| vocals |
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1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, VII. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | bass vocals [Judas] | Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 0:34 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, XI. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | bass vocals [Judas] | Dietrich Fischer‐Dieskau, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 4:28 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, XVI. "Petrus aber antwortete und sprach zu ihm" (Evangelista, Petrus, Jesus) | bass vocals [Peter] | Dietrich Fischer‐Dieskau, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:20 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, XXII. Recitativo (Basso) "Der Heiland fällt vor seinem Vater nieder" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 1:20 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, XXIII. Aria (Basso) "Gerne will ich mich bequemen" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 4:43 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil I, XXVI. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | bass vocals [Judas] | Dietrich Fischer‐Dieskau, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 2:52 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) | bass vocals [Pilate] | Münchener Bach‐Chor, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:57 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 0:52 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süsses Kreuz, so will ich sagen" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 7:04 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 2:27 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 7:25 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) | bass vocals [Pilate] | Münchener Bach‐Chor, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 3:16 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" | bass vocals | Dame Janet Baker, Edith Mathis, Münchener Bach‐Chor, Matti Salminen, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 2:59 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) | bass vocals [Judas] | Münchener Bach‐Chor, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:06 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | bass vocals [High Priest] | Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 0:44 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | bass vocals | Matti Salminen, Münchener Bach‐Orchester, Karl Richter | 3:35 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) | bass vocals [Pilate] | Dietrich Fischer‐Dieskau, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 3:05 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) | bass vocals [Pilate] | Münchener Bach‐Chor, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 2:33 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) | bass vocals [Pilate] | Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 0:24 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XXXIII. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | bass vocals [High Priest] | Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:29 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) | bass vocals [High Priest] | Dietrich Fischer‐Dieskau, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:57 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber sass draussen im Palast" (Evangelista, Ancilla I/II, Petrus) | bass vocals [Peter] | Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:01 |
1979-06 – 1979-08 | Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" | bass vocals [Peter] | Münchener Bach‐Chor, Peter Schreier, Münchener Bach‐Orchester, Karl Richter | 1:52 |
1980 | Das Rheingold, WWV 86A: Vierte Szene. “Freia, die schöne, schau’ ich nicht mehr” (Fasolt, Fafner, Loge, Wotan, Freia, Froh, Donner) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 2:28 |
1980 | Das Rheingold, WWV 86A: Vierte Szene. “Halt! Nicht sie berührt!” (Fasolt, Wotan, Fafner, Loge, Froh) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 2:44 |
1980 | Das Rheingold, WWV 86A: Vierte Szene. “Hört, ihr Riesen! Zurück und harret” (Donner, Freia, Wotan, Fasolt, Fafner, Loge) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 3:26 |
1980 | Das Rheingold, WWV 86A: Zweite Szene. “Endlich Loge!” (Wotan, Loge, Fricka, Froh, Donner, Fafner, Fasolt) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 3:45 |
1980 | Das Rheingold, WWV 86A: Zweite Szene. “Hör’, Wotan, der Harrenden Wort!” (Fafner, Wotan, Fasolt, Freia, Froh, Donner, Fricka) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 4:51 |
