... quasi una fantasia..., op. 27 no. 1: Aria - Adagio motto. Lontano, calmo, appena sentito | | | | | | | |
... quasi una fantasia..., op. 27 no. 1: Introduzione. Largo | | | | | | | |
... quasi una fantasia..., op. 27 no. 1: Presto minaccioso e lamentoso (Wie ein Traumeswirren). Molto agitato, sempre pppp | | | | | | | |
... quasi una fantasia..., op. 27 no. 1: Recitativo. Grave, disperato | | | | | | | |
Alhambra Fantasy | | | | | | | |
Brefs Messages, op. 47: Bornemisza Péter: Az hit... | | | | | | | |
Brefs Messages, op. 47: Fanfare | | | | | | | |
Brefs Messages, op. 47: Ligature Y | | | | | | | |
Brefs Messages, op. 47: Versetto: Temptavit Deus Abraham | | | | | | | |
Chamber Symphony: I. Mongrel Airs | | | | | | | |
Chamber Symphony: II. Aria with Walking Bass | | | | | | | |
Chamber Symphony: III. Roadrunner | | | | | | | |
Colindă-Baladă, op. 46 | | | | | | | |
Daniel Variations: I. I Saw a Dream | | | | | | | |
Daniel Variations: II. My Name Is Daniel Pearl (I'm a Jewish American From Encino California) | | | | | | | |
Daniel Variations: III. Let the Dream Fall Back on the Dreaded | | | | | | | |
Daniel Variations: IV. I Sure Hope Gabriel Likes My Music, When the Day Is Done | | | | | | | |
Eight Lines | | | | | | | |
Eight Metal Strings: I. | | | | | | | |
Eight Metal Strings: II. | | | | | | | |
Eight Metal Strings: III. | | | | | | | |
Elegia in memoria di Anna Frank | | | | | | | |
First Harmonium Concerto: I. Horlepiep | | | | | | | |
First Harmonium Concerto: II. Procession | | | | | | | |
First Harmonium Concerto: III. | | | | | | | |
Four Capriccios, op. 9: Ars poetica | | | | | | | |
Four Capriccios, op. 9: Nyelvlecke (Language lesson) | | | | | | | |
Four Capriccios, op. 9: Párizs I - Musée de Cluny: La Dame à la Licorne | | | | | | | |
Four Capriccios, op. 9: Párizs II-Tour Saint-Jacques | | | | | | | |
Four Poems by Anna Akhmatova, op. 41: Dirge - Alexander Blok's funeral | | | | | | | |
Four Poems by Anna Akhmatova, op. 41: Voronezh - To O. M[andelstam] | | | | | | | |
Four Songs to Poems by János Pilinszky, op. 11: Alkohol | | | | | | | |
Four Songs to Poems by János Pilinszky, op. 11: Hölderlin | | | | | | | |
Four Songs to Poems by János Pilinszky, op. 11: In Memoriam F. M. Dosztojevszkij | | | | | | | |
Four Songs to Poems by János Pilinszky, op. 11: Verés | | | | | | | |
Grabstein für Stephan, op. 15c | | | | | | | |
House of the Sleeping Beauties: Epilogue | | | | | | | |
House of the Sleeping Beauties: Ouverture | | | | | | | |
House of the Sleeping Beauties: Prelude Second Night | | | | | | | |
House of the Sleeping Beauties: Prelude Third Night | | | | | | | |
House of the Sleeping Beauties: The First Night: Scene 1 | | | | | | | |
House of the Sleeping Beauties: The First Night: Scene 2 | | | | | | | |
House of the Sleeping Beauties: The First Night: Scene 3 | | | | | | | |
House of the Sleeping Beauties: The Second Night: Scene 1 | | | | | | | |
House of the Sleeping Beauties: The Second Night: Scene 2 | | | | | | | |
House of the Sleeping Beauties: The Second Night: Scene 3 | | | | | | | |
House of the Sleeping Beauties: The Third Night: Scene 1 | | | | | | | |
House of the Sleeping Beauties: The Third Night: Scene 2 | | | | | | | |
House of the Sleeping Beauties: The Third Night: Scene 3 | | | | | | | |
Mask | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: I. Loneliness: In a space of... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: I. Loneliness: The day has fallen | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: II. A Little Erotic: Chastushka | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: II. A Little Erotic: Heat | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: II. A Little Erotic: Two interlaced bodies... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: II. A Little Erotic: Why should I not squeal like a pig | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: A plaything | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: A slender needle | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Autumn flowers fading... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: For everything... (Epilogue) | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Great misery | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: I know, my loved one... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: In the cloudburst... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: In you I seek my salvation... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Love me... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Pebbles | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Retaliation | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Why did you utter... | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Without you | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: You took my heart | | | | | | | |
Messages of the Late R. V. Troussova, op. 17: III. Bitter Experience - Delight and Grief: Your disappearances... | | | | | | | |
Movimento continuato | | | | | | | |
Music for 18 Musicians: Pulses | | | | | | | |
Music for 18 Musicians: Section I | | | | | | | |
Music for 18 Musicians: Section II | | | | | | | |
Music for 18 Musicians: Section IIIA | | | | | | | |
Music for 18 Musicians: Section IIIB | | | | | | | |
Music for 18 Musicians: Section IV | | | | | | | |
Music for 18 Musicians: Section IX | | | | | | | |
Music for 18 Musicians: Section V | | | | | | | |
Music for 18 Musicians: Section VI | | | | | | | |
Music for 18 Musicians: Section VII | | | | | | | |
Music for 18 Musicians: Section VIII | | | | | | | |
Music for 18 Musicians: Section X | | | | | | | |
Nietzsche Redet | | | | | | | |
Nine Tensions: I | | | | | | | |
Nine Tensions: II | | | | | | | |
Nine Tensions: III | | | | | | | |
Nine Tensions: IV | | | | | | | |
Nine Tensions: IX | | | | | | | |
Nine Tensions: V | | | | | | | |
Nine Tensions: VI | | | | | | | |
Nine Tensions: VII | | | | | | | |
Nine Tensions: VIII | | | | | | | |
Op. 27 no. 2 (Double Concerto): Adagio - Largo | | | | | | | |
Op. 27 no. 2 (Double Concerto): Poco allegretto L'istesso tempo (quasi più mosso) Presto agitate | | | | | | | |
Or voit tout en aventure | | | | Song-cycle | | | |
Quodlibet | | | | Concerto | | | |
Risognanze | | | | | | | |
Samuel Beckett: What is the Word?, op. 30b | | - Arnold Schoenberg Chor, Ildikó Monyók, Ensemble Anton Webern, Claudio Abbado
- Gerrie de Vries, Asko|Schönberg, Csaba Király, Reinbert de Leeuw
- Schönberg Ensemble, Reinbert de Leeuw, Ildikó Monyók, Csaba Király, Yvonne Benschop, Ananda Goud, Marcel Beekman, David Barick, Dirk‐Jan van der Valk
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