| 24 Pièces de fantaisie, suite nº 3, op. 54: Nº 6. Carillon de Westminster | | | | | | | |
| 66 Choral-Improvisationen, op. 65: No. 59. Marche triomphale über “Nun danket alle Gott” | | | | | | | |
| Adagio and Fugue on "Liebster Immanuel" | | | | | | | |
| Advent Chorale | | | | | | | |
| Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) | | - Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- [unknown]
- Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev / Chor Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
- (show 110 more)
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| Aus tiefer Not schrei ich zu dir, BWV 686 | | | | | | | |
| Aus tiefer Not schrei ich zu dir, BWV 687 | | | | | | | |
| Ave Maria | | | | Song | | | |
| Canon and Gigue in D major, T. 377: I. Canon | | | | | | | |
| Caprice-Etude, op. 36 | | | | | | | |
| Carillon (Hommage à Mulet et Vierne) | | | | | | | |
| Carillon-sortie en ré majeur | | | | | | | |
| Cavalleria rusticana: Intermezzo | | | | | | | |
| Chansons de mer, op. 75: No. 1. La mer | | | | | | | |
| Chansons de mer, op. 75: No. 2. A mi-voix | | | | | | | |
| Chansons de mer, op. 75: No. 3. Sérénade Italienne | | | | | | | |
| Chansons de mer, op. 75: No. 4. Encore un soir qui tombe | | | | | | | |
| Chansons de mer, op. 75: No. 5. La petite couleuvre bleue | | | | | | | |
| Chansons de mer, op. 75: No. 6. A l’aube | | | | | | | |
| Chansons de mer, op. 75: No. 7. Ce monde meilleur | | | | | | | |
| Chansons de mer, op. 75: No. 8. Rosa, la rose | | | | | | | |
| Chansons de mer, op. 75: No. 9. Seul dans la nuit | | | | | | | |
| Chansons de mer, op. 75: No. 10. Les nuages | | | | | | | |
| Chansons de mer, op. 75: No. 11. Douleur précoce | | | | | | | |
| Chansons de mer, op. 75: No. 12. Le ciel d’hiver | | | | | | | |
| Chansons de mer, op. 75: No. 13. Les yeux et la voix | | | | | | | |
| Chansons de mer, op. 75: No. 14. Repos éternel | | | | | | | |
| Choralbearbeitung, BWV 669 “Kyrie, Gott Vater in Ewigkeit” | | | | | | | |
| Choralbearbeitung, BWV 670 "Christe, aller Welt Trost" | | | | | | | |
| Choralbearbeitung, BWV 671 "Kyrie, Gott heiliger Geist" | | | | | | | |
| Choralbearbeitung, BWV 672 "Kyrie, Gott Vater in Ewigkeit" | | | | | | | |
| Choralbearbeitung, BWV 673 "Christe, aller Welt Trost" | | | | | | | |
| Choralbearbeitung, BWV 674 "Kyrie, Gott heiliger Geist" | | | | | | | |
| Choralbearbeitung, BWV 675 "Allein Gott in der Höh sei Ehr" | | | | | | | |
| Choralbearbeitung, BWV 676 "Allein Gott in der Höh sei Ehr" | | | | | | | |
| Choralbearbeitung, BWV 678 "Dies sind die heil'gen zehn Gebot'" | | | | | | | |
| Choralbearbeitung, BWV 679 "Dies sind die heil'gen zehn Gebot'" | | | | | | | |
| Choralbearbeitung, BWV 680 "Wir glauben all' an einen Gott" | | | | | | | |
| Choralbearbeitung, BWV 681 "Wir glauben all' an einen Gott" | | | | | | | |
| Choralbearbeitung, BWV 682 "Vater unser im Himmelreich" | | | | | | | |
| Choralbearbeitung, BWV 683 "Vater unser im Himmelreich" | | | | | | | |
| Choralbearbeitung, BWV 684 "Christ, unser Herr, zum Jordan kam" | | | | | | | |
| Choralbearbeitung, BWV 685 "Christ, unser Herr, zum Jordan kam" | | | | | | | |
| Choralbearbeitung, BWV 688 "Jesus Christus unser Heiland" | | | | | | | |
| Chorale on a Melody by Orlando Gibbons | | | | | | | |
| Chorale Partita: Christ the Lord Is Risen Again | | | | | | | |
| Chorale Partita: Unto Us Is Born a Son | | | | | | | |
| Chorale: O Sacred Head Sore Wounded | | | | | | | |
| Choralvorspiel, BWV 677: Fughetta super "Allein Gott in der Höh sei Ehr" | | | | | | | |
| Cinquième Symphonie pour Grand Orgue, op. 47: I. Grave | | | | | | | |
| Cinquième Symphonie pour Grand Orgue, op. 47: II. Allegretto molto marcato | | | | | | | |
| Cinquième Symphonie pour Grand Orgue, op. 47: III. Tempo di scherzo ma non troppo vivo | | | | | | | |
| Cinquième Symphonie pour Grand Orgue, op. 47: IV. Larghetto | | | | | | | |
| Cinquième Symphonie pour Grand Orgue, op. 47: V. Final. Allegro moderato | | | | | | | |
| Crown Imperial | | | | | | | |
| Deuxième Symphonie pour Grand Orgue, op. 20: I. Allegro risoluto ma non troppo vivo | | | | | | | |
| Deuxième Symphonie pour Grand Orgue, op. 20: II. Choral. Largo | | | | | | | |
| Deuxième Symphonie pour Grand Orgue, op. 20: III. Scherzo. Quasi presto | | | | | | | |
| Deuxième Symphonie pour Grand Orgue, op. 20: IV. Cantabile. Larghetto | | | | | | | |
| Deuxième Symphonie pour Grand Orgue, op. 20: V. Final. Maestoso | | | | | | | |
| Dormez, Mèlité… | | | | Song | | | |
| Duetto Nr. 1 e-Moll, BWV 802 | | | | | | | |
| Duetto Nr. 2 F-Dur, BWV 803 | | | | | | | |
| Duetto Nr. 3 G-dur, BWV 804 | | | | | | | |
| Duetto Nr. 4 a-Moll, BWV 805 | | | | | | | |
| Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace | | | | | | | |
| Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” | | | | Song | | | |
| Épithalame | | | | | | | |
| Fanfare for Easter Day | | | | | | | |
| Fanfare in D major | | | | | | | |
| Fantasia and Fugue in D major | | | | | | | |
| Frühlingsblüthen, op. 14: Nr. 5. Landschaft | | | | | | | |
| Frühlingsblüthen, op. 14: Nr. 6. Lustiger | | | | | | | |
| Frühlingsblüthen, op. 14: Nr. 7. Nicht schnell | | | | | | | |
| Grand chœur dialogué | | | | | | | |
| Jesu, Joy of Man’s Desiring | | | | Aria | | | |
| Jesus Christus, unser Heiland (Fuga super), BWV 689 | | | | | | | |
| La nuit | | | | Song | | | |
| Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) | | | | | | | |
| Lyrische Blätter, op. 12: Nr. 1. Nicht schnell | | | | | | | |
| Lyrische Blätter, op. 12: Nr. 2. Fröhlich | | | | | | | |
| Lyrische Blätter, op. 12: Nr. 3. Langsam, mit sehr viel Empfindung | | | | | | | |
| Lyrische Blätter, op. 12: Nr. 4. Nich rasch | | | | | | | |
| Lyrische Blätter, op. 15: Nr. 1. Nicht zu langsam | | | | | | | |
| Lyrische Blätter, op. 15: Nr. 2. Einfach kindlich | | | | | | | |
| Lyrische Blätter, op. 15: Nr. 3. Ziemlich langsam | | | | | | | |
| Lyrische Blätter, op. 15: Nr. 4. Intermezzo | | | | | | | |
| Music for the Royal Fireworks, HWV 351: I. Ouverture | | | | | | | |
| Music for the Royal Fireworks, HWV 351: IV. La Réjouissance | | - Bamberg Philharmonic Orchestra, London Festival Orchestra, London Symphony Orchestra, Radio Symphony Orchestra, Slovak Philharmonic Orchestra, Slovak Philharmonic Chamber Orchestra, Český národní symfonický orchestr, Oliver von Dohnányi, Sidney Lark, Rolf Reinhardt, Bernhard Stopler, Bohdan Warchal
- The English Concert, Trevor Pinnock
- Berlin Festival Orchestra, Berliner Festspielorchester, The European Philharmonic Orchestra, Musici di San Marco, Norddeutsche Philharmonie, Alberto Lizzio, Vladimir Petroschoff, Luigi Varese
- Capella Istropolitana, Bohdan Warchal
- (show 95 more)
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| Nocturne | | | | | | | |
| Nuit mystérieuse | | | | Song | | | |
| Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | | | | | | | |
| Oublieras-tu que d’heures douces | | | | Song | | | |
| Poesie-Blumen, op. 1: Nr. 1. Ziemlich langsam | | | | | | | |
| Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major | | | | | | | |
| Präludium und Fuge Es-Dur, BWV 552: I. Präludium | | | | | | | |
| Präludium und Fuge Es-Dur, BWV 552: II. Fuge | | | | | | | |
| Prelude on the Somerset Carol | | | | | | | |
| Prelude: Come, Holy Ghost | | | | | | | |
| Prelude: Most Ancient of All Mysteries | | | | | | | |