1980 | Das Rheingold, WWV 86A: Zweite Szene. “Immer ist Undank Loges Lohn!” (Loge, Wotan, Fasolt, Fafner) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 5:51 |
1980 | Das Rheingold, WWV 86A: Zweite Szene. “Sanft schloß Schlaf dein Aug’” (Fasolt, Wotan, Fafner, Freia) | bass vocals [Fasolt] | Orchester der Bayreuther Festspiele, Pierre Boulez | 7:07 |
1980 | Die Walküre, WWV 86B: Erster Aufzug, Zweite Szene. “Aus dem Wald trieb es mich fort” (Siegmund, Hunding, Sieglinde) | bass vocals [Hunding] | Orchester der Bayreuther Festspiele, Pierre Boulez | 5:49 |
1980 | Die Walküre, WWV 86B: Erster Aufzug, Zweite Szene. “Friedmund darf ich nicht heißen” (Siegmund, Hunding, Sieglinde) | bass vocals [Hunding] | Orchester der Bayreuther Festspiele, Pierre Boulez | 3:53 |
1980 | Die Walküre, WWV 86B: Erster Aufzug, Zweite Szene. “Ich weiß ein wildes Geschlecht” (Hunding) | bass vocals [Hunding] | Orchester der Bayreuther Festspiele, Pierre Boulez | 5:15 |
1980 | Die Walküre, WWV 86B: Erster Aufzug, Zweite Szene. “Müd am Herd fand ich den Mann” (Sieglinde, Hunding, Siegmund) | bass vocals [Hunding] | Orchester der Bayreuther Festspiele, Pierre Boulez | 4:44 |
1984-07-13 | Requiem in D minor, K. 626: III. Sequenz: b) Tuba mirum | bass vocals | Kathleen Battle, Ann Murray, David Rendall, Matti Salminen, Orchestre de Paris, Daniel Barenboim | 4:15 |
1984-07-13 | Requiem in D minor, K. 626: III. Sequenz: d) Recordare | bass vocals | Kathleen Battle, Ann Murray, David Rendall, Matti Salminen, Orchestre de Paris, Daniel Barenboim | 6:16 |
1984-07-13 | Requiem in D minor, K. 626: IV. Offertorium: a) Domine Jesu Christe | bass vocals | Kathleen Battle, Chœur de l'Orchestre de Paris, Ann Murray, David Rendall, Matti Salminen, Orchestre de Paris, Daniel Barenboim | 4:02 |
1984-07-13 | Requiem in D minor, K. 626: VI. Benedictus | bass vocals | Kathleen Battle, Chœur de l'Orchestre de Paris, Ann Murray, David Rendall, Matti Salminen, Orchestre de Paris, Daniel Barenboim | 6:07 |
1987-11 | Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) / ... / Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) | bass vocals [Sarastro] | Hans Peter Blochwitz, Barbara Bonney, Chorus of the Zürich Opera House, Peter Keller, Matti Salminen, Anton Scharinger, Orchester der Oper Zürich, Nikolaus Harnoncourt | 24:48 |
1987-11 | Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "Eingeweihte Diener der großen Gotter Osiris und Isis!" (Sarastro) | bass vocals [Sarastro] | Matti Salminen, Chorus of the Zürich Opera House, Orchester der Oper Zürich, Nikolaus Harnoncourt | 2:55 |
1987-11 | Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) | bass vocals [Sarastro] | Matti Salminen, Orchester der Oper Zürich, Nikolaus Harnoncourt | 4:04 |
1987-11 | Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) | bass vocals [Sarastro] | Hans Peter Blochwitz, Barbara Bonney, Matti Salminen, Orchester der Oper Zürich, Nikolaus Harnoncourt | 3:41 |
1987-11 | Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) / ... / Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) | bass vocals [Sarastro] | Hans Peter Blochwitz, Barbara Bonney, Chorus of the Zürich Opera House, Edita Gruberová, Peter Keller, Matti Salminen, Anton Scharinger, Orchester der Oper Zürich, Nikolaus Harnoncourt | 31:45 |
1988-04 – 1988-06 | Tannhäuser: Act I, Scene IV. "Als du in kühnem Sange uns bestrittest" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 6:31 |
1988-04 – 1988-06 | Tannhäuser: Act I, Scene IV. "Wer ist der dort in brünstigem Gebete? | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 5:22 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene III. "Dich treff ich hier in dieser Halle" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 7:47 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Ein furchtbares Verbrechen ward begangen" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 3:38 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Gar viel und schön ward hier in dieser Halle" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 6:07 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Ha! Der Verruchte! Fliehet ihn!" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 2:18 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Heraus zum Kampfe mit uns allen!" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 1:59 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Mit ihnen sollst du wallen" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 4:43 |
