2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | | | | |
2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | | | | |
6 Gesänge, op. 107: Nr. 6. Abendlied | | | | | | | |
Adagio for Strings | | | | | | | |
Alborada del gracioso | | | | | | | |
Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
Andante festivo, JS 34b | | | | | | | |
Appalachian Spring | | | | Ballet | | | |
Appalachian Spring Suite: I. Very Slowly | | | | | | | |
Appalachian Spring Suite: II. Allegro | | | | | | | |
Appalachian Spring Suite: III. Moderato: The Bride and Her Intended | | | | | | | |
Appalachian Spring Suite: IV. Fast: The Revivalist and His Flock | | | | | | | |
Appalachian Spring Suite: V. Subito allegro: Solo Dance of the Bride | | | | | | | |
Appalachian Spring Suite: VI. As at First (Slowly) | | | | | | | |
Appalachian Spring Suite: VII. Doppio movimento: Variations on a Shaker Hymn | | | | | | | |
Appalachian Spring Suite: VIII. Moderato: Coda | | | | | | | |
Aria from Overture no. 3, BWV 1068 | | | | | | | |
Aufforderung zum Tanz, op. 65 | | | | | | | |
Ave Maria, D. 839 | | | | | | | |
Babes in Toyland: Act II. March of the Toys | | | | | | | |
Bacchus et Ariane, op. 43: Suite no. 2 | | | | Suite | | | |
Billy the Kid: I. Introduction: The Open Prairie | | | | | | | |
Billy the Kid: II. Street in a Frontier Town | | | | | | | |
Billy the Kid: III. Mexican Dance and Finale | | | | | | | |
Billy the Kid: IV. Prairie Night (Card Game at Night) | | | | | | | |
Billy the Kid: V. Gun Battle | | | | | | | |
Billy the Kid: VI. Celebration (After Billy’s Capture) | | | | | | | |
Billy the Kid: VII. Billy’s Death | | | | | | | |
Billy the Kid: VIII. The Open Prairie Again | | | | | | | |
Bist du bei mir, BWV 508 | | | | | | | |
Boccaccio, oder Der Prinz von Palermo: Ouvertüre | | | | Overture | | | |
Boléro | | | | Ballet | | | 5 |
Bourrée fantasque | | | | | | | |
Cantus in memoriam Benjamin Britten | | | | | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
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Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
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Carmen Suite no. 2: V. La Garde montante | | | | | | | |
Carmen Suite no. 2: VI. Danse bohème | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Circuits | | | | | | | |
Clair de lune from Suite bergamasque | | | | | | | |
Concert Waltz (from Faust) | | | | | | | |
Concerto élégiaque in D minor, op. 9b: I. Moderato - Allegro vivace | | | | | | | |
Concerto élégiaque in D minor, op. 9b: II. Quasi variazione | | | | | | | |
Concerto élégiaque in D minor, op. 9b: III. Allegro risoluto | | | | | | | |
Concerto for Horn and Orchestra: I. Angelus: Far Far Away, Like Bells... At Evening Pealing | | | | | | | |
Concerto for Horn and Orchestra: II. The Battle of the Trees: Swift Oak... Stout Guardian of the Door | | | | | | | |
Concerto for Horn and Orchestra: III. Pastorale: There Came a Day at Summer's Full | | | | | | | |
Concerto for Horn and Orchestra: IV. The Hunt: The Hart Loves the Highwood | | | | | | | |
Concerto for Horn and Orchestra: V. Nocturne: The Crimson Day Withdraws | | | | | | | |
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso | | - Marián Lapšanský, Witold Lipinsky, Maria Novak, Dubravka Tomšič, Sylvia van der Linden, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sinfonia Academica, Slovenská filharmónia, Alberto Lizzio, Marko Munih, Bystrík Režucha, Dudley Skinner
- [unknown]
- Van Cliburn, Chicago Symphony Orchestra, Fritz Reiner
- Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan
- (show 173 more)
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Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso | | | | | | | |
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace | | | | | | | |
Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato | | | | | | | |
Dance Panels: II. Allegretto con tenerezza (Un poco rubato) | | | | | | | |
Dance Panels: III. Scherzando - Moderato | | | | | | | |
Dance Panels: IV. Pas de trois: Lento | | | | | | | |
Dance Panels: V. Con brio | | | | | | | |
Dance Panels: VI. Con moto | | | | | | | |
Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato | | | | | | | |
Dance Symphony: I. Lento - Molto allegro - Adagio molto | | | | | | | |
Dance Symphony: II. Andante moderato | | | | | | | |
Dance Symphony: III. Allegro vivo | | | | | | | |
Danse macabre, op. 40 | | | | Symphonic poem | | | |
Danzón cubano | | | | | | | |
Daphnis et Chloé, Suite no. 2: I. Lever du jour | | | | | | | |
Daphnis et Chloé, Suite no. 2: II. Pantomime | | | | | | | |
Daphnis et Chloé, Suite no. 2: III. Danse générale | | | | | | | |
Der fliegende Holländer, WWV 63: Ouvertüre | | | | Overture | | | |
Der Rosenkavalier (Suite), TrV 227d, AV 145 | | | | Suite | | | |
Deux épisodes d’après le Faust de Lenau, S. 110: II. Der Tanz in der Dorfschenke (Erster Mephisto-Walzer) | | | | | | | |
Dichter und Bauer: Ouvertüre | | | | Overture | | | 5 |
Die ägyptische Helena, op. 75: Erster Aufzug | | - Dinah Bryant, Maria Cimarelli, Patti Dell, Katherine Grimshaw, Barbara Hendricks, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Dinah Bryant, Maria Cimarelli, Patti Dell, Katherine Grimshaw, Barbara Hendricks, Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Barbara Hendricks, Detroit Symphony Orchestra, Antal Doráti
- Barbara Hendricks, Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- (show 4 more)
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Die ägyptische Helena, op. 75: Zweiter Aufzug | | - Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Barbara Hendricks, Gwyneth Jones, Matti Kastu, Detroit Symphony Orchestra, Antal Doráti
- Gwyneth Jones, Detroit Symphony Orchestra, Antal Doráti
- Gwyneth Jones, Curtis Rayam, Detroit Symphony Orchestra, Antal Doráti
- (show 6 more)
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Die Meistersinger von Nürnberg, WWV 96: Akt III | | - Staatskapelle Dresden, Theo Adam, Karl Ridderbusch, René Kollo, Peter Schreier, Helen Donath, Kurt Moll, Ruth Hesse, Geraint Evans, Chor der Staatsoper Dresden, dir. Herbert von Karajan
- Sofia Philharmonic Orchestra, Vassil Kazandjiev
- Lotte Lehmann
- [unknown]
- (show 8 more)
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Die Meistersinger von Nürnberg, WWV 96: Akt III, Vorspiel | | | | | | | |
Die Meistersinger von Nürnberg: Suite | | | | Suite | | | |
Die Mozartisten, op. 196 | | | | | | | |
Die Schöne Galathée: Ouvertüre | | | | | | | |
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach" | | | | | | | |
Don Juan | | | | Symphonic poem | | | |
Double Play | | | | | | | |
Double Play: I. The Unquestioned Answer | | | | | | | |
Double Play: II. Tempus fugit | | | | | | | |
Ein Morgen, ein Mittag und ein Abend in Wien: Ouvertüre | | | | Overture | | | |
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre | | | | Overture | | | |
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace | | | | | | | |
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo | | | | | | | |
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace | | | | | | | |