(Gavotte) Almond in D-sol-re#, ZD. 219 No. 1 | | | | | | | |
(Saraband) Borry in D-sol-re#, ZD 219 No. 2 | | | | | | | |
6 kleine Präludien: Präludium C-Dur, BWV 933 | | | | | | | |
6 kleine Präludien: Präludium c-Moll, BWV 934 | | | | | | | |
6 kleine Präludien: Präludium D-Dur, BWV 936 | | | | | | | |
6 kleine Präludien: Präludium d-Moll, BWV 935 | | | | | | | |
6 kleine Präludien: Präludium E-Dur, BWV 937 | | | | | | | |
6 kleine Präludien: Präludium e-Moll, BWV 938 | | | | | | | |
6 Variations for Violin & Piano in G major, K. 374b/360 "Hélas, j'ai perdu mon amant" | | | | | | | |
6 Variations on an Original Theme for Piano in F major, K. 547b/54 | | | | | | | |
6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180 | | | | | | | |
7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, KV 25 | | | | | | | |
8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, KV 24 | | | | | | | |
8 Variations on G. Sarti: "Come un'agnello" from "Fra i due litiganti" for Piano in A major, K. 454a/460 | | | | | | | |
9 kleine Präludien: Präludium A-Moll, BWV 931 | | | | | | | |
9 kleine Präludien: Präludium C-Dur, BWV 924 | | | | | | | |
9 kleine Präludien: Präludium C-Dur, BWV 924a | | | | | | | |
9 kleine Präludien: Präludium D-Dur, BWV 925 | | | | | | | |
9 kleine Präludien: Präludium d-Moll, BWV 926 | | | | | | | |
9 kleine Präludien: Präludium F-Dur, BWV 927 | | | | | | | |
9 kleine Präludien: Präludium F-Dur, BWV 928 | | | | | | | |
9 kleine Präludien: Präludium g-Moll, BWV 929 | | | | | | | |
9 kleine Präludien: Präludium g-Moll, BWV 930 | | | | | | | |
12 Variations for Violin & Piano in G major, K. 374a/359 "La bergère Célimene" | | | | | | | |
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 | | | | | | - 0O5-6775-4 (JASRAC ID)
- C major (Key)
| |
12 Variations on J. C. Fischer: Minuet for Piano in C major, K. 189a/179 | | | | | | | |
A Minuet, Z. 650 | | | | | | | |
A new ground, ZT. 682 | | | | | | | |
A new Irish tune, Z. 646 | | | | | | | |
A New Scotch Tune, Z. 655 | | | | | | | |
A Song Tune, ZT. 695 | | | | | | | |
Air, Z. 630 No. 1 | | | | | | | |
Air, Z. 641 | | | | | | | |
Air, Z. 693 No. 2 | | | | | | | |
Aire, Z. 676 | | | | | | | |
Aire, ZT. 675 | | | | | | | |
Aire, ZT. 696 No. 2 | | | | | | | |
Allemande in G minor, BWV 836 | | | | | | | |
Application C-Dur, BWV 994 | | | | | | | |
Aria “Warum betrübst du dich”, BWV 516 | | | | | | | |
Aria di Giovannini, BWV 518: Willst du dein Herz mir schenken | | | | Aria | | | |
Aria variata, BWV 989 | | | | | | | |
Aria, BWV 508 “Bist du bei mir” | | | | Aria | | | |
Ballo del granduca | | | | | | | |
Barafostus Dreame | | | | | | | |
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I. (Allegro) | | - J. Brezina, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Gabor Ötvös
- The English Concert, Trevor Pinnock
- Berliner Philharmoniker, Herbert von Karajan
- Musica Antiqua Köln, Reinhard Goebel
- (show 136 more)
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Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: II. Adagio | | - J. Brezina, Otto Büchner, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Hanspeter Gmür, Francesco Macci, Heribert Münchner, Gabor Ötvös
- Capella Istropolitana, Bohdan Warchal
- The English Concert, Trevor Pinnock
- Deutsche Bachsolisten, Helmut Winschermann
- (show 137 more)
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Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: III. Allegro | | - J. Brezina, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Gabor Ötvös
- The English Concert, Trevor Pinnock
- Berliner Philharmoniker, Herbert von Karajan
- Musica Antiqua Köln, Reinhard Goebel
- (show 132 more)
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Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: IV. Menuetto - Trio I - Menuetto da capo - Polacca - Menuetto da capo - Trio II - Menuetto da capo | | - Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Philharmonia Slavonica, Südwest-Studioorchester, Karel Brazda, Francesco Macci, Heribert Münchner, Gabor Ötvös
- I Barocchisti, Diego Fasolis
- The English Concert, Trevor Pinnock
- Concerto Italiano, Rinaldo Alessandrini
- (show 130 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) | | - J. Brezina, Camerata Labacensis, Camerata Romana, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Gabor Ötvös
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- Münchener Bach‐Orchester, Karl Richter
- (show 163 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante | | - J. Brezina, Camerata Labacensis, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Gabor Ötvös
- [unknown]
- Musica Antiqua Köln, Reinhard Goebel
- The English Concert, Trevor Pinnock
- (show 151 more)
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Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai | | - Rolf Quinque, Camerata Rhenania, Camerata Romana, The English Philharmonic Orchestra, Hamburger Symphoniker, Musici di San Marco, Philharmonia Slavonia, Philharmonia Slavonica, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Hanspeter Gmür, Francesco Macci, Heribert Münchner, Gabor Ötvös