1988-04 – 1988-06 | Tannhäuser: Act II, Scene IV. "Zurück von ihm! Nicht ihr seid seine Richter!" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 7:15 |
1988-04 – 1988-06 | Tannhäuser: Act III, Scene III. "Heil! Heil! Der Gnade Wunder Heil!" | bass vocals [Hermann, Landgraf von Thüringen] | Philharmonia Orchestra, Giuseppe Sinopoli | 2:49 |
1989-05 | Götterdämmerung: Act I, Scene I. "Hoiho! Wohin, du heitrer Held?" (Hagen, Siegfried) / Act I, Scene II. "Heil! Siegfried, teurer Held!" | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 7:12 |
1989-05 | Götterdämmerung: Act I, Scene I. "Nun hör, Hagen, sage mir, Held" (Gunther, Hagen, Gutrune) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 12:11 |
1989-05 | Götterdämmerung: Act I, Scene II. "Hier sitz' ich zur Wacht, wahre den Hof" (Hagen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 10:56 |
1989-05 | Götterdämmerung: Act I, Scene II. "Was nahmst du am Eide nicht teil?" (Siegfried, Hagen, Gunther, Gutrune) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 3:33 |
1989-05 | Götterdämmerung: Act II, Scene I. "Schläfst du, Hagen, mein Sohn?" (Alberich, Hagen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 9:29 |
1989-05 | Götterdämmerung: Act II, Scene II. "Hoiho, Hagen! Müder Mann! (Siegfried, Hagen, Gutrune) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 6:18 |
1989-05 | Götterdämmerung: Act II, Scene III. "Hoiho! Ihr Gibichsmannen, machet euch auf!" (Hagen, Mannen) - Act II, Scene IV. "Heil dir, Gunther! Heil dir und deiner Braut!" (Mannen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 10:15 |
1989-05 | Götterdämmerung: Act II, Scene IV. "Brünnhild', kühne Frau" (Hagen, Brünnhilde, Gutrune, Mannen, Frauen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 1:07 |
1989-05 | Götterdämmerung: Act II, Scene IV. "Heil'ge Götter, himmlische Lenker!" (Brünnhilde, Gunther, Frauen, Manne, Siegfried, Gutrune, Hagen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 7:34 |
1989-05 | Götterdämmerung: Act II, Scene V. "Welches Unholds List liegt hier verhohlen?" (Brünnhilde, Hagen, Gunther) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 16:08 |
1989-05 | Götterdämmerung: Act III, Scene II. "Hoiho!" (Hagen, Mannen, Siegfried, Gunther) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 16:35 |
1989-05 | Götterdämmerung: Act III, Scene III. "Starke Scheite schichtet mir dort" (Brünnhilde, Hagen) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 19:03 |
1989-05 | Götterdämmerung: Act III, Scene III. "War das sein Horn?" (Gertune, Hagen, Gunther, Brünnhilde) | bass vocals [Hagen] | Metropolitan Opera Orchestra, James Levine | 11:50 |
1991-09 | Kullervo: Act I, Scene III. "Kenen talo tämä on?" (Kullervo, Kalervo, Sister, Mother, Kimmo) | bass vocals | Jorma Hynninen, Eeva‐Liisa Saarinen, Matti Salminen, Jorma Silvasti, Satu Vihavainen, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 14:27 |
1991-09 | Kullervo: Act I, Scene III. "Kullervo, älä mene!" (Mother, Kalervo, Kimmo, Kullervo, Chorus) | bass vocals | Jorma Hynninen, Eeva‐Liisa Saarinen, Matti Salminen, Jorma Silvasti, Suomen Kansallisoopperan kuoro, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 8:55 |
1991-09 | Kullervo: Act II, Scene IV. "Nämä ovat pitkiä loputtomia päiviä isäni talossa" (Kullervo, Kimmo, Kalervo's voice) | bass vocals | Jorma Hynninen, Matti Salminen, Jorma Silvasti, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 4:32 |
1991-09 | Kullervo: Act II, Scene V. "Häntä vaivaa joku" (Mother, Kullervo, Kalervo, Sister) | bass vocals | Jorma Hynninen, Eeva‐Liisa Saarinen, Matti Salminen, Satu Vihavainen, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 5:34 |
1991-09 | Kullervo: Act II, Scene V. "Itketkö, isä, minua kun kuulet kuolleheksi?" (Kullervo, Kalervo, Sister) | bass vocals | Jorma Hynninen, Matti Salminen, Satu Vihavainen, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 2:21 |
1991-09 | Kullervo: Act II, Scene V. "Tapasin hänet metsässä" (Kullervo, Mother, Sister, Kalervo) | bass vocals | Jorma Hynninen, Eeva‐Liisa Saarinen, Matti Salminen, Satu Vihavainen, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 5:20 |
1991-09 | Kullervo: Entr'acte. "Oli kerran mies, jonka hänen veljensä tosissaan yritti tappaa" (Kalervo, Kimmo, Mother) | bass vocals | Eeva‐Liisa Saarinen, Matti Salminen, Jorma Silvasti, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 7:55 |
1991-09 | Kullervo: Epilogue "Klo-klo-klo-po-ti-klop! Juokse, hevonen" (Kimmo, Kalervo, Mother's voice, Chorus) | bass vocals | Eeva‐Liisa Saarinen, Matti Salminen, Jorma Silvasti, Suomen Kansallisoopperan kuoro, Suomen Kansallisoopperan orkesteri, Ulf Söderblom | 11:06 |
