"Les Adieux", op. 21 | | | | | | | |
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 danzas españolas, op. 37, nº 5: Andaluza (Playera) | | | | | | | |
12 danzas españolas, op. 37, nº 10: Danza triste | | | | | | | |
12 estudios, op. 6: No. 4 | | | | | | | |
12 estudios, op. 6: No. 6 en la mayor | | | | | | | |
12 estudios, op. 6: No. 8 en do mayor | | | | | | | |
12 estudios, op. 29: N.º 23 en sol mayor | | | | Étude | | | |
12 estudos, W235, nº 1: Allegro non troppo - arpejos | | | | Étude | | | |
12 estudos, W235, nº 2: Allegro - arpejos | | | | Étude | | | |
12 estudos, W235, nº 3: Allegro moderato - arpejos | | | | Étude | | | |
12 estudos, W235, nº 4: Un peu modéré - acordes repetidos | | | | Étude | | | |
12 estudos, W235, nº 5: Andantino | | | | Étude | | | |
12 estudos, W235, nº 6: Poco allegro | | | | Étude | | | |
12 estudos, W235, nº 7: Très animé | | | | Étude | | | |
12 estudos, W235, nº 8: Modéré - Lent | | | | Étude | | | |
12 estudos, W235, nº 9: Très peu animé | | | | Étude | | | |
12 estudos, W235, nº 10: Très animé - Vif | | | | Étude | | | |
12 estudos, W235, nº 11: Lent - Più mosso - Animé | | | | Étude | | | |
12 estudos, W235, nº 12: Animé - Più mosso - Un peu plus animé | | | | Étude | | | |
24 Exercises, op. 35: No. 16 in D minor | | | | | | | |
24 Exercises, op. 35: No. 17 in D major | | | | | | | |
36 Caprices, op. 20: No. 2 in E minor: Allegro | | | | | | | |
36 Caprices, op. 20: No. 3. Moderato | | | | | | | |
36 Caprices, op. 20: No. 7 in A major: Prestissimo | | | | | | | |
36 Caprices, op. 20: No. 19 in B major: Allegretto grazioso | | | | | | | |
36 Caprices, op. 20: No. 21 in A major: Allegro giusto | | | | | | | |
36 Caprices, op. 20: No. 25. Andante grazioso | | | | | | | |
36 Caprices, op. 20: No. 26 in C-sharp minor: Allegro giusto | | | | | | | |
36 Caprices, op. 20: No. 29 in F-sharp minor: Prestissimo | | | | | | | |
36 Caprices, op. 20: No. 33 in D major: Pollacca | | | | | | | |
36 Caprices, op. 20: No. 36 in E major: Moderato | | | | | | | |
A Boy Named Hiroshima | | | | | | | |
Adelita (mazurka) | | | | | | | |
Amanecer | | | | | | | |
Astor Visits Heitor | | | | | | | |
Batucada | | | | | | | |
Caazapá, aire popular paraguayo | | | | | | | |
Cançó del lladre | | | | | | | |
Choro de saudade | | | | | | | |
Choros nº 1, W161 | | | | | | | |
Cinco prelúdios, W419, nº 1: Andante espressivo | | | | | | | |
Cinco prelúdios, W419, nº 2: Andantino | | | | | | | |
Cinco prelúdios, W419, nº 3: Andante | | | | | | | |
Cinco prelúdios, W419, nº 4: Lento | | | | | | | |
Cinco prelúdios, W419, nº 5: Poco animato | | | | | | | |
Concerto for Guitar and Chamber Orchestra, op. 67: III. Con brio | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: I. Allegretto | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: II. Andantino alla romanza | | | | | | | |
Concerto for Guitar and Orchestra no. 1 in D major, op. 99: III. Ritmico e cavalleresco | | | | | | | |
Concerto for Lute in D major, RV 93: I. Allegro giusto | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto for Lute in D major, RV 93: II. Largo | | | | | | | |
Concerto for Lute in D major, RV 93: III. Allegro | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540 | | | | Concerto | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: I. Allegro | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: II. Largo | | | | | | | |
Concerto in D minor for Viola d'Amore, Lute, Strings and Continuo, RV 540: III. Allegro | | | | | | | |
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo | | | | | | | |
Concierto de Aranjuez: I. Allegro con spirito | | | | | | | |
Concierto de Aranjuez: II. Adagio | | | | | | | |
Concierto de Aranjuez: III. Allegro gentile | | | | | | | |
Danza característica | | | | | | | |
Danza paraguaya | | | | | | | |
Dos aires populares cubanos: No. 1. Guajira criolla | | | | | | | |
Dos aires populares cubanos: No. 2. Zapateado | | | | | | | |
Drume negrita | | | | | | | |
El noi de la mare | | | | Song | | | |
El sombrero de tres picos, suite no. 2: II. Danza del molinero (farruca) | | | | | | | |
El testament d’Amèlia | | | | Song | | | |
El testament d’Amèlia | | | | | | | |
España, seis hojas de álbum, op. 165: II. Tango | | | | | | | |
España, seis hojas de álbum, op. 165: II. Tango | | | | | | | |
Estudio | | | | | | | |
Estudio sin luz | | | | Étude | | | |
Etude for guitar no. 20 "Estudio brillante de Alard" | | | | | | | |
Fandanguillo, op. 36 | | | | | | | |
Fantaisie élégiaque, op. 59: I. Introduction: Andante largo | | | | | | | |
Fantaisie élégiaque, op. 59: II. Marche funebre: Andante moderato | | | | | | | |
Fantaisie élégiaque, op. 59: III. Cantabile | | | | | | | |
Fantasía para un gentilhombre: I. Villano y ricercare | | | | | | | |
Fantasía para un gentilhombre: II. Españoleta y fanfare de la caballería de Nápoles | | | | | | | |
Fantasía para un gentilhombre: III. Danza de las hachas | | | | | | | |
Fantasía para un gentilhombre: IV. Canario | | | | | | | |
Fantasía X | | | | | | | |
Giulianate, op. 148: 6. Il sentimentale | | | | | | | |
Giulianate, op. 148: 7. La melanconia | | | | | | | |
Giulianate, op. 148: 8. L'allegria | | | | | | | |
Grand Solo, op. 14: I. Introduction | | | | | | | |
Grand Solo, op. 14: II. Allegro | | | | | | | |
Grand Sonata in A major, MS 3: I. Allegro risoluto | | | | | | | |
Grand Sonata in A major, MS 3: II. Romance - Più tosto Largo, Amorosamente | | | | | | | |
Grand Sonata in A major, MS 3: III. Andantino Variato, Scherzando con 6 variazioni | | | | | | | |
Grande Sonate in C major, op. 25: I. Andante largo | | | | | | | |
Grande Sonate in C major, op. 25: II. Allegro non troppo | | | | | | | |
Grande Sonate in C major, op. 25: III. Theme and Variations. Andantino grazioso | | | | | | | |
Grande Sonate in C major, op. 25: IV. Minuetto. Allegro | | | | | | | |
Guitar Concerto in A major, op. 30: I. Allegro maestoso | | | | | | | |
Guitar Concerto in A major, op. 30: II. Andantino siciliano | | | | | | | |
Guitar Concerto in A major, op. 30: III. Alla polacca | | | | | | | |