A Child of Our Time: Part II: A Spiritual "O by and by" | | - Sir Michael Tippett
- Lesley Garrett, Britten Sinfonia, Ivor Bolton
- Stephen Westrop, Cynthia Haymon, London Symphony Chorus, London Symphony Orchestra, Richard Hickox
- Simon Halsey, City of Birmingham Symphony Orchestra Chorus, Faye Robinson, City of Birmingham Symphony Orchestra, Sir Michael Tippett
- (show 4 more)
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A Suite on English Folk Tunes, op. 90 "A Time There Was": I. Cakes and Ale | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": II. The Bitter Withy | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": III. Hankin Booby | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": IV. Hunt the Squirrel | | | | | | | |
A Suite on English Folk Tunes, op. 90 "A Time There Was": V. Lord Melbourne | | | | | | | |
An English Mass: Agnus Dei "O Lamb of God" | | | | Mass | | | |
An English Mass: Benedictus "Blessed is he that cometh in the name of the Lord" | | | | Mass | | | |
An English Mass: Credo "I believe in one God, the Father Almighty" | | | | Mass | | | |
An English Mass: Gloria "Glory be to God on high" | | | | Mass | | | |
An English Mass: Kyrie eleison | | | | Mass | | | |
An English Mass: Sanctus "Holy, Holy, Holy, Lord God of hosts" | | | | Mass | | | |
An English Mass: Sursum corda "Lift up your hearts" | | | | Mass | | | |
Au gré des ondes: I. Prélude en berceuse | | | | | | | |
Au gré des ondes: II. Claquettes | | | | | | | |
Au gré des ondes: III. Improvisation | | | | | | | |
Au gré des ondes: IV. Mouvement perpétuel | | | | | | | |
Au gré des ondes: V. Hommage à Bach | | | | | | | |
Au gré des ondes: VI. Étude | | | | | | | |
Ave Maria | | | | Song | | | 5 |
Ave Maria | | | | Aria | | | |
Ave Maria | | | | Aria | | | |
Bananfluer overalt | | | | Song | | | |
Beethoven | | | | | | | |
Cantus in memoriam Benjamin Britten | | | | | | | |
Cavalleria rusticana: “Regina coeli laetare” (Coro) | | - Vittore Veneziani, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin
- Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan
- Chorus of the Royal Opera House, Covent Garden, Helen Field, Orchestra of the Royal Opera House, Covent Garden, Bernard Haitink
- Maria Callas
- (show 46 more)
| | Aria | | | |
Cello Concerto: I. Fantasia. Tranquillo - Assai andante | | | | | | | |
Cello Concerto: II. Threnody. Lento calmato - Assai teneramente | | | | | | | |
Cello Concerto: III. Finale. Allegro vigoroso | | | | | | | |
Chanson de matin, op. 15 no. 2 | | | | | | | |
Chanson de nuit, op. 15 no. 1 | | | | | | | |
Chanson de nuit, op. 15 no. 1 | | | | | | | |
Climb Ev’ry Mountain | | | | Song | | - 4300148 (AGADU ID)
- 2185094 (APDAYC ID)
- (show 21 more)
- 000012 249 47 (SUISA ID)
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Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro | | - Dietmar Zeman, Wiener Philharmoniker, Karl Böhm
- Klaus Hellman, Sabine Lenz, Kamil Sreter, Mozart Festival Orchestra, Mozarteum Orchester Salzburg, Wiener Mozart‐Ensemble, Alberto Lizzio, Jan Zybnovsky
- Günter Piesk, Berliner Philharmoniker, Herbert von Karajan
- Klaus Thunemann, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 63 more)
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Concerto for Clarinet in A major, K. 622: I. Allegro | | | | | | | |
Concerto for Clarinet in A major, K. 622: II. Adagio | | | | | | | |
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro | | | | | | | |
Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso | | | | | | | |
Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo | | | | | | | |
Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto | | | | | | | |
Concerto for Keyboard and Orchestra no. 7 in G minor, BWV 1058: I. Allegro | | | | | | | |
Concerto for Piano and Strings | | | | Concerto | | | |
Concerto for Violin and String Orchestra: I. Allegro pesante | | | | | | | |
Concerto for Violin and String Orchestra: II. Adagio - Tranquillo | | | | | | | |
Concerto for Violin and String Orchestra: III. Presto | | | | | | | |
Concerto funebre: I. Introduktion. Largo | | | | | | | |
Concerto funebre: II. Adagio | | | | | | | |
Concerto funebre: III. Allegro di molto | | | | | | | |
Concerto funebre: IV. Choral. Langsamer Marsch | | | | | | | |
Concerto in A minor for Oboe and Strings: I. Rondo Pastorale. Allegro moderato | | | | Concerto | | | |
