| performed |
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| Dichterliebe, Op. 48: I. Im wunderschönen Monat Mai (First Edition from 1840) | | Robert Schumann | 1:32 |
| Dichterliebe, Op. 48: II. Aus meinen Tränen sprießen (First Edition from 1840) | | Robert Schumann | 0:52 |
| Dichterliebe, Op. 48: III. Die Rose, die Lilie, die Taube, die Sonne (First Edition from 1840) | | Robert Schumann | 0:37 |
| Dichterliebe, Op. 48: IV. Wenn ich in deine Augen seh (First Edition from 1840) | | Robert Schumann | 1:34 |
| Dichterliebe, Op. 48: IX. Ich grolle nicht (First Edition from 1840) | | Robert Schumann | 1:49 |
| Dichterliebe, Op. 48: V. Dein Angesicht so lieb und schön (First Edition from 1840) | | Robert Schumann | 2:03 |
| Dichterliebe, Op. 48: VI. Lehn' deine Wang' an meine Wang' (First Edition from 1840) | | Robert Schumann | 0:42 |
| Dichterliebe, Op. 48: VII. Ich will meine Seele tauchen (First Edition from 1840) | | Robert Schumann | 1:06 |
| Dichterliebe, Op. 48: VIII. Im Rhein, im heiligen Strome (First Edition from 1840) | | Robert Schumann | 2:17 |
| Dichterliebe, Op. 48: X. Und wüßten's die Blumen, die kleinen (First Edition from 1840) | | Robert Schumann | 1:12 |
| Dichterliebe, Op. 48: XI. Das ist ein Flöten und Geigen (First Edition from 1840) | | Robert Schumann | 1:37 |
| Dichterliebe, Op. 48: XII. Hör' ich das Liedchen klingen (First Edition from 1840) | | Robert Schumann | 2:09 |
| Dichterliebe, Op. 48: XIII. Ein Jüngling liebt ein Mädchen (First Edition from 1840) | | Robert Schumann | 1:00 |
| Dichterliebe, Op. 48: XIV. Am leuchtenden Sommermorgen (First Edition from 1840) | | Robert Schumann | 2:51 |
| Dichterliebe, Op. 48: XIX. Aus alten Märchen winkt es (First Edition from 1840) | | Robert Schumann | 2:31 |
| Dichterliebe, Op. 48: XV. Es leuchtet meine Liebe in ihrer dunkeln Pracht (First Edition from 1840) | | Robert Schumann | 1:40 |
| Dichterliebe, Op. 48: XVI. Meine Wagen rollet langsam durch lustiges Waldesgrün (First Edition from 1840) | | Robert Schumann | 3:30 |
| Dichterliebe, Op. 48: XVII. Ich hab' im Traum geweinet (First Edition from 1840) | | Robert Schumann | 2:24 |
| Dichterliebe, Op. 48: XVIII. Allnächtlich im Traume (First Edition from 1840) | | Robert Schumann | 1:19 |
| Dichterliebe, Op. 48: XX. Die alten, bösen Lieder (First Edition from 1840) | | Robert Schumann | 4:41 |
| Messa di Gloria: I. Kyrie | | London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | 5:22 |
| vocals |
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1981-11-06 – 1983-01-22 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria, Duetto (Soprano, Basso) "Wann kommst du, mein Heil?" | bass vocals | Allan Bergius, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:32 |
1981-11-06 – 1983-01-22 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir " | bass vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:37 |
1981-11-06 – 1983-01-22 | Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria, Duetto (Soprano, Basso) "Mein Freund ist mein, und ich bin sein" | bass vocals | Allan Bergius, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:23 |
1981-11 – 1983-03 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": IV. Recitativo (Basso) "Verstockung kann Gewaltige verblenden" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:40 |
1981-11 – 1983-03 | Kantate, BWV 147 "Herz und Mund und Tat und Leben": IX. Aria (Basso) "Ich will von Jesu Wundern singen" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:38 |
1983-01-19 – 1983-03-11 | Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Basso) "Merke, mein Herze, beständig nur dies" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:20 |
1983-01-19 – 1983-03-12 | Kantate, BWV 146 "Wir müssen durch viel Trübsal in das Reich Gottes eingehen": VII. Aria (Duetto: Tenore, Basso) "Wie will ich mich freuen, wie will ich mich laben" | bass vocals | Concentus Musicus Wien, Nikolaus Harnoncourt | 5:52 |
1986-07 | Paulus, op. 36, MWV A14: Part 1. No. 3 Recitative and Duet: “Die Menge der Gläubigen” (Soprano, Bass) | bass vocals | Felix Mendelssohn | 1:56 |
1986-07 | Paulus, op. 36, MWV A14: Part 1. No. 13 Recitative with Chorus: “Und als er auf dem Wege war” - “Saul, was verfolgst du mich?” (Tenor, Bass, Chorus) | bass vocals | Felix Mendelssohn | 2:03 |
1986-07 | Paulus, op. 36, MWV A14: Part 1. No. 17 Aria: “Gott sei mir gnädig nach deiner Güte” (Bass) | bass vocals | Felix Mendelssohn | 6:13 |
1986-07 | Paulus, op. 36, MWV A14: Part 1. No. 19 Aria with Chorus: “Ich danke dir, Herr mein Gott” (Bass, Chorus) | bass vocals | Felix Mendelssohn | 4:35 |
1986-07 | Paulus, op. 36, MWV A14: Part 2. No. 23 Recitative: “Und Paulus Kam zu der Gemeinde” (Soprano) / No. 24 Duettino: “So sind wir nun Botschafter” (Tenor, Bass) | bass vocals | Felix Mendelssohn | 2:34 |
1986-07 | Paulus, op. 36, MWV A14: Part 2. No. 28 Recitative: “Paulus aber und Barnabas sprachen” / No. 30 Duet: “Denn also hat uns der Herr geboten” (Tenor, Bass) | bass vocals | Felix Mendelssohn | 3:17 |
1986-07 | Paulus, op. 36, MWV A14: Part 2. No. 35 Recitative and Aria: “Da das die Apostel hörten” / Chorus: “Aber unser Gott ist im Himmel” (Tenor, Bass, Chorus) | bass vocals | Felix Mendelssohn | 7:06 |
1986-07 | Paulus, op. 36, MWV A14: Part 2. No. 40 Recitative: “Paulus sandte hin und ließ fordern” (Soprano, Bass) / No. 41 Chorus and Recitative: “Schone doch deiner selbst” (Chorus, Bass, Tenor) | bass vocals | Felix Mendelssohn | 5:16 |
1987-01 – 1987-03 | Cantata, BWV 192 "Nun danket alle Gott," II. Duetto (soprano, bass). Der ewig reiche Gott | bass vocals | Thomas Hampson, Helmut Wittek, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:40 |
1987-01 – 1987-03 | Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: II. Recitativo (bass). Unendlich großer Gott | bass vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:10 |
1987-01 – 1987-03 | Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Prima Parte: III. Aria (bass). Was des Höchsten Glanz erfüllt | bass vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 4:47 |
1987-01 – 1987-03 | Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: IX. Recitativo (Duetto) (soprano, bass). Kann wohl ein Mensch | bass vocals | Stefan Gienger, Thomas Hampson, Hans Stricker, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:10 |
1987-01 – 1987-03 | Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: X. Aria (Duetto) (soprano, bass). O wie wohl ist uns geschehn | bass vocals | Stefan Gienger, Thomas Hampson, Hans Stricker, Concentus Musicus Wien, Nikolaus Harnoncourt | 9:24 |
1987-01 – 1987-03 | Cantata, BWV 194 "Höchsterwünschtes Freudenfest," Seconda Parte: XI. Recitativo (bass). Wohlan demnach, du heilige Gemeine | bass vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:46 |
1987-05 – 1987-06 | La Bohème: Quadro I: “O soave fanciulla” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 4:29 |
1987-05 – 1987-06 | La Bohème: Quadro I: “Questo Mar Rosso mi ammollisce e assidera” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Paul Plishka, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 6:00 |
1987-05 – 1987-06 | La Bohème: Quadro II: “Quando men vo soletta per la via” | baritone vocals [Marcello] | Gimi Beni, James Busterud, Coro dell’Accademia Nazionale di Santa Cecilia, Barbara Daniels, Thomas Hampson, Paul Plishka, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 5:51 |
1987-05 – 1987-06 | La Bohème: Quadro III: “Dunque è proprio finita!” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Barbara Daniels, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 6:07 |
1987-05 – 1987-06 | La Bohème: Quadro III: “Ehi, quel paniere! … Mimì” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 4:54 |
1987-05 – 1987-06 | La Bohème: Quadro III: “Mimì è tanto malata!” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Angelina Réaux, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:34 |
1987-05 – 1987-06 | La Bohème: Quadro IV: “Che ha detto il medico?” | baritone vocals [Marcello] | James Busterud, Coro dell’Accademia Nazionale di Santa Cecilia, Barbara Daniels, Jerry Hadley, Thomas Hampson, Paul Plishka, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:03 |
1987-05 – 1987-06 | La Bohème: Quadro IV: “O Mimì, tu più non torni” | baritone vocals [Marcello] | Coro dell’Accademia Nazionale di Santa Cecilia, Jerry Hadley, Thomas Hampson, Orchestra dell’Accademia Nazionale di Santa Cecilia, Leonard Bernstein | 3:23 |
1988-05 | Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. a) Rezitativ und Chor: »Die Beute lass, o Herr, die Krieger teilen« … »Des Siegers Lohn, der Feinde Zahl« (Ogier, Roland, Karl, Chor) | baritone vocals [Roland] | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 1:37 |
1988-05 | Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. c) Rezitativ und Erzählung: »Wer bist du, dessen tiefgesenkter Blick« … »Am Rande der Ebene« (Karl, Roland, Fierrabras) | baritone vocals [Roland] | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 3:27 |
1988-05 | Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. d) Ensemble und Chor: »Der Landestöchter fromme Pflichten« (Emma, Jungfrauen, Karl, Fierrabras, Roland) | baritone vocals [Roland] | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 4:18 |
1988-05 | Fierrabras, D. 796: Akt I. Nr. 4 Ensemble. e) Quartett mit Chor: »Dem Erfolg vertrauen« (Ritter, Ogier, Karl, Emma, Eginhard, Fierrabras, Roland) | baritone vocals [Roland] | Franz Schubert (composer); Josef Protschka (tenor), Karita Mattila (soprano), Cheryl Studer (soprano), Robert Gambill (tenor), Thomas Hampson (baritone), Robert Holl (bass-baritone), László Polgár (operatic bass), Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado (conductor), Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schoenberg Chor, Chamber Orchestra of Europe & Claudio Abbado | 3:57 |
1988-05 | Fierrabras, D. 796: Akt I. Nr. 5 Duett: »Lass uns mutvoll hoffen« (Fierrabras, Roland) | baritone vocals [Roland] | Chamber Orchestra of Europe, Claudio Abbado | 1:41 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 7 Lied mit Chor: »Im jungen Morgenstrahle« (Eginhard, Roland, Ritter) | baritone vocals [Roland] | Franz Schubert | 3:41 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 8b Duett mit Chor: »Was ist ihm geschehn?« (Roland, Ogier, Ritter) | baritone vocals [Roland] | Franz Schubert | 1:24 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 12 Terzett mit Chor: »Im Tode sollt ihr büßen« (Boland, Roland, Florinda, Ritter, Mauren) | baritone vocals [Roland] | Franz Schubert | 3:01 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 12 Terzett mit Chor: »Sie sollen erblassen in heimlicher Not« (Boland, Mauren, Florinda, Roland, Ritter) | baritone vocals [Roland] | Franz Schubert | 1:28 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 14 Chor a capella: »O teures Vaterland!« (Eginhard, Ogier, Roland, Ritter) | baritone vocals [Roland] | Franz Schubert | 1:59 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 15 Melodram. a) Melodram, Rezitativ und Ensemble. »Ha! Was ist das?« … »Wo ist er?« (Ritter, Olivier, Ogier, Roland, Florinda) | baritone vocals [Roland] | Franz Schubert | 3:24 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 15 Melodram. b) Duett mit Chor. »Selbst an des Grabes Rande« (Roland, Florinda, Ritter) | baritone vocals [Roland] | Franz Schubert | 2:24 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 16 Chor und Melodrama: »Der Hoffnung Strahl, den du gegeben« … »Ha, neue Quall« (Ritter, Ogier, Roland, Florinda, Eginhard) | baritone vocals [Roland] | Franz Schubert | 2:56 |
1988-05 | Fierrabras, D. 796: Akt II. Nr. 17 Finale II. a) Terzett und Chor: »Uns führt der Vorsicht weise Hand« (Eginhard, Roland, Florinda, Ritter) | baritone vocals [Roland] | Franz Schubert | 1:39 |
1988-05 | Fierrabras, D. 796: Akt III. Nr. 22 Chor und Ensemble: »Erbarmen fleht zu deinen Füßen« (Mauren, Florinda, Boland, Ritter, Roland) | baritone vocals [Roland] | Franz Schubert | 2:54 |
1988-05 | Fierrabras, D. 796: Akt III. Nr. 23 Finale. b) Ensemble: »Der Sieg begleitet meine tapfern Heere« (Karl, Boland, Eginhard, Emma, Fierrabras, Florinda, Roland, Chor) / c) Rezitativ und Schlussgesang: »Nun lasst des langersehnten Glücks uns freuen« (Karl) | baritone vocals [Roland] | Franz Schubert | 3:30 |
1988-06 | Carmina Burana: I. Primo vere: Omnia sol temperat | baritone vocals | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | 2:38 |
1988-06 | Carmina Burana: II. In Taberna: Ego sum abbas | baritone vocals | Thomas Hampson, Shin‐Yu Kai, Berliner Philharmoniker, Seiji Ozawa | 1:29 |
1988-06 | Carmina Burana: II. In Taberna: Estuans interius | baritone vocals | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | 2:21 |
1988-06 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | baritone vocals | Thomas Hampson, Berliner Philharmoniker, Seiji Ozawa | 2:30 |
1988-06 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | baritone vocals | Thomas Hampson, Shin‐Yu Kai, Berliner Philharmoniker, Seiji Ozawa | 1:06 |
1988-06 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | baritone vocals | Edita Gruberová, Thomas Hampson, Knaben des Staats‐ und Domchores Berlin, Shin‐Yu Kai, Berliner Philharmoniker, Seiji Ozawa | 2:22 |
1988-06 | Carmina Burana: Uf dem anger: Chramer, gip die varwe mir | baritone vocals | Shin‐Yu Kai, Berliner Philharmoniker, Seiji Ozawa | 3:22 |
1988-06 | Così fan tutte: Atto I. “Al fato dan legge” | baritone vocals | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | 2:03 |
1988-06 | Così fan tutte: Atto I. “Alla bella Despinetta” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 4:23 |
1988-06 | Così fan tutte: Atto I. “Che sussurro! Che strepito!” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 3:52 |
1988-06 | Così fan tutte: Atto I. “E de’ cento zecchini, che faremo?” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | 2:16 |
1988-06 | Così fan tutte: Atto I. “È la fede delle femmine” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | 2:31 |
1988-06 | Così fan tutte: Atto I. “E voi ridete?” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | 1:59 |
1988-06 | Così fan tutte: Atto I. “La mia Dorabella capace non è” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | 2:52 |
1988-06 | Così fan tutte: Atto I. “Muoio d’affanno” … “Di scrivermi ogni giorno” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 3:53 |
1988-06 | Così fan tutte: Atto I. “Rivolgete a lui lo sguardo” | baritone vocals | Thomas Hampson, Wiener Philharmoniker, James Levine | 4:42 |
1988-06 | Così fan tutte: Atto I. “Sento, oh Dio, che questo piede” | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 5:38 |
1988-06 | Così fan tutte: Atto I. Appendix: “Non siate ritrosi” (Alternative version of track 20) | baritone vocals | Thomas Hampson, Wiener Philharmoniker, James Levine | 1:32 |
