, Mira Zakai, Chicago Symphony Orchestra, Rafael Kubelík | | | 3:05 | |
| Mass in C major, K. 317 "Coronation": VI. Agnus Dei | Margaret Hillis, Chicago Symphony Chorus, Malcolm King, Alexander Oliver, Lucia Popp, Mira Zakai, Chicago Symphony Orchestra, Rafael Kubelík | | | 6:23 | |
| The Pirates of Penzance: Act I. Oh, Is There Not One Maiden Breast | Alexander Oliver, Janis Kelly, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:00 | |
| The Pirates of Penzance: Act I. Oh, Men of Dark and Dismal Fate | Keith Michell, Peter Allen, Brian Donlan, Gillian Knight, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:21 | |
| The Pirates of Penzance: Act I. Oh! False One, You Have Deceiv’d Me! | Alexander Oliver, Gillian Knight, London Symphony Orchestra, Alexander Faris | | | 2:54 | |
| The Pirates of Penzance: Act I. Stay, We Must Not Lose Our Senses | Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:28 | |
| The Pirates of Penzance: Act I. Stop, Ladies, Pray! | Alexander Oliver, Kate Flowers, Jenny Wren, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:15 | |
| The Pirates of Penzance: Act II. All Is Prep’red, Your Gallant Crew Await You | Janis Kelly, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 1:12 | |
| The Pirates of Penzance: Act II. Away, Away! My Heart’s on Fire! | Peter Allen, Gillian Knight, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 1:31 | |
| The Pirates of Penzance: Act II. Hush, Hush, Not a Word! | Alexander Oliver, Keith Michell, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:08 | |
| The Pirates of Penzance: Act II. Now for the Pirates’ Lair | Alexander Oliver, Peter Allen, Gillian Knight, London Symphony Orchestra, Alexander Faris | | | 1:24 | |
| The Pirates of Penzance: Act II. Sighing Softly to the River / Credits | Keith Michell, Janis Kelly, Alexander Oliver, Peter Allen, Paul Hudson, Gillian Knight, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 10:35 | |
| The Pirates of Penzance: Act II. Stay, Fred’ric, Stay! | Janis Kelly, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:41 | |
| The Pirates of Penzance: Act II. Then, Frederic, Let Your Escort Lion-Hearted | Keith Michell, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:21 | |
| The Pirates of Penzance: Act II. When You Had Left Our Pirate Fold | Gillian Knight, Alexander Oliver, Peter Allen, London Symphony Orchestra, Alexander Faris | | | 3:07 | |
| The Sorcerer: Act I. All Is Prepared | Mark Lufton, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:11 | |
| The Sorcerer: Act I. For Love Alone | Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 2:47 | |
| The Sorcerer: Act I. Now to the Banquet We Press | Donald Adams, Clive Revill, Nan Christie, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:14 | |
| The Sorcerer: Act I. Sir Marmaduke, My Dear Young Friend, Alexis | David Kernan, Donald Adams, Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:43 | |
| The Sorcerer: Act I. Sprites of Earth and Air | Clive Revill, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 4:10 | |
| The Sorcerer: Act I. With Heart and With Voice (Gentlemen) | Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 1:03 | |
| The Sorcerer: Act II. ’Tis Twelve I Think | Alexander Oliver, Nan Christie, Clive Revill, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 6:19 | |
| The Sorcerer: Act II. Dear Friends, Take Pity on My Lot | Janis Kelly, Mark Lufton, Alexander Oliver, Nan Christie, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 5:27 | |
| The Sorcerer: Act II. I Rejoice That It’s Decided | Alexander Oliver, Nan Christie, Donald Adams, Enid Hartle, David Kernan, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:49 | |
| The Sorcerer: Act II. It Is Not Love | Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 2:28 | |
| The Sorcerer: Act II. Oh, Joyous Boon! Oh, Mad Delight! | Nan Christie, David Kernan, Alexander Oliver, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 2:49 | |
| The Sorcerer: Act II. Or He or I Must Die! | Clive Revill, Donald Adams, David Kernan, Nuala Willis, Alexander Oliver, Nan Christie, Janis Kelly, Mark Lufton, Enid Hartle, Ambrosian Opera Chorus, London Symphony Orchestra, Alexander Faris | | | 8:51 | |
| The Sorcerer: Act II. Prepare for Sad Surprises | Alexander Oliver, London Symphony Orchestra, Alexander Faris | | | 0:36 | |
| Un ballo in maschera: Atto I, scena 1. “Alla vita che t'aride” | Kathleen Battle, Renato Bruson, Alexander Oliver, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | | | 4:23 | |
| Un ballo in maschera: Atto I, scena 1. “Volta la terrea” / “Ogni cura si doni al diletto” | Kathleen Battle, Renato Bruson, Malcolm King, Robert Lloyd, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | | | 5:00 | |
