| instruments |
---|
| Aus Goethes Faust (Mephistos Flohlied), op. 75 no. 3 | bass | Kim Borg, Erik Werba | 2:27 |
| Mephistopheles' Song in Auerbach's Cellar | bass | Kim Borg, Erik Werba | 3:21 |
| vocals |
---|
1953-09 | Messa da Requiem: Dies irae: Confutatis (basso, coro). Andante - Allegro come prima | bass vocals | Kim Borg, RIAS-Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 4:34 |
1953-09 | Messa da Requiem: Dies irae: Lacrimosa (soli, coro). Largo | bass vocals | Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 5:22 |
1953-09 | Messa da Requiem: Dies irae: Rex tremendae (soli, coro). Adagio maestoso | bass vocals | Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 3:40 |
1953-09 | Messa da Requiem: Dies irae: Tuba mirum (coro, basso). Allegro sostenuto - Molto meno mosso | bass vocals | Kim Borg, RIAS-Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 2:44 |
1953-09 | Messa da Requiem: Lux aeterna (mezzo-soprano, tenore, basso). Allegro moderato | bass vocals | Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 5:26 |
1953-09 | Messa da Requiem: Offertorio (soli). Andante mosso - Allegro mosso - Adagio - Come prima | bass vocals | Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 8:53 |
1953-09 | Messa da Requiem: Requiem (coro, soli). Andante - Poco più - Attacca subito (come prima) - Animando un poco | bass vocals | Maria Stader, Marianna Radev, Helmut Krebs, Kim Borg, RIAS‐Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 8:22 |
1954-09-22 | Stabat Mater: 4. Aria. Allegretto maestoso. "Pro peccatis suae gentis" (basso) | bass vocals | Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 4:55 |
1954-09-22 | Stabat Mater: 5. Coro e Recitativo. Andanta mosso. "Eja, mater, fons amoris" (coro a cappella, basso) | bass vocals | Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 5:26 |
1954-09-22 | Stabat Mater: 6. Quartetto. Allegretto moderato. "Sancta mater, istud agas" (soli) | bass vocals | Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 8:24 |
1954-09-22 | Stabat Mater: 9. Quartetto. Andante. "Quando corpus morietur" (coro a cappella, soli) | bass vocals | Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 4:35 |
1954-09-22 | Stabat Mater: 10. Finale. Allegro - Andantino moderato. "Amen. In sempiterna saecula" (coro, soli) | bass vocals | Maria Stader, Marianna Radev, Ernst Haefliger, Kim Borg, RIAS Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay | 4:31 |
1956-08-19 | Symphony no. 9 in D minor, op. 125 ’Choral’: Rezitativo. ’O Freunde, nich diese Töne!” - Allegro assai | bass vocals | Kim Borg, Edinburgh Festival Chorus, Sylvia Fisher, Richard Lewis, Nan Merriman, Royal Philharmonic Orchestra, Sir Thomas Beecham | 18:31 |
1956-08-19 | The British National Anthem | bass vocals | Kim Borg, Edinburgh Festival Chorus, Sylvia Fisher, Richard Lewis, Nan Merriman, Royal Philharmonic Orchestra, Sir Thomas Beecham | 3:56 |
1957-06 | Demanten på marrsnön | bass vocals | Kim Borg, Erik Werba | 2:34 |
1957-06 | Drömmen | bass vocals | Kim Borg, Erik Werba | 2:11 |
1957-06 | Fågellek | bass vocals | Kim Borg, Erik Werba | 2:16 |
1957-06 | Finlandia-hymni | bass vocals | Kim Borg, Erik Werba | 2:53 |
1957-06 | Illalle | bass vocals | Kim Borg, Erik Werba | 1:37 |
1957-06 | Im Feld ein Mädchen singt | bass vocals | Kim Borg, Erik Werba | 3:17 |
1957-06 | Lastu lainehilla | bass vocals | Kim Borg, Erik Werba | 1:39 |
1957-06 | Les trois sœurs aveugles | bass vocals | Kim Borg, Erik Werba | 3:28 |
1957-06 | Romeo | bass vocals | Kim Borg, Erik Werba | 1:51 |
1957-06 | Säv, säv, susa | bass vocals | Kim Borg, Erik Werba | 2:38 |
