Alfonso und Estrella, D. 732: Overture | | | | Overture | | | |
Ariadne auf Naxos | | | | | | | |
Ariette, H. 188b | | | | | | | |
Armida: Sinfonia | | | | Overture | | | |
Axur re d'Ormus: Sinfonia | | | | | | | |
Benda's Klagen | | | | | | | |
Bianca e Falliero: Sinfonia | | | | Overture | | | |
Cello Concerto no. 1 in G major: I. Allegro con spirito | | | | Concerto | | | |
Cello Concerto no. 1 in G major: II. Romance | | | | | | | |
Cello Concerto no. 1 in G major: III. Rondo: Allegro | | | | Concerto | | | |
Cello Concerto no. 2 in A major: I. Allegro con spirito | | | | Concerto | | | |
Cello Concerto no. 2 in A major: II. Romance: Andantino | | | | Concerto | | | |
Cello Concerto no. 2 in A major: III. Rondo: Allegretto | | | | Concerto | | | |
Cello Concerto no. 3 in C major: I. Allegro con spirito | | | | Concerto | | | |
Cello Concerto no. 3 in C major: II. Andante poco moderato | | | | Concerto | | | |
Cello Concerto no. 3 in C major: III. Rondo: Allegro | | | | Concerto | | | |
Claudine von Villa Bella, D. 239: Overture | | | | Overture | | | |
Demetrio e Polibio: Sinfonia | | | | Overture | | | |
Der Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre | | | | | | | |
Der Spiegelritter, D. 11: Overture | | | | Overture | | | |
Der Teufel als Hydraulicus, D. 4 | | | | Overture | | | |
Der vierjährige Posten, D. 190: I. Overture. Larghetto | | | | | | | |
Des Teufels Lustschloß, D. 84: Overture | | | | Overture | | | |
Die Entführung aus dem Serail, K. 384: Ouvertüre | | | | Overture | | | |
Die Freunde von Salamanka, D. 326: Overture | | | | Overture | | | |
Die Verschworenen, D. 787: Overture | | | | Overture | | | |
Die Zauberflöte: Ouvertüre | | | | Overture | | | |
Die Zwillingsbrüder, D. 647: Overture | | | | Overture | | | |
Don Giovanni: Ouvertura | | | | Overture | | | |
Eduardo e Cristina: Overture | | | | Overture | | | |
Ermione: Sinfonia | | | | Overture | | | |
Fierrabras, D. 796: Overture | | | | Overture | | | |
Grand’overtura obbligata a contrabbasso | | | | Overture | | | |
Guillaume Tell : Ouverture | | | | Overture | | | |
Il barbiere di Siviglia: Sinfonia | | | | Overture | | | |
Il signor Bruschino: Sinfonia | | | | Overture | | | |
Il turco in Italia: Sinfonia | | | | Overture | | | |
L'inganno felice: Sinfonia | | | | Overture | | | |
L’italiana in Algeri: Sinfonia | | | | Overture | | | |
La cambiale di matrimonio: Sinfonia | | | | Overture | | | |
La Cenerentola: Sinfonia | | | | Overture | | | |
La clemenza di Tito, K. 621: Ouverture | | - London Festival Orchestra, National Symphony Orchestra Olsztyn, Simfonični orkester RTV Slovenija, Igor Gogol, Anton Nanut, Kurt Redel, Alfred Scholz
- Staatskapelle Dresden, Karl Böhm
- Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis
- Dresden Staatskapelle, Hans Vonk
- (show 44 more)
| | Overture | | | |
La fiera di Venezia: Sinfonia | | | | | | | |
La gazza ladra: Ouverture | | | | Overture | | | |
La scala di seta: Sinfonia | | | | Overture | | | |
Le Comte Ory: Prélude | | | | Overture | | | |
Le nozze di Figaro, K. 492: Sinfonia | | - [unknown]
- Berlin Symphony Orchestra, Berlin Symphony Orchestra, Hamburger Symphoniker, London Festival Orchestra, London Philharmonic Orchestra, London Philharmonic Orchestra, Philharmonia Slovanica Orchester, Pietro di la Corona, Alfred Scholz, Laurence Gordon Siegel
- London Philharmonic Orchestra, Sir Georg Solti
- Wiener Philharmoniker, Herbert von Karajan
- (show 202 more)
| | Overture | | | |
Le Siège de Corinthe : Ouverture | | | | Overture | | | |
Les Danaïdes: Overture | | | | Overture | | | |
Maometto II: Overture | | | | Overture | | | |
Matilde di Shabran, ossia Bellezza, e cuor di ferro: Overture | | | | Overture | | | |
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 | | | | | | | |
Musikalisches Opfer, BWV 1079: II. Canon perpetuus super thema regium | | | | | | | |
Musikalisches Opfer, BWV 1079: IIIa. 5 Canones diversi super thema regium, Canon a 2 | | | | | | | |
Musikalisches Opfer, BWV 1079: IIIb. 5 Canones diversi super thema regium, Canon a 2 Violini in unisono | | | | | | | |
Musikalisches Opfer, BWV 1079: IIIc. 5 Canones diversi super thema regium, Canon a 2 Per motum contrarium | | | | | | | |
Musikalisches Opfer, BWV 1079: IIId. 5 Canones diversi super thema regium, Canon a 2 Per augmentationem, contrario motu | | | | | | | |
Musikalisches Opfer, BWV 1079: IIIe. 5 Canones diversi super thema regium, Canon a 2 Per tonos | | | | | | | |
Musikalisches Opfer, BWV 1079: IV. Fuga Canonica in Epidiapente | | | | | | | |
Musikalisches Opfer, BWV 1079: IX. Canon perpetuus | | | | | | | |
Musikalisches Opfer, BWV 1079: V. Ricercare a 6 | | | | | | | |
Musikalisches Opfer, BWV 1079: VI. Canon a 2 | | | | | | | |
Musikalisches Opfer, BWV 1079: VII. Canon a 4 | | | | | | | |
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo | | | | | | | |
Musikalisches Opfer, BWV 1079: VIII. Trio: b. Allegro | | | | | | | |
Musikalisches Opfer, BWV 1079: VIII. Trio: c. Andante | | | | | | | |
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro | | | | | | | |
Otello: Sinfonia | | | | Overture | | | |
Overture in B-flat major, D. 470 | | | | Overture | | | |
Overture in C major in the Italian Style, op. 170, D. 591 | | | | Overture | | | |
Overture in D major in the Italian Style, D. 590 | | | | Overture | | | |
Overture in D major, D. 12 | | | | Overture | | | |
Overture in D major, D. 26 | | | | Overture | | | |
Overture in D major, D. 556 | | | | Overture | | | |
Overture in E minor, D. 648 | | | | Overture | | | |
Palmira, regina di Persia: Overture | | | | Overture | | | |
Per la ricuperata salute di Ofelia, K. 477a: I. "Lascia la greggia". Andante pastorale | | | | | | | |
Per la ricuperata salute di Ofelia, K. 477a: II. "Quell' agnetlletto candido". Andante | | | | | | | |
Per la ricuperata salute di Ofelia, K. 477a: III. "Lascia la greggia". Larghetto | | | | | | | |
Prima la musica e poi le parole: Sinfonia | | | | | | | |
Pygmalion | | | | | | | |
Ricciardo e Zoraide: No. 1. Sinfonia | | | | Overture | | | |
Rosamunde, D. 797 / Die Zauberharfe, D. 644: Ouvertüre | | | | Overture | | | |
Sechs deutsche Tänze, K. 509: No. 1 in D major | | | | | | | |
Sechs deutsche Tänze, K. 509: No. 2 in G major | | | | | | | |
Sechs deutsche Tänze, K. 509: No. 3 in E-flat major | | | | | | | |
Sechs deutsche Tänze, K. 509: No. 4 in F major | | | | | | | |
Sechs deutsche Tänze, K. 509: No. 5 in A major | | | | | | | |
Sechs deutsche Tänze, K. 509: No. 6 in C major | | | | | | | |
Semiramide: Sinfonia | | | | Overture | | | |
Sept arabesques, H. 201a: 1. Poco allegro | | | | | | | |
Sept arabesques, H. 201a: 2. Moderato | | | | | | | |
Sept arabesques, H. 201a: 3. Andante moderato | | | | | | | |
Sept arabesques, H. 201a: 4. Allegro | | | | | | | |
Sept arabesques, H. 201a: 5. Adagio | | | | | | | |
Sept arabesques, H. 201a: 6. Allegretto | | | | | | | |
Sept arabesques, H. 201a: 7. Allegretto moderato | | | | | | | |
Sigismondo: Overture | | | | Overture | | | |
Sinfonia (Overture) di Bologna in D major, QR vii/1 | | | | | | | |
Sinfonia (Overture) in E-flat major | | | | | | | |