| audio engineered |
|---|
| Gratulationsrondo | | Alexey Botvinov, Daniel Hope | 7:24 |
| kokoro | | 島谷ひとみ | 4:37 |
| Madrigal in Memoriam Oleg Kagan | | Daniel Hope | 9:13 |
| Mona Lisa | | 島谷ひとみ | 5:02 |
| Polka | | Alexey Botvinov, Daniel Hope | 1:47 |
| Salvia | | 島谷ひとみ | 4:12 |
| Sonata no. 1: I. Andante | | Alexey Botvinov, Daniel Hope | 2:47 |
| Sonata no. 1: II. Allegretto | | Alexey Botvinov, Daniel Hope | 4:56 |
| Sonata no. 1: III. Largo | | Alexey Botvinov, Daniel Hope | 5:17 |
| Sonata no. 1: IV. Allegretto scherzando | | Alexey Botvinov, Daniel Hope | 4:53 |
| Stille Nacht | | Alexey Botvinov, Daniel Hope | 4:47 |
| Suite in the Old Style: I. Pastorale | | Alexey Botvinov, Daniel Hope | 2:59 |
| Suite in the Old Style: II. Ballet | | Alexey Botvinov, Daniel Hope | 2:15 |
| Suite in the Old Style: III. Minuet | | Alexey Botvinov, Daniel Hope | 3:07 |
| Suite in the Old Style: IV. Fugue | | Alexey Botvinov, Daniel Hope | 2:40 |
| Suite in the Old Style: V. Pantomime | | Alexey Botvinov, Daniel Hope | 4:05 |
| Tango from “Agony” (for violin and piano) | | Alexey Botvinov, Daniel Hope | 3:01 |
| 太陽神 | | 島谷ひとみ | 5:19 |
| balance engineered |
|---|
| 2007-09 | The Art of Fugue, BWV 1080: Canon alla Decima in Contrapuncto all Terza | | Pierre‐Laurent Aimard | 4:16 |
| 2007-09 | The Art of Fugue, BWV 1080: Canon alla Duodecima in Contrapuncto alla Quinta | | Pierre‐Laurent Aimard | 1:59 |
| 2007-09 | The Art of Fugue, BWV 1080: Canon alla Ottava | | Pierre‐Laurent Aimard | 2:20 |
| 2007-09 | The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu | | Pierre‐Laurent Aimard | 8:03 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 1 | | Pierre‐Laurent Aimard | 3:01 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 2 | | Pierre‐Laurent Aimard | 2:38 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 3 | | Pierre‐Laurent Aimard | 3:11 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 4 | | Pierre‐Laurent Aimard | 3:05 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 5 | | Pierre‐Laurent Aimard | 3:07 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 6 a 4 in Style Francese | | Pierre‐Laurent Aimard | 4:40 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 7 a 4 per Augmentationem et Diminutionem | | Pierre‐Laurent Aimard | 4:09 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 | | Pierre‐Laurent Aimard | 7:01 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 9 a 4 alla Duodecima | | Pierre‐Laurent Aimard | 2:18 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 10 a 4 alla Decima | | Pierre‐Laurent Aimard | 3:44 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus 11 a 4 | | Pierre‐Laurent Aimard | 7:04 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.1 a 4 | | Pierre‐Laurent Aimard | 3:01 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus inversus 12.2 a 4 | | Pierre‐Laurent Aimard | 3:14 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.1 a 3 | | Pierre‐Laurent Aimard | 2:08 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus inversus 13.2 a 3 | | Pierre‐Laurent Aimard | 2:16 |
| 2007-09 | The Art of Fugue, BWV 1080: Contrapunctus XIV (Fuga a 3 Soggetti) | | Pierre‐Laurent Aimard | 7:18 |
| Chaconne for Violin and Piano (after Partita for Solo Violin no. 2 in D minor, BWV 1004) | | Robert Schumann | 14:37 |
| Concerto, RV 569 in Fa maggiore: Allegro | | Anne Katharina Schreiber, Freiburger Barockorchester, Gottfried von der Goltz | 4:48 |
| Concerto, RV 569 in Fa maggiore: Allegro | | Anne Katharina Schreiber, Freiburger Barockorchester, Gottfried von der Goltz | 4:43 |
| Concerto, RV 569 in Fa maggiore: Grave | | Anne Katharina Schreiber, Freiburger Barockorchester, Gottfried von der Goltz | 2:54 |
| Concerto, RV 574 in Fa maggiore: [Allegro] | | Gottfried von der Goltz, Freiburger Barockorchester | 3:30 |
| Concerto, RV 574 in Fa maggiore: Allegro | | Gottfried von der Goltz, Freiburger Barockorchester | 4:17 |
| Concerto, RV 574 in Fa maggiore: Grave | | Gottfried von der Goltz, Freiburger Barockorchester | 3:23 |
| Concerto, RV 576 in Sol minore: [Allegro] | | Katharina Arfken, Gottfried von der Goltz, Freiburger Barockorchester | 4:48 |
| Concerto, RV 576 in Sol minore: Allegro | | Katharina Arfken, Gottfried von der Goltz, Freiburger Barockorchester | 4:01 |
| Concerto, RV 576 in Sol minore: Larghetto | | Katharina Arfken, Gottfried von der Goltz, Freiburger Barockorchester | 2:14 |
| Concerto, RV 577 in Sol minore: [Allegro] | | Gottfried von der Goltz, Freiburger Barockorchester | 3:49 |
| Concerto, RV 577 in Sol minore: Allegro | | Gottfried von der Goltz, Freiburger Barockorchester | 3:34 |
| Concerto, RV 577 in Sol minore: Largo non molto | | Gottfried von der Goltz, Freiburger Barockorchester | 2:17 |
| Prelude and Fugue in C-Sharp Major, BWV 848: Fugue | | Pierre‐Laurent Aimard | 2:36 |
| Prelude and Fugue in C-Sharp Major, BWV 848: Prelude | | Pierre‐Laurent Aimard | 1:18 |
| Sinfonie, RV 192 in do maggiore: [Allegro] | | Freiburger Barockorchester, Gottfried von der Goltz | 1:34 |
| Sinfonie, RV 192 in do maggiore: [Allegro] | | Freiburger Barockorchester, Gottfried von der Goltz | 0:57 |
| Sinfonie, RV 192 in do maggiore: [Allegro] | | Freiburger Barockorchester, Gottfried von der Goltz | 2:01 |
| Sinfonie, RV 192 in do maggiore: [Largo] | | Freiburger Barockorchester, Gottfried von der Goltz | 0:45 |
| Songs from "Des Knaben Wunderhorn": Das irdische Leben | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 2:45 |
| Songs from "Des Knaben Wunderhorn": Der Schildwache Nachtlied | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 5:29 |
| Songs from "Des Knaben Wunderhorn": Der Tamboursg'sell | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 4:56 |
| Songs from "Des Knaben Wunderhorn": Des Antonius von Padua Fischpredigt | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 3:35 |
| Songs from "Des Knaben Wunderhorn": Lied des Verfolgten im Turm | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 4:29 |
| Songs from "Des Knaben Wunderhorn": Lob des hohen Verstandes | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 2:38 |
| Songs from "Des Knaben Wunderhorn": Revelge | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 6:37 |
| Songs from "Des Knaben Wunderhorn": Rheinlegendchen | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 3:29 |
| Songs from "Des Knaben Wunderhorn": Trost im Unglück | | Christian Gerhaher, The Cleveland Orchestra, Pierre Boulez | 2:53 |
| Songs from "Des Knaben Wunderhorn": Verlor'ne Müh | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 3:00 |
| Songs from "Des Knaben Wunderhorn": Wer hat dies Liedlein erdacht? | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 2:21 |
| Songs from "Des Knaben Wunderhorn": Wo die schönen Trompeten blasen | | Magdalena Kožená, The Cleveland Orchestra, Pierre Boulez | 7:00 |
| Symphony no. 1 in C major, op. 21: 1. Adagio molto – Allegro con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 9:29 |
| Symphony no. 1 in C major, op. 21: 2. Andante cantabile con moto | | West-Eastern Divan Orchestra, Daniel Barenboim | 6:46 |
| Symphony no. 1 in C major, op. 21: 3. Menuetto: Allegro molto e vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 3:35 |
| Symphony no. 1 in C major, op. 21: 4. Finale: Adagio – Allegro molto e vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 6:09 |
| Symphony no. 2 in D major, op. 36: 1. Adagio molto – Allegro con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 13:03 |
| Symphony no. 2 in D major, op. 36: 2. Larghetto | | West-Eastern Divan Orchestra, Daniel Barenboim | 10:54 |
| Symphony no. 2 in D major, op. 36: 3. Scherzo: Allegro | | West-Eastern Divan Orchestra, Daniel Barenboim | 3:48 |
| Symphony no. 2 in D major, op. 36: 4. Allegro molto | | West-Eastern Divan Orchestra, Daniel Barenboim | 6:45 |
| Symphony no. 3 in E-flat, op. 55 “Eroica”: 1. Allegro con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 16:11 |
| Symphony no. 3 in E-flat, op. 55 “Eroica”: 2. Marcia funebre (Adagio assai) | | West-Eastern Divan Orchestra, Daniel Barenboim | 15:59 |
| Symphony no. 3 in E-flat, op. 55 “Eroica”: 3. Scherzo: Allegro vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 6:07 |
| Symphony no. 3 in E-flat, op. 55 “Eroica”: 4. Finale: Allegro molto | | West-Eastern Divan Orchestra, Daniel Barenboim | 12:13 |
| Symphony no. 4 in B-flat major, op. 60: 1. Adagio – Allegro vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 10:30 |
| Symphony no. 4 in B-flat major, op. 60: 2. Adagio | | West-Eastern Divan Orchestra, Daniel Barenboim | 10:52 |
| Symphony no. 4 in B-flat major, op. 60: 3. Allegro vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 6:31 |
| Symphony no. 4 in B-flat major, op. 60: 4. Allegro ma non troppo | | West-Eastern Divan Orchestra, Daniel Barenboim | 7:16 |
| Symphony no. 5 in C minor, op. 67: 1. Allegro con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 8:10 |
| Symphony no. 5 in C minor, op. 67: 2. Andante con moto | | West-Eastern Divan Orchestra, Daniel Barenboim | 10:12 |
| Symphony no. 5 in C minor, op. 67: 3. Allegro | | West-Eastern Divan Orchestra, Daniel Barenboim | 5:46 |
| Symphony no. 5 in C minor, op. 67: 4. Allegro | | West-Eastern Divan Orchestra, Daniel Barenboim | 9:23 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: 1. Allegro ma non troppo: Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande | | West-Eastern Divan Orchestra, Daniel Barenboim | 10:35 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: 2. Andante molto mosso: Szene am Bach | | West-Eastern Divan Orchestra, Daniel Barenboim | 11:27 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: 3. Allegro: Lustiges Zusammensein der Landleute | | West-Eastern Divan Orchestra, Daniel Barenboim | 5:54 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: 4. Allegro: Gewitter, Sturm | | West-Eastern Divan Orchestra, Daniel Barenboim | 4:00 |
| Symphony no. 6 in F major, op. 68 “Pastoral”: 5. Allegretto: Hirtengesang. Frohe und dankbare Gefuhle nach dem Sturm | | West-Eastern Divan Orchestra, Daniel Barenboim | 9:15 |
| Symphony no. 7 in A major, op. 92: 1. Poco sostenuto – Vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 12:30 |
| Symphony no. 7 in A major, op. 92: 2. Allegretto | | West-Eastern Divan Orchestra, Daniel Barenboim | 8:52 |
| Symphony no. 7 in A major, op. 92: 3. Presto – Assai meno presto | | West-Eastern Divan Orchestra, Daniel Barenboim | 8:48 |
| Symphony no. 7 in A major, op. 92: 4. Allegro con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 7:06 |
| Symphony no. 8 in F major, op. 93: 1. Allegro vivace e con brio | | West-Eastern Divan Orchestra, Daniel Barenboim | 9:47 |
| Symphony no. 8 in F major, op. 93: 2. Allegretto scherzando | | West-Eastern Divan Orchestra, Daniel Barenboim | 3:48 |
| Symphony no. 8 in F major, op. 93: 3. Tempo di menuetto | | West-Eastern Divan Orchestra, Daniel Barenboim | 5:15 |
| Symphony no. 8 in F major, op. 93: 4. Allegro vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 7:34 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 1. Allegro ma non troppo, un poco maestoso | | West-Eastern Divan Orchestra, Daniel Barenboim | 17:08 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 2. Molto vivace | | West-Eastern Divan Orchestra, Daniel Barenboim | 12:21 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 3. Adagio molto e cantabile | | West-Eastern Divan Orchestra, Daniel Barenboim | 16:44 |
| Symphony no. 9 in D minor, op. 125 “Choral”: 4. Presto: “O Freunde, nicht diese Töne!” – Allegro assai: “Freude, schöner Götterfunken!” – Andante maestoso – Allegro energico, sempre ben marcato | | West-Eastern Divan Orchestra, Daniel Barenboim | 25:36 |
| Symphony no. 10 in F-sharp (unfinished): Adagio | | The Cleveland Orchestra, Pierre Boulez | 24:04 |
| Trio no. 5 op. 70 no. 1 in D minor: I. Allegro vivaci con brio | | Andreas Staier, Daniel Sepec, Jean‐Guihen Queyras | 10:21 |
| Trio no. 5 op. 70 no. 1 in D minor: II. Largo assai ed espressivo | | Andreas Staier, Daniel Sepec, Jean‐Guihen Queyras | 8:28 |
| Trio no. 5 op. 70 no. 1 in D minor: III. Presto | | Andreas Staier, Daniel Sepec, Jean‐Guihen Queyras | 7:56 |
| edited |
|---|
| An der schönen blauen Donau, op. 314 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 11:23 |
| Der Kobold, op. 226 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 5:06 |
| Die Schönbrunner, op. 200 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 8:35 |
| Dorfschwalben aus Österreich, op. 164 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 9:41 |
| Electro‐magnetische Polka, op. 110 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:42 |
| Electrofor‐Polka, op. 297 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:23 |
| Fantasie, op. 17: I. Durchaus phantastisch und leidenschaftlich vorzutragen | | Paul Lewis | 12:18 |
| Fantasie, op. 17: II. Mäßig. Durchaus energisch | | Paul Lewis | 8:10 |
| Fantasie, op. 17: III. Langsam getragen. Durchweg leise zu halten | | Paul Lewis | 10:26 |
| Harlekin‐Polka, op. 48 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:49 |
| Jägers Lust, op. 82 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:46 |
| Luzifer‐Polka, op. 266 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:47 |
| Morgenblätter, op. 279 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 10:40 |
| Ohne Sorgen, op. 271 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:05 |
| Overture to Eine Nacht in Venedig (Berlin version) | | Wiener Philharmoniker, Nikolaus Harnoncourt | 7:35 |
| Pictures at an Exhibition: Cum mortuis in lingua morta (Promenade) / IX. La cabane sur des pattes de poule (Baba Yaga) | | Paul Lewis | 5:19 |
| Pictures at an Exhibition: IV. Bydlo | | Paul Lewis | 3:00 |
| Pictures at an Exhibition: Promenade / I. The gnome | | Paul Lewis | 3:53 |
| Pictures at an Exhibition: Promenade / II. Il vecchio castello | | Paul Lewis | 5:18 |
| Pictures at an Exhibition: Promenade / III. Tuileries (Dispute d'enfants après jeux) | | Paul Lewis | 1:27 |
| Pictures at an Exhibition: Promenade / V. Ballet de poussins dans leurs coques | | Paul Lewis | 1:49 |
| Pictures at an Exhibition: Promenade / VII. Limoges. Le marché | | Paul Lewis | 2:40 |
| Pictures at an Exhibition: VI. "Samuel" Goldenberg und "Schmüyle". | | Paul Lewis | 2:19 |
| Pictures at an Exhibition: VIII. Catacombae (Sepulcrum romanum) | | Paul Lewis | 2:21 |
| Pictures at an Exhibition: X. La grande porte de Kiev | | Paul Lewis | 5:35 |
| Porgy & Bess: Act I, Scene 1. “Here comes the Big Boy!” (Mingo, Jake, Jim, Crown, Sportin' Life, Serena, Bess, Robbins, Porgy, chorus) | | George Gershwin | 4:53 |
| Porgy & Bess: Act I, Scene 1. “Here's the ol' crap shark!” ... “No, no, brudder” (Jake, Mingo, Porgy, Sportin' Life, Robbins, Jim, Maria, Serena) | | George Gershwin | 4:31 |
| Porgy & Bess: Act I, Scene 1. “Jesus, he's killed him!” ... “That you, Sportin' Life?” (Mingo, Bess, Crown, Sportin' Life, Maria) | | George Gershwin | 5:04 |
| Porgy & Bess: Act I, Scene 1. “Lissen to yo' daddy warn you” - “Oh, a woman is a sometime thing” (Jake, Mingo, Sportin' Life, chorus, Peter, Lily, Maria) | | George Gershwin | 3:04 |
| Porgy & Bess: Act I, Scene 1. “Seems like these bones don't give me nothin' but boxcars tonight” (Jake, Sportin' Life, Mingo, Serena, Robbins, chorus, Jim, Clara, crap shooters) | | George Gershwin | 4:28 |
| Porgy & Bess: Act I, Scene 1. “Six to make!” (Sportin' Life, Jim, Mingo, Jake, Porgy, Crown, Robbins, Maria, Serena, Bess, chorus) | | George Gershwin | 4:00 |
| Porgy & Bess: Act I, Scene 1. “Summertime and the livin' is easy” (Clara) | | George Gershwin | 2:15 |
| Porgy & Bess: Act I, Scene 1. Introduction | | George Gershwin | 1:46 |
| Porgy & Bess: Act I, Scene 2. “Come on, sister” ... “Overflow, overflow” (soprano, chorus, Jake, Peter, Serena, Maria, Porgy, Clara) | | George Gershwin | 3:18 |
| Porgy & Bess: Act I, Scene 2. “How de saucer stan' now, my sister?” (undertaker, Serena, Jake, Porgy, chorus) | | George Gershwin | 2:07 |
| Porgy & Bess: Act I, Scene 2. “My man's gone now” (Serena, chorus) | | George Gershwin | 4:16 |
| Porgy & Bess: Act I, Scene 2. “Oh, the train is at the station” (Bess, chorus) | | George Gershwin | 3:07 |
| Porgy & Bess: Act I, Scene 2. “Um! A saucer-buryin' set-up, I see” (detective, Serena, Jake, Porgy, chorus) | | George Gershwin | 3:44 |
| Porgy & Bess: Act I, Scene 2. “Where is brudder Robbins?” (woman, chorus, Man, Serena, Maria, Bess) | | George Gershwin | 3:38 |
| Porgy & Bess: Act II, Scene 1. “Bess, you is my woman now” (Porgy, Bess) | | George Gershwin | 5:09 |
| Porgy & Bess: Act II, Scene 1. “Boy! Come here, boy!” (Archdale, Scipio, Clara, Serena, Mingo, Jake, Porgy, chorus) | | George Gershwin | 2:52 |
| Porgy & Bess: Act II, Scene 1. “Buzzard keep on flyin' over” (Porgy, chorus) | | George Gershwin | 3:23 |
| Porgy & Bess: Act II, Scene 1. “Honey, we sure goin' strut our stuff today!” (Jake, Porgy, Bess) | | George Gershwin | 0:43 |
| Porgy & Bess: Act II, Scene 1. “I got plenty o' nuttin'” (Porgy, chorus) | | George Gershwin | 1:18 |
| Porgy & Bess: Act II, Scene 1. “I hates yo' struttin' style” (Maria) | | George Gershwin | 1:17 |
| Porgy & Bess: Act II, Scene 1. “Listen there what I tells you” (Maria, Serena, Sportin' Life) | | George Gershwin | 1:23 |
| Porgy & Bess: Act II, Scene 1. “Lo, Bess, goin' to de picnic?” (Sportin' Life, Bess, Porgy) | | George Gershwin | 3:17 |
| Porgy & Bess: Act II, Scene 1. “Mornin', Lawyer, lookin' for somebody?” (Maria, Frazier, Porgy, Bess, chorus, Lily, Man, Scipio, Annie, Serena) | | George Gershwin | 5:22 |
| Porgy & Bess: Act II, Scene 1. “Mus' be you mens forgot about de picnic” - “Oh, I got plenty o' nuttin'” (Annie, Jake, Clara, Porgy, chorus, Serena, Maria) | | George Gershwin | 2:13 |
| Porgy & Bess: Act II, Scene 1. “Oh, I can't sit down” (chorus, Maria, Bess, Porgy) | | George Gershwin | 4:12 |
| Porgy & Bess: Act II, Scene 1. “Oh, I'm a-goin' out to the Blackfish banks” (Jake, chorus) | | George Gershwin | 3:37 |
| Porgy & Bess: Act II, Scene 2. “Crown!” ... “You know very well dis Crown!” (Bess, Crown) | | George Gershwin | 3:24 |
| Porgy & Bess: Act II, Scene 2. “I ain't got no shame doin' what I like to do” (chorus) | | George Gershwin | 3:09 |
| Porgy & Bess: Act II, Scene 2. “It ain't necessarily so” (Sportin' Life, chorus) | | George Gershwin | 4:30 |
| Porgy & Bess: Act II, Scene 2. “Oh, what you want wid Bess?” (Bess, Crown) | | George Gershwin | 4:03 |
| Porgy & Bess: Act II, Scene 2. “Shame on all you sinners” (Serena, Maria) | | George Gershwin | 1:53 |
| Porgy & Bess: Act II, Scene 3. “Honey, dat's all de breakfast I got time for” (Jake, Nelson, Jim, Maria, chorus) | | George Gershwin | 2:53 |
| Porgy & Bess: Act II, Scene 3. “I'm talkin' about devil crabs” (crab man, Porgy, Maria) | | George Gershwin | 2:28 |
| Porgy & Bess: Act II, Scene 3. “If dere warn't no Crown, Bess” (Porgy, Bess) | | George Gershwin | 2:37 |
| Porgy & Bess: Act II, Scene 3. “Oh Doctor Jesus” (Serena, Porgy, Peter, Lily) | | George Gershwin | 2:33 |
| Porgy & Bess: Act II, Scene 3. “Oh, dey's so fresh an' fine” (strawberry woman) | | George Gershwin | 1:11 |
| Porgy & Bess: Act II, Scene 3. “Porgy, Porgy, dat you there, ain' it?” (Bess, Porgy) | | George Gershwin | 3:04 |
| Porgy & Bess: Act II, Scene 3. “Well, if it ain' ole Peter!” (Maria, Peter, Bess, Porgy, Serena) | | George Gershwin | 2:24 |
| Porgy & Bess: Act II, Scene 3. “Why you been out on that wharf so long, Clara?” (Maria, Clara) | | George Gershwin | 1:40 |
| Porgy & Bess: Act II, Scene 4. “A red-headed woman make a choo-choo jump its track” (Crown, chorus) | | George Gershwin | 1:36 |
| Porgy & Bess: Act II, Scene 4. “All right, I'm goin' out to get Clara” ... “Oh Doctor Jesus” (Crown, Porgy, all) | | George Gershwin | 2:18 |
| Porgy & Bess: Act II, Scene 4. “Jake's boat in de river upside down!” (Bess, Clara, Crown) | | George Gershwin | 1:02 |
| Porgy & Bess: Act II, Scene 4. “Oh, de Lawd shake de Heavens an' de Lawd rock de groun'” (chorus, man, woman, Porgy, Clara, Serena, Sportin' Life) | | George Gershwin | 2:34 |
| Porgy & Bess: Act II, Scene 4. “Oh, dere's somebody knockin' at de do'” (chorus, Peter, Lily, Mingo, Maria, Bess) | | George Gershwin | 1:30 |