1988-06 | Così fan tutte: Atto I. No. 18 Finale “Si mora sì, si mora” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 5:13 |
1988-06 | Così fan tutte: Atto I. No. 18 Finale. “Eccovi il medico” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 9:55 |
1988-06 | Così fan tutte: Atto II. No. 21 Duetto con coro “Secondate, aurette amiche” (Ferrando, Guglielmo, Chor) | baritone vocals | Karl Kamper, Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 4:50 |
1988-06 | Così fan tutte: Atto II. No. 22 “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 5:41 |
1988-06 | Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) | baritone vocals | Thomas Hampson, Ann Murray, Wiener Philharmoniker, James Levine | 4:27 |
1988-06 | Così fan tutte: Atto II. No. 26 Aria. Allegretto “Donne mie, la fate a tanti” (Guglielmo) | baritone vocals | Thomas Hampson, Wiener Philharmoniker, James Levine | 2:58 |
1988-06 | Così fan tutte: Atto II. No. 27 Cavatina “Tradito, schernito” (Ferrando) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Wiener Philharmoniker, James Levine | 3:36 |
1988-06 | Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 8:30 |
1988-06 | Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Ferrando, Guglielmo) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Wiener Philharmoniker, James Levine | 1:41 |
1988-06 | Così fan tutte: Atto II. No. 31 Finale “Benedetti i doppi coniugi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | baritone vocals | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Thomas Hampson, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 6:35 |
1988-06 | Così fan tutte: Atto II. No. 31 Finale “Miei signori, tutto è fatto” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | baritone vocals | Hans Peter Blochwitz, Konzertvereinigung Wiener Staatsopernchor, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 3:36 |
1988-06 | Così fan tutte: Atto II. No. 31 Finale “Sani e salvi agli amplessi” (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | baritone vocals | Hans Peter Blochwitz, Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Ann Murray, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 9:54 |
1988-06 | Così fan tutte: Atto II. Recitativo “Amico, abbiamo vinto!” (Ferrando, Guglielmo) | baritone vocals | Hans Peter Blochwitz, Thomas Hampson, Wiener Philharmoniker, James Levine | 4:11 |
1988-06 | Così fan tutte: Atto II. Recitativo “Come tutto congiura” (Fiordiligi, Guglielmo, Despina, Don Alfonso) | baritone vocals | Ferruccio Furlanetto, Thomas Hampson, Marie McLaughlin, Kiri Te Kanawa, Wiener Philharmoniker, James Levine | 3:17 |
1988-09 | Apollo e Dafne, Aria (Apollo): Cara pianta | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:42 |
1988-09 | Apollo e Dafne, Aria (Apollo): Come rosa in su la spina | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:25 |
1988-09 | Apollo e Dafne, Aria (Apollo): Mie piante correte | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:01 |
1988-09 | Apollo e Dafne, Aria (Apollo): Pende il ben dell'universo | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:47 |
1988-09 | Apollo e Dafne, Aria (Apollo): Spezza l'arco e getta l'armi | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:49 |
1988-09 | Apollo e Dafne, Duetto (Apollo, Dafne): Deh lascia addolcire | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:45 |
1988-09 | Apollo e Dafne, Duetto (Dafne, Apollo): Una guerra ho dentro il seno | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:58 |
1988-09 | Apollo e Dafne, Recitativo (Apollo, Dafne): Che crudel! Ch'importuno! | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:15 |
