| A Dio, Florida bella | | | | | | | |
| Altri canti di marte: I. E di sua schiera | | | | | | | |
| Altri canti di marte: II. Due belli occhi fur l’armi onde traffitta | | | | | | | |
| Amorosa pupilletta che saetta, SV 238 | | - Sergio Vartolo, Concerto delle Dame di Ferrara
- Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Batto, qui pianse Ergasto, SV 115 | | | | | | | |
| Chiaccona in B-flat major, op. 2 no. 12 | | | | | | | |
| Chiome d’oro, bel tesoro, SV 143 | | | | Madrigal | | | |
| Christe eleison g-Moll, BWV 242 | | - Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Bach Collegium Japan, Masaaki Suzuki
| | | | | |
| Damigella tutta bella, SV 235 | | | | Song | | | |
| Diminutions of "Io son ferito, ahi lasso" | | | | Aria | | | |
| Dolci miei sospiri, SV 242 | | - Concerto delle Dame di Ferrara, Sergio Vartolo
- Sergio Vartolo, Concerto delle Dame di Ferrara
- Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Fugge il verno dei dolori SV 232 | | - María Cristina Kiehr, Stephan MacLeod, Concerto Soave, Jean-Marc Aymes
- Sergio Vartolo, Concerto delle Dame di Ferrara
- Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Himmelfahrts-Oratorium, BWV 11: I. Coro "Lobet Gott in seinen Reichen" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: II. "Der Herr Jesu hub seine Hände auf" (Evangelista) | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: III. Recitativo (Bass) "Ach, Jesu, ist dein Abschied schon so nah" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: IV. Aria (Alt) "Ach bleibe doch, mein liebstes Leben" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: IX. "Sie aber beteten ihn an" (Evangelista) | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: V. "Und ward aufgehoben zusehends" (Evangelista) | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: VI. Choral "Nun lieget alles unter dir" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: VIII. Recitativo (Alto) "Ach ja! so komme bald zurück" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: X. Aria (Sopran) "Jesu, deine Gnadenblicke" | | | | | | | |
| Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" | | | | | | | |
| Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Dal tenebroso orror del mio gran regno | | - Maurizia Barazzoni, Giovanna Dissera Bragadin, Marcella Ventura, Francesco Zane, Ensemble Symphonia Perusina
- Ensemble Vocal de Lausanne, Rosemary Hardy, François Loup, Alicia Nafé, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): De l'implacabil Dio | | - Maurizia Barazzoni, Giovanna Dissera Bragadin, Marcella Ventura, Francesco Zane, Ensemble Symphonia Perusina
- Ensemble Vocal de Lausanne, Rosemary Hardy, François Loup, Alicia Nafé, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Entrata - Ballo | | - Maurizia Barazzoni, Giovanna Dissera Bragadin, Marcella Ventura, Francesco Zane, Ensemble Symphonia Perusina
- Ensemble Vocal de Lausanne, Rosemary Hardy, François Loup, Alicia Nafé, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): S'invan su l'arco tendi | | - Ensemble Vocal de Lausanne, Rosemary Hardy, François Loup, Alicia Nafé, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Il ballo delle ingrate, SV 167 (Book VIII, Canti amorosi): Sinfonia | | - Ensemble Vocal de Lausanne, Rosemary Hardy, François Loup, Alicia Nafé, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Io ch’armato sin hor, SV 249a:6 | | - Marco Longhini, Delitiæ Musicæ
- Stephan MacLeod, Concerto Soave, Jean-Marc Aymes
- Ensemble Vocal de Lausanne, Philippe Huttenlocher, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Johannes-Passion, BWV 245: Teil II. No. 19 Arioso (Bass) "Betrachte, meine Seel" | | | | | | | |
| Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" | | - Sheila Armstrong, Dietrich Fischer‐Dieskau, Detlef Kühl, Gerhart Hetzel, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Elmar Schloter, Hedwig Bilgram, Johannes Fink, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Peter Kooij, Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan
- (show 5 more)
| | | | | |
| Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" | | - Dietrich Fischer‐Dieskau, Karl Kolbinger, Johannes Fink, Gerhart Hetzel, Fritz Kiskalt, Herbert Duft, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Peter Kooij, Masaaki Suzuki, Bach Collegium Japan
- (show 5 more)
| | | | | |
| Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" | | - Kathleen Battle, Itzhak Perlman, Orchestra of St. Luke’s, John Nelson
- Sheila Armstrong, Karl Kolbinger, Johannes Fink, Gerhart Hetzel, Fritz Kiskalt, Herbert Duft, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 7 more)
| | | | | |
| Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" | | - Sheila Armstrong, Karl Kolbinger, Johannes Fink, Gerhart Hetzel, Fritz Kiskalt, Herbert Duft, Detlef Kühl, Elmar Schloter, Hedwig Bilgram, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan
- (show 6 more)
| | | | | |
| Kantate, BWV 58 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" | | - Sheila Armstrong, Dietrich Fischer‐Dieskau, Detlef Kühl, Gerhart Hetzel, Fritz Kiskalt, Karl Kolbinger, Herbert Duft, Elmar Schloter, Hedwig Bilgram, Johannes Fink, Münchener Bach‐Orchester, Karl Richter
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Peter Kooij, Carolyn Sampson, Masaaki Suzuki, Bach Collegium Japan
- (show 6 more)
| | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": I. Coro "Jesu, der du meine Seele" | | | | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": II. Aria (Duetto Sopran, Alt) "Wir eilen mit schwachen, doch emsigen Schritten" | | - Jonathan Plowright
- Christiane Baumann, Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
| | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": III. Recitativo (Tenor) "Ach! ich bin ein Kind der Sünden" | | | | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": IV. Aria (Tenor) "Das Blut, so meine Schuld durchstreicht" | | | | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": V. Recitativo (Bass) "Die Wunden, Nägel, Kron und Grab" | | | | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": VI. Aria (Bass) "Nun du wirst mein Gewissen stillen" | | | | | | | |
| Kantate, BWV 78 "Jesu, der du meine Seele": VII. Choral "Herr, ich glaube, hilf mir Schwachen" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": II. Recitativo (Sopran) "Dein Sachsen, dein bestürztes Meißen" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": III. Aria (Sopran) "Verstummt, verstummt, ihr holden Saiten" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IV. Recitavo (Alt) "Der Glocken bebendes Getön" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": IX. Recitativo (Bass) "Was Wunder ists? Du bist es wert" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": V. Aria (Alt) "Wie starb die Heldin so vergnügt" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VI. Recitavo (Tenor) "Ihr Leben ließ die Kunst zu sterben" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VII. Coro "An dir, du Fürbild großer Frauen" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": VIII. Aria (Tenor) "Der Ewigkeit saphirnes Haus" | | | | | | | |
| Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": X. Coro "Doch Königin! du stirbest nicht" | | | | | | | |
| L' Incoronazione di Poppea: Act 2 - Adagiati, Poppea | | | | | | | |
| Lamento d’Arianna, SV 22 | | | | Madrigal | | | |
| Lidia spina del mio core, SV 244 | | - María Cristina Kiehr, Stephan MacLeod, Concerto Soave, Jean-Marc Aymes
- Claudio Monteverdi
- Sergio Vartolo, Concerto delle Dame di Ferrara
- Michel Brodard, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
| | | | | |
| Madrigali, Libro 8, "Madrigali guerrieri, et amorosi": II. Canti Amorosi. No. 13, Ballo delle Ingrate, SV 167, b. Sinfonia - "Udite, Donne, udite!" | | | | | | | |
| Madrigali, Libro 8, "Madrigali guerrieri, et amorosi": II. Canti Amorosi. No. 13, Ballo delle Ingrate, SV 167, c. "Bella madre d'Amor" | | | | | | | |
| Madrigali, Libro 8, "Madrigali guerrieri, et amorosi": II. Canti Amorosi. No. 13, Ballo delle Ingrate, SV 167, d. "Ecco ver noi l'addolorate squadre" | | | | | | | |
| Madrigali, Libro 8, "Madrigali guerrieri, et amorosi": II. Canti Amorosi. No. 13, Ballo delle Ingrate, SV 167, e. "Ahi troppo Ahi troppo è duro!" | | | | | | | |
| Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" | | | | | | | |
| Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Liszt Ferenc Kamarazenekar, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Liszt Ferenc Kamarazenekar, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" | | - Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Liszt Ferenc Kamarazenekar, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" | | - Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Liszt Ferenc Kamarazenekar, Helmuth Rilling
- (show 10 more)
| | | | | |
| Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Liszt Ferenc Kamarazenekar, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Christian Immler, Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" | | - Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Eugénie Warnier, Ensemble Pygmalion, Raphaël Pichon
- (show 12 more)
| | | | | |
| Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" | | - Claudine Perret, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Terry Wey, Ensemble Pygmalion, Raphaël Pichon
- (show 11 more)
| | | | | |
| Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe G-Dur, BWV 236: I. Coro "Kyrie eleison" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe G-Dur, BWV 236: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 12 more)
| | | | | |
| Messe G-Dur, BWV 236: III. Aria (Bass) "Gratias agimus tibi" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Christian Immler, Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe G-Dur, BWV 236: IV. Duet (Soprano, Alto) "Domine Deus" | | - Nicole Rossier, Wally Staempfli, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Eugénie Warnier, Terry Wey, Ensemble Pygmalion, Raphaël Pichon
- (show 12 more)
| | | | | |
| Messe G-Dur, BWV 236: V. Aria (Tenor) "Quoniam tu solus sanctus" | | - John Elwes, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz, Olivier Dufour
- Dresdner Philharmonie, Martin Flämig
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Emiliano Gonzalez‐Toro, Ensemble Pygmalion, Raphaël Pichon
- (show 11 more)
| | | | | |
| Messe G-Dur, BWV 236: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 11 more)
| | | | | |
| Messe g-Moll, BWV 235: I. Coro "Kyrie eleison" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
| | | | | |
| Messe g-Moll, BWV 235: II. Coro "Gloria in excelsis Deo" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
| | | | | |
| Messe g-Moll, BWV 235: III. Aria (Bass) "Gratias agimus tibi" | | - Philippe Huttenlocher, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Thomas Quasthoff, Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
| | | | | |
| Messe g-Moll, BWV 235: IV. Aria (Alto) "Domine Fili unigenite" | | - Hanna Schaer, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Ingeborg Danz, Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
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| Messe g-Moll, BWV 235: V. Aria (Tenor) "Qui tollis peccata mundi" | | - Olivier Dufour, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Christoph Prégardien, Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
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| Messe g-Moll, BWV 235: VI. Coro "Cum sancto spiritu" | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Dresdner Philharmonie, Martin Flämig
- Ensemble Pygmalion, Raphaël Pichon
- Bach‐Collegium Stuttgart, Helmuth Rilling
- (show 10 more)
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| Misero Alceo | | - La Venexiana
- The Consort of Musicke, Anthony Rooley
- Rinaldo Alessandrini, Concerto Italiano
- Marco Longhini, Delitiæ Musicæ
- Michel Brodard, Claude Darbellay, Ensemble Vocal de Lausanne, Rosemary Hardy, Nicole Rossier, Lars Brolin, Thierry Fischer, Ake Hedlund, Pedrag Novovic, Alf Petersen, Bertrand Sauvin, Lennart Sköld, Matthias Spaeter, Drottningholms Barockensemble, Michel Corboz
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| Qual Dolor, qual martire | | | | Madrigal | | | |
| Sanctus C-Dur, BWV 237 | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Bach Collegium Japan, 鈴木雅明
- Bach Collegium Japan, Masaaki Suzuki
- (show 2 more)
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| Sanctus D-Dur, BWV 238 | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Netherlands Bach Collegium, Pieter Jan Leusink
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Charles Daniels, Angus Davidson, Peter Harvey, Ann Monoyios, Gabrieli Players
- (show 3 more)
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| Sanctus D-Dur, BWV 241 | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Bach Collegium Japan, 鈴木雅明
- Bach Collegium Japan, Masaaki Suzuki
| | | | | |
| Sanctus G-Dur, BWV 240 | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Bach‐Collegium Stuttgart, Helmuth Rilling
- Bach Collegium Japan, 鈴木雅明
- Bach Collegium Japan, Masaaki Suzuki
- Enghave Barok
| | | | | |
| Sanctus in d-Moll, BWV 239 | | - Ensemble Vocal de Lausanne, Marianne Clement, Jörg Ewald Dähler, Jean-Paul Goy, Pablo Loerkens, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz
- Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
| | Mass | | | |
| Scherzi Musicali (1632): Ecco di dolci raggi, SV 249 | | | | | | | |
| Scherzi musicali: Et pur dunque vero, SV 250 | | | | | | | |
| Se i languidi miei sguardi, SV 141 | | | | Madrigal | | | |
| Se pur destina e vole, SV 142 | | | | Madrigal | | | |
| Sonata à 4 in E minor, TWV 43:e2: I. Adagio | | | | | | | |
| Sonata à 4 in E minor, TWV 43:e2: II. Allegro | | | | | | | |
| Sonata à 4 in E minor, TWV 43:e2: III. Dolce | | | | | | | |
| Sonata à 4 in E minor, TWV 43:e2: IV. Allegro | | | | | | | |
| Sonata a tre in E minor, op. 1 no. 5: I. Grave | | | | | | | |
| Sonata a tre in E minor, op. 1 no. 5: II. Vivace | | | | | | | |
