| 2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | | | | |
| 2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | | | | |
| Concerto in A minor for Piano and Orchestra, op. 16: I. Allegro molto moderato | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Cécile Ousset, London Symphony Orchestra, Sir Neville Marriner
- Lilya Zilberstein, Gothenburg Symphony Orchestra, Neeme Järvi
- (show 162 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: II. Adagio | | - [unknown]
- Björn Lundgren, Dubravka Tomšič, Orchestre symphonique de la Radio Ljubljana, London Festival Orchestra, Philharmonia Slavonica, Simfonični orkester RTV Slovenija, Sven Bengtson, Alberto Lizzio, Anton Nanut
- Stephen Kovacevich, BBC Symphony Orchestra, Sir Colin Davis
- Arthur Rubinstein, RCA Victor Symphony Orchestra, Alfred Wallenstein
- (show 141 more)
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| Concerto in A minor for Piano and Orchestra, op. 16: III. Allegro moderato molto e marcato | | | | | | | |
| Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch | | | | | | | |
| Four Orchestral Pieces, op. 12, Sz. 51: I. Preludio: Moderato | | | | | | | |
| Four Orchestral Pieces, op. 12, Sz. 51: II. Scherzo: Allegro | | | | | | | |
| Four Orchestral Pieces, op. 12, Sz. 51: III. Intermezzo: Moderato | | | | | | | |
| Four Orchestral Pieces, op. 12, Sz. 51: IV. Marcia funebre: Maestoso | | | | | | | |
| Hungarian Sketches, Sz. 97, BB 103, No. 1: An Evening in the Village | | | | | | | |
| Hungarian Sketches, Sz. 97, BB 103, No. 2: Bear Dance | | | | | | | |
| Hungarian Sketches, Sz. 97, BB 103, No. 3: Melody | | | | | | | |
| Hungarian Sketches, Sz. 97, BB 103, No. 4: Slightly Tipsy | | | | | | | |
| Hungarian Sketches, Sz. 97, BB 103, No. 5: Swineherd's Dance | | | | | | | |
| Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) | | | | Aria | | | |
| Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men) | | | | Aria | | | |
| Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins) | | | | | | | |
| Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): I. Jocul cu bâtă | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): II. Brâul | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): III. Pe loc | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): IV. Buciumeana | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): V. Poarga Românească | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): VI. Mărunțel | | | | | | | |
| Romanian Folk Dances, Sz. 68, BB 76 (for Orchestra): VII. Mărunțel | | | | | | | |
| Suite no. 2, op. 4, Sz. 34, BB 40: I. Comodo | | | | | | | |
| Suite no. 2, op. 4, Sz. 34, BB 40: II. Allegro scherzando | | | | | | | |
| Suite no. 2, op. 4, Sz. 34, BB 40: III. Andante | | | | | | | |
| Suite no. 2, op. 4, Sz. 34, BB 40: IV. Comodo | | | | | | | |
| Transylvanian Dances, for orchestra, Sz. 96, BB 102b: I. Dudasok (Bagpipers). Allegretto | | | | | | | |
| Transylvanian Dances, for orchestra, Sz. 96, BB 102b: II. Medvetanc (Bear Dance) | | | | | | | |
| Transylvanian Dances, for orchestra, Sz. 96, BB 102b: III. Finale | | | | | | | |
| Two Portraits, op. 5: 1. One Ideal. Andante | | | | | | | |
| Two Portraits, op. 5: 2. One Grotesque | | | | | | | |