1957-06 | Souda, souda, sinisorsa | bass vocals | Kim Borg, Erik Werba | 1:55 |
1957-06 | Svarta rosor | bass vocals | Kim Borg, Erik Werba | 2:11 |
1957-06 | Till Frigga | bass vocals | Kim Borg, Erik Werba | 5:02 |
1957-06 | Våren flyktar hastigt | bass vocals | Kim Borg, Erik Werba | 1:57 |
1957-06 | Zwei Lieder aus "Twelfth Night": Come Away, Death | bass vocals | Kim Borg, Erik Werba | 3:40 |
1957-06 | Zwei Lieder aus "Twelfth Night": When That I was a Little Tiny Boy | bass vocals | Kim Borg, Erik Werba | 2:23 |
1957-12 | Mass in B minor, BWV 232: Quoniam Tu Solus Sanctus | bass vocals | Kim Borg, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 5:03 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, I. Introitus - Kyrie | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 10:02 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, II. Graduale | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 4:50 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Confutatis maledictis | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 4:41 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Dies Irae | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 2:13 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Lacrymosa | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 5:49 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Quid sum miser | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 5:46 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Recordare | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 7:20 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, III. Sequentia: Tuba mirum | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 8:49 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, IV: Offertorium: Hostias | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 11:20 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part I, IV. Offertorium: Domine Jesu | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 11:51 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part II, V. Pie Jesu | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 5:40 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part II, V. Sanctus - Benedictus | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 5:44 |
1959-01-30 – 1959-02-04 | Requiem, op. 89: Part II, VI. Agnus Dei | bass vocals | Kim Borg, Ernst Haefliger, Maria Stader, Sieglinde Wagner, Česká filharmonie, Karel Ančerl | 10:59 |
1959-06 | Din mun är ljusare än min | bass vocals | Kim Borg, Erik Werba | 2:29 |
1959-06 | Illalle | bass vocals | Kim Borg, Erik Werba | 1:48 |
1959-06 | Lastu lainehilla | bass vocals | Kim Borg, Erik Werba | 1:38 |
1959-06 | Om tiotusen är | bass vocals | Kim Borg, Erik Werba | 2:21 |
1959-06 | Som ett blommande mandelträd | bass vocals | Kim Borg, Erik Werba | 2:11 |
1960-07-07 | Pelléas et Mélisande: Mes longs cheveux descendent (Love Scene act 3) | bass vocals | Kim Borg, Nicolai Gedda, Elisabeth Söderström, Stockholm Philharmonic Orchestra, Jean Fournet | 13:18 |
1961-04 | Antigonae: V. "Ich, liebe Frau, sag' es, als Augenzeuge" | tenor vocals | Kim Borg, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner | 6:18 |
1961-04 | Antigonae: V. "Io! Unsinnige Sinne!" | tenor vocals | Carlos Alexander, Kim Borg, Kieth Engen, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner | 6:43 |
1961-04 | Antigonae: V. "O ihr des Kadmos Nachbarn und Amphios" | tenor vocals | Kieth Engen, Kim Borg, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner | 4:02 |