| Porgy & Bess: Act II, Scene 4. “One of dese mornin's you goin' to rise up singin'” (Clara, chorus) | | George Gershwin | 1:11 |
| Porgy & Bess: Act II, Scene 4. “You is a nice parcel of Christians” (Crown, Serena, Bess, Porgy, woman, chorus) | | George Gershwin | 4:06 |
| Porgy & Bess: Act III, Scene 1. “Clara, Clara, don't you be downhearted” ... “You low-life skunk, ain' you got no shame” (chorus, Sportin' Life, Maria) | | George Gershwin | 6:23 |
| Porgy & Bess: Act III, Scene 1. “Summertime an' the livin' is easy” (Bess, Porgy) | | George Gershwin | 3:48 |
| Porgy & Bess: Act III, Scene 2. “Oh Gawd! They goin' make him look on Crown's face!” (Bess, Sportin' Life) | | George Gershwin | 2:10 |
| Porgy & Bess: Act III, Scene 2. “There's a boat dat's leavin' soon for New York” (Sportin' Life, Bess) | | George Gershwin | 4:07 |
| Porgy & Bess: Act III, Scene 2. “Wait for us at the corner, Al” (detective, Annie, Serena, other woman, coroner, 3 women, Porgy, policeman) | | George Gershwin | 5:02 |
| Porgy & Bess: Act III, Scene 3. “Dem white folks sure ain' put nuttin' over on this baby” (Porgy, Lily) | | George Gershwin | 2:57 |
| Porgy & Bess: Act III, Scene 3. “Good mornin', sistuh!” ... “It's Porgy comin' home” (man, woman, chorus, children, Mingo, Porgy) | | George Gershwin | 2:58 |
| Porgy & Bess: Act III, Scene 3. “Here Mingo, what's de matter wid you all?” (Porgy) | | George Gershwin | 1:39 |
| Porgy & Bess: Act III, Scene 3. “Maria, Maria, where's Bess?” (Porgy, Maria, Serena) | | George Gershwin | 3:19 |
| Porgy & Bess: Act III, Scene 3. “Oh Lawd, I'm on my way” (Porgy, chorus) | | George Gershwin | 1:23 |
| Porgy & Bess: Act III, Scene 3. “Where Bess gone?” (Porgy, Mingo, Maria, Serena, chorus) | | George Gershwin | 1:47 |
| Porgy & Bess: Act III, Scene 3. Introduction | | George Gershwin | 1:17 |
| Porgy & Bess: Act III, Scene 3. Symphony of Noise | | George Gershwin | 4:18 |
| Radetzky‐Marsch, op. 228 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 3:26 |
| Radetzky‐Marsch, op. 228 (original version) | | Wiener Philharmoniker, Nikolaus Harnoncourt | 3:53 |
| Seid umschlungen, Millionen, op. 443 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 10:33 |
| Steyrische Tänze, op. 165 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 6:52 |
| Vergnügungszug, op. 281 | | Wiener Philharmoniker, Nikolaus Harnoncourt | 2:49 |
| engineered |
|---|
| 1988-12 | Symphony no. 8, op. 88: I. Allegro con brio | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 10:47 |
| 1988-12 | Symphony no. 8, op. 88: II. Adagio | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 10:02 |
| 1988-12 | Symphony no. 8, op. 88: III. Allegretto grazioso | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 6:09 |
| 1988-12 | Symphony no. 8, op. 88: IV. Allegro ma non troppo | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 9:39 |
| 1988-12 | The Noon Witch, op. 108: I. Allegretto | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 5:44 |
| 1988-12 | The Noon Witch, op. 108: II. Andante sostenuto | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 3:39 |
| 1988-12 | The Noon Witch, op. 108: III. Allegro | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 2:08 |
| 1988-12 | The Noon Witch, op. 108: IV. Andante | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 2:39 |
| 1992-10 | Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell | assistant | Berliner Philharmoniker, Daniel Barenboim, David Barenboim | 19:17 |
| 1992-10 | Symphony no. 4 in E-flat major: II. Andante quasi allegretto | assistant | Berliner Philharmoniker, Daniel Barenboim, David Barenboim | 16:17 |
| 1992-10 | Symphony no. 4 in E-flat major: III. Scherzo: Bewegt | assistant | Berliner Philharmoniker, Daniel Barenboim, David Barenboim | 10:23 |
| 1992-10 | Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell | assistant | Berliner Philharmoniker, Daniel Barenboim, David Barenboim | 22:26 |
| 1998-01 | Piano Concerto no. 5 in D major, K. 175: I. Allegro | assistant | Daniel Barenboim, Berliner Philharmoniker | 8:09 |
| 1998-01 | Piano Concerto no. 5 in D major, K. 175: II. Andante ma un poco adagio | assistant | Daniel Barenboim, Berliner Philharmoniker | 7:35 |
| 1998-01 | Piano Concerto no. 5 in D major, K. 175: III. Allegro | assistant | Daniel Barenboim, Berliner Philharmoniker | 5:03 |
| 1998-01 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto | assistant | Daniel Barenboim, Berliner Philharmoniker | 6:46 |
| 1998-01 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | assistant | Daniel Barenboim, Berliner Philharmoniker | 6:02 |
| 1998-01 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau: Allegro | assistant | Daniel Barenboim, Berliner Philharmoniker | 7:35 |
| 1998-01 | Piano Concerto no. 8 in C major, K. 246 “Lutzow-Konzert”: I. Allegro aperto | assistant | Daniel Barenboim, Berliner Philharmoniker | 7:31 |
| 1998-01 | Piano Concerto no. 8 in C major, K. 246 “Lutzow-Konzert”: II. Andante | assistant | Daniel Barenboim, Berliner Philharmoniker | 7:58 |
| 1998-01 | Piano Concerto no. 8 in C major, K. 246 “Lutzow-Konzert”: III. Rondeau: Tempo di menuetto | assistant | Daniel Barenboim, Berliner Philharmoniker | 7:18 |
| 2009-11 | Die Zauberflöte: I. Akt, 1. Auftritt (Tamino, Die drei Damen). Nr. 1 Introduktion. Tamino: “Zu hilfe! zu hilfe!” | | Inga Kalna, Daniel Behle, Isabelle Druet, Anna Grevelius, Akademie für Alte Musik Berlin & René Jacobs | 6:49 |
| 2009-11 | Die Zauberflöte: I. Akt, 2. Auftritt (Papageno, Tamino). Nr. 2 Arie Papageno: “Der Vogelfänger bin ich ja” | | Daniel Schmutzhard, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 2:03 |
| 2009-11 | Die Zauberflöte: I. Akt, 2. Auftritt. Tamino: “He da!” - 3. Auftritt (Die drei Damen, Papageno, Tamino) | | Isabelle Druet, Daniel Schmutzhard, Daniel Behle, Inga Kalna, Anna Grevelius, Akademie für Alte Musik Berlin & René Jacobs | 6:53 |
| 2009-11 | Die Zauberflöte: I. Akt, 4. Auftritt (Tamino, Papageno). Nr. 3 Arie Tamino: “Dies Bildnis ist Bezaubernd schön” | | Daniel Behle, Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 3:55 |
| 2009-11 | Die Zauberflöte: I. Akt, 5. Auftritt (Die drei Damen, Papageno, Tamino). Erste Dame: “Rüste dich mit mut und Standhaftigkeit” | | Daniel Schmutzhard, Isabelle Druet, Daniel Behle, Anna Grevelius, Inga Kalna, Akademie für Alte Musik Berlin & René Jacobs | 2:38 |
| 2009-11 | Die Zauberflöte: I. Akt, 6. Auftritt (Königin). Nr.4 Rezitativ und Arie Königin: “O Zittre nicht” - 7. Auftritt (Tamino, Papageno). Tamino: “Ist’s denn auch Wirklichkeit” | | Anna-Kristiina Kaappola, Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 4:49 |
| 2009-11 | Die Zauberflöte: I. Akt, 7. Auftritt. Nr. 5 Quintett Papageno: “Hm! Hm! Hm!” - 8. Auftritt (Die drei Damen, Papageno, Tamino). Erste Dame: “Die Königin begnadigt dich” | | Daniel Behle, Inga Kalna, Daniel Schmutzhard, Isabelle Druet, Anna Grevelius, Akademie für Alte Musik Berlin & René Jacobs | 5:47 |
| 2009-11 | Die Zauberflöte: I. Akt, 9. Auftritt (Drei Sklaven). Dritter Sklave: “Ha, Ha, Ha!” - 10. Auftritt (Drei Sklaven, Monostatos). Monostatos: “He Sklaven!” | | Christian Koch, Clemens-Maria Nuszbaumer, Kurt Azesberger, René Möller, Akademie für Alte Musik Berlin & René Jacobs | 2:07 |
| 2009-11 | Die Zauberflöte: I. Akt, 11. Auftritt (Monostatos, Pamina). Nr. 6 Terzett Monostatos: “Du feines Täubchen, nur herein” - 12. Auftritt (Papageno, Monostatos). Papageno: “Wo bin ich wohl?” | | Marlis Petersen, Kurt Azesberger, Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 1:55 |
| 2009-11 | Die Zauberflöte: I. Akt, 13. Auftritt (Pamina). Pamina: “Mutter” - 14. Auftritt (Papageno, Pamina). Papageno: “Bin ich nicht ein Narr” | | Daniel Schmutzhard, Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 5:58 |
| 2009-11 | Die Zauberflöte: I. Akt, 14. Auftritt. Nr. 7 Duett Pamina, Papageno: “Bei Männern, welche liebe Fühlen” | | Daniel Schmutzhard, Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 2:33 |
| 2009-11 | Die Zauberflöte: I. Akt, 15. Auftritt (Drei Knaben, Tamino). Drei Knaben: “Zum Ziele führt dich diese Bahn” | | Alois Mühlbacher, Daniel Behle, Christoph Schlögl, Philipp Pötzlberger, Akademie für Alte Musik Berlin & René Jacobs | 1:15 |
| 2009-11 | Die Zauberflöte: I. Akt, 15. Auftritt (Tamino, Priester). Tamino: “Die Weisheitslehre dieser Knaben” | | Konstantin Wolff, Sunhae Im, Joachim Buhrmann, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 7:16 |
| 2009-11 | Die Zauberflöte: I. Akt, 15. Auftritt. Tamino: “Wie Stark ist nichts dein Zauberton” | | Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 2:39 |
| 2009-11 | Die Zauberflöte: I. Akt, 16. Auftritt (Papageno, Pamina). Beide: “Schnelle füße, rascher Mut” | | Daniel Schmutzhard, Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 1:03 |
| 2009-11 | Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina, Monostatos). Monostatos: “Ha, hab ich euch noch Erwischt” | | Marlis Petersen, Daniel Schmutzhard, Kurt Azesberger, Akademie für Alte Musik Berlin & René Jacobs | 2:24 |
| 2009-11 | Die Zauberflöte: I. Akt, 17. Auftritt (Papageno, Pamina). Chor: “Es lebe Sarastro” - 18. Auftritt (Pamina, Sarastro). Chor: “Es lebe Sarastro” | | Daniel Schmutzhard, Marlis Petersen, Marcos Fink, Akademie für Alte Musik Berlin & René Jacobs | 3:42 |
| 2009-11 | Die Zauberflöte: I. Akt, 19. Auftritt (Monostatos, Tamino, Pamina, Sarastro). Monostatos: “Nun stolzer Jüngling, nur Hieher!” | | Kurt Azesberger, Marcos Fink, Marlis Petersen, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 3:11 |
| 2009-11 | Die Zauberflöte: II. Akt, 1. Auftritt (Sarastro, Priester, Sprecher). Sarastro: “Ihr, in dem weisheitstempel Eingeweihten diener” | | Konstantin Wolff, Sunhae Im, Marcos Fink, Inga Kalna, Joachim Buhrmann, Akademie für Alte Musik Berlin, René Jacobs | 3:45 |
| 2009-11 | Die Zauberflöte: II. Akt, 1. Auftritt. Nr. 9 Marsch der Priester | | Akademie für Alte Musik Berlin & René Jacobs | 2:36 |
| 2009-11 | Die Zauberflöte: II. Akt, 1. Auftritt. Nr.10 Arie Mit Chor. Sarastro: “O Isis und Osiris” | | Marcos Fink, Akademie für Alte Musik Berlin & René Jacobs | 2:10 |
