| 3 Pieces, op. 2: No. 1. Étude in C-sharp minor | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 1 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 2 in A major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 3 in D major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 4 in B-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 5 in E-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 6 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 7 in E-flat major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 8 in C major | | | | | | | |
| 12 Contredances for Orchestra, WoO 14: No. 9 in A major | | | | | | | |
| 16 Waltzes, op. 39: No. 1 in B major | | | | | | | |
| 16 Waltzes, op. 39: No. 2 in E major | | | | | | | |
| 16 Waltzes, op. 39: No. 3 in G-sharp minor | | | | | | | |
| 16 Waltzes, op. 39: No. 4 in E minor | | | | | | | |
| 16 Waltzes, op. 39: No. 5 in E major | | | | | | | |
| 16 Waltzes, op. 39: No. 6 in C-sharp major | | | | | | | |
| 16 Waltzes, op. 39: No. 7 in C-sharp minor | | | | | | | |
| 16 Waltzes, op. 39: No. 8 in B-flat major | | | | | | | |
| 16 Waltzes, op. 39: No. 9 in D minor | | | | | | | |
| 16 Waltzes, op. 39: No. 10 in G major | | | | | | | |
| 16 Waltzes, op. 39: No. 11 in B minor | | | | | | | |
| 16 Waltzes, op. 39: No. 12 in E major | | | | | | | |
| 16 Waltzes, op. 39: No. 13 in C major | | | | | | | |
| 16 Waltzes, op. 39: No. 14 in G-sharp minor | | | | | | | |
| 16 Waltzes, op. 39: No. 15 in A-flat major | | | | | | | |
| 16 Waltzes, op. 39: No. 16 in D minor | | | | | | | |
| Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo | | | | | | | |
| Flute Sonata in E-flat major, BWV 1031: II. Siciliano | | | | | | | |
| Für Alina | | | | | | | |
| Induló | | | | | | | |
| Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” | | | | | | | |
| Lakodalmi tánc: I. A kapuban a szekér | | | | | | | |
| Lakodalmi tánc: II. Hopp ide tisztán | | | | | | | |
| Lakodalmi tánc: III. Csángo forgós | | | | | | | |
| Lyriske stykker, hefte V, op. 54: No. 4: Notturno | | | | | | | |
| Night on Bald Mountain | | | | | | | |
| Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | | | | | | | |
| Piano Sonata no. 3 in F-sharp minor, op. 23: I. Drammàtico | | | | | | | |
| Piano Sonata no. 3 in F-sharp minor, op. 23: II. Allegretto | | | | | | | |
| Piano Sonata no. 3 in F-sharp minor, op. 23: III. Andante | | | | | | | |
| Piano Sonata no. 3 in F-sharp minor, op. 23: IV. Presto con fuoco | | | | | | | |
| Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) | | | | | | | |
| Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) | | | | | | | |
| Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) | | | | | | | |
| Pictures at an Exhibition: No. 1 “Gnomus” | | | | | | | |
| Pictures at an Exhibition: No. 2 “Il vecchio castello” | | | | | | | |
| Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) | | | | | | | |
| Pictures at an Exhibition: No. 4 “Bydło” | | | | | | | |
| Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] | | | | | | | |
| Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” | | | | | | | |
| Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) | | | | | | | |
| Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” | | | | | | | |
| Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] | | | | | | | |
| Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) | | | | | | | |
| Pictures at an Exhibition: Promenade (1st) | | | | | | | |
| Pictures at an Exhibition: Promenade (2nd) | | | | | | | |
| Polifón etüd | | | | | | | |
| Polonaise for Piano in C major, op. 89: Alla polacca, vivace | | | | | | | |
| Prelude and Nocturne for the Left Hand, op. 9: No. 1. Prelude in C-sharp major | | | | | | | |
| Prelude for Piano in F minor, WoO 55 | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: II. Allegretto | | | | | | | |
| Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: III. Presto agitato | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | | | | | | | |
| Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | | | | | | | |
| Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": I. Allegro | | | | | | | |
| Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | | | | | | | |
| Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento | | | | | | | |
| Sonata for Piano no. 29 in B-flat major, op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | | | | | | | |
| Sonata no. 1 in G minor for Violin Solo, BWV 1001: I. Adagio | | | | | | | |
| Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga | | | | | | | |
| Sonata no. 1 in G minor for Violin Solo, BWV 1001: III. Siciliana | | | | | | | |
| Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto | | | | | | | |
| Sonatina for Piano Four Hands: I. Allegro | | | | | | | |
| Sonatina for Piano Four Hands: II. Andante | | | | | | | |
| Sonatina for Piano Four Hands: III. Vivace | | | | | | | |
| Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II | | | | | | | |
| Three Pieces: I. Monument | | | | | | | |
| Three Pieces: II. Selbstportrait mit Reich und Riley (und Chopin ist auch dabei) | | | | | | | |
| Three Pieces: III. Bewegung | | | | | | | |
| Violin Partita no. 1 in B minor, BWV 1002: VII. Tempo di Borea | | | | | | | |
| Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne | | | | | | | |
| Violin Sonata no. 2 in A minor, BWV 1003: III. Andante | | | | | | | |
| Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” | | | | | | | |
| Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” | | | | | | | |
