| vocals |
|---|
| 1990-03 | Requiem, KV 626: Benedictus (soli, choeur) | alto vocals | Catherine Dubosc, Ewa Podleś, Guy de Mey, Michel Brodard, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | 5:00 |
| 1990-03 | Requiem, KV 626: Domine Jesu (choeur, soli) | alto vocals | Catherine Dubosc, Ewa Podleś, Guy de Mey, Michel Brodard, Ensemble Vocal de Lausanne, Ensemble Instrumental de Lausanne, Michel Corboz | 3:41 |
| 1990-03 | Requiem, KV 626: Recordare (soli) | alto vocals | Catherine Dubosc, Ewa Podleś, Guy de Mey, Michel Brodard, Ensemble Instrumental de Lausanne, Michel Corboz | 5:49 |
| 1990-03 | Requiem, KV 626: Tuba mirum (soli) | alto vocals | Catherine Dubosc, Ewa Podleś, Guy de Mey, Michel Brodard, Ensemble Instrumental de Lausanne, Michel Corboz | 3:21 |
| 1990 | Bajazet (Tamerlano) : Sposa con disprezzata | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 5:55 |
| 1990 | Didon et Enee : Thy Hand Belinda… When I Am Led in Earth | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 5:11 |
| 1990 | Iphigenie en Aulide : Allez, il faut sauver notre gloire opprimée… Armez-vous | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 3:11 |
| 1990 | Orlando furioso, RV 728 : Fonti del pianto | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 6:54 |
| 1990 | Orlando furioso, RV 728 : Nel profundo | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 3:50 |
| 1990 | Orphee et Eurydice : J’ai perdu mon Eurydiche | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 6:29 |
| 1990 | Quella fiamma che m’accende | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 3:53 |
| 1990 | Rinaldo : Cara sposa | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 10:35 |
| 1990 | Rinaldo : Cor ingrato | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 5:05 |
| 1990 | Rinaldo : Or la tromba | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 3:48 |
| 1990 | Rinaldo : Venti turbini | mezzo-soprano vocals | Ewa Podleś, Collegium Instrumental de Bruges, Patrick Peire | 4:06 |
| 1991 | Gianni Schicchi: “Ai miei cugini Zita e Simone” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 2:53 |
| 1991 | Gianni Schicchi: “Datemi il testamento!” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Mirella Freni, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 1:52 |
| 1991 | Gianni Schicchi: “Dunque era vero!” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 2:27 |
| 1991 | Gianni Schicchi: “E non c’è nessun mezzo…” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 2:30 |
| 1991 | Gianni Schicchi: “Ecco il notaro” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 8:47 |
| 1991 | Gianni Schicchi: “Ecco la cappellina” | contralto vocals [La Vecchia] | Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 3:23 |
| 1991 | Gianni Schicchi: “Era uguale la voce?” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 5:47 |
| 1991 | Gianni Schicchi: “Ladro!” | contralto vocals [La Vecchia] | Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 1:29 |
| 1991 | Gianni Schicchi: “Nessuno sa che Buoso ha reso il fiato?” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Colin Cue, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 3:16 |
| 1991 | Gianni Schicchi: “O Simone?” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 3:49 |
| 1991 | Gianni Schicchi: “Povero Buoso!” | contralto vocals [La Vecchia] | Roberto Alagna, Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 3:55 |
| 1991 | Gianni Schicchi: “Prima un avvertimento” | contralto vocals [La Vecchia] | Ricardo Cassinelli, Nicoletta Curiel, Enrico Fissore, Barbara Frittoli, Giorgio Giorgetti, Orazio Mori, Leo Nucci, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 2:36 |
| 1991 | Gianni Schicchi: “Quale aspetto sgomento e desolato!” | contralto vocals [La Vecchia] | Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli, Bruno Bartoletti | 3:32 |