1961-04 | Antigonae: V. "Weh! Weh! Weh! Weh! Mich beflügelt die Furcht" | tenor vocals | Carlos Alexander, Kim Borg, Kieth Engen, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner | 4:26 |
1961-04 | Antigonae: V. "Wie nimmst du dies? Die Frau ging wieder weg" | tenor vocals | Kieth Engen, Kim Borg, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Ferdinand Leitner | 1:07 |
1961-12 | Stabat Mater, op. 58: Fac, ut ardeat cor meum | bass vocals | Kim Borg, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Václav Smetáček | 9:11 |
1961-12 | Stabat Mater, op. 58: Quando corpus morietur | bass vocals | Stefania Woytowicz, Věra Soukupová, Ivo Žídek, Kim Borg, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Václav Smetáček | 8:16 |
1961-12 | Stabat Mater, op. 58: Quis est homo, qui non fleret | bass vocals | Stefania Woytowicz, Věra Soukupová, Ivo Žídek, Kim Borg, Czech Philharmonic Orchestra, Václav Smetáček | 11:03 |
1961-12 | Stabat Mater, op. 58: Stabat Mater Dolorosa | bass vocals | Stefania Woytowicz, Věra Soukupová, Ivo Žídek, Kim Borg, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Václav Smetáček | 22:55 |
1962-07 | Messe Nr. 3 F-moll: I. Kyrie. Moderato | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 9:17 |
1962-07 | Messe Nr. 3 F-moll: II. Gloria. Allegro - Andante, mehr Adagio (sehr langsam) - Tempo I - Ziemlich langsam | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 11:44 |
1962-07 | Messe Nr. 3 F-moll: IIIa. Credo. Allegro - Moderato misterioso - Langsam - Largo | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 8:48 |
1962-07 | Messe Nr. 3 F-moll: IIIb. Credo (Fortsetzung). Allegro - Tempo I - Moderato - Allegro - Etwas langsamer als anfangs - Allegro | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 10:22 |
1962-07 | Messe Nr. 3 F-moll: IV. Sanctus. Moderato - Allegro | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 2:13 |
1962-07 | Messe Nr. 3 F-moll: V. Benedictus. Allegro moderato - Allegro | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 7:19 |
1962-07 | Messe Nr. 3 F-moll: VI. Agnus Dei. Andante - Moderato | bass vocals | Chor & Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum | 8:10 |
1964-04 | Der Barbier von Sevilla: Erster Akt. Arie „Die Verleumdung, sie ist ein Lüftchen“ (Basilio) | bass vocals [Basilio] | Kim Borg, Orchester der Deutschen Oper Berlin, Reinhard Peters | 4:57 |
1964-04 | Der Barbier von Sevilla: Zweiter Akt. Finale „Nur Mut und List und Liebe“ (Graf, Ensemble, Chor, Rosina) | bass vocals [Basilio] | Kim Borg, Raimund Grumbach, Ernst Haefliger, RIAS Kammerchor, Ivan Sardi, Rita Streich, Orchester der Deutschen Oper Berlin, Reinhard Peters | 1:46 |
1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. X. “Proficiscere, anima Christiana” (Priest) | bass vocals [Priest] | Sir Edward Elgar | 1:56 |
1964-12-27 – 1964-12-30 | The Dream of Gerontius, op. 38: Part One. XI. “Go in the name of Angels and Archangels” (chorus, Priest, semi-chorus) | bass vocals [Priest] | Sir Edward Elgar | 4:43 |
1965 | The Dream of Gerontius, Op. 38: Part I (h) (Priest) Proficiscere, anima Christiana | bass vocals | Sir Edward Elgar | 1:57 |
1965 | The Dream of Gerontius, Op. 38: Part I (i) (chorus, Priest, semi-chorus) Go in the name of Angels | bass vocals | Sir Edward Elgar | 4:42 |
1965 | The Dream of Gerontius, Op. 38: Part II (k) (Angel of the Agony, Soul, semi-chorus, chorus) Jesu! by that shuddering dread | bass vocals | Sir Edward Elgar | 5:45 |
1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Credo | bass vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:52 |