| 2009-11 | Die Zauberflöte: II. Akt, 2. Auftritt (Tamino, Papageno). Tamino: “Eine schreckliche Nacht!” - 3. Auftritt (Sprecher, Priester, Tamino, Papageno). Sprecher: “Ihr Fremdlinge” | | Daniel Behle, Konstantin Wolff, Daniel Schmutzhard, Sunhae Im, Joachim Buhrmann, Akademie für Alte Musik Berlin & René Jacobs | 4:09 |
| 2009-11 | Die Zauberflöte: II. Akt, 3. Auftritt. Nr.11 Duett zweiter Priester und Sprecher: “Bewahret euch vor Weibertücken” - 4. Auftritt (Papageno, Tamino). Papageno: “He, lichter Her!” | | Joachim Buhrmann, Daniel Behle, Konstantin Wolff, Daniel Schmutzhard, Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | 1:11 |
| 2009-11 | Die Zauberflöte: II. Akt, 5. Auftritt (Die drei Damen, Papageno, Tamino). Nr. 12 Quintett. Die drei Damen: “Wie? Wie? Wie?” | | Inga Kalna, Daniel Schmutzhard, Daniel Behle, Isabelle Druet, Anna Grevelius, Akademie für Alte Musik Berlin & René Jacobs | 3:32 |
| 2009-11 | Die Zauberflöte: II. Akt, 6. Auftritt (Tamino, Papageno, Sprecher, Zweiter Priester). Sprecher: “Heil dir, Jüngling!” | | Daniel Behle, Daniel Schmutzhard, Konstantin Wolff, Joachim Buhrmann, Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | 1:25 |
| 2009-11 | Die Zauberflöte: II. Akt, 7. Auftritt (Monostatos). Monostatos: “Ha, da find’ ich ja die spröde Schöne!” | | Kurt Azesberger, Akademie für Alte Musik Berlin & René Jacobs | 1:50 |
| 2009-11 | Die Zauberflöte: II. Akt, 7. Auftritt. Nr. 13 Arie Monostatos: “Alles fühlt der liebe Freuden” | | Kurt Azesberger, Akademie für Alte Musik Berlin & René Jacobs | 1:28 |
| 2009-11 | Die Zauberflöte: II. Akt, 8. Auftritt (Königin, Pamina, Monostatos). Königin: “Zurücke!” | | Anna-Kristiina Kaappola, Marlis Petersen, Kurt Azesberger, Akademie für Alte Musik Berlin & René Jacobs | 3:03 |
| 2009-11 | Die Zauberflöte: II. Akt, 8. Auftritt. Nr. 14 Arie Königin: “Die Hölle Rache kocht in meinem Herzen” | | Anna-Kristiina Kaappola, Akademie für Alte Musik Berlin & René Jacobs | 2:55 |
| 2009-11 | Die Zauberflöte: II. Akt, 9. Auftritt (Pamina) - 10. Auftritt (Pamina, Monostatos) - 11. Auftritt (Monostatos, Sarastro) - 12. Auftritt (Pamina, Sarastro). Pamina: “Herr, strafe meine Mutter nicht” | | Marcos Fink, Marlis Petersen, Kurt Azesberger, Akademie für Alte Musik Berlin & René Jacobs | 3:05 |
| 2009-11 | Die Zauberflöte: II. Akt, 12. Auftritt. Nr. 15 Arie Sarastro: “In diesen heil’gen Hallen” | | Marcos Fink, Akademie für Alte Musik Berlin & René Jacobs | 3:15 |
| 2009-11 | Die Zauberflöte: II. Akt, 13. Auftritt (Sprecher, Zweiter Priester) - 14. Auftritt (Tamino, Papageno) - 15. Auftritt (Papageno, Weib) | | Daniel Schmutzhard, Sunhae Im, Konstantin Wolff, Anna Grevelius, Daniel Behle, Joachim Buhrmann, Akademie für Alte Musik Berlin & René Jacobs | 3:31 |
| 2009-11 | Die Zauberflöte: II. Akt, 16. Auftritt (Die drei Knaben). Nr. 16 Terzett. Die drei Knaben: “Seid uns zum zweiten mal Willkommen” | | Alois Mühlbacher, Philipp Pötzlberger, Christoph Schlögl, Akademie für Alte Musik Berlin & René Jacobs | 1:27 |
| 2009-11 | Die Zauberflöte: II. Akt, 17. Auftritt (Tamino, Papageno) Papageno: “Tamino, Wollen wir nicht Speisen?” - 18. Auftritt (Pamina, Tamino, Papageno) | | Marlis Petersen, Daniel Behle, Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 2:33 |
| 2009-11 | Die Zauberflöte: II. Akt, 18. Auftritt. Nr. 17 Arie Pamina: “Ach ich fühl’s, es ist Verschwunden” | | Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 3:06 |
| 2009-11 | Die Zauberflöte: II. Akt, 19. Auftritt (Tamino, Papageno). Papageno: “Nicht wahr Tamino, ich kann auch Schweigen” | | Daniel Schmutzhard, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 2:50 |
| 2009-11 | Die Zauberflöte: II. Akt, 20. Szene (Chor Der Priester). Nr. 18 Chor Der Priester: “O Isis und Osiris” | | RIAS Kammerchor, Akademie für Alte Musik Berlin & René Jacobs | 2:13 |
| 2009-11 | Die Zauberflöte: II. Akt, 21. Auftritt (Tamino, Pamina, Sarastro). Sarastro: “Prinz, dein Betragen” | | Marlis Petersen, Marcos Fink, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 1:10 |
| 2009-11 | Die Zauberflöte: II. Akt, 21. Auftritt. Nr. 19 Terzett (Pamina, Sarastro, Tamino). Pamina: “Soll ich dich, Teurer! Nicht mehr seh’n?” | | Daniel Behle, Marcos Fink, Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 2:39 |
| 2009-11 | Die Zauberflöte: II. Akt, 22. Auftritt (Papageno) - 23. Auftritt (Sprecher, Papageno). Sprecher: “Mensch! Du hättest verdient” | | Daniel Schmutzhard, Konstantin Wolff, Akademie für Alte Musik Berlin & René Jacobs | 2:54 |
| 2009-11 | Die Zauberflöte: II. Akt, 23. Auftritt. Nr. 20 Arie Papageno: “Ein Mädchen oder Weibchen” | | Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 3:50 |
| 2009-11 | Die Zauberflöte: II. Akt, 24. Auftritt (Weib, Papageno) - 25. Auftritt (Weib, Papageno, Sprecher) - 26. Auftritt (Die drei Knaben). Nr. 21 Finale: “Bald Pragnt, den Morgen zu verkünden” | | Christoph Schlögl, Daniel Schmutzhard, Alois Mühlbacher, Konstantin Wolff, Sunhae Im,Philipp Pötzlberger, Akademie für Alte Musik Berlin & René Jacobs | 2:38 |
| 2009-11 | Die Zauberflöte: II. Akt, 27. Auftritt (Pamina, Die drei Knaben). Pamina: “Du also bist mein Bräutigam?” | | Marlis Petersen, Alois Mühlbacher, Philipp Pötzlberger, Christoph Schlögl, Akademie für Alte Musik Berlin & René Jacobs | 5:21 |
| 2009-11 | Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Chor). Pamina und Tamino: “Wir wandelten durch Feuergluten” | | Marlis Petersen, Daniel Behle, Akademie für Alte Musik Berlin & René Jacobs | 3:25 |
| 2009-11 | Die Zauberflöte: II. Akt, 28. Auftritt (Pamina, Tamino, Die Geharnischten). Pamina: “Tamino, halt” | | Daniel Behle, Konstantin Wolff, Magnus Staveland, Marlis Petersen, Akademie für Alte Musik Berlin & René Jacobs | 4:32 |
| 2009-11 | Die Zauberflöte: II. Akt, 28. Auftritt (Zwei Männer, Tamino). Zwei geharnischte Männer: “Der, welcher wandert dieser Straße” | | Daniel Behle, Magnus Staveland, Konstantin Wolff, Akademie für Alte Musik Berlin & René Jacobs | 4:16 |
| 2009-11 | Die Zauberflöte: II. Akt, 29. Auftritt (Drei Knaben, Papageno). Drei Knaben: “Halt ein, O Papageno!” | | Philipp Pötzlberger, Christoph Schlögl, Alois Mühlbacher, Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 1:30 |
| 2009-11 | Die Zauberflöte: II. Akt, 29. Auftritt (Papageno). Papageno: “Papagena! Papagena!” | | Daniel Schmutzhard, Akademie für Alte Musik Berlin & René Jacobs | 3:45 |
| 2009-11 | Die Zauberflöte: II. Akt, 29. Auftritt. Duette Papageno, Weib: “Pa - Pa - Pa” | | Daniel Schmutzhard, Sunhae Im, Akademie für Alte Musik Berlin & René Jacobs | 2:57 |
| 2009-11 | Die Zauberflöte: II. Akt, 30. Auftritt (Mohr, Weiber, Königin, Damen). Mohr: “Nur stille!” | | Isabelle Druet, Anna-Kristiina Kaappola, Kurt Azesberger, Inga Kalna, Akademie für Alte Musik Berlin & René Jacobs | 2:06 |
| 2009-11 | Die Zauberflöte: II. Akt, 30. Auftritt (Sarastro, Chor Von Priestern). Sarastro: “Die Strahlen der Sonne vertreiben die Nacht” | | Marcos Fink, Akademie für Alte Musik Berlin & René Jacobs | 2:38 |
| 2009-11 | Die Zauberflöte: Ouvertüre | | Akademie für Alte Musik Berlin & René Jacobs | 6:01 |
| 2011-06 | Concerto in One Movement, After Nicolò Paganini’s Violin Concerto in D major, op. 6 | | Benjamin Schmid, Wiener Philharmoniker, Valery Gergiev | 17:39 |
| 2011-06 | Encore: Vom Donaustrande - Polka Schnell, op. 356 (From the Banks of the Danube) | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 2:59 |
| 2011-06 | Kurkikohtaus, op. 44 no. 2, Scene With Cranes, From the Incidental Music to Kuolema (Death) | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 4:26 |
| 2011-06 | Les Préludes, S. 97 | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 15:25 |
| 2011-06 | Pictures at an Exhibition: Cum Mortuis in Lingua Mortua: Andante non troppo, con lamento | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 1:57 |
| 2011-06 | Pictures at an Exhibition: I. Gnomus: Vivo | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 2:35 |
| 2011-06 | Pictures at an Exhibition: II. Il Vecchio Castello (The Old Castle): Andante | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 5:06 |
| 2011-06 | Pictures at an Exhibition: III. Tuileries: Allegretto non troppo, capriccioso | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 1:09 |
| 2011-06 | Pictures at an Exhibition: IV. Bydlo: Sempre moderato, pesante | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 2:45 |
| 2011-06 | Pictures at an Exhibition: IX. La Cabane Sur Des Pattes de Poule (Baba Yaga) (The Hut on the Chicken’s Legs): Allegro con brio - Andante mosso - Allegro molto | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 3:22 |
| 2011-06 | Pictures at an Exhibition: Promenade: Allegro giusto nel modo russico; senza allegrezza, ma poco sostenuto | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 1:38 |
| 2011-06 | Pictures at an Exhibition: Promenade: Moderato comodo e con delicatezza | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 0:59 |
| 2011-06 | Pictures at an Exhibition: Promenade: Moderato non tanto, pesante | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 0:32 |
| 2011-06 | Pictures at an Exhibition: Promenade: Tranquillo | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 0:52 |
| 2011-06 | Pictures at an Exhibition: V. Ballet Des Petits Poussins Dans Leurs Coques (Ballet of the Unhatched Chicks): Scherzino. Vivo leggiero | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 1:14 |
| 2011-06 | Pictures at an Exhibition: VI. Samuel Goldenberg und Schmuyle: Andante | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 2:27 |
| 2011-06 | Pictures at an Exhibition: VII. Limoges - Le Marché: Allegretto vivo, Sempre scherzando | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 1:21 |
| 2011-06 | Pictures at an Exhibition: VIII. Catacombae: Sepulchrum Romanum: Largo | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 2:26 |