| 1991 | Suor Angelica: “Laudata Maria!” … “E sempre sia!” | contralto vocals [La suora zelatrice] | Coro del Maggio Musicale Fiorentino, Mirella Freni, Barbara Frittoli, Ewa Podleś, Olga Romanko, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 4:26 |
| 1991 | Suor Angelica: “O sorelle in pio lavoro” | contralto vocals [La suora zelatrice] | Coro del Maggio Musicale Fiorentino, Mirella Freni, Barbara Frittoli, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 4:10 |
| 1991 | Suor Angelica: “Sorelle in umiltà” | contralto vocals [La suora zelatrice] | Coro del Maggio Musicale Fiorentino, Nicoletta Curiel, Valeria Esposito, Barbara Frittoli, Ewa Podleś, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | 6:50 |
| 1994-06-01 | Alexander Nevsky, op. 78: VI. Le Champ des morts | | Ewa Podleś, Orchestre National de Lille, Jean‐Claude Casadesus | 6:25 |
| 1994-11-12 – 1994-11-16 | Symphony no. 3: Part II: 4. Sehr langsam. Misterioso | contralto vocals | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Antoni Wit, Ewa Podleś | 9:35 |
| 1994-11-12 – 1994-11-16 | Symphony no. 3: Part II: 5. Lustig im Tempo und keck im Ausdruck | contralto vocals | Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach, Chór Mieszany Filharmonii Krakowskiej, Chór Chłopięcy Filharmonii Krakowskiej, Antoni Wit, Ewa Podleś | 4:15 |
| 1994 | Tancredi: “Giusto Dio che umile adoro” | contralto vocals | Sumi Jo, Ewa Podleś, Collegium Instrumentale Brugense, Alberto Zedda | 6:52 |
| 1994 | Tancredi: “Oh patria… Di tanti palpiti” | contralto vocals | Sumi Jo, Ewa Podleś, Collegium Instrumentale Brugense, Alberto Zedda | 8:20 |
| 1995-05-16 – 1995-05-22 | Cinderella: Act II. Rondò finale "Nacqui all'affanno, al pianto" (Cenerentola) | mezzo-soprano vocals [Cenerentola] | Hungarian State Opera Chorus, Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 7:45 |
| 1995-05-16 – 1995-05-22 | Maometto II: Act II. Aria "Non temer: d'un basso affetto" (Calbo) | mezzo-soprano vocals | Ewa Podleś, Magyar Állami Operaház zenekara, Pier Giorgio Morandi | 7:45 |
| 1995-05-16 – 1995-05-22 | Semiramide: Act I. Recitativo e cavatina "Eccomi alfine in Babilonia ... Ah! quel giorno ognor rammento" (Arsace) | mezzo-soprano vocals | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 10:53 |
| 1995-05-16 – 1995-05-22 | Tancredi: Act I. Recitative e cavatina "Oh patria ... Di tanti palpiti" (Tancredi) | mezzo-soprano vocals | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 8:42 |
| 1995-05-16 – 1995-05-22 | The Barber of Seville: Act I. Cavatina "Una voce poco fa" (Rosina) | mezzo-soprano vocals | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 6:05 |
| 1995-05-16 – 1995-05-22 | The Italian Girl in Algiers: Act I. Cavatina "Cruda sorte! Amor tiranno!" (Isabella) | mezzo-soprano vocals | Hungarian State Opera Chorus, Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 4:23 |
| 1995-05-16 – 1995-05-22 | The Italian Girl in Algiers: Act II. Recitativo e rondò "Amici, in ogni evento m'affido a voi ... Pensa alla patria" (Isabella) | mezzo-soprano vocals | Hungarian State Opera Chorus, Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 9:22 |
| 1995-05-16 – 1995-05-22 | The Lady of the Lake: Act I. Recitativo e cavatina "Mura felici ... Elena! oh tu, che chiamo!" (Malcolm) | mezzo-soprano vocals | Magyar Állami Operaház Zenekara, Pier Giorgio Morandi, Ewa Podleś | 10:01 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Ami dunque, o signora?": "Ginevra?" | contralto vocals [Polinesso] | Veronica Cangemi, Lynne Dawson, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:53 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Conosco il merto tuo" | contralto vocals [Polinesso] | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 1:25 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Coperta la frode" | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:29 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Mie speranze, che fate?" | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:28 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Orgogliosa beltade!" | contralto vocals [Polinesso] | Ewa Podleś, Veronica Cangemi, Les Musiciens du Louvre, Marc Minkowski | 0:27 |
