| arranged |
---|
| A Chloris | | | Albrecht Mayer, Academy of St Martin in the Fields, Mathias Mönius | 4:06 |
| Baal Shem: Three Pictures of Chasidic Life: No. 2. Nigun | | | Avi Avital, Simone Bernardini, Amihai Grosz | 6:25 |
| Carmen: Act II: Prélude | | | Albert Schweitzer Oktett | 1:43 |
| Carmen: Act III: Prélude | | | Albert Schweitzer Oktett | 2:54 |
| Carmen: Card Aria | | | Albert Schweitzer Oktett | 3:02 |
| Carmen: Customs Officers Terzet | | | Albert Schweitzer Oktett | 2:30 |
| Carmen: Flower Song | | | Albert Schweitzer Oktett | 3:40 |
| Carmen: Intro and Habanera | | | Albert Schweitzer Oktett | 3:47 |
| Carmen: Melodram | | | Albert Schweitzer Oktett | 0:52 |
| Carmen: Seguidilla | | | Albert Schweitzer Oktett | 1:56 |
| Carmen: Toreador Song | | | Albert Schweitzer Oktett | 4:51 |
| Chitarra Romana | | | Plácido Domingo, Budapest Philharmonic Orchestra, Eugene Kohn | 3:08 |
| Choral, BWV 12 "Was Gott tut, das ist wohlgetan" | | | The English Concert, Albrecht Mayer | 1:26 |
| Choral, BWV 31 "So fahr' ich hin zu Jesu Christ" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 1:12 |
| Choral, BWV 75 "Was Gott tut, das ist wohlgetan" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 1:41 |
| Choral, BWV 136 "Dein Blut, der edle Saft" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 1:22 |
| Choral, BWV 140 "Wachet auf, ruft uns die Stimme" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 4:16 |
| Choral, BWV 147 "Jesu bleibet meine Freude" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 2:56 |
| Choral, BWV 166 "Ich bitte dich, Herr Jesu Christ" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 2:44 |
| Choral, BWV 167 "Sei Lob und Preis mit Ehren" | | | Albrecht Mayer, Trinity Baroque, The English Concert | 2:33 |
| Die lustigen Weiber von Windsor: Buffo Duet | | | Albert Schweitzer Oktett | 3:59 |
| Die lustigen Weiber von Windsor: Chor | | | Albert Schweitzer Oktett | 1:55 |
| Die lustigen Weiber von Windsor: Dance and Chor | | | Albert Schweitzer Oktett | 2:16 |
| Die lustigen Weiber von Windsor: Duet | | | Albert Schweitzer Oktett | 6:42 |
| Die lustigen Weiber von Windsor: Fenton’s Romance | | | Albert Schweitzer Oktett | 4:01 |
| Die lustigen Weiber von Windsor: Quartettino | | | Albert Schweitzer Oktett | 1:50 |
| Die lustigen Weiber von Windsor: Terzettino - Final | | | Albert Schweitzer Oktett | 2:43 |
| I gioielli della madonna: Danza napolitana | | | Sharon Kam, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | 4:13 |
| La Cenerentola: Nacqui all'affanno | | | Sharon Kam, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | 7:03 |
| La rondine: Composizioni da camera | | | Sharon Kam, Württembergisches Kammerorchester Heilbronn, Ruben Gazarian | 4:52 |
| Piano Concerto No. 21 in C major ("Elvira Madigan") K. 467: Andante | Andreas Tarkmann | | Catrin Finch, James Galway, Sinfonia Varsovia | 6:18 |
| Piano Sonata No. 11 in A major ("Alla Turca") K. 331 #K. 300i#: Theme and Variations #Andante grazioso# | Andreas Tarkmann | | Catrin Finch, James Galway, Sinfonia Varsovia | 6:43 |
| Serse, HWV 40: Ombra mai fu (arr. Andreas N. Tarkmann) | | | Albrecht Mayer, Sinfonia Varsovia | 2:39 |
| Sonata in E‐Dur BWV 1035: Siciliano | | | Albrecht Mayer, Sinfonia Varsovia | 2:08 |
| Titus: Annio’s Aria | | | Albert Schweitzer Oktett | 2:23 |
| Titus: Duet Servilia - Annio | | | Albert Schweitzer Oktett | 2:23 |
| Titus: Duet Vitellia - Sesto | | | Albert Schweitzer Oktett | 1:30 |
| Titus: Overture | | | Albert Schweitzer Oktett | 3:54 |
| Titus: Sesto’s Aria | | | Albert Schweitzer Oktett | 5:23 |
| Titus: Terzet: Vitellia, Annio, Publio | | | Albert Schweitzer Oktett | 2:24 |
| Titus: Vitellia’s Aria | | | Albert Schweitzer Oktett | 4:56 |
| Titus: Vitellia’s Rondo | | | Albert Schweitzer Oktett | 6:02 |
| Trio Sonata in G minor, HWV 393: Largo for Oboe, Violin and B.c. | | | Albrecht Mayer, Sinfonia Varsovia | 3:01 |
| Water Music Suite No. 3 in G major, HWV 350: Country Dance | | | Albrecht Mayer, Sinfonia Varsovia | 1:49 |
| instruments arranged |
---|
| Malagueña (Isaac Albéniz) | | guitar | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 3:44 |
| Malagueña (Isaac Albéniz) | | flute | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 3:44 |
| Malagueña (Isaac Albéniz) | | double bass | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 3:44 |
| Malagueña (Isaac Albéniz) | | castanets | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 3:44 |
| Rumores de La Caleta (Isaac Albéniz) | | guitar | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 4:13 |
| Rumores de La Caleta (Isaac Albéniz) | | flute | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 4:13 |
| Rumores de La Caleta (Isaac Albéniz) | | double bass | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 4:13 |
| Rumores de La Caleta (Isaac Albéniz) | | castanets | Anette Maiburg, Andreas von Wangenheim, Wlodzimierz Gula & Alberto Alarcón | 4:13 |
| Tango (Isaac Albéniz) | | guitar | Anette Maiburg, Andreas von Wangenheim & Wlodzimierz Gula | 3:05 |
| Tango (Isaac Albéniz) | | flute | Anette Maiburg, Andreas von Wangenheim & Wlodzimierz Gula | 3:05 |
| Tango (Isaac Albéniz) | | double bass | Anette Maiburg, Andreas von Wangenheim & Wlodzimierz Gula | 3:05 |
| liner notes |
---|
| The Schönberg Effect | | | Brahms; Notos Quartett | |
| arranged |
---|
| Air for Chalumeau “La Tortora” | | | | |
| Concerto for Clarinet and Orchestra no. 1 in B-flat major “Sant’Angelo” | | | | |
| Concerto for Clarinet and Orchestra no. 1 in B-flat major “Sant’Angelo”: I. Allegro | | | | |
| Concerto for Clarinet and Orchestra no. 1 in B-flat major “Sant’Angelo”: II. Adagio | | | | |
| Concerto for Clarinet and Orchestra no. 1 in B-flat major “Sant’Angelo”: III. Molto allegro | | | | |
| Concerto for Clarinet and Orchestra no. 2 in D minor “La Fenice” | | | | |
| Concerto for Clarinet and Orchestra no. 2 in D minor “La Fenice”: I. Allegro molto | | | | |
| Concerto for Clarinet and Orchestra no. 2 in D minor “La Fenice”: II. Adagio | | | | |
| Concerto for Clarinet and Orchestra no. 2 in D minor “La Fenice”: III. Allegro vivace | | | | |
| Concerto for Clarinet and Orchestra no. 3 in F major “Il Mezzetino” | | | | |
| Concerto for Clarinet and Orchestra no. 3 in F major “Il Mezzetino”: I. Adagio | | | | |
| Concerto for Clarinet and Orchestra no. 3 in F major “Il Mezzetino”: II. Allegro | | | | |
| Concerto for Clarinet and Orchestra no. 3 in F major “Il Mezzetino”: III. Andante | | | | |
| Concerto for Clarinet and Orchestra no. 3 in F major “Il Mezzetino”: IV. Allegro | | | | |
| Concerto for Flute and English Horn "Amabile beltà" | | | | |
| Concerto for Flute and English Horn "Amabile beltà": I. Andante - Allegro "Qui l’augel da pianta in pianta" | | | | |
