| performed |
---|
| Il combatimento di tancredi e clorinda | | Nikolaus Harnoncourt | 21:21 |
| Lamento della ninfa | | Nikolaus Harnoncourt | 5:24 |
| Mentre vaga angioletta | | Nikolaus Harnoncourt | 10:28 |
| Moses und Aron, Act I: Scene 1: Moses' Berufung (Moses, Stimme) | | BBC Symphony Orchestra, Pierre Boulez | 8:19 |
| Moses und Aron, Act I: Scene 2: Moses begegnet Aaron in der Wüste (Aron, Moses) | | BBC Symphony Orchestra, Pierre Boulez | 7:13 |
| Moses und Aron, Act I: Scene 3: Moses und Aaron verkünden dem Volk die Botschaft Gottes (Junges Mädchen, junger Mann, anderer Mann, Priester, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 6:30 |
| Moses und Aron, Act I: Scene 4: "Allmächtiger, meine Kraft ist zu Ende" (Moses, Aron, 6 Solostimmen, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 4:03 |
| Moses und Aron, Act I: Scene 4: "Bringt ihr Erhörung" (Chor, Moses, Aron, Mädchen, junger Mann, Mann, Priester) | | BBC Symphony Orchestra, Pierre Boulez | 6:30 |
| Moses und Aron, Act I: Scene 4: "Ein Wunder erfüllt uns mit Schrecken" (Chor, Mädchen, junger Mann, Mann, Priester, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 3:25 |
| Moses und Aron, Act I: Scene 4: "Er hat uns auserwählt" (Chor) | | BBC Symphony Orchestra, Pierre Boulez | 2:42 |
| Moses und Aron, Act I: Scene 4: "Erkennt euch darin" (Aron, 6 Solostimmen, Chor, Priester, Moses) | | BBC Symphony Orchestra, Pierre Boulez | 8:13 |
| Moses und Aron, Act II: Scene 1: Aaron und die 70 Ältesten vor dem Berg der Offenbarung (70 Älteste, Priester, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 3:17 |
| Moses und Aron, Act II: Scene 2: "Wo ist Moses?" (Chor, 70 Älteste, Aron) | | BBC Symphony Orchestra, Pierre Boulez | 7:10 |
| Moses und Aron, Act II: Scene 3: "Dieses Bild bezeugt" (Aron) | | BBC Symphony Orchestra, Pierre Boulez | 1:01 |
| Moses und Aron, Act II: Scene 3: "O goldener Gott" (4 nackte Jungfrauen, Chor, 70 Älteste) | | BBC Symphony Orchestra, Pierre Boulez | 2:56 |
| Moses und Aron, Act II: Scene 3: "O Götterbild" (Eine Kranke, Chor, 70 Älteste, Ephraimit, Stammesfürsten, junger Mann) | | BBC Symphony Orchestra, Pierre Boulez | 3:24 |
| Moses und Aron, Act II: Scene 3: Feierlich (bar 320) | | BBC Symphony Orchestra, Pierre Boulez | 3:21 |
| Moses und Aron, Act II: Scene 3: Orgie der Trunkenheit und des Tanzes (70 Älteste) / Orgie der Vernichtung und des Selbstmordes (Mädchen) | | BBC Symphony Orchestra, Pierre Boulez | 5:34 |
| Moses und Aron, Act II: Scene 3: Rasch (bar 497) | | BBC Symphony Orchestra, Pierre Boulez | 4:44 |
| Moses und Aron, Act II: Scene 3: Tanz der Schlächter | | BBC Symphony Orchestra, Pierre Boulez | 2:10 |
| Moses und Aron, Act II: Scene 3: Ziemlich rasch (bar 824) / Ertische Orgie (nackter Jüngling, andere Nackte, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 5:17 |
| Moses und Aron, Act II: Scene 4: "Moses steigt vom Berg herab!" (Ein Mann, Moses, Volk) | | BBC Symphony Orchestra, Pierre Boulez | 1:09 |
| Moses und Aron, Act II: Scene 5: "Aron, was hast du getan?" (Moses, Aron, Chor) | | BBC Symphony Orchestra, Pierre Boulez | 10:22 |
| Moses und Aron: Interlude | | BBC Symphony Orchestra, Pierre Boulez | 2:05 |
| Ogni amante è guerrier | | Nikolaus Harnoncourt | 16:39 |
| vocals |
---|
1972-09 | Szenen aus Goethes Faust: Dritte Abteilung. Alles Vergängliche ist nur ein Gleichnis | soprano vocals | Aldeburgh Festival Singers, Dietrich Fischer‐Dieskau, Elizabeth Harrison, Felicity Palmer, Peter Pears, John Shirley‐Quirk, English Chamber Orchestra, Benjamin Britten | 9:19 |
1972-09 | Szenen aus Goethes Faust: Dritte Abteilung. Dir, der Unberührbaren | soprano vocals | Meriel Dickinson, Dietrich Fischer‐Dieskau, Elizabeth Harwood, Alfreda Hodgson, Felicity Palmer, Pauline Stevens, English Chamber Orchestra, Benjamin Britten | 8:40 |
1972-09 | Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel | soprano vocals | Meriel Dickinson, Felicity Palmer, Pauline Stevens, Jennifer Vyvyan, English Chamber Orchestra, Benjamin Britten | 2:22 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Agnus Dei | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 7:57 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Benedictus | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 9:10 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Credo | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 12:40 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Gloria | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 10:29 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Kyrie | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 4:16 |
1973-07-18 – 1973-07-19 | Mass in C, op. 86: Sanctus | soprano vocals | Alan Loveday, Choir of St John’s College, Cambridge, Christopher Keyte, Felicity Palmer, Robert Tear, Helen Watts, Stephen Cleobury, Academy of St Martin in the Fields, George Guest | 3:14 |
1973-07 | Mass in B minor, BWV 232: Christe Eleison | soprano vocals [Soprano I] | English Chamber Orchestra, Johannes Somary | 6:07 |
1973-07 | Mass in B minor, BWV 232: Domine Deus | soprano vocals [Soprano I] | English Chamber Orchestra, Johannes Somary | 5:58 |
1973-07 | Mass in B minor, BWV 232: Et in Unum Dominum | soprano vocals [Soprano I] | English Chamber Orchestra, Johannes Somary | 5:30 |
1974-01 | Vespro della Beata Vergine, SV 206: III. Psalmus 109: Dixit Dominus | soprano vocals | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, John Eliot Gardiner | 8:13 |
1974-01 | Vespro della Beata Vergine, SV 206: V. Psalmus 112: Laudate, pueri, Dominum | soprano vocals | Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 6:55 |
1974-01 | Vespro della Beata Vergine, SV 206: VI. Concerto: Pulchra es | soprano vocals | Jill Gomez, Felicity Palmer, John Eliot Gardiner | 4:24 |
1974-01 | Vespro della Beata Vergine, SV 206: VII. Psalmus 121: Laetatus sum | soprano vocals | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, John Shirley‐Quirk, Robert Tear, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 8:01 |
1974-01 | Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella | soprano vocals | James Bowman, Jill Gomez, Philip Langridge, Monteverdi Choir, Felicity Palmer, Michael Rippon, Salisbury Cathedral Boys' Choir, John Shirley‐Quirk, Robert Tear, David Munrow Recorder Ensemble, Monteverdi Orchestra, Philip Jones Brass Ensemble, John Eliot Gardiner | 10:10 |
1974-01 | Vespro della Beata Vergine, SV 206: XXII. Suscepit Israel | soprano vocals | Jill Gomez, Monteverdi Choir, Felicity Palmer, John Eliot Gardiner | 1:27 |
1974-03-05 – 1974-03-09 | Choral Symphony, op. 41 H. 155: 1. Song and Bacchanal | soprano vocals | John Alldis, London Philharmonic Choir, Felicity Palmer, London Philharmonic Orchestra, Sir Adrian Boult | 10:01 |
1974-03-05 – 1974-03-09 | Choral Symphony, op. 41 H. 155: 2. Ode on a Grecian Urn | soprano vocals | John Alldis, London Philharmonic Choir, Felicity Palmer, London Philharmonic Orchestra, Sir Adrian Boult | 12:58 |
1974-03-05 – 1974-03-09 | Choral Symphony, op. 41 H. 155: 3. Scherzo: Fancy - Folly's Song | soprano vocals | John Alldis, London Philharmonic Choir, Felicity Palmer, London Philharmonic Orchestra, Sir Adrian Boult | 5:32 |
1974-03-05 – 1974-03-09 | Choral Symphony, op. 41 H. 155: 4. Finale | soprano vocals | John Alldis, London Philharmonic Choir, Felicity Palmer, London Philharmonic Orchestra, Sir Adrian Boult | 18:45 |
1974-03-05 – 1974-03-09 | Choral Symphony, op. 41 H. 155: Prelude: Invocation to Pan | soprano vocals | John Alldis, London Philharmonic Choir, Felicity Palmer, London Philharmonic Orchestra, Sir Adrian Boult | 2:55 |
1974-08-02 | Mass no. 6 in E-flat major, D.950: Benedictus | soprano vocals | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 5:56 |
1974-08-02 | Mass no. 6 in E-flat major, D.950: Dona nobis pacem | soprano vocals | Felicity Palmer, Helen Watts, Kenneth Bowen, Christopher Keyte, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 5:10 |
1974-08-02 | Mass no. 6 in E-flat major, D.950: Et incarnatus est | soprano vocals | Felicity Palmer, Kenneth Bowen, Wynford Evans, Choir of St John’s College, Cambridge, Academy of St Martin in the Fields, George Guest | 6:48 |
1974 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren | soprano vocals | English Chamber Orchestra, Johannes Somary | 4:06 |
1974 | Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus | soprano vocals | English Chamber Orchestra, Johannes Somary | 4:01 |
1974 | Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke | soprano vocals | English Chamber Orchestra, Johannes Somary | 7:04 |
1974 | Le Messie: n° 14 - Récitatif de soprano | soprano vocals | Felicity Palmer, English Chamber Orchestra, Raymond Leppard | ?:?? |
1974 | Le Messie: n° 16 - Aria de soprano | soprano vocals | Felicity Palmer, English Chamber Orchestra, Raymond Leppard | ?:?? |
1974 | Le Messie: n° 18 a - Duo de soprano et d'alto | soprano vocals | Felicity Palmer, Helen Watts, English Chamber Orchestra, Raymond Leppard | ?:?? |
1974 | Le Messie: n° 36 - Aria de soprano | soprano vocals | Felicity Palmer, English Chamber Orchestra, Raymond Leppard | ?:?? |
1974 | Le Messie: n° 43 - Aria de soprano | soprano vocals | Felicity Palmer, English Chamber Orchestra, Raymond Leppard | ?:?? |
1974 | Le Messie: n° 50 - Aria de soprano | soprano vocals | Felicity Palmer, English Chamber Orchestra, Raymond Leppard | ?:?? |
1975-05 | Chansons madécasses: I. Nahandove | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 6:07 |
1975-05 | Chansons madécasses: II. Aoua! | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 4:29 |
1975-05 | Chansons madécasses: III. Il est doux de se coucher | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 4:28 |
1975-05 | Trois Poèmes de Stéphane Mallarmé: I. Soupir | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 3:49 |
1975-05 | Trois Poèmes de Stéphane Mallarmé: II. Placet futile | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 4:26 |
1975-05 | Trois Poèmes de Stéphane Mallarmé: III. Surgi de la croupe et du bond | soprano vocals | Felicity Palmer, Simon Rattle, The Nash Ensemble | 3:09 |
1975-07 | Cinque Mélodies populaires grecques: I. Le réveil de la mariée | soprano vocals | Felicity Palmer, John Constable | 1:27 |
1975-07 | Cinque Mélodies populaires grecques: II. Là-bas, vers l'église | soprano vocals | Felicity Palmer, John Constable | 1:31 |
1975-07 | Cinque Mélodies populaires grecques: III. Quel galant m'est comparable | soprano vocals | Felicity Palmer, John Constable | 0:59 |
1975-07 | Cinque Mélodies populaires grecques: IV. Chanson des ceuilleuses de lentisques | soprano vocals | Felicity Palmer, John Constable | 2:38 |
1975-07 | Cinque Mélodies populaires grecques: V. Tout gai! | soprano vocals | Felicity Palmer, John Constable | 0:59 |
1975-07 | Histoires naturelles: I. Le Paon | soprano vocals | Felicity Palmer, John Constable | 4:54 |
1975-07 | Histoires naturelles: II. Le Grillon | soprano vocals | Felicity Palmer, John Constable | 3:08 |
1975-07 | Histoires naturelles: III. Le Cygne | soprano vocals | Felicity Palmer, John Constable | 3:10 |
1975-07 | Histoires naturelles: IV. Le Marin-pêcheur | soprano vocals | Felicity Palmer, John Constable | 3:06 |
1975-07 | Histoires naturelles: V. La Pintade | soprano vocals | Felicity Palmer, John Constable | 3:16 |
1976-03 | Magnificat in D major, BWV 243: Et exultavit (soprano solo) | soprano vocals | Academy of St Martin in the Fields, Sir Philip Ledger | 2:30 |
1976-03 | Magnificat in D major, BWV 243: Quia respexit (soprano solo) Qmnes generationes (chorus) | soprano vocals | Academy of St Martin in the Fields, Sir Philip Ledger | 4:15 |
1976-03 | Magnificat in E flat major, BWV 243a - A Vom Himmel hoch | soprano vocals | Johann Sebastian Bach | 1:46 |
1976-03 | Magnificat in E flat major, BWV 243a - B Freut euch und jubiliert | soprano vocals | Johann Sebastian Bach | 1:28 |
1976-03 | Magnificat in E flat major, BWV 243a - C Gloria in excelsis | soprano vocals | Johann Sebastian Bach | 1:08 |
1976-03 | Magnificat in E flat major, BWV 243a - D Virga Jesse floruit | soprano vocals | Johann Sebastian Bach | 3:27 |
1976-03 | Magnificat in E flat major, BWV 243a - I Magnificat | soprano vocals | Johann Sebastian Bach | 3:11 |
1976-03 | Magnificat in E flat major, BWV 243a - II Et exsultavit spiritus meus | soprano vocals | Johann Sebastian Bach | 2:29 |
1976-03 | Magnificat in E flat major, BWV 243a - III Quia respexit humilitatem IV Omnes generationes | soprano vocals | Johann Sebastian Bach | 4:14 |
1976-03 | Magnificat in E flat major, BWV 243a - IX Esurientes implevit bonis | soprano vocals | Johann Sebastian Bach | 3:13 |
1976-03 | Magnificat in E flat major, BWV 243a - V Quia fecit mihi magna | soprano vocals | Johann Sebastian Bach | 2:10 |
1976-03 | Magnificat in E flat major, BWV 243a - VI Et misericordia | soprano vocals | Johann Sebastian Bach | 3:16 |
1976-03 | Magnificat in E flat major, BWV 243a - VII Fecit potentiam | soprano vocals | Johann Sebastian Bach | 2:08 |
1976-03 | Magnificat in E flat major, BWV 243a - VIII Deposuit potentes | soprano vocals | Johann Sebastian Bach | 2:18 |
1976-03 | Magnificat in E flat major, BWV 243a - X Suscepit Israel | soprano vocals | Johann Sebastian Bach | 2:00 |
1976-03 | Magnificat in E flat major, BWV 243a - XI Sicut locutus est | soprano vocals | Johann Sebastian Bach | 1:27 |
1976-03 | Magnificat in E flat major, BWV 243a - XII Gloria Patri | soprano vocals | Johann Sebastian Bach | 2:33 |
1976-03 | Magnificat, BWV 243 | soprano vocals | Choir of King’s College, Cambridge, Felicity Palmer, Stephen Roberts, Robert Tear, Helen Watts, Academy of St Martin in the Fields, Philip Ledger | 36:47 |
1976-03 | Magnificat, H772 - I Magnificat | soprano vocals | Carl Philipp Emanuel Bach | 3:00 |
1976-03 | Magnificat, H772 - II Quia respexit humilitatem | soprano vocals | Carl Philipp Emanuel Bach | 5:43 |
1976-03 | Magnificat, H772 - III Quia fecit mihi magna | soprano vocals | Carl Philipp Emanuel Bach | 4:27 |
1976-03 | Magnificat, H772 - IV Et misericordia | soprano vocals | Carl Philipp Emanuel Bach | 6:02 |
1976-03 | Magnificat, H772 - IX Sicut erat in principio | soprano vocals | Carl Philipp Emanuel Bach | 6:12 |
1976-03 | Magnificat, H772 - V Fecit potentiam | soprano vocals | Carl Philipp Emanuel Bach | 4:49 |
1976-03 | Magnificat, H772 - VI Deposuit potentes | soprano vocals | Carl Philipp Emanuel Bach | 6:06 |
1976-03 | Magnificat, H772 - VII Suscepit Israel | soprano vocals | Carl Philipp Emanuel Bach | 4:39 |
1976-03 | Magnificat, H772 - VIII Gloria Patri | soprano vocals | Carl Philipp Emanuel Bach | 1:55 |
1977-03-11 – 1977-03-12 | Stabat Mater: II. O quam tristis | soprano vocals | Felicity Palmer, Philomusica of London, George Guest | 2:39 |
1977-03-11 – 1977-03-12 | Stabat Mater: III. Quis est homo | soprano vocals | Paul Esswood, Felicity Palmer, Philomusica of London, George Guest | 2:38 |