Concerto in A minor for Oboe and Strings: II. Minuet and Musette. Allegro moderato | | | | Concerto | | | |
Concerto in A minor for Oboe and Strings: III. Finale (Scherzo). Presto - Doppio più lento - Lento - Presto | | | | Concerto | | | |
Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | | - James Galway, Fritz Helmis, Berliner Philharmoniker, Herbert von Karajan
- Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Akiko Miyazashi, Renata Modron, Renata Mordon, Taki Ozawa, Mozart Festival Orchestra, Orchestre de Festival Belgique, SWR Symphony Orchestra, Wiener Mozart‐Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Pierre Narrato, Kurt Redel
- [unknown]
- Hana Müllerová, Jiří Válek, Capella Istropolitana, Richard Edlinger
- (show 101 more)
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Concierto de Aranjuez: II. Adagio | | | | | | | |
Dies Natalis, op. 8: I. Intrada | | | | | | | |
Dies Natalis, op. 8: II. Rhapsody. Recitativo stromentato | | | | | | | |
Dies Natalis, op. 8: III. The Rapture. Danza | | | | | | | |
Dies Natalis, op. 8: IV. Wonder. Arioso | | | | | | | |
Dies Natalis, op. 8: V. The Salutation. Aria | | | | | | | |
Dream | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: I. Allegro moderato | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: II. Andante | | | | | | | |
Duett-Concertino for Clarinet, Bassoon and Strings: III. Rondo. Allegro ma non troppo | | | | | | | |
Electra Mourns | | | | | | | |
Elegy, op. 58 | | | | | | | |
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” | | | | Song | | | |
Epithalamion: I. Prologue | | | | | | | |
Epithalamion: II. Wake Now | | | | | | | |
Epithalamion: III. The Calling of the Bride | | | | | | | |
Epithalamion: IV. The Minstrels | | | | | | | |
Epithalamion: IX. The Minstrel's Song | | | | | | | |
Epithalamion: V. Procession of the Bride | | | | | | | |
Epithalamion: VI. The Temple Gates | | | | | | | |
Epithalamion: VII. The Bell Ringers | | | | | | | |
Epithalamion: VIII. The Lover's Song | | | | | | | |
Epithalamion: X. Song of the Winged Loves | | | | | | | |
Epithalamion: XI. Prayer to Juno | | | | | | | |
Evening Prayer | | | | Song | | | |
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate | | | | | | | |
Fantasia on “Greensleeves” | | | | | | | |
Fantasia on a Theme by Thomas Tallis | | | | | | | |
Five Poems of the Spirit: Come, lovely Name | | | | | | | |
Five Poems of the Spirit: L'Envoy | | | | | | | |
Five Poems of the Spirit: O Lord, in me there lieth naught | | | | | | | |
Five Poems of the Spirit: Praise | | | | | | | |
Five Poems of the Spirit: Purse and Scrip | | | | | | | |
Folksong Arrangements, Volume I: Oliver Cromwell | | | | Song | | | |
Folksong Arrangements, Volume III: O Waly, Waly | | | | Song | | | |
For All You Happy People | | | | Song | | | |
Gloria, for Soprano, Chorus and Orchestra, FP 177: I. Gloria | | | | | | | |
Gloria, for Soprano, Chorus and Orchestra, FP 177: II. Laudamus te | | | | | | | |
Gloria, for Soprano, Chorus and Orchestra, FP 177: III. Domine Deus | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- François Polgar, Chœur de Radio France, Françoise Pollet, Orchestre national de France, Charles Dutoit
- (show 20 more)
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Gloria, for Soprano, Chorus and Orchestra, FP 177: IV. Domine Fili unigenite | | - John Oliver, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 18 more)
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Gloria, for Soprano, Chorus and Orchestra, FP 177: V. Domine Deus, Agnus Dei | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 14 more)
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Gloria, for Soprano, Chorus and Orchestra, FP 177: VI. Qui sedes ad dexteram Patris | | - John Oliver, Kathleen Battle, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa
- New York Philharmonic, Westminster Choir, Leonard Bernstein
- Royal Concertgebouw Orchestra, Mariss Jansons
- Chœur Pro Arte de Lausanne, Chœur de la Suisse Romande, Sylvia Greenberg, L’Orchestre de la Suisse Romande, Jesús López Cobos
- (show 19 more)
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Goldberg Variations, BWV 988: Aria | | | | | | | |
Goldberg Variations, BWV 988: Aria da capo | | | | | | | |
Goldberg Variations, BWV 988: Variation 1 | | | | | | | |
Goldberg Variations, BWV 988: Variation 2 | | | | | | | |
Goldberg Variations, BWV 988: Variation 3, Canone all'Unisono | | | | | | | |