| 2011-06 | Pictures at an Exhibition: X. The Great Gate of Kiev: Allegro alla breve. Maestoso. Con grandezza | | Wiener Philharmoniker, Валерий Абисалович Гергиев | 5:32 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: I. Pezzo elegiaco. Moderato assai | | Trio Wanderer | 17:42 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: II. A. Tema con Variazioni. Andante con moto | | Trio Wanderer | 0:59 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: II. B. Variazione Finale e Coda | | Trio Wanderer | 6:49 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: Var I. | | Trio Wanderer | 0:48 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: Var II. Più mosso | | Trio Wanderer | 0:32 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: Var III. Allegro moderato | | Trio Wanderer | 0:52 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: Var IV. L'istesso tempo | | Trio Wanderer | 1:04 |
| 2012-10 – 2012-11 | Piano Trio in A minor, op. 50: Var IX. Andante flebilema non tanto | | Trio Wanderer | 2:59 |
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| Afro Blue | | Rolf v. Nordenskjöld Quartett | 9:26 |
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| Áss hinn hvíti | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 5:10 |
| Dagrenning | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 11:36 |
| Donnybrook Fair (Based on “Blowing Off Steam” from “Far and Away”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 3:53 |
| Dvergmál | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 7:37 |
| Flutesong | | Rolf v. Nordenskjöld Quartett | 1:58 |
| Heroes | | Wroclaw Score Orchestra, Joris Bartsch-Buhle | 2:09 |
| Herzelinde | | Wroclaw Score Orchestra, Joris Bartsch-Buhle | 2:13 |
| Herzelinde Is Gone | | Wroclaw Score Orchestra, Joris Bartsch-Buhle | 2:19 |
| Hvert stefnir | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 9:57 |
| Illusions | | Rolf v. Nordenskjöld Quartett | 3:28 |
| Luke and Leia (from “Star Wars: Return of the Jedi”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 5:01 |
| Markings | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 8:32 |
| Memoirs of a Geisha: The Chairman’s Waltz | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:00 |
| Munich: A Prayer for Peace | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 3:14 |
| Nice to Be Around (from “Cinderella Liberty”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:02 |
| Niemandsland | | Rolf v. Nordenskjöld Quartett | 6:50 |
| Night Journeys (from “Dracula”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 5:38 |
| Novemberabend | | Rolf v. Nordenskjöld Quartett | 6:36 |
| Passing Place | | Rolf v. Nordenskjöld Quartett | 13:55 |
| Pink Lips | | Rolf v. Nordenskjöld Quartett | 6:36 |
| Prologus | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 5:54 |
| Sayuri’s Theme (from “Memoirs of a Geisha”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:44 |
| Schindler’s List: Remembrances | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 6:17 |
| Spár eða spakmál | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 7:42 |
| Squabble | | Rolf v. Nordenskjöld Quartett | 5:54 |
| Star Wars: A New Hope: Princess Leia’s Theme | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 5:19 |
| Stendur æva | | Sigur Rós with Steindór Andersen, Hilmar Örn Hilmarsson and María Huld Markan Sigfúsdóttir | 9:47 |
| The Duel (from “The Adventures of Tintin: The Secret of the Unicorn”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:24 |
| Theme (from “Sabrina”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:59 |
| Theme (from “Schindler’s List”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 4:12 |
| Yoda’s Theme (from “Star Wars: The Empire Strikes Back”) | | Anne‐Sophie Mutter, Recording Arts Orchestra of Los Angeles & John Williams | 3:35 |
| produced |
|---|
| “Bei Erblickung meiner Kinder stille gehalten” (Leopold Mozart) | | Nikolaus Harnoncourt | 1:13 |
| “Come In!”: 2nd mvt. | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 4:31 |
| “Das heist auf der Schneckenpost gereiset!" (Leopold Mozart) | | Nikolaus Harnoncourt | 0:57 |
| “Freundin! Ich bitte um Verzeihung” (Wolfgang Amadeus Mozart) | | Maximilian Harnoncourt | 0:43 |
| “Ich erfuhr, dass alle Clavieristen und Componisten in Wien” (Leopold Mozart) | | Leopold Mozart | 1:39 |
| “Mein Herz ist völlig entzücket” (Wolfgang Amadeus Mozart) | | Maximilian Harnoncourt | 0:22 |
| “Meine Kinder haben ganz Schwetzingen in Bewegung gesetzet” (Leopold Mozart & Maria Anna (“Nannerl”) Mozart) | | Laya Harnoncourt, Nikolaus Harnoncourt | 1:00 |
| “Te Deum laudmaus!” (Leopold Mozart) | | Nikolaus Harnoncourt | 1:51 |
| “Was die Rettung der Ehre meines Kindes erheischet” (Leopold Mozart) | | Leopold Mozart | 1:02 |
| “Wie kostbar die Zeit für die Jugend ist” (Leopold Mozart) | | Leopold Mozart | 0:29 |
| “Wir sind, Gott Lob, glücklich über den Maxlaner-Bach gekommen” (Leopold Mozart) | | Leopold Mozart | 1:12 |
| 847 | | Christian Badzura, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 4:07 |
| Adagio | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 7:58 |
| Adagio, from Keyboard Concerto in F minor, BWV 1056 | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 2:56 |
| By This River | | Christian Badzura, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 3:36 |
| Concerto in A major, R. 82: Allegro | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 2:15 |
| Concerto in A major, R. 82: Allegro non molto | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 3:46 |
| Concerto in A major, R. 82: Larghetto | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 4:23 |
| Concerto in A minor, BWV 1041 (violin): [Allegro] | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 4:04 |
| Concerto in A minor, BWV 1041 (violin): Allegro assai | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 3:55 |
| Concerto in A minor, BWV 1041 (violin): Andante | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 5:48 |
| Concerto in D major, R. 93: Allegro | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 2:18 |
| Concerto in D major, R. 93: Allegro | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 3:46 |
| Concerto in D major, R. 93: Largo | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 5:43 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Auf Starkem Fittiche Schwinget Sich (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 7:48 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Gleich Öffnet Sich Der Erde Schoß (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:11 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/In Holder Anmut Steh'n, Mit Jungem Grün Geschmückt (Terzett) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 7:03 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Mit Würd' Und Hoheit Angethan (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:59 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Nun Scheint in Vollem Glanze Der Himmel (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:21 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Die Engel Rührten Ihr' Unsterblichen Harfen (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:18 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Gott Sah Jedes Ding, Das Er Gemacht Hatte (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:20 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Gott Schuf Den Menschen Nach Seinem Ebenbilde (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:48 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Gott Schuf Große Walfische (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:12 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Gott Sprach: Es Bringe Das Wasser in Der Fülle Hervor (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:31 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Und Gott Sprach: Es Bringe Die Erde Hervor (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:25 |
| Die Schöpfung (The Creation), H. 21/2/, Part II/Vollendet Ist Das Große Werk... Zu Dir, o Herr, Blickt Alles Auf | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 9:18 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/Aus Rosenwolken Bricht, Geweckt Durch Süßen Klang (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:56 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/Holde Gattin! Dir Zur Seite (Duet) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 7:58 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/Nun Ist Die Erste Pflicht Erfüllt (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:13 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/O Glücklich Paar! Und Glücklich Immerfort! (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:24 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/Singt Dem Herren, Alle Stimmen (Chorus) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:37 |
| Die Schöpfung (The Creation), H. 21/2/, Part III/Von Deiner Güt', o Herr Und Gott... Gesegnet Sei Des Herren Macht (Duet & Chorus) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 10:21 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Die Himmel Erzählen Die Ehre Gottes... Dem Kommenden Tage Sagt Es Der Tag | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 4:25 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Die Vorstellung Des Chaos - Largo | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 5:40 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Im Anfange Schuf Gott Himmel Und Erde (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:31 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/In Vollem Glanze Steigt Jetzt Die Sonne Strahlend Auf (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 3:16 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Mit Staunen Sieht Das Wunderwerk | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:16 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Nun Beut Die Flur Das Frische Grün (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 5:19 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Nun Schwanden Vor Dem Heiligen Strahle (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 4:06 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Rollend in Schäumenden Wellen (Aria) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 4:03 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Stimmt an Die Saiten, Ergreift Die Leyer (Chor) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:18 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Und Die Himmlischen Heerscharen Verkündeten Den Dritten Tag (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:15 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Und Gott Machte Das Firmament (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 2:13 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Und Gott sprach: Es bringe die Erde Gras hervor (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:36 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Und Gott Sprach: Es Sammle Sich Das Wasser (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:42 |
