3 excerpts from Daphnis et Chloé : III. Scène de Daphnis et Chloé | | | | | | | |
Adagio for Strings | | | | | | | |
Cello Concerto, op. 32: I. Moderato | | | | | | | |
Cello Concerto, op. 32: II. Lento con grande espressione | | | | | | | |
Cello Concerto, op. 32: III. Allegro vivo | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |
Concerto for Piano and Orchestra, op. 38: I. Allegro appassionato | | | | | | | |
Concerto for Piano and Orchestra, op. 38: II. Canzone: Moderato | | | | | | | |
Concerto for Piano and Orchestra, op. 38: III. Allegro molto | | | | | | | |
Concerto for Violin and Orchestra, op. 14: I. Allegro | | | | | | | |
Concerto for Violin and Orchestra, op. 14: II. Andante | | | | | | | |
Concerto for Violin and Orchestra, op. 14: III. Presto in moto perpetuo | | | | | | | |
Concerto for Violin and Orchestra, op. 24: I. Allegro non troppo ma passionato | | - Jascha Heifetz, Dallas Symphony Orchestra, Walter Hendl
- Baiba Skride, Tampere Filharmonia, Santtu-Matias Rouvali
- Jennifer Pike, BBC Philharmonic, Rumon Gamba
- Robert McDuffie, Atlanta Symphony Orchestra, Yoel Levi
- Anastasia Khitruk, Russian Philharmonic Orchestra, Dmitry Yablonsky
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Concerto for Violin and Orchestra, op. 24: II. Lento cantabile | | - Jascha Heifetz, Dallas Symphony Orchestra, Walter Hendl
- Baiba Skride, Tampere Filharmonia, Santtu-Matias Rouvali
- Jennifer Pike, BBC Philharmonic, Rumon Gamba
- Robert McDuffie, Atlanta Symphony Orchestra, Yoel Levi
- Anastasia Khitruk, Russian Philharmonic Orchestra, Dmitry Yablonsky
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Concerto for Violin and Orchestra, op. 24: III. Allegro viivace | | - Jascha Heifetz, Dallas Symphony Orchestra, Walter Hendl
- Baiba Skride, Tampere Filharmonia, Santtu-Matias Rouvali
- Jennifer Pike, BBC Philharmonic, Rumon Gamba
- Robert McDuffie, Atlanta Symphony Orchestra, Yoel Levi
- Anastasia Khitruk, Russian Philharmonic Orchestra, Dmitry Yablonsky
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Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: I. Icarus Dream Fanfare | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: II. Cavallino rampante | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: III. Fugue | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: IV. Prelude to April | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: IX. Adagio | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: V. Toccata | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: VI. Andante | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: VII. Sarabande | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: VIII. Allegro | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: X. Vivace | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: XI. Presto vivace | | | | | | | |
Concerto Suite for Electric Guitar and Orchestra in E-flat minor, op. 1: XII. Finale | | | | | | | |
Dances of Galánta | | | | | | | |
Daphnis et Chloé: Tableau I | | | | | | | |
Daphnis et Chloé: Tableau II | | | | | | | |
Daphnis et Chloé: Tableau III | | | | | | | |
Die Geschöpfe des Prometheus, op. 43: Ouverture | | | | | | | |
Edgar: Atto I. “Dio non benedice che gli umili quaggiù” (Contadine, Contadini) | | | | | | | |
Edgar: Atto I. “Fuori di qui!” (Edgar, Frank, Gualtiero, Fidelia, Contadine, Contadini, Tigrana) | | | | | | | |
Edgar: Atto I. “Or dunque, addio!” (Edgar, Frank, Gualtiero, Fidelia, Contadine, Contadini, Tigrana) | | - Marianne Cornetti, Coro dell’Accademia Nazionale di Santa Cecilia, Adriana Damato, Plácido Domingo, Juan Pons, Rafal Siwek, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
- Opera Orchestra of New York, Eve Queler
- Chœur de Radio France, Carlo Cigni, Dalibor Jenis, Mary Ann McCormick, Carl Tanner, Júlia Várady, Orchestre national de France, Yoel Levi
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Edgar: Atto I. “Ove fosti stanotte?” (Frank, Tigrana) | | | | | | | |
Edgar: Atto I. “Questo amor, vergogna mia” (Frank) | | | | Aria | | | |
Edgar: Atto I. Duetto “Oh fior del giorno” (Fidelia, Edgar) | | | | | | | |
Edgar: Atto II. “Orgia chimera dall’occhio vitreo” (Edgar) | | | | Aria | | | |
Edgar: Atto II. “Splendida notte, notte gioconda” (Coro interno) | | | | | | | |
Edgar: Atto II. “Urra!” – “Uno squillo marzial!” (Soldati, Edgar, Tigrana) | | | | | | | |
Edgar: Atto III. “Addio, mio dolce amor!” (Fidelia, Popolani, Soldati, Frati) | | | | | | | |
Edgar: Atto III. “All’armi! All’armi!” (Soldati, Tigrana, Edgar, Popolani, Frank) | | - Marianne Cornetti, Coro dell’Accademia Nazionale di Santa Cecilia, Plácido Domingo, Juan Pons, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
- Opera Orchestra of New York, Eve Queler
- Chœur de Radio France, Dalibor Jenis, Mary Ann McCormick, Carl Tanner, Orchestre national de France, Yoel Levi
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Edgar: Atto III. “Bella signora, il pianto sciupa gli occhi” (Edgar, Tigrana, Frank) | | | | | | | |
Edgar: Atto III. “D’ogni dolor questo è il più gran dolor” (Fidelia, Popolani, Soldati, Frank) | | - Coro dell’Accademia Nazionale di Santa Cecilia, Adriana Damato, Juan Pons, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
- [unknown]
- Opera Orchestra of New York, Eve Queler
- Renata Scotto, Vicente Sardinero, Schola Cantorum, Opera Orchestra of New York, Eve Queler
- Chœur de Radio France, Dalibor Jenis, Júlia Várady, Orchestre national de France, Yoel Levi
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Edgar: Atto III. “Del prode Edgar” (Frank, Edgar, Popolani, Soldati) | | | | | | | |
Edgar: Atto III. “È ver! Maledizion!” (Tigrana, Popolani, Soldati, Edgar, Fidelia, Frank) | | - Marianne Cornetti, Coro dell’Accademia Nazionale di Santa Cecilia, Adriana Damato, Plácido Domingo, Juan Pons, Orchestra dell’Accademia Nazionale di Santa Cecilia, Alberto Veronesi
- Chœur de Radio France, Dalibor Jenis, Mary Ann McCormick, Carl Tanner, Júlia Várady, Orchestre national de France, Yoel Levi
| | | | | |
Edgar: Atto III. “Requiem aeternam!” (Ragazzi, Popolani) | | | | | | | |
Edgar: Atto III. “Voglio passar…” (Tigrana, Edgar, Frank) | | | | | | | |
Edgar: Atto III. Preludio orchestrale | | | | | | | |
Edgar: Preludio | | | | Overture | | | |
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro | | | | Overture | | | |
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre | | | | Overture | | | |
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace | | | | | | | |
Ein Sommernachtstraum, op. 61: 5. Intermezzo. Allegro appassionato | | | | | | | |
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo | | | | | | | |
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace | | | | | | | |
En saga, op. 9 | | | | Symphonic poem | | | |
Essay for Orchestra, op. 12 | | | | | | | |
Fidelio, op. 72: Overture | | | | Overture | | | |
Finlandia, op. 26 | | | | Symphonic poem | | | |
Guillaume Tell : Ouverture | | | | Overture | | | |
Háry János Suite: I. Prelude: The Fairy Tale Begins: Con moto | | | | | | | |
Háry János Suite: II. Viennese Musical Clock: Allegretto | | | | | | | |
Háry János Suite: III. Song: Andante, poco rubato | | | | | | | |
Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia | | | | | | | |
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco | | | | | | | |
Háry János Suite: VI. Entrance of the Emperor and His Court: Alla marcia | | | | | | | |
Il barbiere di Siviglia: Sinfonia | | | | Overture | | | |
Javelin | | | | | | | |
Karelia-sarja, op. 11: I. Intermezzo | | | | | | | |
Karelia-sarja, op. 11: II. Ballade | | | | | | | |
Karelia-sarja, op. 11: III. Alla marcia | | | | | | | |
Khovanshchina: Act 1 Prelude "Dawn on the Moscow River" | | | | | | | |
Knoxville: Summer of 1915, op. 24 | | | | | | | |
L’italiana in Algeri: Sinfonia | | | | Overture | | | |
La gazza ladra: Ouverture | | | | Overture | | | |
La scala di seta: Sinfonia | | | | Overture | | | |
Le Carnaval des animaux: I. Introduction et marche royale du lion | | | | | | | |
Le Carnaval des animaux: II. Poules et coqs | | | | | | | |
Le Carnaval des animaux: III. Hèmiones | | | | | | | |
Le Carnaval des animaux: IV. Tortues | | | | | | | |
Le Carnaval des animaux: IX. Le Coucou au fond des bois | | | | | | | |
Le Carnaval des animaux: V. L'Éléphant | | | | | | | |
Le Carnaval des animaux: VI. Kangourous | | | | | | | |
Le Carnaval des animaux: VII. Aquarium | | | | | | | |
Le Carnaval des animaux: VIII. Personnages à longues oreilles | | | | | | | |
Le Carnaval des animaux: X. Volière | | | | | | | |
Le Carnaval des animaux: XI. Pianistes | | | | | | | |
Le Carnaval des animaux: XII. Fossiles | | | | | | | |
Le Carnaval des animaux: XIII. Le Cygne | | | | | | | |
Le Carnaval des animaux: XIV. Finale | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : I. Introduction | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : II. Les Augures printaniers – Danses des adolescentes | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : III. Jeu du rapt | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : IV. Rondes printanières | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : V. Jeux des cités rivales | | | | | | | |
Le Sacre du printemps : I. L’Adoration de la terre : VI. Cortège du Sage | | | | | | | |