(I Can’t Get No) Satisfaction | | | | Song | | - 4032639 (ACAM ID)
- 301221 (ACDAM ID)
- (show 45 more)
- 000026 086 23 (SUISA ID)
| 5 |
19th Nervous Breakdown | | | | Song | | - 4879992 (ACAM ID)
- 6143908 (AGADU ID)
- (show 29 more)
- 000085 140 12 (SUISA ID)
| |
A Jazz Symphony, W. 157b | | | | | | | |
Adagio appassionato, op. 57 | | | | | | | |
Alkohol | | | | Song | | - 6355721 (AGADU ID)
- 106042301 (AKM ID)
- (show 19 more)
- 001395 050 79 (SUISA ID)
| |
Älven, op. 33: Aussicht von den Bergen am Meere | | | | | | | |
Älven, op. 33: Das Binnenmeer | | | | | | | |
Älven, op. 33: Der Hafen | | | | | | | |
Älven, op. 33: Der ruhige, breite Strom | | | | | | | |
Älven, op. 33: Die Wasserfälle | | | | | | | |
Älven, op. 33: Durch Berge und Wälder | | | | | | | |
Älven, op. 33: Hinaus zum Meere | | | | | | | |
Angie | | | | Song | | - 2169345 (ACAM ID)
- 6028460 (AGADU ID)
- (show 27 more)
- 000306 805 08 (SUISA ID)
| 5 |
Ännchen von Tharau: “Draußen ist Frühling“ | | | | | | | |
Ans Meer | | | | | | | |
As Tears Go By | | | | Song | | - 292991 (ACDAM ID)
- 5197020 (AGADU ID)
- (show 22 more)
- 000010 739 40 (SUISA ID)
| |
Ballade and Passacaglia, op. 38 | | | | | | | |
Berlin im Licht-Song | | | | Song | | - 987842-004 (GEMA ID)
- 78767Z (PRS tune code)
| |
Bleibt alles anders | | | | Song | | | |
Bochum | | | | Song | | | |
Cantemire, op. 19: Overture | | | | Overture | | | |
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (a) Reie | | | | | | | |
Carmina Burana: Uf dem Anger: IX. (b) Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: IX. (c) Chume, chum, geselle min | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: IX. (d) Swaz hie gat umbe (reprise) | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
Cello Concerto no. 1 in G minor, op. 49: I. Allegro | | | | | | | |
Cello Concerto no. 1 in G minor, op. 49: II. Largo | | | | | | | |
Cello Concerto no. 1 in G minor, op. 49: III. Allegretto | | | | | | | |
Cello Concerto no. 2, op. 77: I. Molto sostenuto - Allegro molto e energico - | | | | | | | |
Cello Concerto no. 2, op. 77: II. Presto marcato - | | | | | | | |
Cello Concerto no. 2, op. 77: III. Andante con moto | | | | | | | |
Chaos | | | | Song | | | |
Cinco canciones negras, nº 1: Cuba dentro de un piano | | | | Song | | | |
Cinco canciones negras, nº 2: Punto de habanera | | | | Song | | | |
Cinco canciones negras, nº 3: Chévere | | | | Song | | | |
Cinco canciones negras, nº 4: Canción de cuna para dormir a un negrito | | | | Song | | | |
Cinco canciones negras, nº 5: Canto negro | | | | Song | | | |
Complainte de la Seine | | | | Song | | | |
Concertino for Violin and Orchestra | | | | | | | |
Concerto breve: I. Enérgico | | | | | | | |
Concerto breve: II. Dolce | | | | | | | |
Concerto breve: III. Vivo | | | | | | | |
Concerto for 2 Pianos, H. 292: I. Allegro non troppo | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
| | | | | |
Concerto for 2 Pianos, H. 292: II. Adagio | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
| | | | | |
Concerto for 2 Pianos, H. 292: III. Allegro | | - Mari Kodama, Momo Kodama, Orchestre Philharmonique de Marseille, Lawrence Foster
- Dorothy Jonas, Joshua Pierce, The Luxembourg Radio Symphony Orchestra, Ettore Stratta
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Nancy O'Doan, Neal O'Doan, Royal Philharmonic Orchestra
- Henry Piette, Janine Reding, Orchestre national de France, Rafael Kubelík
| | | | | |