1991 | Der fliegende Holländer: No. 6 "Mögst du, mein Kind" (Daland) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 4:48 |
1991 | Die Entführung aus dem Serail, KV 384: No. 2 "Wer ein Liebchen hat gefunden" (Osmin) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 2:41 |
1991 | Die Entführung aus dem Serail, KV 384: No. 3 "Solche hergelauf'ne Laffen" (Osmin) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 5:17 |
1991 | Die Entführung aus dem Serail, KV 384: No. 19 "Ha! wie will ich triumphieren" (Osmin) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 3:35 |
1991 | Die schweigsame Frau: Final Scene "Wie schön ist doch die Musik" (Morosus) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 5:42 |
1991 | Die Zauberflöte, KV 620: No. 10 "O Isis und Osiris" (Sarastro) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 3:25 |
1991 | Die Zauberflöte, KV 620: No. 15 "In diesen heil'gen Hallen" (Sarastro) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 3:55 |
1991 | Don Carlo: Act II (opening): "Ella giammai m'amo" (Filippo) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 9:25 |
1991 | Eugene Onegin: No. 20a "Lyubvi vsye" (Gremin) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 6:02 |
1991 | Fidelio, op. 72: No. 4 "Hat mann nicht auch Gold" (Rocco) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 2:57 |
1991 | Il barbiere di Siviglia: No. 5 "La calunnia" (Basilio) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 4:52 |
1991 | La bohème: No. 19 "Vecchia zimarra" (Colline) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 2:18 |
1991 | Macbeth: No. 10 "Come dal ciel precipita" (Banco) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 4:14 |
1991 | Simone Boccanegra: No. 1b "Il lacerato, spirito" (Fiesco) | bass vocals | Matti Salminen, Lahti Symphony Orchestra, Eri Klas | 4:31 |
1995-12-04 | Die Entführung aus dem Serail: Ha! Wie will ich triumphiren (Osmin) | bass vocals | Jaakko Ryhänen, Matti Salminen, Johann Tilli, Helsingin kaupunginorkesteri, Leif Segerstam | 4:25 |
1995-12-04 | Die Entführung aus dem Serail: Wer ein Liebchen hat gefunden (Osmin) | bass vocals | Jaakko Ryhänen, Matti Salminen, Johann Tilli, Helsingin kaupunginorkesteri, Leif Segerstam | 2:50 |
1995-12-04 | Don Carlos: Il Grande Inquisitor! (Il Conte, Filippo, Inquisitor) | bass vocals | Jaakko Ryhänen, Matti Salminen, Johann Tilli, Helsingin kaupunginorkesteri, Leif Segerstam | 9:02 |
1995-12-04 | Niin kauan minä tramppaan | bass vocals | Jaakko Ryhänen, Matti Salminen, Johann Tilli, Helsingin kaupunginorkesteri, Leif Segerstam | 1:31 |
1995-12-04 – 1995-12-05 | Die Zauberflöte: In diesen heil'gen Hallen (Sarastro) | bass vocals | Matti Salminen, Helsingin kaupunginorkesteri, Leif Segerstam | 4:18 |
1995-12-04 – 1995-12-05 | Don Carlos: Ella giammai m'amo (Filippo) | bass vocals | Matti Salminen, Helsingin kaupunginorkesteri, Leif Segerstam | 10:23 |
1995-12-04 – 1995-12-05 | Il barbiere di Siviglia: La calunnia e un venticello (Don Basilio) | bass vocals | Matti Salminen, Helsingin kaupunginorkesteri, Leif Segerstam | 3:54 |
1997-01 – 1997-02 | Don Giovanni, K. 527: Act I, Scena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello) | bass vocals [Il commendatore] | The Chamber Orchestra of Europe, Claudio Abbado | 5:26 |
1997-01 – 1997-02 | Don Giovanni, K. 527: Act II, Scena XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni, Il Commendatore) | bass vocals [Il commendatore] | The Chamber Orchestra of Europe, Claudio Abbado | 3:34 |
1997-01 – 1997-02 | Don Giovanni, K. 527: Act II, Scena XI. Recitativo "Ah, ah, ah, ah, questa è buona" (Don Giovanni, Leporello, Il Commendatore) | bass vocals [Il commendatore] | The Chamber Orchestra of Europe, Claudio Abbado | 4:30 |
1997-01 – 1997-02 | Don Giovanni, K. 527: Act II, Scena XV. "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello, Coro) | bass vocals [Il commendatore] | The Chamber Orchestra of Europe, Claudio Abbado | 6:40 |
2000-05-12 | Songs and Dances of Death: I. Cradle Song | bass vocals | Sinfonia Lahti, Osmo Vänskä, Matti Salminen | 5:03 |
| See all 212 relationships |
| vocals |
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| Der Freischütz | bass vocals [Kaspar] | Weber; Nikolaus Harnoncourt, Orgonasova, Schäfer, Wottrich, Salminen, Cachemaille, Holzmair, Moll, Rundfunkchor Berlin, Berliner Philharmoniker | |
| Götterdämmerung - Querschnitt | bass-baritone vocals | Richard Wagner | |