| "The Gambler", four portraits, op. 49: I. Alexis. Allegro passionato | | | | | | | |
| "The Gambler", four portraits, op. 49: II. La grand' mère. Moderato | | | | | | | |
| "The Gambler", four portraits, op. 49: III. Le Général. Moderato | | | | | | | |
| "The Gambler", four portraits, op. 49: IV. Pauline. Moderato | | | | | | | |
| "The Gambler", four portraits, op. 49: V. Dénouement. Allegro | | | | | | | |
| Ad Astra | | | | | | | |
| Amor Omnia Suite | | | | Suite | | | |
| Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" | | | | Aria | | | |
| Autumnal Sketch, op. 8 | | | | | | | |
| Cello Concerto "Crossroads" | | | | Concerto | | | |
| Cello Concerto: I | | | | | | | |
| Cello Concerto: II | | | | | | | |
| Cello Concerto: III | | | | | | | |
| Clarinet Concerto: I. Entrata | | | | | | | |
| Clarinet Concerto: II. Rituale - Intermezzo I | | | | | | | |
| Clarinet Concerto: III. L'ombra muta - Intermezzo II (Cadenza) | | | | | | | |
| Clarinet Concerto: IV. Urbana | | | | | | | |
| Concerto for Bassoon and Orchestra: I. Andante | | | | | | | |
| Concerto for Bassoon and Orchestra: II. Vivace | | | | | | | |
| Concerto for Bassoon and Orchestra: III. Passacaglia (Adagio) e Cadenza | | | | | | | |
| Concerto for Bassoon and Orchestra: IV. Presto | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": I. Andantino | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": I. Andantino | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": II. Vivace | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": II. Vivace | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": III. Andante moderato | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": III. Andante moderato | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": IV. Allegro | | | | | | | |
| Concerto for Flutes and Orchestra, op. 69 "Dances With the Winds": IV. Allegro | | | | | | | |
| Concerto for Orchestra | | | | Concerto | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
| Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
| Concerto for Piano no. 24 in C minor, K. 491 | | | | Concerto | | | |
| Concerto for Trumpet and Orchestra: I. Maestoso | | | | | | | |
| Concerto for Trumpet and Orchestra: II. Slowly | | | | | | | |
| Concerto for Trumpet and Orchestra: III. Allegro deciso | | | | | | | |
| Concerto for Viola, op. 189: I. Allegro moderato, ma con forza | | | | | | | |
| Concerto for Viola, op. 189: II. Allegro - Andante - Vivace | | | | | | | |
| Concerto for Violin no. 2, op. 139: I. Allegro - Poco meno mosso - Tempo I | | | | | | | |
| Concerto for Violin no. 2, op. 139: II. Adagio affettuoso - Allegro molto | | | | | | | |
| Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi) | | | | | | | |
| Così fan tutte: Ouvertura | | | | Overture | | | |
| Density | | | | | | | |
| Die Zauberflöte: Ouvertüre | | | | Overture | | | |
| Ein Heldenleben | | | | | | | |
| Gypsy Fantasy, op. 127: I. Introduction | | | | | | | |
| Gypsy Fantasy, op. 127: II. Gypsy Dance | | | | | | | |
| Gypsy Fantasy, op. 127: III. Severian's Dance | | | | | | | |
| Gypsy Fantasy, op. 127: IV. Dance of the Gypsy Girl | | | | | | | |
| Gypsy Fantasy, op. 127: V. Mass Dance | | | | | | | |
| Hava | | | | | | | |
| Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) | | | | Aria | | | |
| Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) | | | | | | | |
| Idomeneo, rè di Creta, K. 366: Ouverture | | | | Overture | | | |
| Incipit (Sum no. 1) | | | | | | | |
| Isola: I. Introduzione | | | | | | | |
| Isola: II. Agitato capriccioso | | | | | | | |
| Kalevala-sarja, op. 23: I. Maan synty | | | | | | | |
| Kalevala-sarja, op. 23: II. Kevään oras | | | | | | | |
| Kalevala-sarja, op. 23: III. Terhenniemi | | | | | | | |
| Kalevala-sarja, op. 23: IV. Kehtolaulu Lemminkäiselle | | | | | | | |
| Kalevala-sarja, op. 23: V. Sammon taonta | | | | | | | |
| Kohtauksia nukketeatterista: No. 1. Ouverture | | | | | | | |
| Kohtauksia nukketeatterista: No. 2. Kiinalainen kauppias | | | | | | | |
| Kohtauksia nukketeatterista: No. 3. Baletti | | | | | | | |
| Kohtauksia nukketeatterista: No. 4. Prinsessa ruusunen (La belle au bois dormant) | | | | | | | |
| Kohtauksia nukketeatterista: No. 5. Urhoollinen kenraali (Le brave general) | | | | | | | |
| Konsertto viululle ja orkesterille, op. 32b: I. Allegro molto moderato | | | | | | | |
| Konzert für Violine und Orchester D-Dur, op. 77: III. Allegro giocoso, ma non troppo vivace | | | | | | | |
| Kullervo, op. 15 | | | | Symphonic poem | | | |
| Kullervon sotaanlähtö, op. 20 | | | | | | | |
| La clemenza di Tito, K. 621: Ouverture | | - London Festival Orchestra, National Symphony Orchestra Olsztyn, Simfonični orkester RTV Slovenija, Igor Gogol, Anton Nanut, Kurt Redel, Alfred Scholz
- Staatskapelle Dresden, Karl Böhm
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Dresden Staatskapelle, Hans Vonk
- (show 44 more)
| | Overture | | | |
| Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) | | | | Aria | | | |
| Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) | | | | | | | |
| Lemminkäis-sarja (Neljä legendaa), op. 22: III. Lemminkäinen Tuonelassa | | | | | | | |
| Lucio Silla, K. 135: Ouverture. Molto allegro. Andante. Molto allegro | | | | Overture | | | |
| Partita for String Orchestra and Percussion: I. Cerimonia. Misterioso | | | | | | | |
| Partita for String Orchestra and Percussion: II. Risonanza. Furioso | | | | | | | |
| Partita for String Orchestra and Percussion: III. Preghiera. Intenso | | | | | | | |
| Piano Concerto no. 1 "The Masquerade": I. The Evening in the Castle | | | | | | | |
| Piano Concerto no. 1 "The Masquerade": II. The Vaudeville and a Sad Clown | | | | | | | |
| Piano Concerto no. 1 "The Masquerade": III. The Mirror of the Stream | | | | | | | |
| Piano Concerto no. 1 "The Masquerade": IV. An Old Sailor and a Dancing Marionette | | | | | | | |
| Piano Concerto no. 1 "The Masquerade": V. The Ball | | | | | | | |
| Piano Concerto no. 1 in F-sharp minor, op. 1 | | | | Concerto | | | |
| Piano Concerto no. 2 in G minor, op. 16: I. Andantino - Allegretto | | | | | | | |
| Piano Concerto no. 2 in G minor, op. 16: II. Scherzo. Vivace | | | | | | | |
| Piano Concerto no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato | | | | | | | |
| Piano Concerto no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso | | | | | | | |
| Recitative and Aria for Soprano & Orchestra in C major, K. 528: “Bella mia fiamma, addio!… Resta, oh cara!” | | | | | | | |
| Sarja jousiorkesterille: I. Rubato, quasi recitativo | | | | | | | |
| Sarja jousiorkesterille: II. Menuetto | | | | | | | |
| Sarja jousiorkesterille: III. Tranquillo | | | | | | | |
| Sarja jousiorkesterille: IV. Allegro vivo | | | | | | | |
| Scherzo (Sum no. 3) | | | | | | | |
| Sérénades joyeuses: I. Allegro legeremente | | | | | | | |
| Sérénades joyeuses: II. Tempo di valse lente | | | | | | | |
| Sérénades joyeuses: III. Allegro | | | | | | | |
| Sérénades joyeuses: IV. Allegro moderato | | | | | | | |
