| 1985 | Trumpet Music From the Italian Baroque | John Wallace, Philharmonia Orchestra, Christopher Warren‐Green | | 2 |
| 1986 | Twenty-Four Italian Songs and Arias for Medium High Voice | John Keene | | 1 |
| 1988 | Italian Baroque Trumpet Music | The Parley of Instruments, Peter Holman, Stephen Keavy, Crispian Steele‐Perkins | | 1 |
| 1990 | Italian Cello Music | Roel Dieltiens | | 1 |
| 1992 | Arie Amorose | Janet Baker, Academy of St Martin in the Fields, Sir Neville Marriner | | 1 |
| 1992 | Concertos pour une, deux, trois trompettes | Ensemble instrumental "La Follia", Miguel de la Fuente | | 1 |
| 1993 | Acis und Galatea / Baroque Arias | Handel; Joan Sutherland, Peter Pears, Philomusica of London, St. Anthony Singers, Sir Adrian Boult | | 1 |
| 1993 | The Pleasure of Love | José Carreras, English Chamber Orchestra, Vjekoslav Šutej | | 1 |
| 1993 | Arien aus der Berliner Operngeschichte | Jochen Kowalski, Kammerorchester Berlin, Max Pommer | | 1 |
| 1993 | Now is the Merry Month of May: het Mooiste uit Renaissance en Barok | Various Artists | | 1 |
| 1995 | The Baroque Flute | Hans-Joachim Fuss | | 1 |
| 1996 | The Age of Bel Canto | Joan Sutherland, Marilyn Horne, Richard Conrad, London Symphony Orchestra, New Symphony Orchestra of London & Richard Bonynge | | 1 |
| 1997 | Pavarotti | Luciano Pavarotti | | 2 |
| 2000 | French & Italian Arias | David Hobson, Tasmanian Symphony Orchestra, Marco Guidarini | | 1 |
| 2010 | Colori d’Amore | Simone Kermes, Le Musiche Nove, Claudio Osele | | 1 |
| 2011 | Simone Kermes - Best of | Simone Kermes | | 1 |
| 2011 | Duetti | Philippe Jaroussky, Max Emanuel Cencic & William Christie | | 1 |
| 2012 | The Trio Sonata in 17th-Century Italy | London Baroque | | 1 |
| 2013 | The Trio Sonata in 18th-Century Italy | London Baroque | | 1 |
| 2014 | Avanti L’Opera: An A-Z of Italian Baroque Overtures | Charivari Agréable, Kah-Ming Ng | | 2 |
| 2014 | Rival Queens | Simone Kermes, Cappella Gabetta, Andrés Gabetta | | 1 |
| 2017 | Il Violoncello del cardinale | Accademia Ottoboni, Marco Ceccato | | 2 |
| 2017 | Quella Fiamma: Arie Antiche | Nathalie Stutzmann, Orfeo 55 | | 1 |
| 2017 | Quella Fiamma: Arie Antiche | Nathalie Stutzmann | | 1 |
| 2018 | Beyond Bach & Vivaldi: Rare Unaccompanied Works for the Baroque Violin | Augusta McKay Lodge | | 1 |
| 2018 | Musica transalpina: Musical Migration from Italy to England (1500 - 1800) | Evelyn Tubb, Anthony Rooley | | 1 |
| 2018 | Oratorio | Thibault Noally, Blandine Staskiewicz, Les Accents | | 2 |
| 2019 | Handel’s Queens | Handel; Lucy Crowe, Mary Bevan, London Early Opera, Bridget Cunningham | | 2 |
| 2019 | Facce d’amore | Jakub Józef Orliński, Il Pomo d’Oro, Maxim Emelyanychev | | 2 |
| 2020 | Inferno e paradiso | Simone Kermes, Amici Veneziani | | 1 |
| 2021 | Royal Handel | Handel; Eva Zaïcik, Le Consort | | 2 |
| 2021 | Contralto | Nathalie Stutzmann, Orfeo 55 | | 1 |
| 2021 | Francesca Aspromonte : Maria & Maddalena | Francesca Aspromonte | | 1 |
| — | Baroque Music for Cello | Anner Bylsma | | 1 |
| — | Schirmer’s Library of Musical Classics: Twenty-Four Italian Songs and Arias | John Keene | | 1 |
| — | Twenty-Four Italian Songs and Arias for Medium Low Voice | John Keene | | 1 |
| — | The Age of Bel Canto | Joan Sutherland, Marilyn Horne, Richard Conrad, London Symphony Orchestra, London Philharmonic Orchestra, Richard Bonynge | | 1 |