| Concerto for Flute and English Horn "Amabile beltà": II. Adagio e staccato | | | | |
| Concerto for Flute and English Horn "Amabile beltà": III. Largo "Softly Sweet in Lydian Measures" | | | | |
| Concerto for Flute and English Horn "Amabile beltà": IV. Allegro ma non troppo "Più amabile beltà" | | | | |
| Concerto for Oboe "Voli per l'aria" | | | | |
| Concerto for Oboe "Voli per l'aria": I. Largo "Where 'er you walk" | | | | |
| Concerto for Oboe "Voli per l'aria": II. Adagio | | | | |
| Concerto for Oboe "Voli per l'aria": III. Allegro "Hence, Iris, Hence Away" | | | | |
| Concerto for Oboe "Voli per l'aria": IV. Largo "Will the Sun Forget to Streak" | | | | |
| Concerto for Oboe "Voli per l'aria": V. Allegro "Voli per l'aria" | | | | |
| Concerto for Oboe d'Amore "Verdi prati" | | | | |
| Concerto for Oboe d'Amore "Verdi prati": I. Andante "Dopo notte" | | | | |
| Concerto for Oboe d'Amore "Verdi prati": II. Grave | | | | |
| Concerto for Oboe d'Amore "Verdi prati": III. Larghetto "Verdi prati" | | | | |
| Concerto for Oboe d'Amore "Verdi prati": IV. Allegro "Tornami a vagheggiar" | | | | |
| Concerto for Oboe, Bassoon and Harpsichord "Piagge serene" | | | | |
| Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": I. Adagio | | | | |
| Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": II. Allegro | | | | |
| Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": III. Adagio | | | | |
| Concerto for Oboe, Bassoon and Harpsichord "Piagge serene": IV. Menuett | | | | |
| Couplet | | | | |
| Csárdás | | | | |
| Entr'acte und Ensemble | | | | |
| Es waren zwei Königskinder | | | | |
| Finale 1. Akt | | | | |
| Finale 2. Akt | | | | |
| Grobschmied-Variationen, HWV 430 | | | | |
| Kein Feuer, keine Kohle | | | | |
| Kein schöner Land | | | | |
| Konzert für Oboe d'amore nach BWV 209 | | | | |
| Konzert für Oboe d'amore nach BWV 209: I. Allegro | | | | |
| Konzert für Oboe d'amore nach BWV 209: II. Andante | | | | |
| Konzert für Oboe d'amore nach BWV 209: III. Allegro | | | | |
| Konzert für Oboe, Streicher und Basso continuo | | | | |
| Konzert für Oboe, Streicher und Basso continuo: I. Allegro | | | | |
| Magnificat D-Dur, BWV 243: IX. Aria "Esurientes implevit bonis" | | | | |
| Offenbach in der Unterwelt ("Offenbachiade") | | | | |
| Offenbach in der Unterwelt: 1. Ouvertüre | | | | |
| Offenbach in der Unterwelt: 2. Bolero | | | | |
| Offenbach in der Unterwelt: 3. Ballade | | | | |
| Offenbach in der Unterwelt: 4. Nachtszene und Duett | | | | |
| Offenbach in der Unterwelt: 5. Zwei Couplets | | | | |
| Offenbach in der Unterwelt: 6. Duo alsacien | | | | |
| Offenbach in der Unterwelt: 7. Duett und Briefarie | | | | |
| Offenbach in der Unterwelt: 8. Finale I | | | | |
| Offenbach in der Unterwelt: 9. Chanson pastorale | | | | |
| Offenbach in der Unterwelt: 10. Finale und Can-Can | | | | |
| Symphony no. 3 in F major, op. 90 | | | | |
| Symphony no. 3 in F major, op. 90: I. Allegro con brio | | | | |
| Symphony no. 3 in F major, op. 90: II. Andante | | | | |
| Symphony no. 3 in F major, op. 90: III. Poco allegretto | | | | |
| Symphony no. 3 in F major, op. 90: IV. Allegro | | | | |
| Terzett | | | | |
| Trinklied | | | | |
| Trio Sonata in G minor, HWV 393: III. Largo | | | | |
| composed |
---|
2019 | Goldbergs letzter Sommer | | | | |