1988-09 | Apollo e Dafne, Recitativo (Apollo, Dafne): Che voce! Che beltà! | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:09 |
1988-09 | Apollo e Dafne, Recitativo (Apollo, Dafne): Odi la mia ragion | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:32 |
1988-09 | Apollo e Dafne, Recitativo (Apollo, Dafne): Sempre t'adorerò | baritone vocals | Roberta Alexander, Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:23 |
1988-09 | Apollo e Dafne, Recitativo (Apollo): Ch'il superbetto amore | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:34 |
1988-09 | Apollo e Dafne, Recitativo (Apollo): La terra è liberata | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:52 |
1988-09 | Apollo e Dafne, Recitativo (Apollo): Placati al fin, o cara | baritone vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:24 |
1988-10-03 | Kindertotenlieder: 1. Nun will die Sonnʼ so hell aufgehn | baritone vocals | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | 5:58 |
1988-10-03 | Kindertotenlieder: 2. Nun sehʼ ich vohl, warum so dunkle Flammen | baritone vocals | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | 5:12 |
1988-10-03 | Kindertotenlieder: 3. Wenn dein Mütterlein | baritone vocals | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | 6:05 |
1988-10-03 | Kindertotenlieder: 4. Oft denkʼ ich, sie sind nur ausgegangen | baritone vocals | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | 3:31 |
1988-10-03 | Kindertotenlieder: 5. In diesem Wetter, in diesem Braus | baritone vocals | Wiener Philharmoniker, Leonard Bernstein, Thomas Hampson | 7:21 |
1988-10 | Don Giovanni: La ci darem la mano | baritone vocals [Don Giovanni] | Barbara Bonney, Thomas Hampson, Koninklijk Concertgebouworkest, Nikolaus Harnoncourt | 3:43 |
1988 | Kantate, BWV 183 "Sie werden euch in den Bann tun": I. Recitativo "Sie werden euch in den Bann tun" | bass vocals | Thomas Hampson, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:21 |
1989-03 | 3 Lieder Op. 84: III. Jagdlied | baritone vocals and solo | Thomas Hampson, Geoffrey Parsons | 2:28 |
1989-03 | 6 Lieder Op. 86: VI. Altdeutsches Frühlingslied | baritone vocals and solo | Thomas Hampson, Geoffrey Parsons | 3:35 |
| See all 1,020 relationships |
| liner notes |
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| Songs from Chicago | | Thomas Hampson, Kuang-Hao Huang | |
| Songs from Chicago | | Thomas Hampson, Kuang-Hao Huang | |
| vocals |
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1998-06 | Wonderful Town | | Leonard Bernstein | |
| Carmina Burana | baritone vocals | Carl Orff; Orchestre national du Capitole de Toulouse, Michel Plasson | |
| Das Kantatenwerk, Volume 37 | bass vocals | Johann Sebastian Bach; Concentus Musicus Wien, Nikolaus Harnoncourt | |
| Don Giovanni | baritone vocals | Mozart; Hampson, Alexander, Bonney, Blochwitz, Polgár, Scharinger, Holl, Royal Concertgebouw Orchestra Amsterdam, Harnoncourt | |
| Don Giovanni: Highlights | baritone vocals | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| Elijah | baritone vocals | Felix Mendelssohn; Atlanta Symphony Orchestra, Atlanta Symphony Orchestra Chorus, Robert Shaw | |
| Fierrabras | baritone vocals [Roland] | Franz Schubert; Josef Protschka, Karita Mattila, Cheryl Studer, Robert Gambill, Thomas Hampson, Robert Holl, László Polgár, Arnold Schönberg Chor, The Chamber Orchestra of Europe, Claudio Abbado | |
| Le Nozze di Figaro: Highlights | baritone vocals | Wolfgang Amadeus Mozart; Charlotte Margiono, Barbara Bonney, Thomas Hampson, Anton Scharinger, Nikolaus Harnoncourt | |
| Tannhäuser | baritone vocals [Wolfram von Eschenbach] | Richard Wagner; Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin | |