| Chamber Symphony in C major for Seven Instruments, op. 2 | | | | Symphony | | | |
| Chamber Symphony in C major for Seven Instruments, op. 2: I. Moderato cantabile | | | | | | | |
| Chamber Symphony in C major for Seven Instruments, op. 2: II. Scherzo. Allegro | | | | | | | |
| Chamber Symphony in C major for Seven Instruments, op. 2: III. Largo | | | | | | | |
| Chamber Symphony in C major for Seven Instruments, op. 2: IV. Finale. Allegro energico | | | | | | | |
| Red Cavalry Campaign | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44 | | | | Soundtrack | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Breakthrough | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: German Offensive | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Klaus Taken Prisoner | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Menace Theme | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Minutka’s Death | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Russian Offensive | | | | | | | |
| Soundtrack to the Film “The Turning Point”, op. 44: Silence | | | | | | | |
| Symphonic Aria for Cello and String Orchestra, op. 43 | | | | | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification” | | | | Suite | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: I. Largo. Cantabile | | | | | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: II. Grave | | | | | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: III. Intermezzo. Allegro | | | | | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: IV. Valse. Allegro | | | | | | | |
| Symphonic Suite no. 1 from Music to the Film “Komsomol is the Chief of Electrification”: V. Fugato. Allegro risoluto | | | | | | | |
| Symphony no. 1, op. 7 | | | | Symphony | | | |
| Symphony no. 1, op. 7: I. Allegro energico | | | | | | | |
| Symphony no. 1, op. 7: II. Largo con moto e molto cantabile | | | | | | | |
| Symphony no. 1, op. 7: III. Finale. Scherzo e coda | | | | | | | |
| Symphony no. 2 “Motherland”, op. 39 | | | | Symphony | | | |
| Symphony no. 2 “Motherland”, op. 39: I. Andante con moto e molto espressivo | | | | | | | |
| Symphony no. 2 “Motherland”, op. 39: II. Presto giocoso | | | | | | | |
| Symphony no. 2 “Motherland”, op. 39: III. Largo | | | | | | | |
| Symphony no. 2 “Motherland”, op. 39: IV. Presto | | | | | | | |
| Symphony no. 3 “Heroic”, op. 45 | | | | Symphony | | | |
| Symphony no. 3 “Heroic”, op. 45: I. Intrada. Andante maestoso e molto espressivo | | | | | | | |
| Symphony no. 3 “Heroic”, op. 45: II. Allegro con fuoco, quasi presto | | | | | | | |
| Symphony no. 3 “Heroic”, op. 45: III. Prestissimo | | | | | | | |
| Symphony no. 3 “Heroic”, op. 45: IV. Largo espressivo, molto cantabile e sempre con moto | | | | | | | |
| Symphony no. 3 “Heroic”, op. 45: V. Presto impetuoso | | | | | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77 | | | | Symphony | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77: I. Pastorale. Allegro poetico e molto cantando | | | | | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77: II. Storm. Allegro agitato | | | | | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77: III. Struggle. Fugue | | | | | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77: IV. Hopes. Largo appassionato | | | | | | | |
| Symphony no. 5 in A major “Pastoral”, op. 77: V. Pastorale. Adagio poetico e molto cantabile | | | | | | | |
| Symphony no. 6, op. 99 “Festival” | | | | Symphony | | | |