| Die Schöpfung (The Creation), H. 21/2/,Part I/Und Gott Sprach: Es Sei'n Lichter an Der Feste Des Himmels (Rec.) | | Concentus Musicus Wien, Arnold Schönberg Chor, Nikolaus Harnoncourt | 0:48 |
| Dona Nobis Pacem 2 | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 3:27 |
| Einstein on the Beach: Knee Play 2 | | Mari Samuelsen | 5:09 |
| Emerald and Stone | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 2:26 |
| First letter, Salzburg, ca. 1769 (Wolfgang Amadeus Mozart) - Symphony no. 8 in D major, K 48: II. Andante | | Wolfgang Amadeus Mozart | 1:08 |
| First travel to Italy, 1769/70 (Leopold & Wolfgang Amadeus Mozart) | | Leopold Mozart & Wolfgang Amadeus Mozart | 5:26 |
| First travel to Paris, 1763/64 (Leopold & Nannerl Mozart) | | Leopold Mozart & Nannerl Mozart | 4:42 |
| First travel to Rome, April / May 1770 (Leopold & Wolfgang Amadeus Mozart) | | Leopold Mozart & Wolfgang Amadeus Mozart | 5:16 |
| First travels, 1762/63 (Leopold & Nannerl Mozart) - Symphony no. 1 in E-flat major, K 16: I. Molto allegro | | Leopold Mozart & Nannerl Mozart / Wolfgang Amadeus Mozart | 8:30 |
| Four Dimensions | task: post production | Ludovico Einaudi & Amsterdam Sinfonietta | 4:42 |
| Fragment | | Mari Samuelsen | 1:33 |
| Good Night, Day | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 3:49 |
| Heptapod B | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 3:32 |
| Invention no. 13 in A minor, BWV 784 | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 1:43 |
| Jesu, Joy of Man’s Desiring, from Cantata BWV 147 | | Sharon Isbin, Zürcher Kammerorchester, Howard Griffiths | 2:56 |
| Lullaby | | Mari Samuelsen | 5:55 |
| Mammal Step Sequence | | Christian Badzura, Mari Samuelsen | 2:19 |
| Menuetto in C, K. 409 (383f): Menuetto - Trio | | Concentus Musicus Wien, Nikolaus Harnoncourt | 7:08 |
| Milan II, 1770/71 (Leopold & Wolfgang Amadeus Mozart) | | Leopold Mozart & Wolfgang Amadeus Mozart | 6:29 |
| Milan III, 1771/72 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 25 in G minor, K 183 (173dB): I. Allegro con brio | | Leopold Mozart & Wolfgang Amadeus Mozart | 6:08 |
| Milan, February / March 1770 (Leopold & Wolfgang Amadeus Mozart) - Symphony no. 9 in C major, K 73 (75a): I. Allegro | | Leopold Mozart & Wolfgang Amadeus Mozart | 5:06 |
| Munich, November 10, 1766 (Leopold Mozart) - Symphony no. 43 in F major, K 76 (42a): I. Allegro maestoso | | Leopold Mozart / Wolfgang Amadeus Mozart | 2:10 |
| Naples, May / June 1770 (Leopold & Wolfgang Amadeus Mozart) | | Leopold Mozart & Wolfgang Amadeus Mozart | 2:56 |
| November | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 6:07 |
| Olomouc (Olmütz), November 10, 1767 (Leopold Mozart) - Symphony no. 6 in F major, K 43: III. Menuetto - Trio | | Leopold Mozart / Wolfgang Amadeus Mozart | 5:08 |
| Opus 2020 | | Elisabeth Brauß, Beethoven Orchester Bonn, Dirk Kaftan | 17:44 |
| Partita for Violin Solo no. 2 in D minor, BWV 1004: 5. Chaconne – Pt. 1 | | Mari Samuelsen | 6:40 |
| Partita for Violin Solo no. 2 in D minor, BWV 1004: 5. Chaconne – Pt. 2 | | Mari Samuelsen, Jonathan Stockhammer | 3:53 |
| Partita for Violin Solo no. 2 in D minor, BWV 1004: 5. Chaconne – Pt. 3 | | Mari Samuelsen | 3:03 |
| Prelude for Lute in D minor, BWV 999 | | Sharon Isbin | 2:12 |
| Prelude in D major, BWV 850 | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 1:41 |
| Presto from Sonata for Violin Solo in G minor, BWV 1001 | | Mari Samuelsen | 3:19 |
| Second stay in Rome, July / August 1770 (Leopold & Wolfgang Amadeus Mozartq) - Symphony no. 47 in D major, K 97 (73m): IV. Presto | | Leopold Mozart & Wolfgang Amadeus Mozart | 4:28 |
| Sequence (Four) for Solo Violin and String Orchestra divisi | | Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | 6:10 |
| Sinfonia in B-flat, K. 22: I. Allegro | | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:49 |
| Sinfonia in B-flat, K. 22: II. Andante | | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:11 |
| Sinfonia in B-flat, K. 22: III. Allegro molto | | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:14 |
| Sinfonia in B-flat, K. 45b (=Suppl. 214): I. Allegro | | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:16 |
| Sinfonia in B-flat, K. 45b (=Suppl. 214): II. Andante | | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:31 |
| Sinfonia in B-flat, K. 45b (=Suppl. 214): III. Menuetto & Trio | | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:08 |
| Sinfonia in B-flat, K. 45b (=Suppl. 214): IV. Allegro | | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:57 |
| Sinfonia in C, K. 73 (75a): I. Allegro | | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:24 |
| Sinfonia in C, K. 73 (75a): II. Andante | | Concentus Musicus Wien, Nikolaus Harnoncourt | 3:59 |
| Sinfonia in C, K. 73 (75a): III. Menuetto & Trio | | Concentus Musicus Wien, Nikolaus Harnoncourt | 2:37 |
| Sinfonia in C, K. 73 (75a): IV. Molto allegro | | Concentus Musicus Wien, Nikolaus Harnoncourt | 1:55 |
| See all 162 relationships |
| recording engineer for |
|---|
| 1999-10 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 11:23 |
| 1999-10 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 12:17 |
| 1999-10 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 8:20 |
| 1999-10 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 11:04 |
| 1999-10 | The Water Goblin, op. 107 | | Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | 21:08 |
| 2000-06 | La Traviata: Act III. Ah! Violetta! - Voi, Signor | | José Cura, Eteri Gvazava, Rolando Panerai, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:31 |
| 2000-06 | La Traviata: Act III. Se una pudica vergine | | Emanuela di Pietro, José Cura, Eteri Gvazava, Rolando Panerai, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:40 |
| 2000-06 | La traviata: Atto I. „Un dì felice“ | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:16 |
| 2000-06 | La traviata: Atto I. Brindisi „Libiamo ne’lieti calici“ | | José Cura, Eteri Gvazava, Solisti Cantori, Emanuela di Pietro, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:57 |
| 2000-06 | La Traviata: Atto I. Che è ciò? | | Emanuela di Pietro, José Cura, Eteri Gvazava, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 0:53 |
| 2000-06 | La Traviata: Atto I. Dell'invito trascorsa è già l'ora? | | Emanuela di Pietro, José Cura, Eteri Gvazava, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 5:01 |
| 2000-06 | La traviata: Atto I. Duet „Oh! qual pallor!“ | | Eteri Gvazava, José Cura, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:34 |
| 2000-06 | La Traviata: Atto I. È strano! È strano! ... Ah, fors'è lui | | Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:12 |
| 2000-06 | La Traviata: Atto I. Follie! ... Sempre libera | | Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:42 |
| 2000-06 | La Traviata: Atto I. Libiamo, libiamo ne'lieti calici (Brindisi) | | Emanuela di Pietro, José Cura, Eteri Gvazava, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:08 |
| 2000-06 | La Traviata: Atto I. Oh! Qual palor! | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:39 |
| 2000-06 | La Traviata: Atto I. Si ridesta in ciel l'aurora | | Emanuela di Pietro, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:55 |
| 2000-06 | La Traviata: Atto I. Un dì felice | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:40 |
| 2000-06 | La Traviata: Atto II. Ah, vive sol quel core | | José Cura, Rolando Panerai, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:26 |
| 2000-06 | La Traviata: Atto II. Alfredo! Voi! | | Emanuela di Pietro, José Cura, Eteri Gvazava, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:19 |
| 2000-06 | La Traviata: Atto II. Alfredo? | | Emanuela di Pietro, José Cura, Eteri Gvazava, Rolando Panerai, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:49 |
| 2000-06 | La Traviata: Atto II. Annina, donde vieni? | | José Cura, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 0:45 |
| 2000-06 | La Traviata: Atto II. Avrem lieta di maschere la notte | | Emanuela di Pietro, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:08 |
| 2000-06 | La Traviata: Atto II. Dammi tu forza, o cielo! | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:32 |
| 2000-06 | La Traviata: Atto II. De'miei bollenti spiriti | | José Cura, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:35 |
| 2000-06 | La Traviata: Atto II. Di Madride noi siam matadori | | Emanuela di Pietro, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:57 |
| 2000-06 | La Traviata: Atto II. Di Provensa il mar | | Rolando Panerai, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 5:32 |
| 2000-06 | La Traviata: Atto II. Di sprezzo degno | | Emanuela di Pietro, José Cura, Rolando Panerai, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 6:29 |
| 2000-06 | La Traviata: Atto II. Dite alla giovine | | Eteri Gvazava, Rolando Panerai, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 9:47 |
| 2000-06 | La Traviata: Atto II. Invitato a qui seguirmi | | Emanuela di Pietro, José Cura, Eteri Gvazava, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:41 |
| 2000-06 | La Traviata: Atto II. Lunge da lei | | José Cura, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:37 |
| 2000-06 | La Traviata: Atto II. Noi siamo zingarelle | | Emanuela di Pietro, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 2:53 |