1977-10-08 – 1977-10-11 | Johannes-Passion, BWV 245: No. 9. Aria. “Ich folge dir gleichfalls” (soprano, flute) | soprano vocals | Felicity Palmer, Philippe Corboz, Pablo Loerkens, Pierre Wavre, Fritz Widmer, Orchestre de Chambre de Lausanne, Michel Corboz | 4:13 |
1977-10-08 – 1977-10-11 | Johannes-Passion, BWV 245: No. 35. Aria. “Zerfließe, mein Herze” (soprano, flute, cor anglais) | soprano vocals | Felicity Palmer, Philippe Corboz, Markus Haeberling, Pablo Loerkens, Pierre Wavre, Fritz Widmer, Orchestre de Chambre de Lausanne, Michel Corboz | 6:48 |
1978-12 | Stabat Mater. I. Stabat Mater dolorosa | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 4:10 |
1978-12 | Stabat Mater. II. Cuius animam gementem | mezzo-soprano vocals | Felicity Palmer, Argo Chamber Orchestra, George Guest | 2:47 |
1978-12 | Stabat Mater. III. O quam tristis | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 2:25 |
1978-12 | Stabat Mater. IX. Sancta Mater, istud agas | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 5:28 |
1978-12 | Stabat Mater. V. Quis est homo | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 3:05 |
1978-12 | Stabat Mater. VI. Vidit suum dulcem natum | soprano vocals | Felicity Palmer, Argo Chamber Orchestra, George Guest | 4:26 |
1978-12 | Stabat Mater. VIII. Fac ut ardeat | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 2:46 |
1978-12 | Stabat Mater. XI. Inflammatus et accensus | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 2:37 |
1978-12 | Stabat Mater. XII. Quando corpus morietur | soprano vocals | Alfreda Hodgson, Felicity Palmer, Argo Chamber Orchestra, George Guest | 4:14 |
1979-01 | Mass in C minor, K. 427: Benedictus | mezzo-soprano vocals | Academy of St. Martin in the Fields Chorus, Gwynne Howell, Margaret Marshall, Felicity Palmer, Anthony Rolfe Johnson, Academy of St Martin in the Fields, Sir Neville Marriner | 5:33 |
1979-01 | Mass in C minor, K. 427: Gloria: Quoniam | mezzo-soprano vocals | Margaret Marshall, Felicity Palmer, Anthony Rolfe Johnson, Academy of St Martin in the Fields, Sir Neville Marriner | 4:21 |
1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": I. Kyrie | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 1:57 |
1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": II. Gloria | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 2:51 |
1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": III. Credo | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 5:49 |
1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": V. Benedictus | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 2:59 |
1979-08-01 – 1979-08-02 | Mass no. 11, K. 258 "Spaurmesse": VI. Agnus Dei | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, The Choir of St John’s College, Cambridge, The Wren Orchestra, George Guest | 3:00 |
1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: I. Dixit Dominus | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 4:20 |
1979-08-01 – 1979-08-02 | Vesperae solennes de Confessore, K. 339: II. Confitebor | soprano vocals | Felicity Palmer, Margaret Cable, Philip Langridge, Stephen Roberts, Choir Of St. John's College, The Wren Orchestra, George Guest | 4:26 |
| See all 430 relationships |
| vocals |
---|
| Beethoven: Mass in C / Bruckner: Five Motets | solo and soprano vocals | Beethoven, Bruckner; Choir of St John’s College, Cambridge, George Guest | |
| Ercole amante | soprano vocals | Cavalli; Yvonne Minton, Patricia Miller, Felicity Palmer, Ulrik Cold, English Bach Festival Chorus & Baroque Orchestra, Michel Corboz | |
| Messa da Requiem | mezzo-soprano vocals and solo | Giuseppe Verdi; Júlia Várady, Felicity Palmer, Keith Olsen, Roberto Scandiuzzi, Orfeón Donostiarra, Orchestre du Capitole de Toulouse, Michel Plasson | |