"Wohlan, alle, die ihr durstig seid" (Quartett) | Sibylla Rubens, Nathalie Stutzmann, James Taylor, Christian Gerhaher, Gewandhausorchester Leipzig & Herbert Blomstedt | | | 3:14 | |
“Dance of the Sugar Plum Fairy” from The Nutcracker, op. 71 | Xavier de Maistre, WDR Sinfonieorchester, Nathalie Stutzmann | | | 2:12 | |
“Prélude et la Romanesca” from Raymonda, op. 57 | Xavier de Maistre, WDR Sinfonieorchester, Nathalie Stutzmann | | | 3:53 | |
Agrippina: Voi che udite il mio lamento (Ottone) | Nathalie Stutzmann, Orfeo 55 | | | 5:39 | |
Ah Stigie larve/Vaghe pupille (Orlando, Act II) | Nathalie Stutzmann, The Hanover Band, Roy Goodman | | | 7:18 | |
Alcina, HWV 34: Act II: Ah! mio cor, schernito sei | Nathalie Stutzmann, Orfeo 55 | | | 5:36 | |
Alessandro Severo: Sinfonia (Act III, Final Scene) | Orfeo 55, Nathalie Stutzmann | | | 1:06 | |
Alessandro Severo: Sinfonia (Overture): I. Allegro [4/4] | Orfeo 55, Nathalie Stutzmann | | | 1:30 | |
Alessandro Severo: Sinfonia (Overture): II. [3/2] | Orfeo 55, Nathalie Stutzmann | | | 1:39 | |
Alessandro Severo: Sinfonia (Overture): III. Presto [3/8] | Orfeo 55, Nathalie Stutzmann | | | 1:09 | |
Alessandro: Saro qual vento (Cleone) | Nathalie Stutzmann, Orfeo 55 | | | 2:22 | |
Alto Rhapsody (conclusion) | Chor des Bayerischen Rundfunks, Nathalie Stutzmann, Symphonieorchester des Bayerischen Rundfunks | | | 5:25 | |
Alto Rhapsody, op. 53 | Nathalie Stutzmann, Orchestre Révolutionnaire et Romantique, Sir John Eliot Gardiner | | | 12:58 | |
Amadigi di Gaula, HWV 11: Overture: II. Gavotta | Orfeo 55, Nathalie Stutzmann | | | 1:20 | |
Amadigi di Gaula: Ballo di pastori et pastorelle | Nathalie Stutzmann, Orfeo 55 | | | 1:26 | |
Amadigi du Gaula: Pena tiranna (Dardano) | Nathalie Stutzmann, Orfeo 55 | | | 5:35 | |
An die Entferne, op. 71 no. 3 | Nathalie Stutzmann, Dalton Baldwin | | | 1:11 | |
Andres Maienlied (Hexenlied), op. 8 no. 8 | Nathalie Stutzmann, Dalton Baldwin | | | 2:07 | |
Après un rêve, op. 7 no. 1 | Nathalie Stutzmann, Catherine Collard | | | 2:40 | |
Arianna in Creta: Son qual stanco pellegrino (Alceste) | Nathalie Stutzmann, Orfeo 55 | | | 9:43 | |
Ariettes oubliées : C'est l'extase (no. 1) | Nathalie Stutzmann, Catherine Collard | | | 2:51 | |
Ariettes oubliées : Chevaux de bois (no. 4) | Nathalie Stutzmann, Catherine Collard | | | 3:10 | |
Ariettes oubliées : Green (no. 9) | Nathalie Stutzmann, Catherine Collard | | | 2:37 | |
Ariettes oubliées : Il pleure dans mon cœur (no. 2) | Nathalie Stutzmann, Catherine Collard | | | 2:18 | |
Ariettes oubliées : L'Ombres des arbres (no. 3) | Nathalie Stutzmann, Catherine Collard | | | 2:17 | |
Ariettes oubliées : Spleen (no. 10) | Nathalie Stutzmann, Catherine Collard | | | 2:39 | |
Ariettes oubliees: C’est l’extase | Nathalie Stutzmann, Catherine Collard | | | 2:50 | |
Ariettes oubliees: Chevaux de bois | Nathalie Stutzmann, Catherine Collard | | | 3:10 | |
Ariettes oubliees: Green | Nathalie Stutzmann, Catherine Collard | | | 2:36 | |
Ariettes oubliees: Il pleure dans mon coeur | Nathalie Stutzmann, Catherine Collard | | | 2:18 | |
Ariettes oubliees: L’ombre des arbres | Nathalie Stutzmann, Catherine Collard | | | 2:19 | |
Ariettes oubliees: Spleen | Nathalie Stutzmann, Catherine Collard | | | 2:33 | |
Ariodante, HWV 33: Overture to Act II | Orfeo 55, Nathalie Stutzmann | | | 1:46 | |
Ariodante: Dover, giustizia, amor (Polinesso) | Nathalie Stutzmann, Orfeo 55 | | | 3:29 | |
Arminio, HWV 36, Act I, Scene 6: “Sento il cor per ogni lato” (Ramise) | Nathalie Stutzmann, Orfeo 55 | | | 2:50 | |
Atenaide: Atto I, scena 2. Recitativo (Eudossa, Pulcheria, Marziano) | Guillemette Laurens, Sandrine Piau, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 2:56 | |
Atenaide: Atto I, scena 3. Recitativo (Pulcheria, Marziano) | Guillemette Laurens, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 3:16 | |
Atenaide: Atto I, scena 5. Aria “Al valore che prode ti preggi” (Marziano) | Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 3:10 | |
Atenaide: Atto I, scena 5. Recitativo (Probo, Marziano) | Stefano Ferrari, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:07 | |
Atenaide: Atto I, scena 11. Recitativo (Varane, Teodosio, Pulcheria, Marziano) | Romina Basso, Vivica Genaux, Guillemette Laurens, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 2:33 | |
Atenaide: Atto I, scena 12. Aria “Di novi allori adorno” (Marziano) | Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 2:22 | |
Atenaide: Atto I, scena 12. Recitativo (Teodosio, Pulcheria, Marziano) | Vivica Genaux, Guillemette Laurens, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 3:05 | |
Atenaide: Atto II, scena 7. Recitativo (Pulcheria, Marziano) | Guillemette Laurens, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 3:27 | |
Atenaide: Atto II, scena 8. Aria “Bel piacer di fido core” (Marziano) | Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 4:40 | |
Atenaide: Atto II, scena 8. Recitativo (Marziano) | Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:22 | |
Atenaide: Atto III, scena 8. Aria “Cor mio che prigion sei” (Marziano) | Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 4:15 | |
Atenaide: Atto III, scena 9. Recitativo (Marziano, Probo, Varane) | Romina Basso, Stefano Ferrari, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:05 | |
Atenaide: Atto III, scena 9. Recitativo (Pulcheria, Marziano) | Guillemette Laurens, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 2:05 | |
Atenaide: Atto III, scena 10. Recitativo (Varane, Marziano) | Romina Basso, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 0:30 | |
Atenaide: Atto III, scena 17. Recitativo (Marziano, Teodosio, Leontino, Probo) | Paul Agnew, Stefano Ferrari, Vivica Genaux, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:27 | |
Atenaide: Atto III, scena 18. Recitativo (Teodosio, Leontino, Marziano) | Paul Agnew, Vivica Genaux, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 0:54 | |
Atenaide: Atto III, scena 19. Recitativo (Teodosio, Eudossa, Marziano, Leontino) | Paul Agnew, Vivica Genaux, Sandrine Piau, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:21 | |
Atenaide: Atto III, scena 20. Recitativo (Pulcheria, Eudossa, Teodosio, Marziano) | Vivica Genaux, Guillemette Laurens, Sandrine Piau, Nathalie Stutzmann, Modo Antiquo, Federico Maria Sardelli | | | 1:08 | |
Au bord de l'eau, op. 8 no. 1 | Nathalie Stutzmann, Catherine Collard | | | 1:43 | |
Auf der Bruck, D. 853 | Nathalie Stutzmann, Inger Södergren | | | 3:13 | |
Auf der Bruck, D853 | Nathalie Stutzmann, Inger Södergren | | | 3:13 | |
Auf Flügeln des Gesanges, op. 34 no. 2 | Nathalie Stutzmann, Dalton Baldwin | | | 2:41 | |
Aurore, op. 39 no. 1 | Nathalie Stutzmann, Catherine Collard | | | 2:18 | |
Aus dem Liederbuch eines Mahlers, op. 36 :3. Nichts Schöneres | Nathalie Stutzmann, Catherine Collard | | | 1:40 | |
Aus dem Liederbuch eines Mahlers, op. 36: 1. Sonntags am Rhein | Nathalie Stutzmann, Catherine Collard | | | 2:22 | |
Aus dem Liederbuch eines Mahlers, op. 36: 2. Ständchen | Nathalie Stutzmann, Catherine Collard | | | 1:53 | |
Aus dem Liederbuch eines Mahlers, op. 36: 4. An den Sonnenschein | Nathalie Stutzmann, Catherine Collard | | | 1:28 | |
Aus dem Liederbuch eines Mahlers, op. 36: 5. Dichters Genesung | Nathalie Stutzmann, Catherine Collard | | | 2:49 | |
Aus dem Liederbuch eines Mahlers, op. 36: 6. Liebesbotschaft | Nathalie Stutzmann, Catherine Collard | | | 4:57 | |
Automne, op. 18 no. 3 | Nathalie Stutzmann, Catherine Collard | | | 2:42 | |
Bajazet, RV 703, Act III, Scene 14: Aria “Svena, uccidi, abbatti, atterra” (Asteria) | Nathalie Stutzmann, Orfeo 55 | | | 2:09 | |
Bajazet, RV 703, Act III, Scene 14: Recitativo accompagnato “È morto, sì, tiranno... ” (Asteria) | Nathalie Stutzmann, Orfeo 55 | | | 1:35 | |
Beatus vir, RV 795: VIII. In memoria aeterna | Nathalie Stutzmann, Alexandra Gibson, Hilary Summers, The King’s Consort, Robert King | | | 4:49 | |
Berenice, HWV 38: Overture: III. Andante larghetto | Orfeo 55, Nathalie Stutzmann | | | 1:40 | |
Berenice, HWV 38: Sinfonia to Act III | Orfeo 55, Nathalie Stutzmann | | | 2:49 | |
Bramo te sola (Floridante, Act II) | Nathalie Stutzmann, The Hanover Band, Roy Goodman | | | 5:09 | |
C | Nathalie Stutzmann, Inger Södergren | | | 3:08 | |
Cantata "Ein feste Burg ist unser Gott" BWV 80: VII. Aria (Duet: Alt, Tenor): “Wie selig sind doch die, die Gott im Munde tragen" | James Gilchrist, Nathalie Stutzmann, Amsterdam Baroque Orchestra, Ton Koopman | | | 3:30 | |
Cantata "Herr Gott, Beherrscher Aller Dinge" BWV 120a: VI. Aria (Duet: Alto, Tenor): "Herr, Fange An Und Sprich Den Segen" | James Gilchrist, Nathalie Stutzmann, Amsterdam Baroque Orchestra, Ton Koopman | | | 7:26 | |
Cantate "Allein zu dir, Herr Jesu Christ", BWV 33: Wie furchtsam wankten meine Schritte | Nathalie Stutzmann, Orfeo 55 | | | 9:26 | |
Cantate "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 5:09 | |
Cantate "Christ lag in Todes Banden", BWV 4: Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 1:40 | |
Cantate "Freue dich, erloste Schar!", BWV 30: Kommt, ihr angefochtnen Sunder | Nathalie Stutzmann, Orfeo 55 | | | 4:41 | |
Cantate "Gleichwie der Regen und Schnee vom Himmel fallt", BWV 18: Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 3:09 | |
Cantate "Gloria in excelsis Deo", BWV 191: Gloria in excelsis Deo | Mikaeli kammarkör, Nathalie Stutzmann, Orfeo 55 | | | 5:30 | |
Cantate "Gott soll allein mein Herze haben", BWV 169: Stirb in mir, Welt und alle deine Liebe | Nathalie Stutzmann, Orfeo 55 | | | 4:41 | |
Cantate "Herz und Mund und Tat und Leben" : "Jésus que ma joie demeure" | Mikaeli kammarkör, Nathalie Stutzmann, Orfeo 55 | | | 3:58 | |
Cantate "Herz und Mund und Tat und Leben", BWV 147: Jesus bleibet meine Freude | Mikaeli kammarkör, Nathalie Stutzmann, Orfeo 55 | | | 4:00 | |
Cantate "Himmelskonig, sei willkommen", BWV 182: Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 1:55 | |
Cantate "Ich bin ein guter Hirt", BWV 85: Jesus ist ein guter Hirt | Nathalie Stutzmann, Orfeo 55 | | | 3:25 | |
Cantate "Ich freue mich in dir", BWV 133: Getrost! | Nathalie Stutzmann, Orfeo 55 | | | 3:42 | |
Cantate "Ich hatte viel Bekummernis": Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 2:58 | |
Cantate "Ich liebe den Hochsten von ganzem Gemute", BWV 174: Sinfonia | Orfeo 55, Nathalie Stutzmann | | | 5:30 | |
Cantate "Wer mich liebet, der wird mein Wort halten", BWV 74: Nichts kann mich erretten | Nathalie Stutzmann, Orfeo 55 | | | 5:02 | |
Cara sposa, amante cara (Rinaldo, Act I) | Nathalie Stutzmann, The Hanover Band, Roy Goodman | | | 10:44 | |
Cello Concerto in G: Mvmt. 2: Largo | Orfeo 55, Nathalie Stutzmann | | | 3:18 | |
Chanson du pêcheur, op. 4 no. 1 | Nathalie Stutzmann, Catherine Collard | | | 3:07 | |
Chansons de Bilitis : La Chevelure (no. 2) | Nathalie Stutzmann, Catherine Collard | | | 3:46 | |
Chansons de Bilitis : La Flûte de Pan (no. 1) | Nathalie Stutzmann, Catherine Collard | | | 2:34 | |
Chansons de Bilitis : Le Tombeau des Naïades (no. 3) | Nathalie Stutzmann, Catherine Collard | | | 2:38 | |
Chansons de Bilitis: La flute de Pan | Nathalie Stutzmann, Catherine Collard | | | 2:34 | |
Chansons de Bilitis: Lachevelure | Nathalie Stutzmann, Catherine Collard | | | 3:46 | |
Chansons de Bilitis: Le tombeau des Naiades | Nathalie Stutzmann, Catherine Collard | | | 2:34 | |
Cinq mélodies "de Venise" : A Clymène, op. 58 no. 4 | Nathalie Stutzmann, Catherine Collard | | | 2:49 | |
Cinq mélodies "de Venise" : C'est l'extase, op. 58 no. 5 | Nathalie Stutzmann, Catherine Collard | | | 2:42 | |