1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Gloria | bass vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 18:16 |
1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Kyrie | bass vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 9:49 |
1966-05-15 | Missa Solemnis, per soli, coro, orchestra e organo, in Re Maggiore op. 123: Sanctus e Benedictus | bass vocals and solo | Kim Borg, Richard Lewis, Pilar Lorengar, New Philharmonia Chorus, Josephine Veasey, New Philharmonia Orchestra, Carlo Maria Giulini | 16:25 |
| 6 Sacred Songs, op. 48: 4. Die Ehre Gottes aus der Natur | bass vocals | Kim Borg, Mogens Wöldike | 2:31 |
| An die Leier | bass vocals | Kim Borg, Michael Raucheisen | 3:50 |
| Boris Godounov: “Oi! dushno! dushno! … Svyetu!” | bass vocals | Günther Arndt, Kim Borg, RIAS Kammerchor, Deutsches Symphonie‐Orchester Berlin, Horst Stein | 11:05 |
| Boris Godounov: Dostig ya vyshey vlasti | bass vocals | Kim Borg, Deutsches Symphonie‐Orchester Berlin, Horst Stein | 6:26 |
| Come Away, Death!, Op. 60 No. 1 (Arr. for Voice & Orchestra) [Remastered 2021] | bass vocals | Kim Borg, Südwestfunk-Orchester Baden-Baden, Hans Rosbaud | 3:05 |
| Dank sei dir Herr (Arioso) | bass vocals | Kim Borg, Mogens Wöldike | 3:45 |
| Dank sei dir, Herr | bass vocals | Kim Borg, Mogens Wöldike | 3:54 |
| Der König in Thule | bass vocals | Kim Borg, Michael Raucheisen | 3:59 |
| Der Musensohn | bass vocals | Kim Borg, Hans Altmann | 1:55 |
| Die beiden Grenadiere | bass vocals | Kim Borg, Michael Raucheisen | 3:52 |
| Die Ehre Gottes aus der Natur | bass vocals | Kim Borg, Mogens Wöldike | 2:24 |
| Die Schöpfung: Part I, Second Day. 3. Accompanied recitative (Raphael): "Und Gott machte das Firmament" | bass vocals | Wiener Philharmoniker, Herbert von Karajan | 1:51 |
| Die Schöpfung: Part I, The First Day. Recitative (Raphael, Uriel) and Chorus: "Im Anfange schuf Gott Himmel und Erde" / "Und der Geist Gottes schwebte auf der Fläche der Wasser" | bass vocals | Wiener Philharmoniker, Herbert von Karajan | 2:51 |
| Die Schöpfung: Part I, The Fourth Day. 13. Chorus and Soli (Gabriel, Uriel, Raphael): "Die Himmel erzahlen die Ehre Gottes" / "Dem kommenden Tage sagt es der Tag" | bass vocals | Wiener Philharmoniker, Herbert von Karajan | 4:12 |
| Die Schöpfung: Part I, The Third Day. 5. Recitative (Raphael): "Und Gott sprach: Es sammle sich das Wasser" | bass vocals | Wiener Philharmoniker, Herbert von Karajan | 0:47 |
| Die Schöpfung: Part I, The Third Day. 6. Aria (Raphael): "Rollend in schäumenden Wellen" | bass vocals | Wiener Philharmoniker, Herbert von Karajan | 3:59 |
| Die wandelnde Glocke | bass vocals | Kim Borg, Hans Altmann | 1:44 |
| Die Zauberflöte, K. 620: “In diesen heil’gen Hallen” | bass vocals | Kim Borg, Münchner Philharmoniker, Artur Rother | 4:53 |
| Die Zauberflöte, K. 620: “O Isis und Osiris” | bass vocals | Kim Borg, Chor des Bayerischen Rundfunks, Münchner Philharmoniker, Artur Rother | 3:08 |
| Don Basilo's Aria: La calunnia (Il barbiere di Siviglia) | bass vocals | Kim Borg, Münchner Philharmoniker | 4:47 |
| Don Carlo: “Ella giammai m’amò!” | bass vocals | Kim Borg, Bamberger Symphoniker, Artur Rother | 10:46 |
| Drei Gedichte von Michelangelo: 1. Wohl denk’ ich oft | bass vocals | Kim Borg, Erik Werba | 2:07 |
| Drei Gedichte von Michelangelo: 2. Alles endet, was entstehet | bass vocals | Kim Borg, Erik Werba | 4:48 |
| See all 170 relationships |
| vocals |
---|
| 111 Years of Deutsche Grammophon: The Collectors’ Edition | bass vocals | Various Artists | |
| arranged |
---|
| Hållilå, uti storm och i regn, op. 60 no. 2 | | | |
| Säv, säv, susa, op. 36 no. 4 | | | |