- Michael Laird, Philip Pickett, Trevor Pinnock, David Reichenberg, Simon Standage, The English Concert
- Musica Antiqua Köln, Reinhard Goebel
- [unknown]
- (show 173 more)
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Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro | | - J. Brezina, Camerata Labacensis, Camerata Romana, Collegium Aureum, Hamburger Symphoniker, Musici di San Marco, Members of the Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Gabor Ötvös
- [unknown]
- Jennifer Ward Clarke, Micaela Comberti, Annette Isserlis, Trevor Jones, Amanda MacNamara, Trevor Pinnock, Anthony Pleeth, Jan Schlapp, Simon Standage, Richard Webb, Elizabeth Wilcock, The English Concert
- Berliner Philharmoniker, Herbert von Karajan
- (show 173 more)
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Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio | | - J. Brezina, Camerata Labacensis, Camerata Romana, Musici di San Marco, Philharmonia Slavonia, Südwest-Studioorchester, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil
- Berliner Philharmoniker, Herbert von Karajan
- The English Concert, Trevor Pinnock
- Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 67 more)
| | | | | |
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro | | - J. Brezina, Camerata Labacensis, Camerata Romana, The English Philharmonic Orchestra, Musici di San Marco, Oregon Bach Festival Orchestra, Philharmonia Slavonia, Südwest-Studioorchester, Simon Addison, Karel Brazda, Eugen Duvier, Francesco Macci, Heribert Münchner, Rudolf Pribil, Helmuth Rilling
- Berliner Philharmoniker, Herbert von Karajan
- The English Concert, Trevor Pinnock
- Wendy Carlos
- (show 152 more)
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Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro | | | | | | | |
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante | | | | | | | |
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto | | | | | | | |
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | | | | | | | |
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | | | | | | | |
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | | | | | | | |
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. (Allegro) | | | | | | | |
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto | | | | | | | |
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro | | | | | | | |
Canary, ZT. 677 | | | | | | | |
Canzona, BWV 588 | | | | | | | |
Capriccio in honorem Johann Christoph Bachii Ohrdufiensis E-Dur, BWV 993 | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: I. Arioso - Adagio | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: II. (Andante) | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: III. Adagiosissimo | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: IV. (Andante con Moto) | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: V. Allegro poco. Aria de il Postiglione | | | | | | | |
Capriccio sopra la lontananza del suo fratello dilettissimo, BWV 992: VI. Fuga al imitatione di Posta | | | | | | | |
Chaconne, ZT. 680 | | | | | | | |
Choral “Schaffs mit mir, Gott”, BWV 514 | | | | | | | |
Choralsatz F-Dur, BWV 510 “Gib dich zufrieden und sei stille” | | | | | | | |
Choralsatz, BWV 299 "Dir, dir, Jehova, will ich singen" | | | | | | | |
Choralsatz, BWV 511 “Gib dich zufrieden und sei stille” | | | | | | | |
Choralsatz, BWV 512 “Gib dich zufrieden und sei stille” | | | | | | | |
Christe redemptor omnium (Musica Britannica, Vol. 14, No. 33) | | | | | | | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: I. Fantasie | | | | | | | |
Chromatische Fantasie und Fuge d-Moll, BWV 903: II. Fuge | | | | | | | |
Cinquième Suite: I. Ofertoire | | | | | | | |
Cinquième Suite: II. Fugue | | | | | | | |
Cinquième Suite: III. Fugue | | | | | | | |
Cinquième Suite: IV. Trio avec la Pédale | | | | | | | |
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet a-Moll, BWV Anh. 120 | | | | | | | |
Clavier-büchlein für Anna Magdalena Bach 1725: Menuet F-Dur, BWV Anh. 113 | | | | | | | |
Clavier-büchlein für Anna Magdalena Bach 1725: Polonaise F-Dur, BWV Anh. 117 | | | | | | | |
Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: I. Allegro | | | | | | | |
Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: II. Andante | | | | | | | |
Concerto after J. C. Bach no. 1 in D major, K. 107 no. 1: III. Tempo di menuetto | | | | | | | |
Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: I. Allegro | | | | | | | |
Concerto after J. C. Bach no. 2 in G major, K. 107 no. 2: II. Allegretto | | | | | | | |
Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: I. Allegro | | | | | | | |
Concerto after J. C. Bach no. 3 in E-flat major, K. 107 no. 3: II. Allegretto | | | | | | | |
Concerto for 2 Horns in E-flat major, TWV 54:Es1: I. Maestoso | | | | | | | |
Concerto for 2 Horns in E-flat major, TWV 54:Es1: II. Allegro | | | | | | | |
Concerto for 2 Horns in E-flat major, TWV 54:Es1: III. Grave | | | | | | | |
Concerto for 2 Horns in E-flat major, TWV 54:Es1: IV. Vivace | | | | | | | |