| 1997-01 | Ariodante, HWV 33, Act 1: "Spero per voi" | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:27 |
| 1997-01 | Ariodante, HWV 33, Act 2: "Di Dalinda l'amore": "Eccolo o amico" | contralto vocals [Polinesso] | Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 1:33 |
| 1997-01 | Ariodante, HWV 33, Act 2: "Ginevra?" | contralto vocals [Polinesso] | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Les Musiciens du Louvre, Marc Minkowski | 0:24 |
| 1997-01 | Ariodante, HWV 33, Act 2: "Lo stral ferì nel segno" | contralto vocals [Polinesso] | Veronica Cangemi, Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:36 |
| 1997-01 | Ariodante, HWV 33, Act 2: Felice fu il mio inganno | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 0:13 |
| 1997-01 | Ariodante, HWV 33, Act 2: Se l'inganno sortisce felice | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:55 |
| 1997-01 | Ariodante, HWV 33, Act 3: "Arrida il cielo alla giustizia": "Ferma, signor" - "E Dalinda dov'è?" | contralto vocals [Polinesso] | Veronica Cangemi, Ewa Podleś, Anne Sofie von Otter, Richard Croft, Luc Coadou, Denis Sedov, Les Musiciens du Louvre, Marc Minkowski | 2:40 |
| 1997-01 | Ariodante, HWV 33, Act 3: "Dover, giustizia, amor" | contralto vocals [Polinesso] | Ewa Podleś, Les Musiciens du Louvre, Marc Minkowski | 3:07 |
| 1997-01 | Ariodante, HWV 33, Act 3: "Sire, deh, non negare" | contralto vocals [Polinesso] | Ewa Podleś, Luc Coadou, Denis Sedov, Marc Minkowski, Les Musiciens du Louvre | 0:28 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 1. « Qui je suis ? » | contralto vocals [L’Opinion publique] | Ewa Podleś, Orchestre National de Lyon, Marc Minkowski | 1:45 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 1. Final « C’est l’Opinion Publique » | contralto vocals [L’Opinion publique] | Chœur de l’Opéra de Lyon, Ewa Podleś, Orchestre National de Lyon, Marc Minkowski | 1:35 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 1. Final « Viens ! à l’Opinion » | contralto vocals [L’Opinion publique] | Yann Beuron, Chœur de l’Opéra de Lyon, Ewa Podleś, Orchestre National de Lyon, Marc Minkowski | 0:57 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 1. Final « Viens ! Viens ! C’est l’honneur » | contralto vocals [L’Opinion publique] | Yann Beuron, Ewa Podleś, Orchestre National de Lyon, Marc Minkowski | 2:01 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 2. Final « Gloire ! gloire à Jupiter » | contralto vocals [L’Opinion publique] | Yann Beuron, Chœur de l’Opéra de Lyon, Jean-Paul Fouchécourt, Véronique Gens, Étienne Lescroart, Laurent Naouri, Patricia Petibon, Ewa Podleś, Jennifer Smith, Orchestre National de Lyon, Marc Minkowski | 2:33 |
| 1997 | Orphée aux Enfers: Acte I, Tableau 2. Final « Il approche ! Il s’approche ! » | contralto vocals [L’Opinion publique] | Yann Beuron, Chœur de l’Opéra de Lyon, Jean-Paul Fouchécourt, Véronique Gens, Étienne Lescroart, Laurent Naouri, Patricia Petibon, Ewa Podleś, Jennifer Smith, Orchestre National de Lyon, Marc Minkowski | 4:19 |
| 1997 | Orphée aux Enfers: Acte II, Tableau 4. « Ne regarde pas en arrière ! » | contralto vocals [L’Opinion publique] | Yann Beuron, Chœur de l’Opéra de Lyon, Steven Cole, Natalie Dessay, Jean-Paul Fouchécourt, Véronique Gens, Étienne Lescroart, Laurent Naouri, Patricia Petibon, Ewa Podleś, Lydie Pruvot, Jennifer Smith, Orchestre National de Lyon, Marc Minkowski | 2:36 |
| 1998-09-13 | Il barbiere di Siviglia: “Una voca poco fa” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 5:58 |
| 1998-09-13 | L' italiana in Algeri: “Cruda sorte” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 4:12 |
| 1998-09-13 | L' italiana in Algeri: “Pensa alla Patria” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 6:27 |
