| conducted |
|---|
| "The Union" Concert Paraphrase on National Airs | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 7:56 |
| Ahavat olam | Robert Bloch, New York Cantorial Choir, Aaron David Miller, Samuel Adler | 3:12 |
| Concerto in F: I. Allegro | Eugene List, Konzerthausorchester Berlin, Samuel Adler | 12:46 |
| Concerto in F: II. Andante con moto | Eugene List, Konzerthausorchester Berlin, Samuel Adler | 11:14 |
| Concerto in F: III. Allegro agitato | Eugene List, Konzerthausorchester Berlin, Samuel Adler | 7:06 |
| Grande Fantaisie sur l'hymne national brésilien, op. 69 | Eugene List, Berlin Symphony Orchestra, Samuel Adler | ?:?? |
| Grande Fantaisie Triumphale, op. 69 | Berlin Symphony Orchestra, Samuel Adler, Michael Ponti | 9:03 |
| Grande Fantasie Triumphale | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 9:29 |
| Grande Tarantelle for Piano & Orchestra | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 7:43 |
| Marcha triunfal y final de ópera, RO157 | Eugene List, Berlin Symphony Orchestra, Samuel Adler | ?:?? |
| Marche Solennelle | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 9:44 |
| Marche solennelle, RO154 | Eugene List, Berlin Symphony Orchestra, Samuel Adler | ?:?? |
| Rhapsody in Blue (Finale) | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 5:25 |
| Symphony No. 2 "A Montevideo" | Eugene List, Berlin Symphony Orchestra, Samuel Adler | 12:14 |
| Two Pieces in Sabbath Mood: I. Kaddish | Slovak Radio Symphony Orchestra, Samuel Adler | 2:07 |
| Two Pieces in Sabbath Mood: II. Oneg Shabbat | Slovak Radio Symphony Orchestra, Samuel Adler | 8:48 |
| produced |
|---|
| Concerto for Guitar and Orchestra: Fast and with good spirit | Nicholas Goluses, Eastman Philharmonia Chamber Orchestra, Neil Varon | 6:19 |
| Concerto for Guitar and Orchestra: Slowly and expressively – Suddenly faster – Slowly Tempo I again | Nicholas Goluses, Eastman Philharmonia Chamber Orchestra, Neil Varon | 9:43 |
| Concerto for Guitar and Orchestra: Very fast and rhythmic | Nicholas Goluses, Eastman Philharmonia Chamber Orchestra, Neil Varon | 7:15 |
| Five Choral Scherzi: No! | Randolph Kelly, Nicholas Goluses, Eastman Chorale, William Weinert | 3:25 |
| Five Choral Scherzi: Sucking cider through a straw | Randolph Kelly, Nicholas Goluses, Eastman Chorale, William Weinert | 1:06 |
| Five Choral Scherzi: Tarantella | Randolph Kelly, Nicholas Goluses, Eastman Chorale, William Weinert | 1:47 |
| Five Choral Scherzi: The choice | Randolph Kelly, Nicholas Goluses, Eastman Chorale, William Weinert | 2:39 |
| Five Choral Scherzi: V.B. Nimble, V.B. Quick | Randolph Kelly, Nicholas Goluses, Eastman Chorale, William Weinert | 1:58 |
| Into the Radiant Boundaries of Light: Delicate and quite fast | Phillip Ying, Nicholas Goluses | 4:04 |
| Into the Radiant Boundaries of Light: Fast and rhythmic | Phillip Ying, Nicholas Goluses | 3:22 |
| Into the Radiant Boundaries of Light: Slowly and freely moving | Phillip Ying, Nicholas Goluses | 3:10 |
| Ports of Call “A Mediterranean Suite”: Alexandria: Slowly and expressively | Juliana Athayde, Renée Jolles, Nicholas Goluses | 4:34 |
| Ports of Call “A Mediterranean Suite”: Haifa: With a slow lilt | Juliana Athayde, Renée Jolles, Nicholas Goluses | 3:23 |
| Ports of Call “A Mediterranean Suite”: Marseille: With a happy spirit | Juliana Athayde, Renée Jolles, Nicholas Goluses | 2:39 |
| Ports of Call “A Mediterranean Suite”: Salonika: With wild abandon | Juliana Athayde, Renée Jolles, Nicholas Goluses | 1:39 |
| Ports of Call “A Mediterranean Suite”: Valencia: Fast and exuberant | Juliana Athayde, Renée Jolles, Nicholas Goluses | 2:57 |
| composed |
|---|
| 1953 | Symphony no. 1 | | |
| 1953 | Symphony no. 1: I. Gently moving | | |
| 1953 | Symphony no. 1: II. Very slowly | | |
| 1953 | Symphony no. 1: III. Vigorous and very rhythmic | | |
| 1957 | Symphony no. 2 | | |
| 1957 | Symphony no. 2: I. Quite slowly – Fast | | |
| 1957 | Symphony no. 2: II. Slowly | | |
| 1957 | Symphony no. 2: III. Fast and triumphant | | |
| 1962 | Elegy for Strings | | |
| 1977 | Concerto for Flute and Orchestra | | |
| 1977 | Concerto for Flute and Orchestra: Cadenza - Introduction to the Third Movement | | |
| 1977 | Concerto for Flute and Orchestra: I. Slowly and Lyrically | | |
| 1977 | Concerto for Flute and Orchestra: II. Fast, Light and Humorous | | |
| 1977 | Concerto for Flute and Orchestra: III. Fast and Very Forceful | | |
| 1981 | Sonata for Unaccompanied Flute | | |
| 1981 | Sonata for Unaccompanied Flute: I. Fast but Very Gently Flowing | | |
| 1981 | Sonata for Unaccompanied Flute: II. Slowly but With Great Intensity | | |
| 1981 | Sonata for Unaccompanied Flute: III. Variations on Brian Boru's March | | |
| 1983 | Concerto for Piano and Orchestra no. 1 | | |
| 1983 | Concerto for Piano and Orchestra no. 1: I. Slowly and very free – Very fast | | |
| 1983 | Concerto for Piano and Orchestra no. 1: II. Very slowly | | |
| 1983 | Concerto for Piano and Orchestra no. 1: III. Hard driving | | |
| 1985 | Judah's Song of Praise | | |
| 1988 | The Road to Terpsichore | | |
| 1988 | The Road to Terpsichore: I. Fast and wild | | |
| 1988 | The Road to Terpsichore: II. Free, quite relaxed, but stately | | |
| 1988 | The Road to Terpsichore: III. Like a waltz | | |
| 1988 | The Road to Terpsichore: IV. Like a tango, with verve, and very rhythmic | | |
| 1988 | The Road to Terpsichore: V. Like a tarantella, fast and furious | | |
| 1991 | Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot” | | |
| 1991 | Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: I. Fast, rhythmic, and very energetic | | |
| 1991 | Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: II. Slowly and very expressively – Suddenly faster – Slowly again | | |
| 1991 | Concerto for Woodwind Quintet and Orchestra “Shir HaMa’alot”: III. Fast and jubilant | | |
| 1992 | Ports of Call | | |
| 1992 | Ports of Call: I. Marseille: With a happy spirit | | |
| 1992 | Ports of Call: II. Alexandria: Slowly and expressively | | |
| 1992 | Ports of Call: III. Salonika: With wild abandon | | |
| 1992 | Ports of Call: IV. Haifa: With a slow lilt | | |
| 1992 | Ports of Call: V. Valencia: Fast and exuberant | | |
| 1993 | Into the Radiant Boundaries of Light | | |
| 1993 | Into the Radiant Boundaries of Light: I. Delicate and quite fast | | |
| 1993 | Into the Radiant Boundaries of Light: II. Slowly and freely moving | | |
| 1993 | Into the Radiant Boundaries of Light: III. Fast and rhythmic | | |
| 1994 | Concerto for Guitar and Orchestra | | |
| 1994 | Concerto for Guitar and Orchestra: I. Very fast and rhythmic | | |
| 1994 | Concerto for Guitar and Orchestra: II. Slowly and expressively – Suddenly faster – Slowly Tempo I again | | |
| 1994 | Concerto for Guitar and Orchestra: III. Fast and with good spirit | | |
| 2004 | Man lebt nur einmal | | |
| 2004 | Man lebt nur einmal: I. Rumble | | |
| 2004 | Man lebt nur einmal: II. Schleier-Walzer | | |
| 2004 | Man lebt nur einmal: III. Erratische Rumba | | |
| 2004 | Man lebt nur einmal: IV. Pavane | | |
| 2004 | Man lebt nur einmal: V. Tarantella | | |
| 2008 | Five Choral Scherzi | | |
| 2008 | Five Choral Scherzi: I. V.B. Nimble, V.B. Quick | | |
| 2008 | Five Choral Scherzi: II. Sucking cider through a straw | | |
| 2008 | Five Choral Scherzi: III. No! | | |
| 2008 | Five Choral Scherzi: IV. The choice | | |
| 2008 | Five Choral Scherzi: V. Tarantella | | |
| 2012 | Concerto for Violin and Orchestra | | |
| 2012 | Concerto for Violin and Orchestra: I. Vigorous | | |
| 2012 | Concerto for Violin and Orchestra: II. Slowly and expressively | | |
| 2012 | Concerto for Violin and Orchestra: III. Cadenza – Fast and with a happy spirit | | |
| A Hymn of Praise | | |
| Choral Trilogy | | |
| Choral Trilogy: No. 1, Why Have You Forsaken Me? | | |
| Choral Trilogy: No. 2, The Spirit Helps Us | | |
| Choral Trilogy: No. 3, Sing a New Song to God | | |
| Harpsichord Sonata | | |
| Harpsichord Sonata: I. Fast, very rhythmic | | |
| Harpsichord Sonata: II. Slowly and expressively | | |
| Harpsichord Sonata: III. Very fast | | |
| How Sweet the Sound | | |
| Let Us Rejoice | | |
| My Beloved Is Mine | | |
| Psalm 23 | | |
| Sonata for Unaccompanied Cello | | |
| Sonata for Unaccompanied Cello: I. Prelude (Allegro molto) | | |
| Sonata for Unaccompanied Cello: II. Song with Variant (Lento) | | |
| Sonata for Unaccompanied Cello: III. Scherzo (Allegro scherzando) | | |
| Sonata for Unaccompanied Cello: IV. Slow March (Andante maestoso) | | |
| Sonata for Unaccompanied Cello: V. Toccata (Allegro con fuoco) | | |
| Time, You Old Gypsy Man | | |
| To Speak to Our Time | | |
| To Speak to Our Time: No. 1, Prelude I | | |
| To Speak to Our Time: No. 2, Chor Der Wandernden | | |
| To Speak to Our Time: No. 3, Interlude I | | |
| To Speak to Our Time: No. 4, Psalm 121 | | |
| To Speak to Our Time: No. 5, Interlude II | | |
| To Speak to Our Time: No. 6, Psalm 111 | | |
| To Speak to Our Time: No. 7, Interlude III | | |
| To Speak to Our Time: No. 8, Hymn 10 | | |
