Hippolyte et Aricia, suite d’orchestre: V. Premier air des Furies. Gravement | Sveriges Radios Symfoniorkester, Daniel Harding | | | 1:45 | |
Hippolyte et Aricia, suite d’orchestre: VI. Premier et deuxième airs des Matelots. Gravement – Pesamment – Vivement | Sveriges Radios Symfoniorkester, Daniel Harding | | | 2:09 | |
Hippolyte et Aricia, suite d’orchestre: VII. Premier rigaudon en tambourin. Très vite | Sveriges Radios Symfoniorkester, Daniel Harding | | | 0:31 | |
Hippolyte et Aricia, suite d’orchestre: VIII. Deuxième air des Chasseurs (et des Chasseresses) en rondeau | Sveriges Radios Symfoniorkester, Daniel Harding | | | 1:54 | |
Holländer: Die Frist ist um, und abermals verstrichen (I, 2 "Monolog") | Sveriges Radios Symfoniorkester, Daniel Harding | | | 10:58 | |
I Capuleti e i Montecchi: Act I. “Eccomi in lieta vesta” … “Oh! Quante volte” | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 8:52 | |
I Capuleti e i Montecchi: Act I. “Eccomi in lieta vesta” … “Oh! Quante volte” | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 8:52 | |
I. Allegro energico, ma non troppo. Heftig, aber markig | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | ?:?? | |
Idomeneo, K. 366, Act III Scene 1: Solitudini amiche... Zeffiretti lusinghieri | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 6:59 | |
Idomeneo, K. 366, Act III Scene 10: Oh smania! Oh furie!... D'Oreste, d'Aiace | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 6:42 | |
II. Andante moderato | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | ?:?? | |
III. Scherzo. Wuchtig - Trio. Altväterisch. Merklich langsamer. Grazioso | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | ?:?? | |
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2] | Véronique Gens, Mahler Chamber Orchestra, Daniel Harding | | | 4:13 | |
Il Mondo della Luna, 1.Akt, Arie der Flaminia: "Ragion nell'alma siede" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 5:07 | |
Insel der Sirenen für Solo-Violine und 19 Streicher | Sveriges Radios Symfoniorkester, Daniel Harding, Christian Tetzlaff | | | 12:11 | |
Introduction et rondo capriccioso | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 8:50 | |
Introduction et rondo capriccioso en la mineur op. 28 | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 8:46 | |
Iphigénie en Tauride, 2.Akt, Accompagnato und Arie der Iphigenie: "Non, cet affreux devoir je ne puis le remplir..." | Patricia Petibon, Concerto Köln, Daniel Harding | | | 3:51 | |
Isoldes Liebestod (III) | Sveriges Radios Symfoniorkester, Daniel Harding | | | 7:04 | |
IV. Finale. Allegro moderato | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | ?:?? | |
Karfreitagszauber (III) | Sveriges Radios Symfoniorkester, Daniel Harding | | | 11:18 | |
L'anima del filosofo ossia Orfeo ed Euridice, 2.Akt, Cavatine der Euridice: "Del mio core il voto estremo" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 3:48 | |
L'isola disabitata, 1. teil, Arie der Silvia: "Fra un dolce deliro" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 4:31 | |
La Bohème: Act II. “Quando me'n vo'” | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:36 | |
La Bohème: Act II. “Quando me'n vo'” | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:36 | |
La clemenza di Tito, K. 621, Act I: Deh, se piacer mi vuoi | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 5:35 | |
La clemenza di Tito, K. 621, Act II: Ecco il punto, o Vitellia... Non più di fiori | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 9:49 | |
La traviata: Act I. “È strano, è strano“ ... “Sempre libera” | Miah Persson, Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 8:45 | |
La traviata: Act I. “È strano, è strano“ ... “Sempre libera” | Miah Persson, Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 8:45 | |
Lakmé: Act I. « Viens, Mallika » … « Sous le dôme épais » | Katarina Karnéus, Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 6:28 | |
Lakmé: Act I. « Viens, Mallika » … « Sous le dôme épais » | Katarina Karnéus, Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 6:28 | |
Lasst mich allein, op. 82 no. 1 | Steven Isserlis, Mahler Chamber Orchestra, Daniel Harding | | | 4:22 | |
Le Bœuf sur le toit, cinéma-fantaisie | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 14:49 | |
Le nozze di Figaro, K. 492, Act II: Porgi, amor, qualche ristoro | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:55 | |
Le nozze di Figaro, K. 492, Act III: E Susanna non vien!... Dove sono i bei momenti | Dorothea Röschmann, Swedish Radio Symphony Orchestra, Daniel Harding | | | 6:52 | |
Leonore Overture No. 3, Op. 72a | Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 12:48 | |
Les Contes d'Hoffmann: Act II. « Belle nuit, ô nuit d'amour » | Katarina Karnéus, Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:56 | |
Les Contes d'Hoffmann: Act II. « Belle nuit, ô nuit d'amour » | Katarina Karnéus, Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:56 | |
Les Fleuves engloutis pour orchestre, op. 64: I. Broulluant | London Symphony Orchestra, Daniel Harding | | | 2:40 | |
Les Fleuves engloutis pour orchestre, op. 64: II. Chant du silence | London Symphony Orchestra, Daniel Harding | | | 2:35 | |
Les Fleuves engloutis pour orchestre, op. 64: III. Alerte | London Symphony Orchestra, Daniel Harding | | | 2:15 | |
Les Fleuves engloutis pour orchestre, op. 64: IV. Lutte | London Symphony Orchestra, Daniel Harding | | | 1:24 | |
Les Fleuves engloutis pour orchestre, op. 64: V. Chant dev fleuves | London Symphony Orchestra, Daniel Harding | | | 4:30 | |
Les Illuminations, op. 18: I. Fanfare | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:05 | |
Les Illuminations, op. 18: II. Villes | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:28 | |
Les Illuminations, op. 18: III a. Phrase | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 1:06 | |
Les Illuminations, op. 18: III b. Antique | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:16 | |
Les Illuminations, op. 18: IV. Royauté | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 1:32 | |
Les Illuminations, op. 18: IX. Départ | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:48 | |
Les Illuminations, op. 18: V. Marine | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 0:58 | |
Les Illuminations, op. 18: VI. Interlude | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:49 | |
Les Illuminations, op. 18: VII. Being Beauteous | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 4:05 | |
Les Illuminations, op. 18: VIII. Parade | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:43 | |
Les Vêpres siciliennes: Overture | Wiener Philharmoniker, Daniel Harding | | | 9:34 | |
Lo speziale, 3.Akt, Arie des Volpino"Salamelica, Sempruga cara" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 1:52 | |
Lucio Silla, 2.Akt, Accompagnato und Arie der Giunia: "Vanne. T'affretta - Ah! se il crudel periglio" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 10:02 | |
Lucio Silla, 3.Akt, Arie der Giunia: "Fra i pensier più funesti di morte" | Patricia Petibon, Concerto Köln, Daniel Harding | | | 3:03 | |
Madame Chrysanthème: Act II. « Le jour sous le soleil béni » | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 4:40 | |
Madame Chrysanthème: Act II. « Le jour sous le soleil béni » | Miah Persson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 4:40 | |
Mahler: Symphony No. 1: I. Langsam. Schleppend - Immer sehr gemächlich | Berliner Philharmoniker, Daniel Harding | | | 16:19 | |
Mahler: Symphony No. 1: II. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich | Berliner Philharmoniker, Daniel Harding | | | 7:58 | |
Mahler: Symphony No. 1: III. Feierlich und gemessen, ohne zu schleppen | Berliner Philharmoniker, Daniel Harding | | | 11:04 | |
Mahler: Symphony No. 1: IV. Stürmisch bewegt | Berliner Philharmoniker, Daniel Harding | | | 20:24 | |
Marine - à travers les arbres | London Symphony Orchestra, Daniel Harding | | | 11:48 | |
Marke: Tatest du's wirklich? (II, 3) | Sveriges Radios Symfoniorkester, Daniel Harding | | | 12:29 | |
Masaot / Clocks Without Hands | Wiener Philharmoniker, Daniel Harding | | | 24:32 | |
Méditaion de Thais (extr.) | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 4:03 | |
Méditation de Thaïs | Renaud Capuçon, Deutsche Kammerphilharmonie Bremen, Daniel Harding | | | 5:20 | |
Nocturne, op. 60: “Below the thunders of the upper deep” | Andrew Staples, Fredrik Ekdahl, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:24 | |
Nocturne, op. 60: “But that night when on my bed I lay” | Andrew Staples, Tomas Nilsson, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:01 | |
Nocturne, op. 60: “Encinctured with a twine of leaves” | Andrew Staples, Lisa Viguier Vallgårda, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:41 | |
Nocturne, op. 60: “Midnight’s bell goes ting, ting, ting” | Andrew Staples, Christopher Parkes, Swedish Radio Symphony Orchestra, Daniel Harding | | | 2:24 | |
Nocturne, op. 60: “On a poet’s lips I slept” | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:10 | |
Nocturne, op. 60: “She sleeps on soft, last breaths” | Andrew Staples, Sofi Berner, Swedish Radio Symphony Orchestra, Daniel Harding | | | 4:28 | |
Nocturne, op. 60: “What is more gentle than a wind in summer?” | Andrew Staples, Anders Jonhäll, Andreas Sundén, Swedish Radio Symphony Orchestra, Daniel Harding | | | 3:57 | |
Nocturne, op. 60: “When most I wink, then do mine eyes best see” | Andrew Staples, Swedish Radio Symphony Orchestra, Daniel Harding | | | 4:40 | |
O Waly, Waly | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 3:36 | |
Oliver Cromwell | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 0:43 | |
Original ending of the Cello Concerto in B minor | Steven Isserlis, Mahler Chamber Orchestra, Daniel Harding | | | 1:31 | |
Our Hunting Fathers, op. 8: A. Rats Away! | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 4:36 | |
Our Hunting Fathers, op. 8: B. Messalina | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 8:37 | |
Our Hunting Fathers, op. 8: C. Dance of Death | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 6:35 | |
Our Hunting Fathers, op. 8: Epilogue and Funeral March | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 7:50 | |
Our Hunting Fathers, op. 8: Prologue | Ian Bostridge, Britten Sinfonia, Daniel Harding | | | 2:32 | |
Ouverture | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 8:30 | |
Parsifal: Amfortas: Ja - Wehe! Wehe! Weh' über mich! (III) | Matthias Goerne, Swedish Radio Symphony Orchestra, Daniel Harding | | | 5:57 | |
Parsifal: Karfreitagszauber (III) | Swedish Radio Symphony Orchestra, Daniel Harding | | | 11:18 | |
Parsifal: Vorspiel (I) | Sveriges Radios Symfoniorkester, Daniel Harding | | | 14:38 | |
Parsifal: Vorspiel (I) | Swedish Radio Symphony Orchestra, Daniel Harding | | | 14:38 | |
Part I: I. Szene im Garten | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 4:59 | |
Part I: II. Gretchen vor dem Bild der Mater Dolorosa (Gretchen) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 4:43 | |
Part I: III. Szene im Dom | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 6:55 | |
Part II: IV. Sonnenaufgang: Des Lebens Pulse schlagen frisch-lebendig (Faust) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 4:04 | |
Part II: IV. Sonnenaufgang: Die ihr dies Haupt umschwebt im luft'gen Kreise (Ariel, Chorus, Faust) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 7:14 | |
Part II: IV. Sonnenaufgang: So ist es also, wenn ein sehnend Hoffen (Faust) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 3:57 | |
Part II: IV. Sonnenaufgang: Thäler grünen, Hügel schwellen" (Chorus, Ariel) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 4:11 | |
Part II: V. Mitternacht: Die Nacht scheint tiefer tief hereinzudringen (Faust) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 2:38 | |
Part II: V. Mitternacht: Ich heisse der Mangel (Mangel, Schuld, Not, Sorge, 4 Women) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 2:07 | |
Part II: V. Mitternacht: Vier sah ich kommen, drei nur gehn (Faust, Sorge) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 8:41 | |
Part II: VI. Fausts Tod (Mephistopheles, Lemuren, Faust, Choir) | Symphonieorchester des Bayerischen Rundfunks, Daniel Harding | | | 14:40 | |