| 2000-06 | La Traviata: Atto II. O mio rimorso! | | José Cura, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:20 |
| 2000-06 | La Traviata: Atto II. Ogni suo aver | | Emanuela di Pietro, José Cura, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:27 |
| 2000-06 | La Traviata: Atto II. Pura siccome un angelo | | Eteri Gvazava, Rolando Panerai, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 6:50 |
| 2000-06 | La Traviata: Atto III. Addio, del passato bei sogni | | Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:08 |
| 2000-06 | La Traviata: Atto III. Ah! Gran dio! Morir sì giovine | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:34 |
| 2000-06 | La Traviata: Atto III. Annina? - Commandate? | | Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 4:34 |
| 2000-06 | La Traviata: Atto III. Largo al quadrupede sir della festa | | Emanuela di Pietro, Solisti Cantori, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 0:46 |
| 2000-06 | La Traviata: Atto III. Parigi, o cara, noi lasceremo | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 6:24 |
| 2000-06 | La traviata: Atto III. Preludio | | Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:09 |
| 2000-06 | La Traviata: Atto III. Preludio | | Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:09 |
| 2000-06 | La Traviata: Atto III. Signora... - Che t'accadde? | | José Cura, Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:38 |
| 2000-06 | La Traviata: Atto III. Teneste la promessa | | Eteri Gvazava, Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 1:38 |
| 2000-06 | La Traviata: Preludio | | Orchestra Sinfonica Nazionale della RAI, Zubin Mehta | 3:52 |
| 2002-05-17 – 2002-05-19 | Aventures | | Omar Ebrahim, Linda Hirst, Sarah Leonard, Schönberg Ensemble, Reinbert de Leeuw | 10:40 |
| 2002-05-17 – 2002-05-19 | Nouvelles aventures I | | Omar Ebrahim, Linda Hirst, Sarah Leonard, Schönberg Ensemble, Reinbert de Leeuw | 5:55 |
| 2002-05-17 – 2002-05-19 | Nouvelles aventures II | | Omar Ebrahim, Linda Hirst, Sarah Leonard, Schönberg Ensemble, Reinbert de Leeuw | 4:58 |
| 2005-06 | Quatuor à cordes no. 12 en Fa majeur, op. 96 B. 179 « Américain » : I. Allegro, ma non troppo | | Jerusalem Quartet | 9:43 |
| 2005-06 | Quatuor à cordes no. 12 en Fa majeur, op. 96 B. 179 « Américain » : II. Lento | | Jerusalem Quartet | 7:37 |
| 2005-06 | Quatuor à cordes no. 12 en Fa majeur, op. 96 B. 179 « Américain » : III. Molto vivace | | Jerusalem Quartet | 3:59 |
| 2005-06 | Quatuor à cordes no. 12 en Fa majeur, op. 96 B. 179 « Américain » : IV. Finale. Vivace, ma non troppo | | Jerusalem Quartet | 5:18 |
| 2005-06 | Quintette avec piano en La majeur, op. 81 B. 55 : I. Allegro, ma non troppo | | Jerusalem Quartet, Stefan Vladar | 13:11 |
| 2005-06 | Quintette avec piano en La majeur, op. 81 B. 55 : II. Dumka. Andante con moto | | Jerusalem Quartet, Stefan Vladar | 14:10 |
| 2005-06 | Quintette avec piano en La majeur, op. 81 B. 55 : III. Scherzo. (Furiant) Molto vivace | | Jerusalem Quartet, Stefan Vladar | 4:16 |
| 2005-06 | Quintette avec piano en La majeur, op. 81 B. 55 : IV. Finale. Allegro | | Jerusalem Quartet, Stefan Vladar | 7:15 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 6 in B-flat major, K. 238: I. Allegro aperto | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 7:01 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 6 in B-flat major, K. 238: II. Andante un poco adagio | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 5:53 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 6 in B-flat major, K. 238: III. Rondeau: Allegro | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 7:16 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 15 in B-flat major, K. 450: I. Allegro | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 11:08 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 15 in B-flat major, K. 450: II. [Andante] | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 6:02 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 15 in B-flat major, K. 450: III. Allegro | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 7:52 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 14:25 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 7:50 |
| 2005-07-05 – 2005-07-06 | Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro | | Pierre‐Laurent Aimard, The Chamber Orchestra of Europe | 9:21 |
| 2005-08-30 – 2005-08-31 | kokoro | | 島谷ひとみ | 4:37 |
| 2005-08-30 – 2005-08-31 | Mona Lisa | | 島谷ひとみ | 5:02 |
| 2005-08-30 – 2005-08-31 | Salvia | | 島谷ひとみ | 4:12 |
| 2005-08-30 – 2005-08-31 | 太陽神 | | 島谷ひとみ | 5:19 |
| 2006-03 | Eight Songs, Op. 59 No. 8: Dein blaues Auge | | Bernarda Fink, Roger Vignoles | 1:52 |
| 2006-03 | Five Poems for Voice and Piano, Op. 19 No. 4: Der Schmied | | Bernarda Fink, Roger Vignoles | 0:55 |
| 2006-03 | Five Romances and Songs, Op. 84 No. 4: Vergebliches Ständchen | | Bernarda Fink, Roger Vignoles | 1:49 |
| 2006-03 | Five Songs, Op. 47 No. 3: Sonntag | | Bernarda Fink, Roger Vignoles | 1:28 |
| 2006-03 | Five Songs, Op. 49 No. 1: Am Sonntag Morgen | | Bernarda Fink, Roger Vignoles | 1:21 |
| 2006-03 | Five Songs, Op. 49 No. 4: Wiegenlied | | Bernarda Fink, Roger Vignoles | 1:39 |
| 2006-03 | Five Songs, Op. 71 No. 3: Geheimnis | | Bernarda Fink, Roger Vignoles | 1:50 |
| 2006-03 | Five Songs, Op. 72 No. 1: Alte Liebe | | Bernarda Fink, Roger Vignoles | 2:56 |
| 2006-03 | Five Songs, Op. 72 No. 4: Verzagen | | Bernarda Fink, Roger Vignoles | 2:50 |
| 2006-03 | Five Songs, Op. 94 No. 4: Sapphische Ode | | Bernarda Fink, Roger Vignoles | 2:03 |
| 2006-03 | Five Songs, Op. 105 No. 1: Wie Melodien zieht es mir | | Bernarda Fink, Roger Vignoles | 2:02 |
| 2006-03 | Five Songs, Op. 105 No. 4: Auf dem Kirchhofe | | Bernarda Fink, Roger Vignoles | 2:27 |
| 2006-03 | Five Songs, Op. 106 No. 1: Ständchen, | | Bernarda Fink, Roger Vignoles | 1:33 |
| 2006-03 | Five Songs, Op. 107 No. 3: Das Mädchen spricht | | Bernarda Fink, Roger Vignoles | 1:18 |
| 2006-03 | Five Songs, Op. 107 No. 5: Mädchenlied | | Bernarda Fink, Roger Vignoles | 1:35 |
| 2006-03 | Four Songs, Op. 43 No. 1: Von ewiger Liebe | | Bernarda Fink, Roger Vignoles | 4:25 |
| 2006-03 | Four Songs, op. 43 no. 2: Die Mainacht | | Bernarda Fink, Roger Vignoles | 3:14 |
| 2006-03 | Four Songs, Op. 46 No. 4: An die Nachtigall | | Bernarda Fink, Roger Vignoles | 2:47 |
| 2006-03 | Four Songs, Op. 96 No. 1: Der Tod, das ist die kühle Nacht | | Bernarda Fink, Roger Vignoles | 2:34 |
| 2006-03 | Seven Songs, Op. 48 No. 1: Der Ganz zum Liebchen | | Bernarda Fink, Roger Vignoles | 1:23 |
| 2006-03 | Seven Songs, Op. 95 No. 1: Das Mädchen | | Bernarda Fink, Roger Vignoles | 2:24 |
| 2006-03 | Seven Songs, Op. 95 No. 2: Bei dir sind meine Gedanken | | Bernarda Fink, Roger Vignoles | 1:46 |
| 2006-03 | Seven Songs, Op. 95 No. 4: Der Jäger | | Bernarda Fink, Roger Vignoles | 1:06 |
| 2006-03 | Seven Songs, Op. 95 No. 6: Mädchenlied | | Bernarda Fink, Roger Vignoles | 1:11 |
| 2006-03 | Six Songs for Voice and Piano, Op. 7 No. 3: Anklänge | | Bernarda Fink, Roger Vignoles | 1:49 |
| 2006-03 | Six Songs, Op. 85 No. 3: Mädchenlied | | Bernarda Fink, Roger Vignoles | 1:46 |
| 2006-03 | Six Songs, Op. 86 No. 1: Therese | | Bernarda Fink, Roger Vignoles | 1:26 |
| 2006-03 | Six Songs, Op. 86 No. 2: Feldeinsamkeit | | Bernarda Fink, Roger Vignoles | 2:54 |
| 2006-03 | Six Songs, Op. 97 No. 1: Nachtigall | | Bernarda Fink, Roger Vignoles | 2:02 |
| 2006-03 | Song for Tenor or Soprano and Piano, Op. 3 No. 1: Liebestreu | | Bernarda Fink, Roger Vignoles | 2:02 |
| 2006-03 | Song for Tenor or Soprano and Piano, Op. 6 No. 1: Spanisches Lied | | Bernarda Fink, Roger Vignoles | 2:12 |
| See all 572 relationships |
| sound engineered |
|---|
| 2011-11 | Sinfonie D-Dur, Wq. 183/1: I. Allegro di molto | | Akademie für Alte Musik Berlin, Hans-Christoph Rademann | 5:48 |
| 2011-11 | Sinfonie D-Dur, Wq. 183/1: II. Largo | | Akademie für Alte Musik Berlin, Hans-Christoph Rademann | 1:34 |
| 2011-11 | Sinfonie D-Dur, Wq. 183/1: III. Presto | | Akademie für Alte Musik Berlin, Hans-Christoph Rademann | 2:52 |
| 7 Variations on “Bei Männern welche Liebe fühlen” in E-flat major, WoO 46 | | Nicolas Altstaedt, Alexander Lonquich | 9:17 |
| 12 Variations on “Ein Mädchen oder Weibchen” in F major, op. 66 | | Nicolas Altstaedt, Alexander Lonquich | 9:40 |
| 12 Variations on “See the Conq’ring Hero Comes” in G major, WoO 45 | | Nicolas Altstaedt, Alexander Lonquich | 12:17 |
| An den Mond, D.193 | | Bernarda Fink, Gerold Huber | 3:13 |
| An der schönen, blauen Donau, Walzer, Op. 314 [Excerpt] | | Daniel Barenboim | 4:24 |
| An die Musik, D.547 | | Bernarda Fink, Gerold Huber | 2:04 |
| An die Nachtigall, D.196 | | Bernarda Fink, Gerold Huber | 2:00 |
| An die untergehende Sonne, D.457 | | Bernarda Fink, Gerold Huber | 5:14 |
| An Silvia, D.891 | | Bernarda Fink, Gerold Huber | 2:35 |
| Aria “Solo e pensoso”, Hob. XXIVb:20 | | Francesca Aspromonte, Il giardino armonico, Giovanni Antonini | 6:54 |
| Auf dem See, D.543b | | Bernarda Fink, Gerold Huber | 3:01 |
| Auf der Riesenkoppe, D.611 | | Bernarda Fink, Gerold Huber | 4:04 |
| Canonic Sonata for 2 Violas in D minor, TWV 40:121: I. Vivace ma moderato | | Antoine Tamestit, Sabine Fehlandt | 1:30 |
| Canonic Sonata for 2 Violas in D minor, TWV 40:121: II. Piacevole non largo | | Antoine Tamestit, Sabine Fehlandt | 2:56 |
| Canonic Sonata for 2 Violas in D minor, TWV 40:121: III. Presto | | Antoine Tamestit, Sabine Fehlandt | 1:06 |
| Concerto for 2 Violas, Strings and Continuo in G major, TWV 52:G3: I. Avec douceur | | Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | 1:49 |
| Concerto for 2 Violas, Strings and Continuo in G major, TWV 52:G3: II. Gaÿ | | Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | 1:37 |
| Concerto for 2 Violas, Strings and Continuo in G major, TWV 52:G3: III. Largo | | Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | 1:14 |
| Concerto for 2 Violas, Strings and Continuo in G major, TWV 52:G3: IV. Vivement | | Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | 1:20 |
| Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: I. Largo | | Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | 2:56 |
| Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: II. Allegro | | Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | 2:26 |
| Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: III. Andante | | Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | 3:08 |
| Concerto for Viola, Strings and Continuo in G major, TWV 51:G9: IV. Presto | | Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | 3:05 |
| Concerto no. 1 in C major for Piano and Orchestra, op. 15: I. Allegro con brio | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 17:51 |
| Concerto no. 1 in C major for Piano and Orchestra, op. 15: II. Largo | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 11:00 |
| Concerto no. 1 in C major for Piano and Orchestra, op. 15: III. Rondo. Allegro scherzando | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 8:44 |
| Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: I. Allegro con brio | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 14:13 |
| Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: II. Adagio | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 8:55 |
| Concerto no. 2 in B-flat major for Piano and Orchestra, op. 19: III. Rondo. Molto allegro | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 6:10 |
| Concerto no. 3 in C minor for Piano and Orchestra, op. 37: I. Allegro con brio | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 16:39 |
| Concerto no. 3 in C minor for Piano and Orchestra, op. 37: II. Largo | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 10:22 |
| Concerto no. 3 in C minor for Piano and Orchestra, op. 37: III. Rondo. Allegro | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 8:54 |
| Concerto no. 4 in G major for Piano and Orchestra, op. 58: I. Allegro moderato | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 18:58 |
| Concerto no. 4 in G major for Piano and Orchestra, op. 58: II. Andante con moto | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 4:54 |
| Concerto no. 4 in G major for Piano and Orchestra, op. 58: III. Rondo. Vivace | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 10:06 |
| Concerto no. 5 in E-flat major for Piano and Orchestra, op. 73 “Emperor”: I. Allegro | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 20:11 |
| Concerto no. 5 in E-flat major for Piano and Orchestra, op. 73 “Emperor”: II. Adagio un poco mosso – attacca | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 6:36 |
| Concerto no. 5 in E-flat major for Piano and Orchestra, op. 73 “Emperor”: III. Rondo. Allegro ma non troppo | | Oliver Schnyder, Luzerner Sinfonieorchester, James Gaffigan | 10:21 |
| Daß sie hier gewesen, D.775 | | Bernarda Fink, Gerold Huber | 2:54 |
| Die Götter Griechenlands, D.677 | | Bernarda Fink, Gerold Huber | 3:54 |
| Die junge Nonne, D.828 | | Bernarda Fink, Gerold Huber | 4:12 |
| Die Sternenwelten, D.307 | | Bernarda Fink, Gerold Huber | 1:24 |
| Don Juan ou Le festin de pierre, Wq. 52: I. Andante grazioso | | Il giardino armonico, Giovanni Antonini | 1:05 |
| Don Juan ou Le festin de pierre, Wq. 52: II. Andante | | Il giardino armonico, Giovanni Antonini | 2:07 |
| Don Juan ou Le festin de pierre, Wq. 52: III. Allegro forte risoluto | | Il giardino armonico, Giovanni Antonini | 1:12 |
| Don Juan ou Le festin de pierre, Wq. 52: IV. Allegro gustoso | | Il giardino armonico, Giovanni Antonini | 1:27 |
| Don Juan ou Le festin de pierre, Wq. 52: Sinfonia. Allegro | | Il giardino armonico, Giovanni Antonini | 1:36 |
| Don Juan ou Le festin de pierre, Wq. 52: V. Moderato | | Il giardino armonico, Giovanni Antonini | 0:59 |
| Don Juan ou Le festin de pierre, Wq. 52: VI. Grazioso | | Il giardino armonico, Giovanni Antonini | 1:08 |
| Don Juan ou Le festin de pierre, Wq. 52: VII. Allegro | | Il giardino armonico, Giovanni Antonini | 1:30 |
| Don Juan ou Le festin de pierre, Wq. 52: VIII. Moderato – Presto | | Il giardino armonico, Giovanni Antonini | 0:52 |
| Don Juan ou Le festin de pierre, Wq. 52: X. Allegro / X!. Allegro / XII. Allegro | | Il giardino armonico, Giovanni Antonini | 0:46 |
| Don Juan ou Le festin de pierre, Wq. 52: XIII. Andante staccato | | Il giardino armonico, Giovanni Antonini | 1:25 |
| Don Juan ou Le festin de pierre, Wq. 52: XIV. Larghetto | | Il giardino armonico, Giovanni Antonini | 2:04 |
| Don Juan ou Le festin de pierre, Wq. 52: XV. Allegro non troppo | | Il giardino armonico, Giovanni Antonini | 4:07 |
| Don Juan ou Le festin de pierree, Wq. 52: IX. Risoluto e moderato | | Il giardino armonico, Giovanni Antonini | 0:59 |
| Du bist die Ruh, D.776 | | Bernarda Fink, Gerold Huber | 4:35 |
| Fantasia for Solo Viola in C major, TWV 40:15: I. Largo | | Antoine Tamestit | 1:58 |
| Fantasia for Solo Viola in C major, TWV 40:15: II. Allegro | | Antoine Tamestit | 1:57 |
| Fantasia for Solo Viola in C major, TWV 40:15: III. Allegro | | Antoine Tamestit | 0:48 |
| Fantasia for Solo Viola in E-flat major, TWV 40:14: I. Largo | | Antoine Tamestit | 2:30 |
| Fantasia for Solo Viola in E-flat major, TWV 40:14: II. Allegro | | Antoine Tamestit | 1:47 |
| Fantasia for Solo Viola in E-flat major, TWV 40:14: III. Grave | | Antoine Tamestit | 1:13 |
| Fantasia for Solo Viola in E-flat major, TWV 40:14: IV. Allegro da capo | | Antoine Tamestit | 1:51 |
| Fidelio, O welche Lust (Chor der Gefangenen) | | Florian Feth, Thomas Trolldenier, Zürcher Sing-Akademie, Luzerner Sinfonieorchester, James Gaffigan | 5:59 |
| Ganymed, D.544 | | Bernarda Fink, Gerold Huber | 4:08 |
| Gretchen am Spinnrade, D.118 | | Bernarda Fink, Gerold Huber | 3:39 |
| Il maestro di cappella: Aria “Ci sposeremo fra suoni e canti” | | Riccardo Novaro, Il giardino armonico, Giovanni Antonini | 5:15 |
| Il maestro di cappella: Aria “Questo è il passo dei violini” | | Riccardo Novaro, Il giardino armonico, Giovanni Antonini | 6:46 |
| Il maestro di cappella: Finale “Vi ringrazio, o miei signori” | | Riccardo Novaro, Il giardino armonico, Giovanni Antonini | 0:49 |
| Il maestro di cappella: Recitativo “Bravi! Bravissimi!” | | Riccardo Novaro, Il giardino armonico, Giovanni Antonini | 1:38 |
| Il maestro di cappella: Recitativo “Se mi dànno il permesso” | | Riccardo Novaro, Il giardino armonico, Giovanni Antonini | 2:26 |
| Il maestro di cappella: Sinfonia | | Il giardino armonico, Giovanni Antonini | 2:23 |
| Im Abendrot, D.799 | | Bernarda Fink, Gerold Huber | 3:59 |
| Im Frühling, D.882 | | Bernarda Fink, Gerold Huber | 4:05 |
| L’isola disabitata, Hob. XXVIII:9: Overture: Largo – Vivace assai – Allegretto – Vivace [assai] | | Il giardino armonico, Giovanni Antonini | 7:00 |
| Lachen und Weinen, D.777 | | Bernarda Fink, Gerold Huber | 1:52 |
| Les Illuminations, op. 18: I. Fanfare | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:05 |
| Les Illuminations, op. 18: II. Villes | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:28 |
| Les Illuminations, op. 18: III a. Phrase | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 1:06 |
| Les Illuminations, op. 18: III b. Antique | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:16 |
| Les Illuminations, op. 18: IV. Royauté | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 1:32 |
| Les Illuminations, op. 18: IX. Départ | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:48 |
| Les Illuminations, op. 18: V. Marine | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 0:58 |
| Les Illuminations, op. 18: VI. Interlude | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:49 |
| Les Illuminations, op. 18: VII. Being Beauteous | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 4:05 |
| Les Illuminations, op. 18: VIII. Parade | | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | 2:43 |
| Liebe schwärmt auf allen Wegen, D.239/6 | | Bernarda Fink, Gerold Huber | 1:11 |
| Lied der Mignon, Op. 65/4 | | Bernarda Fink, Gerold Huber | 3:27 |
| Lodoïska. Overture: Adagio – Allegro vivace – Moderato – Allegro vivace | | Akademie für Alte Musik Berlin, Bernhard Forck | 9:27 |
| Nachtigall, op. 97 no. 1: Langsam | | Antoine Tamestit, Cédric Tiberghien | 2:28 |
| Nachtviolen, D.752 | | Bernarda Fink, Gerold Huber | 2:27 |
| Nänie, op. 82 | | Zürcher Sing-Akademie, James Gaffigan, James Gaffigan | 13:12 |
| Nocturne, op. 60: “Below the thunders of the upper deep” | | Andrew Staples, Fredrik Ekdahl, Swedish Radio Symphony Orchestra, Daniel Harding | 3:24 |
| Nocturne, op. 60: “But that night when on my bed I lay” | | Andrew Staples, Tomas Nilsson, Swedish Radio Symphony Orchestra, Daniel Harding | 3:01 |
| Nocturne, op. 60: “Encinctured with a twine of leaves” | | Andrew Staples, Lisa Viguier Vallgårda, Swedish Radio Symphony Orchestra, Daniel Harding | 2:41 |
| Nocturne, op. 60: “Midnight’s bell goes ting, ting, ting” | | Andrew Staples, Christopher Parkes, Swedish Radio Symphony Orchestra, Daniel Harding | 2:24 |
| See all 397 relationships |
| engineered |
|---|
| “Für Elise” / Bagatelles, opp. 33, 119 & 126 | | Beethoven; Paul Lewis | |
| “Für Elise” / Bagatelles, opp. 33, 119 & 126 | | Beethoven; Paul Lewis | |
| Missa solemnis, D. 678 | assistant | Franz Schubert | |
| Piano Quintet / Seven Romances on Poems by Alexander Blok | | Shostakovich; Trio Wanderer, Christophe Gaugué, Catherine Montier, Ekatarina Semenchuk | |
| Piano Quintet / Seven Romances on Poems by Alexander Blok | | Shostakovich; Trio Wanderer, Christophe Gaugué, Catherine Montier, Ekatarina Semenchuk | |
| mastering |
|---|
| Beethoven: Sinfonie no. 9 / Brahms: Nänie | | Beethoven, Brahms; Luzerner Sinfonieorchester, James Gaffigan | |
| Elements | | Ludovico Einaudi | |
| produced |
|---|
| Early Symphonies, Volume 2 | | Wolfgang Amadeus Mozart; Concentus Musicus Wien, Nikolaus Harnoncourt | |
| recording engineer for |
|---|
| Spanische Liebeslieder | | Robert Schumann | |
| sound engineered |
|---|
| 2nd Symphony | | Bruckner; Berliner Philharmoniker, Daniel Barenboim | |
| 12 Meter Ohne Kopf - Original Soundtrack | | Steffen Kahles, Christoph Blaser | |
| Piano Sonatas No. 2 “Funeral” & No. 3 / Mazurkas, op. 63 | | Frédéric Chopin; Javier Perianes | |