Concerto for Cello and Orchestra, op. 21: I. Andante cantabile - Allegro - | | | | | | | |
Concerto for Cello and Orchestra, op. 21: II. Adagio - | | | | | | | |
Concerto for Cello and Orchestra, op. 21: III. Allegro | | | | | | | |
Concerto for Piano and Orchestra no. 1 | | | | Concerto | | | |
Concerto for Piano Four Hands and Chamber Orchestra | | - Государственный Академический Симфонический Оркестр России, Геннадий Николаевич Рождественский, Ирина Шнитке, Виктория Постникова
- London Sinfonietta, Геннадий Николаевич Рождественский, Ирина Шнитке, Виктория Постникова
- Liuben Dimitrov, Aglika Genova, NDR Radiophilharmonie, Eiji Oue
- Irina Schnittke, Viktoria Postnikova, London Sinfonietta, Guennadi Rojdestvenski
- Ewa Kupiec, Maria Lettberg, Rundfunk‐Sinfonieorchester Berlin, Frank Strobel
| | Concerto | | | |
Concordanza | | | | | | | |
Das Dorf ohne Glocke: “Ein Rosenstrauch trägt Blüten” / “Wenn die Knospen sprießen” | | | | | | | |
Die betrunkene Sonne | | | | | | | |
Die Geschichte von Babar dem kleinen Elefanten | | | | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 1. Prolog. Andante sostenuto (Anna) | | | | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 2. Faulheit. Allegro vivace (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, Bengt Forsberg, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 3. Stolz. Allegretto, quasi Andantino (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 9 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 4. Zorn. Molto agitato (Familie, Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 5. Völlerei. Largo (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, Bengt Forsberg, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, Simon Rattle
- Fritz Göllnitz, Julius Katona, Ernst Poettgen, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg
- (show 8 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 6. Unzucht. Moderato (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 10 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 7. Habsucht. Allegro giusto (Familie) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 8 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 8. Neid. Allegro non troppo (Anna) | | - Christfried Biebrach, Karl-Heinz Lampe, Frederick Martin, Anne Sofie von Otter, James Sims, NDR Sinfonieorchester, Sir John Eliot Gardiner
- Lotte Lenya, Wilhelm Brückner-Rüggeberg
- Ian Caley, Michael Rippon, Anthony Rolfe Johnson, Elise Ross, John Tomlinson, City of Birmingham Symphony Orchestra, Simon Rattle
- Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen
- (show 9 more)
| | | | | |
Die sieben Todsünden, Ballett mit Gesang in 8 Teilen: 9. Epilog. Andante sostenuto (Anna) | | | | | | | |
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) | | | | Aria | | | |
Donaulegenden | | | | | | | |
Eine Vision, Meine Jugendzeit | | | | Overture | | | |
Emotional Rescue | | | | Song | | - 5019525 (ACAM ID)
- 4744512 (AGADU ID)
- (show 24 more)
- 000743 741 72 (SUISA ID)
| 5 |
Es regnet | | | | Song | | | |
Fairytale Poem (Marchenpoem) | | | | | | | |
Fanatisch | | | | Song | | | |
Fantasy in F minor (after Schubert) | | | | | | | |
Fieber | | | | Symphonic poem | | | |
Flugzeuge im Bauch | | | | Song | | | |
Fool to Cry | | | | Song | | - 5015588 (AACIMH ID)
- 5015588 (ACAM ID)
- (show 32 more)
- 000422 631 16 (SUISA ID)
| |
Goldberg Reflections a Dream | | | | | | | |
Goldberg Reflections Aria for Violin, String Orchestra & Harpsichord | | | | | | | |