| 5 Pieces for Orchestra, op. 10 | | | | | | | |
| Anacréon: Overture | | | | Overture | | | |
| Bluthochzeit | | | | Opera | | | |
| Bluthochzeit: 1. Akt | | | | | | | |
| Bluthochzeit: 2. Akt | | | | | | | |
| Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
| Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
| Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
| Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
| Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
| Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
| Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
| Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
| Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
| Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
| Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
| Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
| Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
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| Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
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| Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
| Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
| Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
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| Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
| Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
| Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
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| Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
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| Clarinet Concerto no. 2 in E-flat major, op. 74: I. Allegro | | | | | | | |
| Clarinet Concerto no. 2 in E-flat major, op. 74: II. Andante con moto | | | | | | | |
| Clarinet Concerto no. 2 in E-flat major, op. 74: III. Alla polacca | | | | | | | |
| Concerto for Flute and Orchestra in G major, K. 313/285c: I. Allegro maestoso | | | | | | | |
| Concerto for Flute and Orchestra in G major, K. 313/285c: II. Adagio ma non troppo | | | | | | | |
| Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto | | | | | | | |
| Concerto for Horn no. 3 in E-flat major, K. 447: I. Allegro | | | | | | | |
| Concerto for Horn no. 3 in E-flat major, K. 447: II. Romance. Larghetto | | - Dennis Brain, Philharmonia Orchestra, Herbert von Karajan
- Jože Falout, Bernd Heiser, Camerata Labacensis, Wiener Mozart‐Ensemble, Herbert Kraus, Kurt Redel
- Gerd Seifert, Berliner Philharmoniker, Herbert von Karajan
- Günter Högner, Wiener Philharmoniker, Karl Böhm
- (show 81 more)
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| Concerto for Horn no. 3 in E-flat major, K. 447: III. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto | | | | | | | |
| Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso | | | | | | | |
| Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | | | | | | | |
| Concerto for Piano and Wind Instruments: I. Largo. Allegro - Maestoso | | | | | | | |
| Concerto for Piano and Wind Instruments: II. Largo | | | | | | | |
| Concerto for Piano and Wind Instruments: III. Allegro | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: I. Allegro | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: II. Romanze | | | | | | | |
| Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai | | | | | | | |
| Concerto for Piano no. 24 in C minor, K. 491: I. Allegro | | | | | | | |
| Concerto for Piano no. 24 in C minor, K. 491: II. Larghetto | | | | | | | |
| Concerto for Piano no. 24 in C minor, K. 491: III. Allegretto | | | | | | | |
| Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro | | | | | | | |
| Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto | | | | | | | |
| Concerto for Piano no. 27 in B-flat major, K. 595: III. Rondo. Allegro | | | | | | | |
| Concerto in E-flat for chamber orchestra "Dumbarton Oaks" | | | | Concerto | | | |
| Così fan tutte: Ouvertura | | | | Overture | | | |
| Die Zauberflöte: Ouvertüre | | | | Overture | | | |
| Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | | | Overture | | | |
| Fidelio, op. 72: Overture | | | | Overture | | | |
| Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: I. Allegro | | | | | | | |
| Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: II. Andante | | | | | | | |
| Konzert für Horn und Orchester Nr. 1 Es-dur, op. 11: III. Rondo (Allegro) | | | | | | | |
| Konzert für Oboe und Orchester in C-Dur, Hob. VIIg:C1: I. Allegro spiritoso | | | | | | | |
| Konzert für Oboe und Orchester in C-Dur, Hob. VIIg:C1: II. Andante | | | | | | | |
| Konzert für Oboe und Orchester in C-Dur, Hob. VIIg:C1: III. Rondo. Allegretto | | | | | | | |
| Konzertmusik für Streichorchester und Blechbläser, op. 50: I. Mässig schnell, mit Kraft – Sehr breit, aber stehts fliessend (Moderately fast, with power – Very broad, but always flowing) | | | | | | | |
| Konzertmusik für Streichorchester und Blechbläser, op. 50: II. Lebhaft – Langsam – Im ersten Zeitmass (Fast – Slow – Tempo primo) | | | | | | | |
| Le Carnaval romain, ouverture pour orchestre, op. 9 | | | | Overture | | | |
| Le nozze di Figaro, K. 492: Sinfonia | | - [unknown]
- Berlin Symphony Orchestra, Berlin Symphony Orchestra, Hamburger Symphoniker, London Festival Orchestra, London Philharmonic Orchestra, London Philharmonic Orchestra, Philharmonia Slovanica Orchester, Pietro di la Corona, Alfred Scholz, Laurence Gordon Siegel
- London Philharmonic Orchestra, Sir Georg Solti
- Wiener Philharmoniker, Herbert von Karajan
- (show 202 more)
| | Overture | | | |
| Les Bandar-log, op. 176 | | | | Symphonic poem | | | |
| Litaniae de venerabili altaris sacramento, K. 243: I. Kyrie eleison | | - Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Wolfgang Amadeus Mozart
- Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
- (show 3 more)
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| Litaniae de venerabili altaris sacramento, K. 243: II. Panis vivus | | | | | | | |
| Litaniae de venerabili altaris sacramento, K. 243: III. Verbum caro factum | | - Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Concentus Musicus Wien, Nikolaus Harnoncourt
- Wolfgang Amadeus Mozart
- Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
- (show 3 more)
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| Litaniae de venerabili altaris sacramento, K. 243: IV. Hostia sancta | | - Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Wolfgang Amadeus Mozart
- Arnold Schoenberg Chor, Concentus Musicus Wien & Nikolaus Harnoncourt
- Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
- (show 3 more)
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| Litaniae de venerabili altaris sacramento, K. 243: IX. Agnus dei | | - Concentus Musicus Wien, Nikolaus Harnoncourt
- Margaret Marshall, Margaret Cable, Wynford Evans, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest
- Wolfgang Amadeus Mozart
- Annemarie Kremer, Chamber Choir of Europe, Kurpfälzisches Kammerorchester Mannheim, Nicol Matt
- (show 3 more)
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| Litaniae de venerabili altaris sacramento, K. 243: V. Tremendum | | | | | | | |
| Litaniae de venerabili altaris sacramento, K. 243: VI. Dulcissimum convivium | | | | | | | |
| Litaniae de venerabili altaris sacramento, K. 243: VII. Viaticum | | | | | | | |
| Litaniae de venerabili altaris sacramento, K. 243: VIII. Pignus futurae gloriae | | | | | | | |
| Lontano | | | | | | | |
| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: I. Kyrie. Andante con moto assai vivace quasi Allegretto ma non troppo | | - Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- (show 24 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: II. Gloria. Allegro con brio | | - Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 21 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: III. Credo. Allegro con brio | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- (show 21 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | | - Bach‐Collegium Stuttgart, Helmuth Rilling
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- (show 22 more)
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| Mass for 4 Solo Voices, Chorus, and Orchestra in C major, op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | | - Magdaléna Hajóssyová, Jitka Zerhauová, Peter Oswald, Peter Mikuláš, Slovak Philharmonic Choir, Pavol Prcházka, Slovak Philharmonic Orchestra, Anton Nanut
- Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
- Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter
- Christiane Eda‐Pierre, London Symphony Chorus, Kurt Moll, Patricia Payne, Robert Tear, London Symphony Orchestra, Sir Colin Davis
- (show 20 more)
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| Missa in C, K. 317 “Krönungs-Messe”: I. Kyrie | | - Anna Tomowa‐Sintow, Werner Krenn, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Kathleen Battle, Gösta Winbergh, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- Ileana Cotrubaş, Robert Tear, George Malcolm, Schola Cantorum of Oxford, Academy of St Martin in the Fields, Sir Neville Marriner
- (show 40 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: II. Gloria | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Elisabeth von Magnus, László Polgár, Josef Protschka, Joan Rodgers, Concentus Musicus Wien, Nikolaus Harnoncourt
- Kathleen Battle, Trudeliese Schmidt, Gösta Winbergh, Ferruccio Furlanetto, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 45 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: III. Credo | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Gerhard Eder, Peter Jelosits, Solist der Wiener Sängerknaben, Michael G. Gormley, Wiener Symphoniker, Uwe Christian Harrer, Chorus Viennensis, Wiener Sängerknaben
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: IV. Sanctus | | | | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: V. Benedictus | | - Júlia Hamari, Bavarian Radio Chorus, Dietrich Fischer‐Dieskau, Nicolai Gedda, Edda Moser, Bavarian Radio Symphony Orchestra, Eugen Jochum
- Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Wolfgang Amadeus Mozart
- (show 37 more)
| | Mass | | | |
| Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei | | - Anna Tomowa‐Sintow, Agnes Baltsa, Werner Krenn, José van Dam, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan
- Anna Tomowa‐Sintow, Berliner Philharmoniker, Herbert von Karajan
- Wiener Philharmoniker, Herbert von Karajan
- Erwin Ortner, Arnold Schönberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt
- (show 45 more)
| | Mass | | | |
| Ouvertüre Coriolan, op. 62 | | | | Overture | | | |
| Petite symphonie concertante, op. 54 | | | | | | | |
| Phantastische Erscheinungen eines Themas von Hector Berlioz, op. 25: 1. Erscheinung: Thema | | | | | | | |
| Phantastische Erscheinungen eines Themas von Hector Berlioz, op. 25: 2. Erscheinung: Moderato | | | | | | | |
| Phantastische Erscheinungen eines Themas von Hector Berlioz, op. 25: 3. Erscheinung: Gemessen | | | | | | | |
| Phantastische Erscheinungen eines Themas von Hector Berlioz, op. 25: 4. Erscheinung: Mit Breite, doch nicht zu langsam und etwas frei | | | | | | | |