| 1998-09-13 | La donna del lago: “Mura felici” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 9:49 |
| 1998-09-13 | Maometto II: “Non temer d'un basso affetto” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 7:47 |
| 1998-09-13 | Semiramide: “Ah quel giorno” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 10:47 |
| 1998-09-13 | Tancredi di Siracusa: “Di tanti palpiti” | contralto vocals | Ewa Podleś, Leopoldinum Wrocławska Orkiestra Kameralna, Wojciech Michniewski | 8:25 |
| 1999-04-20 – 1999-04-23 | Czary, KKIVa/11 "Witchcraft" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:45 |
| 1999-04-20 – 1999-04-23 | Dumka, KKIVb/9 "Reverie" | alto vocals | Ewa Podleś, Garrick Ohlsson | 1:23 |
| 1999-04-20 – 1999-04-23 | Dwojaki koniec, op. 74 no. 11 "The Double End" | alto vocals | Ewa Podleś, Garrick Ohlsson | 1:46 |
| 1999-04-20 – 1999-04-23 | Gdzie lubi, op. 74 no. 5 "There Where She Loves" | alto vocals | Ewa Podleś, Garrick Ohlsson | 1:17 |
| 1999-04-20 – 1999-04-23 | Hulanka, op. 74 no. 4 "Drinking Song" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:31 |
| 1999-04-20 – 1999-04-23 | Melodya, op. 74 no. 9 | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:45 |
| 1999-04-20 – 1999-04-23 | Moja pieszczotka, op. 74 no. 12 "My Darling" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:03 |
| 1999-04-20 – 1999-04-23 | Narzeczony, op. 74 no. 15 "The Bridegroom" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:25 |
| 1999-04-20 – 1999-04-23 | Nie ma czego trzeba, op. 74 no. 13 "Faded and Vanished" | alto vocals | Ewa Podleś, Garrick Ohlsson | 5:31 |
| 1999-04-20 – 1999-04-23 | Pierścień, op. 74 no. 14 "The Ring" | alto vocals | Ewa Podleś, Garrick Ohlsson | 1:58 |
| 1999-04-20 – 1999-04-23 | Piosnka litewska, op. 74 no. 16 "Lithuanian Song" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:09 |
| 1999-04-20 – 1999-04-23 | Poseł, op. 74 no. 7 "The Messenger" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:41 |
| 1999-04-20 – 1999-04-23 | Precz z moich oczu!, op. 74 no. 6 "Out of My Sight!" | alto vocals | Ewa Podleś, Garrick Ohlsson | 3:26 |
| 1999-04-20 – 1999-04-23 | Śliczny chłopiec, op. 74 no. 8 "Handsome Lad" | alto vocals | Ewa Podleś, Garrick Ohlsson | 3:01 |
| 1999-04-20 – 1999-04-23 | Smutna rzeka, op. 74 no. 3 "Sad River" | alto vocals | Ewa Podleś, Garrick Ohlsson | 3:16 |
| 1999-04-20 – 1999-04-23 | Śpiew grobowy, op. 74 no. 17 "Hymn From the Tomb" | alto vocals | Ewa Podleś, Garrick Ohlsson | 4:43 |
| 1999-04-20 – 1999-04-23 | Wiosna, op. 74 no. 2 "Spring" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:22 |
| 1999-04-20 – 1999-04-23 | Wojak, op. 74 no. 10 "The Warrior" | alto vocals | Ewa Podleś, Garrick Ohlsson | 2:10 |
| 1999-04-20 – 1999-04-23 | Życzenie, op. 74 no. 1 "The Maiden's Wish" | alto vocals | Ewa Podleś, Garrick Ohlsson | 1:47 |
| 2002-12-08 | Chrystus zmartwychwstał, op. 26 nr 6 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 2:54 |
| 2002-12-08 | Dawno w miłości, op. 14 nr 3 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 1:23 |
| 2002-12-08 | Gdzie lubi, op. 74 nr 5 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 1:21 |
| 2002-12-08 | Moja pieszczotka, op. 74 nr 12 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 2:34 |
| 2002-12-08 | Ona piękna jak południe, op. 14 nr 9 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 2:30 |
| 2002-12-08 | Pierścień, op. 74 nr 14 | contralto vocals | Ewa Podleś, Garrick Ohlsson | 2:00 |
| 2002-12-08 | Pieśni i tańce śmierci: I. Kołysanka | contralto vocals | Ewa Podleś, Garrick Ohlsson | 4:50 |
| 2002-12-08 | Pieśni i tańce śmierci: II. Serenada | contralto vocals | Ewa Podleś, Garrick Ohlsson | 4:29 |
| 2002-12-08 | Pieśni i tańce śmierci: III. Trepak | contralto vocals | Ewa Podleś, Garrick Ohlsson | 4:34 |
| See all 164 relationships |
| vocals |
|---|
| Live | contralto vocals | Chopin, Mussorgsky, Scriabin, Rachmaninov; Ewa Podleś, Garrick Ohlsson | |
