100,000 raisons | | | | | | | |
A Globe Itself Infolding | | | | | | | |
A Night on Bald Mountain | | | | Symphonic poem | | | |
A Night on the Bare Mountain | | | | Symphonic poem | | | |
Alborada del gracioso | | | | | | | |
Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | | | | | | | |
Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
Alexander Nevsky, op. 78: VI. The Field of the Dead | | | | | | | |
Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
An American in Paris | | | | Symphonic poem | | | |
Any Other World | - MIKA (lyricist, composer)
| | | Song | | | |
Attends-moi | | | | | | | |
Aujourd'hui, je dis bonjour à la vie | | | | | | | |
Ave verum corpus, K. 618 | | | | Motet | | | |
Bacchanale | | | | | | | |
Banditenstreiche: Ouvertüre | | | | | | | |
Béatrice et Bénédict: Ouverture | | | | Overture | | | |
Benvenuto Cellini, op. 23: Overture | | | | Overture | | | |
Boléro | | | | Ballet | | | 5 |
Bostoniana | | | | | | | |
Boum boum boum | | | | Song | | | |
Capriccio espagnol, op. 34: I. Alborada | | | | | | | |
Capriccio Espagnol, op. 34: II. Variazioni | | | | | | | |
Capriccio Espagnol, op. 34: III. Alborada | | | | | | | |
Capriccio Espagnol, op. 34: IV. Scena e canto gitano | | | | | | | |
Capriccio Espagnol, op. 34: V. Fandango asturiano | | | | | | | |
Capriccio italien, op. 45 | | | | | | | |
Carmen Suite no. 1 : IV. Séguedille. Allegretto | | | | | | | |
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato | | | | | | | |
Carmen Suite no. 1: II. Aragonaise. Allegro vivo | | | | | | | |
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Berliner Philharmoniker, Herbert von Karajan
- [unknown]
- Julius Baker, New York Philharmonic, Leonard Bernstein
- (show 90 more)
| | | | | |
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato | | | | | | | |
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Nemzeti Filharmonikus zenekar, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Emil Edlinger, Alfred Scholz, János Sándor
- [unknown]
- Royal Philharmonic Orchestra, Louis Clark
- New York Philharmonic, Leonard Bernstein
- (show 92 more)
| | | | | |
Carmen Suite no. 2: I. Marche des contrebandiers | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Alfred Scholz, János Sándor
- Royal Philharmonic Orchestra, Mark Ermler
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- (show 36 more)
| | | | | |
Carmen Suite no. 2: II. Habanera | | - Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor
- [unknown]
- New York Philharmonic, Leonard Bernstein
- Orchestre des Concerts Lamoureux, Igor Markevitch
- (show 70 more)
| | | | | |
Carmen Suite no. 2: III. Nocturne | | - Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio‐symphonique, Loic Bertrand, Cesare Cantieri, Anton Nanut, Alfred Scholz, János Sándor
- Orchestre des Concerts Lamoureux, Igor Markevitch
- New York Philharmonic, Leonard Bernstein
- Royal Philharmonic Orchestra, Mark Ermler
- (show 26 more)
| | | | | |
Carmen Suite no. 2: IV. Chanson du toréador | | | | | | | |
Carmen Suite no. 2: V. La Garde montante | | | | | | | |
Carmen Suite no. 2: VI. Danse bohème | | | | | | | |
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima | | | | | | | |
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | | | | | | | |
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera | | - Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel
- Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 82 more)
| | Cantata | | | |
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna | | | | | | | |
Carmina Burana: I. Primo vere: III. Veris leta facies | | | | | | | |
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat | | | | | | | |
Carmina Burana: I. Primo vere: V. Ecce gratum | | | | | | | |
Carmina Burana: II. In Taberna: XI. Estuans interius | | | | | | | |
Carmina Burana: II. In Taberna: XII. Olim lacus colueram | | | | | | | |
Carmina Burana: II. In Taberna: XIII. Ego sum abbas | | | | | | | |
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus | | | | | | | |
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula | | | | | | | |
Carmina Burana: III. Cour d’amours: XV. Amor volat undique | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Norma Burrowes, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- Ann Archibald, Boys of the Temple Church Choir, London, Royal Philharmonic Orchestra, Richard Cooke
- Lucia Popp, Wandsworth School Boys’ Choir, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- (show 76 more)
| | | | | |
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia | | | | | - Latin
- French, Old (842-ca.1400)
| | |
Carmina Burana: III. Cour d’amours: XVII. Stetit puella | | | | | | | |
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias | | | | | | | |
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia | | | | | | | |
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum | | - Mozarteum Orchester & Chor Salzburg, Kurt Prestel
- Brighton Festival Chorus, Norma Burrowes, John Shirley‐Quirk, Southend Boys’ Choir, Royal Philharmonic Orchestra, Antal Doráti
- New Philharmonia Chorus, Lucia Popp, Wandsworth School Boys’ Choir, Raymond Wolansky, New Philharmonia Orchestra, Rafael Frühbeck de Burgos
- Rundfunk-Sinfonie-Orchester Leipzig, Herbert Kegel
- (show 77 more)
| | | | | |
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime | | | | | | | |
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: VI. Tanz | | | | | | | |
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis | | | | | - Latin
- German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir | | | | | - German, Middle High (ca.1050-1500)
| | |
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min | | | | | - German, Middle High (ca.1050-1500)
| | |
Cello Concerto: I. Andante sostenuto - Quodlibet: Allegro | | | | | | | |
Cello Concerto: II. Caprice mélancolique | | | | | | | |
Cello Concerto: III. Quasi sarabande | | | | | | | |
Cello Concerto: IV. Tarantella | | | | | | | |
Chanson noire | | | | Suite | | | |
Chant des chérubins | | | | Motet | | | |
Chant sacré, op. 2b no. 6, H. 44B | | | | Song | | | |
Children's Corner: I. Doctor Gradus ad Parnassum | | | | | | | |
Children's Corner: II. Jimbo's Lullaby | | | | | | | |
Children's Corner: III. Serenade for the Doll | | | | | | | |
Children's Corner: IV. The Snow is Dancing | | | | | | | |
Children's Corner: V. The Little Shepherd | | | | | | | |
Children's Corner: VI. Golliwogg's Cake-Walk | | | | | | | |
Comme un fou | | | | Song | | | |
Comme un sage | | | | Suite | | | 5 |
Concertino pour Piano et Orchestre | | | | | | | |
Concertino pour piano et orchestre: I. Presto leggiero | | | | | | | |
Concertino pour piano et orchestre: II. Lent | | | | | | | |
Concertino pour piano et orchestre: III. Allegretto | | | | | | | |
Concertino pour piano et orchestre: IV. Rondeau | | | | | | | |
Concerto for Flute and Orchestra: I. Allegro | | | | | | | |
Concerto for Flute and Orchestra: II. Andante | | | | | | | |
Concerto for Flute and Orchestra: III. Allegro scherzando | | | | | | | |
Concerto for Flute no. 2 in D major, K. 285d/314: I. Allegro aperto | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: I. Introduzione. Andante non troppo - Allegro vivace | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: II. Giuoco delle coppie. Allegretto scherzando | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: III. Elegia. Andante non troppo | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: IV. Intermezzo interrotto. Allegretto | | | | | | | |
Concerto for Orchestra, Sz. 116, BB 123: V. Finale. Pesante - Presto | | | | | | | |
Concerto for Piano and Orchestra for the Left Hand in D major | | | | Concerto | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | | | | | | | |
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | | | | | | | |