| audio engineered |
|---|
| 1968 | Bourree in E minor | | Alirio Díaz | 1:26 |
| 1968 | Chaconne BWV 1004 (Arr Ségovia) | | Alirio Diaz | 12:27 |
| 1968 | Fugue BWV 1001 (Arr Duarte) | | Alirio Diaz | 4:53 |
| 1968 | Gavotte BWV 1012 (Arr Ségovia) | | Alirio Diaz | 3:43 |
| 1968 | Prélude - Suite Pour Violoncelle BWV 1009 | | Alirio Diaz | 3:26 |
| Serenade to Music (choral version) | | Royal Festival Orchestra and Choir, Sir Adrian Boult | 11:58 |
| balance engineered |
|---|
| 1956-12 – 1957-04 | Peter and the Wolf, op. 40 | | Philharmonia Orchestra, Herbert von Karajan | 29:16 |
| 1957-04-10 | Sechs alte Weisen: Das Köhlerweib ist trunken | | Elisabeth Schwarzkopf, Gerald Moore | 1:15 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: I. Andante | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 10:56 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: II. Allegro giusto | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 17:27 |
| 1957-04-15 | Symphony-Concerto in E minor, op. 125: III. Andante con moto - Allegretto - Allegro marcato | | Mstislav Rostropovich, Royal Philharmonic Orchestra, Sir Malcolm Sargent | 10:01 |
| 1957-06-08 – 1957-06-10 | Goethe-Lieder: Die Bekehrte | | Elisabeth Schwarzkopf, Gerald Moore | 2:48 |
| 1958-01-11 | Goethe-Lieder: Mignon III | | Elisabeth Schwarzkopf, Gerald Moore | 4:04 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro | | Annie Fischer, Philharmonia Orchestra, Wolfgang Sawallisch | 15:10 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante | | Annie Fischer, Philharmonia Orchestra, Wolfgang Sawallisch | 7:39 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai | | Annie Fischer, Philharmonia Orchestra, Wolfgang Sawallisch | 7:16 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 22 in E-flat major, K. 482: I. Allegro | | Annie Fischer, Philharmonia Orchestra, Wolfgang Sawallisch | 13:53 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 22 in E-flat major, K. 482: II. Andante | | Annie Fischer, Wolfgang Sawallisch, Philharmonia Orchestra | 9:37 |
| 1958-02-28 – 1958-03-10 | Concerto for Piano no. 22 in E-flat major, K. 482: III. Allegro | | Annie Fischer, Philharmonia Orchestra, Wolfgang Sawallisch | 10:42 |
| 1958-08 | Pohjola's Daughter, op. 49 | | BBC Symphony Orchestra, Sir Malcolm Sargent | 12:30 |
| 1961-01-30 | Goethe-Lieder: Der Schäfer | | Elisabeth Schwarzkopf, Gerald Moore | 2:22 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Etwas bewegter | | Philharmonia Orchestra, Otto Klemperer | 3:05 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Langsam. Misterioso | | Philharmonia Orchestra, Otto Klemperer | 5:39 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Mit Aufschwung aber nicht eilen | | Wilhelm Pitz, Philharmonia Chorus, Hilde Rössel-Majdan, Elisabeth Schwarzkopf, Philharmonia Orchestra, Otto Klemperer | 4:02 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Ritardando... Maestoso | | Philharmonia Orchestra, Otto Klemperer | 5:03 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": V. Im Tempo des Scherzos. Wild herausfahrend | | Philharmonia Orchestra, Otto Klemperer | 6:58 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder sehr breit | | Philharmonia Orchestra, Otto Klemperer | 2:58 |
| 1961-11-22 – 1962-03-24 | Sinfonie Nr. 2 c-Moll "Auferstehung": Wieder zurückhaltend | | Philharmonia Orchestra, Otto Klemperer | 6:25 |
| 1961-11-22 – 1962-03-24 | Symphony no. 2 in C minor "Resurrection": I. Allegro Maestoso | | Philharmonia Orchestra, Otto Klemperer | 19:04 |
| 1961-11-22 – 1962-03-24 | Symphony no. 2 in C minor "Resurrection": II. Andante moderato | | Philharmonia Orchestra, Otto Klemperer | 10:30 |
| 1961-11-22 – 1962-03-24 | Symphony no. 2 in C minor "Resurrection": III. In ruhig fliessender Bewegung | | Philharmonia Orchestra, Otto Klemperer | 11:40 |
| 1961-11-22 – 1962-03-24 | Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | | Philharmonia Orchestra, Otto Klemperer | 4:01 |
| 1962-12-07 | Goethe-Lieder: Als ich auf dem Euphrat schiffte | | Elisabeth Schwarzkopf, Gerald Moore | 1:37 |
| 1962-12-07 | Goethe-Lieder: Hochbeglückt in deiner Liebe | | Elisabeth Schwarzkopf, Gerald Moore | 1:56 |
| 1962-12-07 | Goethe-Lieder: Nimmer will ich dich verlieren! | | Elisabeth Schwarzkopf, Gerald Moore | 1:12 |
| 1962 | Act 1: Scene 1: A syn yevó Fyódor? | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 1: Scene 1: Bózhe krépky, právy | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:52 |
| 1962 | Act 1: Scene 1: Davnó, chestnóy, otyéts | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 1: Scene 1: Nyesyétuy, brat | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 1: Scene 1: Ty vsyo pisál i snom nye pzabylsa | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:25 |
| 1962 | Act 1: Scene 1: Yeshchó odnó poslyédneye skazánye | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 5:51 |
| 1962 | Act 1: Scene 1: Zvonyát k zaútrenye | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 1: Scene 2: Allegro con brio | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:55 |
| 1962 | Act 1: Scene 2: Kak vo górode bylo vo Kazáne | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:48 |
| 1962 | Act 1: Scene 2: Kak yédet yon | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:42 |
| 1962 | Act 1: Scene 2: Vy shto za lyúdi? | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:04 |
| 1962 | Act 1: Scene 2: Ya grámotny | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 1: Scene 2: Zhéno, mir dómu tvoemú! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:44 |
| 1962 | Act 2: A ty, moy syn, chem zányat? | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:17 |
| 1962 | Act 2: Ay, kysh!... Shto takóe? | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 1:23 |
| 1962 | Act 2: Chevó? Al lyúty zvyer nasyédku vspolokhnúl? | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:04 |
| 1962 | Act 2: Dostíg ya vyshey vlásti | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 5:48 |
| 1962 | Act 2: Ekh, máma, mámushka, vot kak skázochka! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 2: Gdye ty, zheníkh moy | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 2: Kak komár drová rubíl | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Act 2: Ny, shtoe?... Pópinka nash sidyél | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:11 |
| 1962 | Act 2: Slykhál li ty, kogdá-nibud' | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:44 |
| 1962 | Act 2: Uf! tyazheló! Day dukh perevedú | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:00 |
| 1962 | Act 2: V Ugliche, v soboryé pred vsyém naródom | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:18 |
| 1962 | Act 2: Velíky gosudár, chelóm byu | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:03 |
| 1962 | Act 3: Scene 1: A! Akh, éto ty, moy otyéts! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 5:14 |
| 1962 | Act 3: Scene 1: Dovól'no! Krasótka pánna blagodárna | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:21 |
| 1962 | Act 3: Scene 1: Marínye, akh, kak skúchno-to! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:56 |
| 1962 | Act 3: Scene 1: Na Víslye lazúrnoy, pod ívoy tenístoy | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:37 |
| 1962 | Act 3: Scene 1: Shto? dyérzky Izhets! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:17 |
| 1962 | Act 3: Scene 1: svoyéyu plení samozvántsa! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:50 |
| 1962 | Act 3: Scene 2: Dimítry! tsaryévich Dimítry! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:49 |
| 1962 | Act 3: Scene 2: Dovól'no! Slíshkom mnógo upryókov | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:12 |
| 1962 | Act 3: Scene 2: Iezuít lukávy krépko zhal menyá | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:33 |
| 1962 | Act 3: Scene 2: O tsaryévich, umolyáyu | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:00 |
| 1962 | Act 3: Scene 2: Tebyá, tebyá odnú, Marína | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:08 |
| 1962 | Act 3: Scene 2: Tsaryévich!... Opyát za mnoy! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 4:00 |
| 1962 | Act 3: Scene 2: V pólnoch... v sadú... u fontána | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:53 |
| 1962 | Act 3: Scene 2: Váshey strásti ya nye vyéryu, pánye (Polonaise, Orchester) | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:57 |
| 1962 | Act 4: Scene 1: Domine, Domine, salvum fac regem | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:42 |
| 1962 | Act 4: Scene 1: Lyéytes, lyéytes slyózy górkiye | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:30 |
| 1962 | Act 4: Scene 1: Nye sókol letít po podnébyesyu | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:25 |
| 1962 | Act 4: Scene 1: Sólntse, luná pomyérknuli | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:45 |
| 1962 | Act 4: Scene 1: Trrr... Zhelyézny kolpák, zhelyézny kolpák! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:28 |
| 1962 | Act 4: Scene 1: Vali syudá! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:04 |
| 1962 | Act 4: Scene 1:. Sláva tebyé, tsaryévichu, bógom spasyénnomu | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:43 |
| 1962 | Act 4: Scene 2: Oy; dúshno! dúshno! Svyétu! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 1:06 |
| 1962 | Act 4: Scene 2: Proshcháy, moy syn, umiráyu | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 6:00 |
| 1962 | Act 4: Scene 2: Shtozh? poydóm na golosá, boyáre | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:35 |
| 1962 | Act 4: Scene 2: Smiryénny ínok | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 6:04 |
| 1962 | Act 4: Scene 2: Ya sózval vas, boyáre | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 2:42 |
| 1962 | Act 4: Scene 2: Zhal', Shúyskovo nyet knyázya | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:14 |
| 1962 | Act 4: Scene 2: Zvon! Pogrebál'ny zvon! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 1: Andante: Nu, shtozh vy | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 1: Na kov¢ ty nas pokidáesh | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 1: Pravoslávnyye! nye umolin boyárin! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 1: Sláva tebyé, tvorstú vsevyshnemu, na zemlé! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 2: Da zdrávstvuet tsar Boris Feódorovich! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 3:16 |
| 1962 | Prolog: Scene 2: Moderato | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | 1:58 |
| 1962 | Prolog: Scene 2: Skorb¡t dusha! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1962 | Prolog: Scene 2: Sláva, Sláva, Sláva! | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | ?:?? |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | 8:03 |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: II. Der Einsame im Herbst | | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | 10:08 |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: III. Von der Jugend | | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | 3:42 |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: IV. Von der Schönheit | | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | 7:46 |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: V. Der Trunkene im Frühling | | Fritz Wunderlich, Philharmonia Orchestra, Otto Klemperer | 4:41 |
| 1964-02-19 – 1966-07-09 | Das Lied von der Erde: VI. Der Abschied | | Christa Ludwig, Philharmonia Orchestra, Otto Klemperer | 29:25 |
| 1964-03-24 – 1964-04-10 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 1. Introduktion "Zu Hilfe! Zu Hilfe!" | | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | 6:56 |
| 1964-03-24 – 1964-04-10 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 2. Lied "Der Vogelfänger bin ich ja" | | Walter Berry, Philharmonia Orchestra, Otto Klemperer | 2:42 |
| 1964-03-24 – 1964-04-10 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 3. Aria "Dies Bildnis ist bezaubernd schön" | | Nicolai Gedda, Philharmonia Orchestra, Otto Klemperer | 4:11 |
| 1964-03-24 – 1964-04-10 | Die Zauberflöte, K. 620: Akt 1, Szene 1, Nr. 4. Rezitativ und Arie "O zitt're nicht, mein lieber Sohn" | | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | 5:10 |
| See all 721 relationships |
| edited |
|---|
| Keyboard Suite No.2 in F major, HWV 427: I. Adagio | | Sviatoslav Richter | 3:29 |
| Keyboard Suite No.2 in F major, HWV 427: II. Allegro | | Sviatoslav Richter | 2:14 |
| Keyboard Suite No.2 in F major, HWV 427: III. Adagio | | Sviatoslav Richter | 1:45 |
| Keyboard Suite No.2 in F major, HWV 427: IV. Fuga: Allegro | | Sviatoslav Richter | 2:35 |
| Keyboard Suite No.3 in D minor, HWV 428: I. Prélude (Presto) | | Sviatoslav Richter | 1:03 |
| Keyboard Suite No.3 in D minor, HWV 428: II. Fuga (Allegro) | | Sviatoslav Richter | 2:22 |
| Keyboard Suite No.3 in D minor, HWV 428: III. Allemande (Andantino quasi allegretto) | | Sviatoslav Richter | 3:31 |
| Keyboard Suite No.3 in D minor, HWV 428: IV. Courante | | Sviatoslav Richter | 1:50 |
| Keyboard Suite No.3 in D minor, HWV 428: V. Air (Lento non troppo) | | Sviatoslav Richter | 10:24 |
| Keyboard Suite No.3 in D minor, HWV 428: VI. Presto | | Sviatoslav Richter | 4:37 |
| Keyboard Suite No.5 in E major, HWV 430 'The Harmonious Blacksmith': I. Prélude (Allegro moderato) | | Sviatoslav Richter | 1:49 |
| Keyboard Suite No.5 in E major, HWV 430 'The Harmonious Blacksmith': II. Allemande (Andantino) | | Sviatoslav Richter | 4:47 |
| Keyboard Suite No.5 in E major, HWV 430 'The Harmonious Blacksmith': III. Courante (Allegro) | | Sviatoslav Richter | 2:05 |
| Keyboard Suite No.5 in E major, HWV 430 'The Harmonious Blacksmith': IV. Air con variazioni (Andantino) | | Sviatoslav Richter | 4:40 |
| Keyboard Suite No.8 in F minor, HWV 433: I. Prélude (Allegro) | | Sviatoslav Richter | 2:49 |
| Keyboard Suite No.8 in F minor, HWV 433: II. Fuga (Allegro) | | Sviatoslav Richter | 3:06 |
| Keyboard Suite No.8 in F minor, HWV 433: III. Allemande (Allegro moderato) | | Sviatoslav Richter | 2:52 |
| Keyboard Suite No.8 in F minor, HWV 433: IV. Courante (Allegro) | | Sviatoslav Richter | 1:54 |
| Keyboard Suite No.8 in F minor, HWV 433: V. Gigue (Presto) | | Sviatoslav Richter | 2:15 |
| Suite for Piano No. 1 in A major, HWV 426: I. Prélude | | Andrei Gavrilov | 3:13 |
| Suite for Piano No. 1 in A major, HWV 426: II. Allemande. Andantino | | Andrei Gavrilov | 3:05 |
| Suite for Piano No. 1 in A major, HWV 426: III. Courante. Allegro moderato | | Andrei Gavrilov | 2:12 |
| Suite for Piano No. 1 in A major, HWV 426: IV. Gigue. Presto | | Andrei Gavrilov | 2:46 |
| Suite for Piano No. 4 in E minor, HWV 429: I. Fuga. Allegro | | Andrei Gavrilov | 3:28 |
| Suite for Piano No. 4 in E minor, HWV 429: II. Allemande. Allegro moderato | | Andrei Gavrilov | 2:34 |
| Suite for Piano No. 4 in E minor, HWV 429: III. Courante. Allegretto tranquillo | | Andrei Gavrilov | 2:07 |
| Suite for Piano No. 4 in E minor, HWV 429: IV. Sarabande. Allegretto con moto | | Andrei Gavrilov | 4:48 |
| Suite for Piano No. 4 in E minor, HWV 429: V. Gigue. Vivace | | Andrei Gavrilov | 1:27 |
| Suite for Piano No. 6 in F-sharp minor, HWV 431: I. Prélude. Allegro moderato | | Andrei Gavrilov | 1:21 |
| Suite for Piano No. 6 in F-sharp minor, HWV 431: II. Largo | | Andrei Gavrilov | 3:16 |
| Suite for Piano No. 6 in F-sharp minor, HWV 431: III. Fuga. Allegro | | Andrei Gavrilov | 3:04 |
| Suite for Piano No. 6 in F-sharp minor, HWV 431: IV. Gigue. Presto | | Andrei Gavrilov | 2:49 |
| Suite for Piano No. 7 in G minor, HWV 432: I. Ouverture. Adagio – Presto – Adagio | | Andrei Gavrilov | 6:22 |
| Suite for Piano No. 7 in G minor, HWV 432: II. Andante | | Andrei Gavrilov | 3:42 |
| Suite for Piano No. 7 in G minor, HWV 432: III. Allegro | | Andrei Gavrilov | 1:54 |
| Suite for Piano No. 7 in G minor, HWV 432: IV. Sarabande. Andante con moto | | Andrei Gavrilov | 5:10 |
| Suite for Piano No. 7 in G minor, HWV 432: V. Gigue. Vivo | | Andrei Gavrilov | 1:16 |
| Suite for Piano No. 7 in G minor, HWV 432: VI. Passacaglia. Allegro commodo | | Andrei Gavrilov | 4:42 |
| Suite no. 9 in G minor: I. Allemande. Allegro con fuoco | | Sviatoslav Richter | 5:16 |
| Suite no. 9 in G minor: II. Courante. Allegro vivace | | Sviatoslav Richter | 3:53 |
| Suite no. 9 in G minor: III. Gigue. Presto | | Sviatoslav Richter | 4:37 |
| Suite no. 10 in D minor: I. Allemande. Allegretto con moto | | Andrei Gavrilov | 3:02 |
| Suite no. 10 in D minor: II. Allegro | | Andrei Gavrilov | 1:08 |
| Suite no. 10 in D minor: III. Air. Lentement | | Andrei Gavrilov | 4:18 |
| Suite no. 10 in D minor: IV. Gigue. Presto | | Andrei Gavrilov | 1:39 |
| Suite no. 10 in D minor: V. Menuetto. Andantino | | Andrei Gavrilov | 5:09 |
| Suite no. 11 in D minor: I. Allemande. Andantino | | Andrei Gavrilov | 2:59 |
| Suite no. 11 in D minor: II. Courante. Allegro moderato | | Andrei Gavrilov | 1:42 |
| Suite no. 11 in D minor: III. Sarabande. Lento non troppo | | Andrei Gavrilov | 8:33 |
| Suite no. 11 in D minor: IV. Gigue. Allegro | | Andrei Gavrilov | 0:47 |
| Suite no. 12 in E minor: I. Allemande. Andante | | Sviatoslav Richter | 3:11 |
| Suite no. 12 in E minor: II. Sarabande. Allegro moderato | | Sviatoslav Richter | 3:05 |
| Suite no. 12 in E minor: III. Gigue. Vivo | | Sviatoslav Richter | 3:06 |
| Suite no. 13 in B-flat major: I. Allemande. Allegro moderato | | Andrei Gavrilov | 2:00 |
| Suite no. 13 in B-flat major: II. Courante. Allegro con moto | | Andrei Gavrilov | 1:44 |
| Suite no. 13 in B-flat major: III. Sarabande. Andante | | Andrei Gavrilov | 4:16 |
| Suite no. 13 in B-flat major: IV. Gigue. Vivo | | Andrei Gavrilov | 1:17 |
| Suite no. 14 in G major: I. Allemande. Allegro | | Sviatoslav Richter | 2:01 |
| Suite no. 14 in G major: II. Allegro | | Sviatoslav Richter | 2:39 |
| Suite no. 14 in G major: III. Courante. Allegro vivace | | Sviatoslav Richter | 2:58 |
| Suite no. 14 in G major: IV. Air. Presto | | Sviatoslav Richter | 1:32 |
| Suite no. 14 in G major: V. Menuet. Vivace | | Sviatoslav Richter | 2:19 |
| Suite no. 14 in G major: VI. Gavotte. Allegro | | Sviatoslav Richter | 4:47 |
| Suite no. 14 in G major: VII. Gigue. Presto | | Sviatoslav Richter | 2:27 |
| Suite no. 15 in D minor: I. Allemande. Moderato | | Andrei Gavrilov | 2:05 |
| Suite no. 15 in D minor: II. Courante. Allegretto | | Andrei Gavrilov | 1:50 |
| Suite no. 15 in D minor: III. Sarabande. Andantino | | Andrei Gavrilov | 2:32 |
| Suite no. 15 in D minor: IV. Gigue. Allegro | | Andrei Gavrilov | 0:56 |
| Suite no. 16 in G minor: I. Allemande. Andantino quasi allegretto | | Sviatoslav Richter | 2:36 |
| Suite no. 16 in G minor: II. Courante. Allegro assai | | Sviatoslav Richter | 2:05 |
| Suite no. 16 in G minor: III. Sarabande. Andante | | Sviatoslav Richter | 3:33 |
| Suite no. 16 in G minor: IV. Gigue. Presto | | Sviatoslav Richter | 1:12 |
| engineered |
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| 1964-11 | Symphony no. 6 in A major: I. Maestoso | | New Philharmonia Orchestra, Otto Klemperer | 16:55 |
| 1964-11 | Symphony no. 6 in A major: II. Adagio (Sehr feierlich) | | New Philharmonia Orchestra, Otto Klemperer | 14:42 |
| 1964-11 | Symphony no. 6 in A major: III Scherzo (Con moto - Moderato) & Trio | | New Philharmonia Orchestra, Otto Klemperer | 9:23 |
| 1969-06 | Roberto Devereuh: Atto I. "All' afflito è dolce il pianto" (Sara) | | Beverly Wolff | 3:19 |
| 1969-06 | Roberto Devereuh: Atto I. Aria & Scena "L'amor suo mi fè beata" (Elisabetta) / "Nunzio son del Parlamento" (Elisabetta, Sara, Lord Cecil, Raliegh, Lords) | | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Don Garrard | 9:44 |
| 1969-06 | Roberto Devereuh: Atto I. Duetto "Un tenero core mi rese felice" (Elisabetta, Roberto) | | Beverly Sills, Robert Ilosfalvy | 6:58 |
| 1969-06 | Roberto Devereuh: Atto I. Terzetto "Ecco l'indegno!..." (Elisabetta, Roberto, Nottingham) | | Beverly Sills, Robert Ilosfalvy, Peter Glossop | 6:26 |
| 1969-06 | Roberto Devereuh: Atto II. Duetto "Non vienni mai si mesto" (Elisabetta, Nottingham) | | Beverly Sills, Peter Glossop | 6:13 |
| 1969-06 | Roberto Devereuh: Atto III. Aria & Scena "Vivi, ingrato, a lei d' accanto" (Elisabetta) / "Che m'apporti?" (Elisabetta, Lord Cecil, Sara, Nottingham, Lords, Courtiers) / "Quel sangue versato al ciel!" (Elisabetta, Courtiers) | | Beverly Sills, Kenneth MacDonald, Beverly Wolff, Peter Glossop | 13:10 |
| 1969-06 | Roberto Devereuh: Atto III. Scena & Duetto "Nè riede ancora il mio consorte!" (Sara, Nottingham) / "Non sai che un nume vindice" (Sara, Nottingham) | | Beverly Wolff, Peter Glossop | 11:56 |
| 1969-06 | Roberto Devereux: Atto I. “All' afflito e dolce il pianto“ (Sara) | | Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:21 |
| 1969-06 | Roberto Devereux: Atto I. “Dacché tornasti, ahi misera!” (Roberto, Sara) | | Róbert Ilosfalvy, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 9:09 |
| 1969-06 | Roberto Devereux: Atto I. “Donna reale, a piedi tuoi …” (Elisabetta, Roberto) | | Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:17 |
| 1969-06 | Roberto Devereux: Atto I. “Duca, vieni …” (Roberto, Nottingham) | | Peter Glossop, Róbert Ilosfalvy, Kenneth MacDonald, Royal Philharmonic Orchestra, Maurits Sillem, Charles Mackerras | 1:18 |
| 1969-06 | Roberto Devereux: Atto I. “Duchessa … Alle fervide preci” (Elisabetta, Sara) | | Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:33 |
| 1969-06 | Roberto Devereux: Atto I. “Forse in quel cor sensible” (Nottingham) | | Peter Glossop, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 2:36 |
| 1969-06 | Roberto Devereux: Atto I. “Geme! … Pallor funereo” (Sara) | | John McCarthy, Ambrosian Singers, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:33 |
| 1969-06 | Roberto Devereux: Atto I. “L'amor suo mi fe beata“ (Elisabetta) | | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:55 |
| 1969-06 | Roberto Devereux: Atto I. “Nunzio son del Parlamento“ (Elisabetta, Sara) | | John McCarthy, Ambrosian Singers, Don Garrard, Gwynne Howell, Kenneth MacDonald, Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:50 |
| 1969-06 | Roberto Devereux: Atto I. “Qui ribelle ognun ti chiama” (Nottingham) | | John McCarthy, Ambrosian Singers, Peter Glossop, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:28 |
| 1969-06 | Roberto Devereux: Atto I. “Roberto … Che? … Fra le tue braccia!” (Roberto, Nottingham) | | Peter Glossop, Róbert Ilosfalvy, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:09 |
| 1969-06 | Roberto Devereux: Atto I. “Tutto e silenzio” (Roberto, Sara) | | Róbert Ilosfalvy, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:47 |
| 1969-06 | Roberto Devereux: Atto I. “Un tenero core“ (Elisabetta, Roberto) | | Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:59 |
| 1969-06 | Roberto Devereux: Atto I. Scena I (Concluded.) | | Beverly Sills, Robert Ilosfalvy, Peter Glossop, Kenneth MacDonald | 23:40 |
| 1969-06 | Roberto Devereux: Atto I. Scena I (Part 1) | | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Gwynne Howell | 27:00 |
| 1969-06 | Roberto Devereux: Atto I. Scena II | | Beverly Wolff, Robert Ilosfalvy | 14:45 |
| 1969-06 | Roberto Devereux: Atto II | | Beverly Sills, Robert Ilosfalvy, Peter Glossop, Kenneth MacDonald | 27:30 |
| 1969-06 | Roberto Devereux: Atto II. “Ebben?” (Elisabetta) | | Don Garrard, Kenneth MacDonald, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 1:50 |
| 1969-06 | Roberto Devereux: Atto II. “Ecco l'indegno! …” (Elisabetta, Roberto, Nottingham) | | Peter Glossop, Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:27 |
| 1969-06 | Roberto Devereux: Atto II. “L'ore trascorrono” (Coro) | | John McCarthy, Ambrosian Singers, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:49 |
| 1969-06 | Roberto Devereux: Atto II. “Non vienni mai si mesto” (Elisabetta, Nottingham) | | Peter Glossop, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:13 |
| 1969-06 | Roberto Devereux: Atto II. “Scellerato! … Malvagio! …” (Elisabetta, Roberto, Nottingham) | | Peter Glossop, Róbert Ilosfalvy, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:51 |
| 1969-06 | Roberto Devereux: Atto II. “Segui! …” (Elisabetta) | | Don Garrard, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 1:30 |
| 1969-06 | Roberto Devereux: Atto II. “Va, la morte sul capo ti pende” (Elisabetta, Roberto, Nottingham) | | John McCarthy, Ambrosian Singers, Don Garrard, Peter Glossop, Róbert Ilosfalvy, Kenneth MacDonald, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:02 |
| 1969-06 | Roberto Devereux: Atto III. “A te diro' negli ultimi singhiozzi” (Roberto) | | John McCarthy, Ambrosian Singers, Róbert Ilosfalvy, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:36 |
| 1969-06 | Roberto Devereux: Atto III. “Bagnato il sen di lagrime” (Roberto) | | John McCarthy, Ambrosian Singers, Róbert Ilosfalvy, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:55 |
| 1969-06 | Roberto Devereux: Atto III. “E sara in questi orribili momento” (Elisabetta) | | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:04 |
| 1969-06 | Roberto Devereux: Atto III. “Ed ancor la tremenda porta” (Roberto) | | Róbert Ilosfalvy, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:59 |
| 1969-06 | Roberto Devereux: Atto III. “Ne riede ancora il mio consorte!” (Sara, Nottingham) | | Richard van Allan, Peter Glossop, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:06 |
| 1969-06 | Roberto Devereux: Atto III. “Non sai che un nume vindice” (Sara, Nottingham) | | Peter Glossop, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 15:43 |
| 1969-06 | Roberto Devereux: Atto III. “Quel sangue versato al ciel” (Elisabetta) | | John McCarthy, Ambrosian Singers, Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 5:33 |
| 1969-06 | Roberto Devereux: Atto III. ”Che m'apporti!” (Sara, Elisabetta, Nottingham) | | John McCarthy, Ambrosian Singers, Peter Glossop, Kenneth MacDonald, Beverly Sills, Beverly Wolff, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 3:28 |
| 1969-06 | Roberto Devereux: Atto III. ”Vivi, ingrato, a lei d' accanto” (Elisabetta) | | Beverly Sills, Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 4:21 |
| 1969-06 | Roberto Devereux: Atto III. Scena I & Scena II | | Beverly Wolff, Robert Ilosfalvy, Peter Glossop, Richard van Allan | 24:20 |
| 1969-06 | Roberto Devereux: Atto III. Scena III | | Beverly Sills, Beverly Wolff, Peter Glossop, Kenneth MacDonald | 26:02 |
| 1969-06 | Roberto Devereux: Overture | | Royal Philharmonic Orchestra, Charles Mackerras, Maurits Sillem | 6:55 |
| 1970-07 | Manon : Acte III, Scene 1. “Je marche sur tous les chemins” (Manon) | | Beverly Sills, Philharmonia Orchestra, Julius Rudel | 2:51 |
| 1971-07 | La traviata: Atto I. "Che è cio?" (Violetta, Alfredo, Coro) | | Beverly Sills, Nicolai Gedda, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 2:24 |
| 1971-07 | La traviata: Atto I. "Dell'invito trascorsa è già l'ora" (Coro, Violetta, Flora, Gastone, Alfredo, Barone, Marchese) | | Beverly Sills, Nicolai Gedda, Delia Wallis, Keith Erwen, Terence Sharpe, Richard van Allan, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 5:02 |
| 1971-07 | La traviata: Atto I. "È Strano! è strano! (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 1:28 |
| 1971-07 | La traviata: Atto I. "Ebben? Che diavol fate?" (Gastone, Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Keith Erwen, Royal Philharmonic Orchestra, Aldo Ceccato | 1:27 |
| 1971-07 | La traviata: Atto I. "Follie! Follie!" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 1:15 |
| 1971-07 | La traviata: Atto I. "Libiamo, ne' lieti calici" (Alfredo, Violetta, Coro) / "Che è ciò?" (Violetta, Alfredo, Coro) / Duetto "Un dì felice, eterea" (Alfredo, Violetta) | | Nicolai Gedda, The John Alldis Choir, Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 10:28 |
| 1971-07 | La traviata: Atto I. "Sempra libera" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 3:49 |
| 1971-07 | La traviata: Atto I. "Si ridesta in ciel l'aurora" (Coro) | | The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 1:53 |
| 1971-07 | La traviata: Atto I. "Un dì, felice, eterea" (Alfredo, Violetta) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 3:33 |
| 1971-07 | La traviata: Atto I. “Ah, fors'è lui” (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 5:51 |
| 1971-07 | La traviata: Atto I. Chorus "Libiamo ne' lieti calici" (Alfredo, Violetta) | | Nicolai Gedda, The John Alldis Choir, Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 3:05 |
| 1971-07 | La traviata: Atto I. Preludio | | Royal Philharmonic Orchestra, Aldo Ceccato | 4:30 |
| 1971-07 | La traviata: Atto I. Recitativo "È strano! è strano!" (Violetta) / Aria "Ah. fors'è lui" (Violetta) / Recitativo "Folie! Folie! Delirio vano è questo!" (Violetta) / Aria "Sempre libera" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 12:30 |
| 1971-07 | La traviata: Atto II, Scena I. "Ah, vive sol quel core" (Alfredo, Guiseppe, Commissionario, Germont) | | Nicolai Gedda, Mario Carlin, William Elvin, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 2:22 |
| 1971-07 | La traviata: Atto II, Scena I. "Ah! Dite alla giovine" (Violetta, Germont) | | Beverly Sills, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 4:53 |
| 1971-07 | La traviata: Atto II, Scena I. "Alfredo? Per Parigi or or partiva" (Violetta, Annina, Giuseppe, Germont) | | Beverly Sills, Mirella Fiorentini, Mario Carlin, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 4:08 |
| 1971-07 | La traviata: Atto II, Scena I. "Annina, donde vieni?" (Alfredo, Annina) | | Nicolai Gedda, Mirella Fiorentini, Royal Philharmonic Orchestra, Aldo Ceccato | 0:44 |
| 1971-07 | La traviata: Atto II, Scena I. "Che fai?… Ai piedi suoi mi getterò" (Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 2:43 |
| 1971-07 | La traviata: Atto II, Scena I. "Dammi tu forza, o cielo! (Violetta, Annina, Alfredo) | | Beverly Sills, Nicolai Gedda, Mirella Fiorentini, Royal Philharmonic Orchestra, Aldo Ceccato | 1:57 |
| 1971-07 | La traviata: Atto II, Scena I. "Imponete… Non amarlo ditegli" (Violetta, Germont) | | Beverly Sills, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 1:14 |
| 1971-07 | La traviata: Atto II, Scena I. "Lunge da lei" (Alfredo) | | Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 1:58 |
| 1971-07 | La traviata: Atto II, Scena I. "Morrò! La mia memoria" (Violetta, Germont) | | Beverly Sills, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 3:48 |
| 1971-07 | La traviata: Atto II, Scena I. "Né rispondi d'un padre all'affetto?" (Germont, Alfredo) | | Nicolai Gedda, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 0:32 |
| 1971-07 | La traviata: Atto II, Scena I. "No, non udrai rimproveri" (Germont, Alfredo) | | Nicolai Gedda, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 3:52 |
| 1971-07 | La traviata: Atto II, Scena I. "Non sapete quale affetto" (Violetta, Germont) | | Beverly Sills, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 2:11 |
| 1971-07 | La traviata: Atto II, Scena I. "Oh mio rimorso! Oh, infamia!" (Alfredo) | | Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 2:53 |
| 1971-07 | La traviata: Atto II, Scena I. "Pura siccome un angelo" (Germont, Violetta) / "Non sapete quale affetto" (Violetta, Germont) / Duetto "Ah! Dite alla giovane" (Violetta, Germont) | | Rolando Panerai, Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 11:30 |
| 1971-07 | La traviata: Atto II, Scena I. "Un dì, quando le veneri" (Germont, Violetta) | | Beverly Sills, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 2:43 |
| 1971-07 | La traviata: Atto II, Scena I. Aria "De miei bollenti spiriti" (Alfredo) | | Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 1:59 |
| 1971-07 | La traviata: Atto II, Scena I. Aria "Di Provenza il mar, il suol" (Germont) | | Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 4:34 |
| 1971-07 | La traviata: Atto II, Scena I. Duetto "Pura siccome un angelo" (Germont, Violetta) | | Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 1:46 |
| 1971-07 | La traviata: Atto II, Scena II. "Alfredo, Alfredo, di questo core" (Violetta, Alfredo, Barone, Germont, Coro) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Terence Sharpe, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 4:18 |
| 1971-07 | La traviata: Atto II, Scena II. "Avrem lieta di maschere la notte" (Flora, Marchese, Dottore, Coro) | | Delia Wallis; Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 1:02 |
| 1971-07 | La traviata: Atto II, Scena II. "Di Madride noi siam mattadori" (Gastone, Mattadori, Coro) | | Keith Erwen; The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 2:58 |
| 1971-07 | La traviata: Atto II, Scena II. "Di sprezzo degno sé stesso rende" (Germont, Alfredo, Barone, Coro) | | Rolando Panerai, Nicolai Gedda, Terence Sharpe, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 1:48 |
| 1971-07 | La traviata: Atto II, Scena II. "Invitato a qui seguirmi" (Violetta, Alfredo, Coro) | | Beverly Sills, Nicolai Gedda, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 2:40 |
| 1971-07 | La traviata: Atto II, Scena II. "Noi siamo zingarelle" (Zingare, Flora, Marchese, Coro) | | The John Alldis Choir; Delia Wallis, Richard van Allan, Royal Philharmonic Orchestra, Aldo Ceccato | 2:43 |
| 1971-07 | La traviata: Atto II, Scena II. "Ogni suo aver tal femmina" (Alfredo, Coro) | | Nicolai Gedda, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 1:37 |
| 1971-07 | La traviata: Atto II, Scena II. Scena "Alfredo! Voi!" (Alfredo, Flora, Barone, Violetta, Gastone, Coro) | | Nicolai Gedda, Delia Wallis, Terence Sharpe, Beverly Sills, Keith Erwen, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 4:14 |
| 1971-07 | La traviata: Atto III. "Addio, del passato bei sogni ridenti" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 6:06 |
| 1971-07 | La traviata: Atto III. "Ah, non più, a un tempio" (Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 1:28 |
| 1971-07 | La traviata: Atto III. "Ah, Violetta! Voi, signor!" (Germont, Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Royal Philharmonic Orchestra, Aldo Ceccato | 1:40 |
| 1971-07 | La traviata: Atto III. "Annina? Comandate?" (Violetta, Annina, Dottore) | | Beverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato | 5:13 |
| 1971-07 | La traviata: Atto III. "Largo al quadrupede" (Coro di maschere) | | The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 0:53 |
| 1971-07 | La traviata: Atto III. "Ma se tornando… Ah! Gran Dio! Morir sì giovine" (Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 3:27 |
| 1971-07 | La traviata: Atto III. "Signora! Che t'accadde?" (Annina, Violetta, Alfredo) | | Beverly Sills, Nicolai Gedda, Mirella Fiorentini, Royal Philharmonic Orchestra, Aldo Ceccato | 1:53 |
| 1971-07 | La traviata: Atto III. "Teneste la promessa" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 1:57 |
| 1971-07 | La traviata: Atto III. Duetto "Parigi, o cara, noi lasceremo" (Alfredo, Violetta) | | Nicolai Gedda, Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 4:55 |
| 1971-07 | La traviata: Atto III. Duetto "Parigi, o cara, noi lasceremo" (Alfredo, Violetta) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 4:54 |
| 1971-07 | La traviata: Atto III. Finale "Prendi, quest'è l'immagine" (Violetta, Alfredo, Germont) / "Se una pudica vergine" (Violetta, Alfredo, Germont, Annina, Dottore, Coro) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 4:53 |
| 1971-07 | La traviata: Atto III. Preludio | | Royal Philharmonic Orchestra, Aldo Ceccato | 4:07 |
| 1971-07 | La traviata: Atto III. Recitativo "Teneste la promessa" (Violetta) / Aria "Addio, del passato bei sogni ridenti" (Violetta) | | Beverly Sills, Royal Philharmonic Orchestra, Aldo Ceccato | 9:04 |
| 1976-06 | Thaïs: Acte I, Scène I. "Hélas ! enfant encore" (Athanaël) | | Sherrill Milnes | 1:47 |
| See all 349 relationships |
| recording engineer for |
|---|
| 1959-09-01 – 1959-09-06 | Carmen : Acte II. « Le fleur que tu m’avais jetée » (Flower Song) | | Nicolai Gedda, Orchestre National de la Radiodiffusion Française, Sir Thomas Beecham | 4:46 |
| 1969-05 | Hamlet: Acte IV. Scène la folie d'Ophélie "A vos jeux, mes amis" / "Partagez-vous mes fleurs !" / "Et maintenent écoutez ma chanson !" (Ophélie, Chœur) | | Beverly Sills | 14:45 |
| 1969-05 | Les Huguenots: Acte II. "O beau pays de las Touraine" (Marguerite de Valois, Chœur) | | Beverly Sills | 15:02 |
| 1969-05 | Louise: "Depuis le jour" (Louise) | | Beverly Sills | 5:36 |
| 1969-05 | Louise: Acte III. "Depuis le jour" (Louise) | | Beverly Sills | 5:30 |
| 1969-05 | Manon: Acte III. "Je marche sur tous les chemins" / Fabilau "Oui, dans les bois et dans le plaine..." (Manon, Chœur) | | Beverly Sills | 9:23 |
| 1969-05 | Mignon: Acte II. "La Philine est vrainment divine" / Polonaise "Je suis Titania" (Philine, Chœur) | | Beverly Sills | 6:00 |
| 1969-05 | Robert le Diable: Acte IV. Cavatine "Robert, toi que jaime.." (Isabella) | | Beverly Sills | 7:03 |
| 1969-06 | Roberto Devereuh: Atto I. "All' afflito è dolce il pianto" (Sara) | | Beverly Wolff | 3:19 |
| 1969-06 | Roberto Devereuh: Atto I. Aria & Scena "L'amor suo mi fè beata" (Elisabetta) / "Nunzio son del Parlamento" (Elisabetta, Sara, Lord Cecil, Raliegh, Lords) | | Beverly Sills, Beverly Wolff, Kenneth MacDonald, Don Garrard | 9:44 |
| 1969-06 | Roberto Devereuh: Atto I. Duetto "Un tenero core mi rese felice" (Elisabetta, Roberto) | | Beverly Sills, Robert Ilosfalvy | 6:58 |
| 1969-06 | Roberto Devereuh: Atto I. Terzetto "Ecco l'indegno!..." (Elisabetta, Roberto, Nottingham) | | Beverly Sills, Robert Ilosfalvy, Peter Glossop | 6:26 |
| 1969-06 | Roberto Devereuh: Atto II. Duetto "Non vienni mai si mesto" (Elisabetta, Nottingham) | | Beverly Sills, Peter Glossop | 6:13 |
| 1969-06 | Roberto Devereuh: Atto III. Aria & Scena "Vivi, ingrato, a lei d' accanto" (Elisabetta) / "Che m'apporti?" (Elisabetta, Lord Cecil, Sara, Nottingham, Lords, Courtiers) / "Quel sangue versato al ciel!" (Elisabetta, Courtiers) | | Beverly Sills, Kenneth MacDonald, Beverly Wolff, Peter Glossop | 13:10 |
| 1969-06 | Roberto Devereuh: Atto III. Scena & Duetto "Nè riede ancora il mio consorte!" (Sara, Nottingham) / "Non sai che un nume vindice" (Sara, Nottingham) | | Beverly Wolff, Peter Glossop | 11:56 |
| 1969-06 | Roberto Devereux: "L'amor suo mi fé beata" (Elisabetta) | | Beverly Sills | 3:59 |
| 1969 | Mignon: "Oui, pour ce soir je suis reine des fées... Je suis Titania la blonde" (Philine) | | Beverly Sills | 6:06 |
| 1970-07 | Manon : Acte I. « Entendez‐vous la cloche » … « Allez à l’auberge voisine » | | John McCarthy, Ambrosian Singers, Beverly Sills, Gérard Souzay, Philharmonia Orchestra, Julius Rudel | 5:14 |
| 1970-07 | Manon : Acte I. « Holà ! Hé ! Monsieur l’hôtelier ? » | | Nico Castel, Patricia Kern, Michele Raynaud, Helia T'Hezan, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 2:32 |
| 1970-07 | Manon : Acte I. « Hors d’œuvre de choix ! » | | Nico Castel, Patricia Kern, Michele Raynaud, Helia T'Hezan, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 2:21 |
| 1970-07 | Manon : Acte I. « Il vous parlait, Manon ? » … « Regardez‐moi bien dans les yeux » | | John McCarthy, Ambrosian Singers, Beverly Sills, Gérard Souzay, Philharmonia Orchestra, Julius Rudel | 3:41 |
| 1970-07 | Manon : Acte I. « Je suis encor tout étourdie » | | Beverly Sills, New Philharmonia Orchestra, Julius Rudel | 3:38 |
| 1970-07 | Manon : Acte I. « Nous vivrons à Paris tous les deux ! » … « Plus un sou ! » | | John McCarthy, Ambrosian Singers, Nicolai Gedda, Patricia Kern, Michele Raynaud, Beverly Sills, Gérard Souzay, Helia T'Hezan, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 5:53 |
| 1970-07 | Manon : Acte I. « Partez ! On sonne » | | John McCarthy, Ambrosian Singers, Nico Castel, Patricia Kern, Michele Raynaud, Gérard Souzay, Helia T'Hezan, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 4:30 |
| 1970-07 | Manon : Acte I. « Quelqu’un » …« J’ai marqué l’heure » …« Et je sais votre nom » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 7:49 |
| 1970-07 | Manon : Acte I. « Restons ici » … « Voyons, Manon, plus de chimères ! » | | Beverly Sills, Philharmonia Orchestra, Julius Rudel | 4:08 |
| 1970-07 | Manon : Acte I. Prélude | | Philharmonia Orchestra, Julius Rudel | 4:03 |
| 1970-07 | Manon : Acte II. « Allons, il le faut » … « Adieu, notre petite table » | | Beverly Sills, Philharmonia Orchestra, Julius Rudel | 4:37 |
| 1970-07 | Manon : Acte II. « C’est lui … Instant charmant … En fermant les yeux » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 6:40 |
| 1970-07 | Manon : Acte II. « Enfin les amoureux » | | Nicolai Gedda, Beverly Sills, Gérard Souzay, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 9:31 |
| 1970-07 | Manon : Acte II. Prélude – « Manon ! Avez‐vous peur que mon visage » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 7:25 |
| 1970-07 | Manon : Acte III. « À quoi bon l’économie » … « Bonjour, Poussette ! » | | John McCarthy, Ambrosian Singers, Nico Castel, Patricia Kern, Michele Raynaud, Gérard Souzay, Helia T'Hezan, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 5:19 |
| 1970-07 | Manon : Acte III. « Ah! vous êtes vraiment » …« Oui, dans les bois et dans la plaine » | | John McCarthy, Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 4:56 |
| 1970-07 | Manon : Acte III. « Bravo, mon cher…Épouse quelque brave fille » | | Gabriel Bacquier, Nicolai Gedda, Philharmonia Orchestra, Julius Rudel | 4:19 |
| 1970-07 | Manon : Acte III. « C’est elle ? Oui, c’est Manon » | | Gabriel Bacquier, Beverly Sills, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 4:31 |
| 1970-07 | Manon : Acte III. « Ces murs silencieux » … « Pardonnez‐moi, Dieu de toute puissance » | | Beverly Sills, Philharmonia Orchestra, Julius Rudel | 2:33 |
| 1970-07 | Manon : Acte III. « Et maintenant restez seul » | | John McCarthy, Ambrosian Singers, Gabriel Bacquier, Beverly Sills, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 2:21 |
| 1970-07 | Manon : Acte III. « Je marche sur les chemins » | | John McCarthy, Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 2:48 |
| 1970-07 | Manon : Acte III. « Je marche sur les chemins » | | Beverly Sills, Philharmonia Orchestra, Julius Rudel | 2:49 |
| 1970-07 | Manon : Acte III. « Je suis seul » … « Ah, fuyez, douce image » | | Nicolai Gedda, Philharmonia Orchestra, Julius Rudel | 5:41 |
| 1970-07 | Manon : Acte III. « N’est‐ce plus ma main ? » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 4:39 |
| 1970-07 | Manon : Acte III. « Obéissons quand leur voix appelle » | | John McCarthy, Ambrosian Singers, Beverly Sills, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 3:52 |
| 1970-07 | Manon : Acte III. « Quelle éloquence ! » | | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Julius Rudel | 3:10 |
| 1970-07 | Manon : Acte III. « Répondez‐moi, Guillot ! » … « Voici l’Opéra ! » | | John McCarthy, Ambrosian Singers, Nico Castel, Beverly Sills, Gérard Souzay, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 3:32 |
| 1970-07 | Manon : Acte III. « Toi! Vous! »…« Oui! Je fus cruelle et coupable! » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 4:12 |
| 1970-07 | Manon : Acte III. « Voici les élégantes » | | John McCarthy, Ambrosian Singers, Beverly Sills, Michel Trempont, Philharmonia Orchestra, Julius Rudel | 2:30 |
| 1970-07 | Manon : Acte III. « Voici les élégantes » | | John McCarthy, Ambrosian Singers, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 2:34 |
| 1970-07 | Manon : Acte III. « Voyez mules à fleurettes ! » | | John McCarthy, Ambrosian Singers, Patricia Kern, Michele Raynaud, Gérard Souzay, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 4:12 |
| 1970-07 | Manon : Acte III. Ballet … « C’est fête au Cours‐la‐Reine ! » | | John McCarthy, Ambrosian Singers, Philharmonia Orchestra, Julius Rudel | 5:38 |
| 1970-07 | Manon : Acte III. Entr’acte | | Philharmonia Orchestra, Julius Rudel | 5:12 |
| 1970-07 | Manon : Acte IV. « Au jeu ! » | | John McCarthy, Ambrosian Singers, Nico Castel, Nicolai Gedda, Patricia Kern, Michele Raynaud, Beverly Sills, Gérard Souzay, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 4:40 |
| 1970-07 | Manon : Acte IV. « Faites vos jeux, Messieurs ! » … « Le joueur sans prudence » … « C’est ici que celle que j’aime » … « J’enfourche aussi Pégase » | | John McCarthy, Ambrosian Singers, Nico Castel, Patricia Kern, Michele Raynaud, Gérard Souzay, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 6:09 |
| 1970-07 | Manon : Acte IV. « Mais qui donc nous arrive » … « Manon! Sphinx étonnant » | | Nico Castel, Nicolai Gedda, Patricia Kern, Michele Raynaud, Beverly Sills, Gérard Souzay, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 5:50 |
| 1970-07 | Manon : Acte IV. « Oui, je viens t’arracher à la honte » | | John McCarthy, Ambrosian Singers, Gabriel Bacquier, Nico Castel, Nicolai Gedda, Patricia Kern, Michele Raynaud, Beverly Sills, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 2:42 |
| 1970-07 | Manon : Acte IV. « Un mot, s’il vous plait, Chevalier » | | Nico Castel, Nicolai Gedda, Patricia Kern, Michele Raynaud, Beverly Sills, Helia T'Hezan, Philharmonia Orchestra, Julius Rudel | 3:24 |
| 1970-07 | Manon : Acte V. « Manon ! Pauvre Manon ! » | | John McCarthy, Ambrosian Singers, Nicolai Gedda, Gérard Souzay, Philharmonia Orchestra, Julius Rudel | 7:42 |
| 1970-07 | Manon : Acte V. « Tu pleures ! » …« Ah! je sens une pure flamme » …« N’est‐ce plus ma main » | | Nicolai Gedda, Beverly Sills, Philharmonia Orchestra, Julius Rudel | 10:41 |
| 1970-07 | Manon: "Allons ! Il le faut" / "Adieu, notre petite table" (Manon) | | Beverly Sills | 4:43 |
| 1970-07 | Manon: "Je marche sur tous les chemins... Ah, vous etes vrainment... Ou dans les bois" (Manon) | | Beverly Sills | 7:37 |
| 1970-07 | Manon: Acte I (Beginning) | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 22:28 |
| 1970-07 | Manon: Acte I (Concluded) | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 21:32 |
| 1970-07 | Manon: Acte II | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 28:05 |
| 1970-07 | Manon: Acte III, Scene I (Beginning) | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 23:54 |
| 1970-07 | Manon: Acte III, Scene I (Concluded) | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 16:19 |
| 1970-07 | Manon: Acte III, Scene II | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 24:32 |
| 1970-07 | Manon: Acte IV | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 22:42 |
| 1970-07 | Manon: Acte V | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 18:12 |
| 1970-07 | Manon: Ah! des Grieux.. O Manon.. | | Beverly Sills, Nicolai Gedda | ?:?? |
| 1970-07 | Manon: Ah! Seht nur dort das junge Mädchen | | Beverly Sills, Gérard Souzay | 3:38 |
| 1970-07 | Manon: Alternate Scene and Fabliau | | Beverly Sills, Nicolai Gedda, Gerard Souzay, Gabriel Bacquier, New Philharmonia Orchestra & Julius Rudel | 10:18 |
| 1970-07 | Manon: Bedenken Sie die Bewegung | | Beverly Sills | 7:49 |
| 1970-07 | Manon: Da ist jemand - Schnell zu meiner kleinen Bank | | Beverly Sills, Nicolai Gedda | ?:?? |
| 1970-07 | Manon: Da sind die reichen Damen! | | Beverly Sills, Michel Trempont | 2:30 |
| 1970-07 | Manon: Du! Sie!..Ja ich bin's! | | Beverly Sills, Nicolai Gedda | 4:12 |
| 1970-07 | Manon: Ich bin allein...Flieh, o flieh, holdes Blld | | Nicolai Gedda | 5:41 |
| 1970-07 | Manon: Ist's nicht mehr meine Hand | | Beverly Sills, Nicolai Gedda | ?:?? |
| 1970-07 | Manon: Ja, überall bin ich bekannt | | Beverly Sills | 2:49 |
| 1970-07 | Manon: Mein Tischchen, ich muß von dir nun scheiden | | Beverly Sills | ?:?? |
| 1970-07 | Manon: O schöne Zeit - Ich schloß die Augen | | Nicolai Gedda | ?:?? |
| 1970-07 | Manon: Vorspiel | | New Philharmonia Orchestra, Julius Rudel | 4:00 |
| 1971-05 | La traviata: Atto III. (conclusion) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Mirella Fiorentini, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 28:10 |
| 1971-07 | La traviata: Atto I. (beginning) | | Beverly Sills, Nicolai Gedda, Delia Wallis, Keith Erwen, Richard van Allan, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 21:50 |
| 1971-07 | La traviata: Atto I. (conclusion) | | Beverly Sills, Nicolai Gedda, Royal Philharmonic Orchestra, Aldo Ceccato | 12:30 |
| 1971-07 | La traviata: Atto II, Scena I. (beginning) | | Nicolai Gedda, Mirella Fiorentini, Royal Philharmonic Orchestra, Aldo Ceccato | 7:40 |
| 1971-07 | La traviata: Atto II, Scena I. (conclusion) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Mario Carlin, William Elvin, Mirella Fiorentini, Royal Philharmonic Orchestra, Aldo Ceccato | 16:01 |
| 1971-07 | La traviata: Atto II, Scena I. (continued) | | Beverly Sills; Rolando Panerai, Mirella Fiorentini, Mario Carlin, Royal Philharmonic Orchestra, Aldo Ceccato | 20:41 |
| 1971-07 | La traviata: Atto II, Scena II. (beginning) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Keith Erwen, Delia Wallis, Terence Sharpe, Richard van Allan, Robert Lloyd, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 11:04 |
| 1971-07 | La traviata: Atto II, Scena II. (conclusion) | | Beverly Sills, Nicolai Gedda, Rolando Panerai, Terence Sharpe, The John Alldis Choir, Royal Philharmonic Orchestra, Aldo Ceccato | 10:25 |
| 1971-07 | La traviata: Atto III. (beginning) | | Beverly Sills, Mirella Fiorentini, Robert Lloyd, Royal Philharmonic Orchestra, Aldo Ceccato | 9:25 |
| 1971-11-30 | Rumanian Rhapsody no. 1 | | London Symphony Orchestra, André Previn | 12:22 |
| 1972-07 | Les Contes d’Hoffmann : Acte II. “Les oiseaux dans la charmille” (Olympia) | | Beverly Sills | 5:18 |
| 1972-07 | Les Contes d’Hoffmann : Acte IV. “Elle a fui, la tourterelle” (Antonia) | | Beverly Sills | 4:32 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I (beginning) | | Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi | 23:27 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I (conclusion) | | Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi | 7:57 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I (continued) | | Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi | 28:38 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I (continued) | | Sherrill Milnes, Nicolai Gedda, Renato Capecchi, Fedora Barbieri, Ruggero Raimondi | 29:12 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I, scena 1. "Ah, che bella vita!" (Figaro, Almaviva) | | Nicolai Gedda, Sherrill Milnes, London Symphony Orchestra, James Levine | 2:17 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I, scena 1. "All'idea di quel metallo" (Almaviva, Figaro) | | Nicolai Gedda, Sherrill Milnes, London Symphony Orchestra, James Levine | 9:08 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I, scena 1. "Ecco ridente in cielo" (Almaviva) | | Nicolai Gedda, London Symphony Orchestra, James Levine | 4:55 |
| 1974-08 – 1975-05 | Il barbiere di Siviglia: Atto I, scena 1. "Ehi, Fiorello" (Almaviva, Fiorello, Coro) | | John Alldis, Joseph Galiano, Nicolai Gedda, The John Alldis Choir, London Symphony Orchestra, James Levine | 1:06 |
| See all 291 relationships |
| sound engineered |
|---|
| Adagio in G minor | | London Symphony Orchestra, André Previn | 7:46 |
| Candide: Overture | | London Symphony Orchestra, André Previn | 4:17 |
| Fantasia on "Greensleeves" | | London Symphony Orchestra, André Previn | 4:38 |
| Rumanian Rhapsody no. 1 | | London Symphony Orchestra, André Previn | 12:22 |
| Siegfried: Act I Scene 1: A Whimpering Babe (Mime) | | Gregory Dempsey | 1:35 |
| Siegfried: Act I Scene 1: And Now These Fragments (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 2:00 |
| Siegfried: Act I Scene 1: He Storms Away! (Mime) | | Gregory Dempsey | 1:53 |
| Siegfried: Act I Scene 1: Hoiho! Hoiho! (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 2:09 |
| Siegfried: Act I Scene 1: I Found Once in the Wood (Mime, Siegfried) | | Gregory Dempsey & Alberto Remedios | 5:58 |
| Siegfried: Act I Scene 1: Much You've Taught to Me, Mime (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 9:54 |
| Siegfried: Act I Scene 1: Wearisome Labour! (Mime) | | Gregory Dempsey | 4:05 |
| Siegfried: Act I Scene 1: Well, There Are the Pieces (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 2:42 |
| Siegfried: Act I Scene 2: Hail There, Worthy Smith! (Wanderer, Mime) | | Norman Bailey & Gregory Dempsey | 4:04 |
| Siegfried: Act I Scene 2: I Sit by Your Hearth (Wanderer, Mime) | | Norman Bailey & Gregory Dempsey | 12:08 |
| Siegfried: Act I Scene 2: The Fragments! The Sword! (Mime, Wanderer) | | Gregory Dempsey & Norman Bailey | 3:11 |
| Siegfried: Act I Scene 2: What You Needed to Know (Wanderer, Mime) | | Norman Bailey & Gregory Dempsey | 8:33 |
| Siegfried: Act I Scene 3: Accursed Light! (Mime) | | Gregory Dempsey | 1:15 |
| Siegfried: Act I Scene 3: Give Me These Pieces (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 4:04 |
| Siegfried: Act I Scene 3: Have You Not Felt Within the Woods (Mime, Siegfried) | | Gregory Dempsey & Alberto Remedios | 5:46 |
| Siegfried: Act I Scene 3: Hey There! You Idler! (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 4:15 |
| Siegfried: Act I Scene 3: Hoho! Hoho! Hohi! (Siegfried, Mime), "Forging Song" | | Alberto Remedios & Gregory Dempsey | 7:17 |
| Siegfried: Act I Scene 3: Notung! Notung! Sword of My Need! (Siegfried, Mime) | | Alberto Remedios & Gregory Dempsey | 9:30 |
| Siegfried: Act I: Prelude | | Sadler's Wells Opera Orchestra | 5:29 |
| Siegfried: Act II Scene 1: Fafner! Fafner! You Dragon, Wake! (Wanderer, Alberich, Fafner) | | Norman Bailey, Derek Hammond-Stroud & Clifford Grant | 3:05 |
| Siegfried: Act II Scene 1: In Gloomy Night by Fafner's Cave I Wait (Alberich) | | Derek Hammond-Stroud | 2:47 |
| Siegfried: Act II Scene 1: Not My Plan! (Wanderer, Alberich) | | Norman Bailey & Derek Hammond-Stroud | 3:00 |
| Siegfried: Act II Scene 1: Now, Alberich! That Plan Failed! (Wanderer, Alberich) | | Norman Bailey & Derek Hammond-Stroud | 4:38 |
| Siegfried: Act II Scene 1: To Neidhohl by Night I Have Come (Wanderer, Alberich) | | Norman Bailey & Derek Hammond-Stroud | 7:21 |
| Siegfried: Act II Scene 2: Could I but Know (Siegfried), "Forest Murmurs" | | Alberto Remedios | 2:46 |
| Siegfried: Act II Scene 2: Ha Ha! At Last With My Call (Siegfried, Fafner) | | Alberto Remedios & Clifford Grant | 3:33 |
| Siegfried: Act II Scene 2: See My Mother (Siegfried), "Forest Murmurs" | | Alberto Remedios | 10:05 |
| Siegfried: Act II Scene 2: So He's No Father of Mine (Siegfried) | | Alberto Remedios | 1:55 |
| Siegfried: Act II Scene 2: The Dead Can Tell No Tidings (Siegfried, Woodbird) | | Alberto Remedios & Maurine London | 2:30 |
| Siegfried: Act II Scene 2: We Go No Further! (Mime, Siegfried) | | Gregory Dempsey & Alberto Remedios | 6:33 |
| Siegfried: Act II Scene 2: Who Are You, Youthful Hero (Fafner, Siegfried) | | Clifford Grant & Alberto Remedios | 4:53 |
| Siegfried: Act II Scene 3: Be Welcome, Siegfried! (Mime, Siegfried, Alberich) | | Gregory Dempsey, Alberto Remedios & Derek Hammond-Stroud | 10:11 |
| Siegfried: Act II Scene 3: Hehe! Sly and Slippery Knave (Alberich, Mime) | | Derek Hammond-Stroud & Gregory Dempsey | 3:12 |
| Siegfried: Act II Scene 3: Tarnhelm and Ring, Here They Are (Siegfried, Woodbird, Mime) | | Alberto Remedios, Maurine London & Gregory Dempsey | 3:14 |
| Siegfried: Act II Scene 3: You Lie There Too, Mighty Dragon (Siegfried, Woodbird) | | Alberto Remedios & Maurine London | 10:54 |
| Siegfried: Act II: Prelude | | Sadler's Wells Opera Orchestra | 6:07 |
| Siegfried: Act III Scene 1: Strong Is Your Call (Erda, Wanderer) | | Anne Collins & Norman Bailey | 12:17 |
| Siegfried: Act III Scene 1: Waken, Wala! Wala! Awake! (Wanderer) | | Norman Bailey | 2:20 |
| Siegfried: Act III Scene 1: You Unwise One, Learn What I Will (Wanderer) | | Norman Bailey | 4:31 |
| Siegfried: Act III Scene 2: Child, If You Knew Who I Am (Wanderer, Siegfried) | | Norman Bailey & Alberto Remedios | 5:44 |
| Siegfried: Act III Scene 2: I See That Siegfried's Near (Wanderer) | | Norman Bailey | 1:08 |
| Siegfried: Act III Scene 2: My Woodbird Fluttered Away (Siegfried) | | Alberto Remedios | 0:35 |
| Siegfried: Act III Scene 2: With His Spear in Splinters (Siegfried) | | Alberto Remedios | 7:20 |
| Siegfried: Act III Scene 2: Young Man, Hear Me (Wanderer, Siegfried) | | Norman Bailey & Alberto Remedios | 6:18 |
| Siegfried: Act III Scene 3: And There Is Grane, My Sacred Horse (Brunnhilde, Siegfried) | | Rita Hunter & Alberto Remedios | 9:12 |
| Siegfried: Act III Scene 3: Come, My Sword! (Siegfried) | | Alberto Remedios | 11:49 |
| Siegfried: Act III Scene 3: Hail, Bright Sunlight! (Brunnhilde, Siegfried) | | Rita Hunter & Alberto Remedios | 4:30 |
| Siegfried: Act III Scene 3: Here in the Sunlight (Siegfried) | | Alberto Remedios | 4:00 |
| Siegfried: Act III Scene 3: Oh! I Cared Always (Brunnhilde, Siegfried) | | Rita Hunter & Alberto Remedios | 15:01 |
| Siegfried: Act III Scene 3: Siegfried! Siegfried! Glorious Hero! (Brunnhilde, Siegfried) | | Rita Hunter & Alberto Remedios | 8:31 |
| Siegfried: Act III: Prelude | | Sadler's Wells Opera Orchestra | 3:01 |
| Swan Lake op. 20: no. 2, Valse (Act 1) | additional | Philharmonia Orchestra, Efrem Kurtz | 6:58 |
| Swan Lake, op. 20: Act I, no, 4: Pas de trois - Allegro | additional | Philharmonia Orchestra, Efrem Kurtz | 1:19 |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois - Adagio (andante sostenuto) | additional | Philharmonia Orchestra, Efrem Kurtz | 2:29 |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois - Allegro semplice-Presto | additional | Philharmonia Orchestra, Efrem Kurtz | 1:24 |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois - Coda (allegro vivace) | additional | Philharmonia Orchestra, Efrem Kurtz | 1:35 |
| Swan Lake, op. 20: Act I, no. 4: Pas de trois - Moderato | additional | Philharmonia Orchestra, Efrem Kurtz | 1:10 |
| Swan Lake, op. 20: Act II. Dance of the Swans: No. 1 | additional | Philharmonia Orchestra, Efrem Kurtz | 2:18 |
| Swan Lake, op. 20: Act II. Dance of the Swans: No. 2 | additional | Philharmonia Orchestra, Efrem Kurtz | 1:34 |
| Swan Lake, op. 20: Act II. Dance of the Swans: No. 4 | additional | Philharmonia Orchestra, Efrem Kurtz | 1:21 |
| Swan Lake, op. 20: Act II. Dance of the Swans: No. 5 | additional | Philharmonia Orchestra, Efrem Kurtz | 7:23 |
| Swan Lake, op. 20: Act II. Pas de deux: No. 1 | additional | Philharmonia Orchestra, Efrem Kurtz | 1:51 |
| Swan Lake, op. 20: Act II. Pas de deux: No. 2 | additional | Philharmonia Orchestra, Efrem Kurtz | 5:25 |
| Swan Lake, op. 20: Act II. Pas de deux: No. 3 | additional | Philharmonia Orchestra, Efrem Kurtz | 1:31 |
| Swan Lake, op. 20: Act II. Pas de deux: No. 4 | additional | Philharmonia Orchestra, Efrem Kurtz | 1:51 |
| Swan Lake, op. 20: Act II. Scene (Moderato) | additional | Philharmonia Orchestra, Efrem Kurtz | 2:50 |
| Swan Lake, op. 20: Act III, no. 20: Danse hongroise-Czardas (moderato assai-allegro moderato-vivace) | additional | Philharmonia Orchestra, Efrem Kurtz | 3:01 |
| Swan Lake, op. 20: Appendix II: Danse russe (cadenza-andante semplice-allegro vivo) | additional | Philharmonia Orchestra, Efrem Kurtz | 4:10 |
| Swan Lake, op. 20: Introduction | additional | Philharmonia Orchestra, Efrem Kurtz | 3:08 |
| The Rhinegold: Scene 1: He, He! You Nixies! (Alberich, Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires, Derek Hammond-Stroud | 1:40 |
| The Rhinegold: Scene 1: Look, Sisters! the Sunlight Is Greeting the Gold (Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires | 2:41 |
| The Rhinegold: Scene 1: Orchestral Prelude | | English National Opera Orchestra | 5:01 |
| The Rhinegold: Scene 1: Slimy, Slippery, Slithery Smoothness! (Alberich, Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires, Derek Hammond-Stroud | 9:57 |
| The Rhinegold: Scene 1: Still Not Afraid? (Alberich, Flosshilde, Wellgunde, Woglinde) - Orchestral Interlude | | Valerie Masterson, Helen Attfield, Shelagh Squires, Derek Hammond-Stroud | 4:39 |
| The Rhinegold: Scene 1: The World's Wealth Can Be Mine … ? (Alberich, Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires, Derek Hammond-Stroud | 1:01 |
| The Rhinegold: Scene 1: Weia! Waga! Wandering Waters (Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires | 1:34 |
| The Rhinegold: Scene 1: What's That, You Nixies … ? (Alberich, Woglinde, Wellgunde, Flosshilde) | | Valerie Masterson, Helen Attfield, Shelagh Squires, Derek Hammond-Stroud | 5:02 |
| The Rhinegold: Scene 2: A Toy, While It Was in the Waters (Loge, Wotan, Fricka) | | Norman Bailey, Emile Belcourt, Katherine Pring | 2:01 |
| The Rhinegold: Scene 2: And I Should Possess It! (Wotan, Loge, Donner, Froh, Fricka, Fafner) | | Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring | 4:38 |
| The Rhinegold: Scene 2: But One I Found Then (Loge) | | Emile Belcourt | 2:02 |
| The Rhinegold: Scene 2: Come, Loge, Descend With Me! (Wotan, Loge, Donner, Froh, Fricka) - (orchestral interlude) | | Norman Bailey, Robert Ferguson, Emile Belcourt, Norman Welsby, Katherine Pring | 5:11 |
| The Rhinegold: Scene 2: For I Wished You Faithful and True (Fricka, Wotan) | | Norman Bailey, Katherine Pring | 2:59 |
| The Rhinegold: Scene 2: God of Light, Light of Spirit! (Fasolt, Wotan, Fafner, Freia) | | Robert Lloyd, Norman Bailey, Clifford Grant, Lois McDonall | 5:09 |
| The Rhinegold: Scene 2: Hear, Wotan: I'll Speak My Last Word! (Fafner, Wotan, Fasolt, Freia, Froh, Donner) | | Robert Lloyd, Norman Bailey, Robert Ferguson, Clifford Grant, Norman Welsby & Lois McDonall | 2:29 |
| The Rhinegold: Scene 2: I See Now! Hear What Is Wrong! (Loge, Fricka) | | Emile Belcourt, Katherine Pring | 3:13 |
| The Rhinegold: Scene 2: Never One Word of Praise or Thanks! (Loge) | | Emile Belcourt | 2:52 |
| The Rhinegold: Scene 2: Over Rock and Stone They Stride (Loge, Fricka, Donner, Froh) | | Robert Ferguson, Emile Belcourt, Norman Welsby, Katherine Pring | 3:07 |
| The Rhinegold: Scene 2: So I Promised I'd Tell You the Story (Loge, Wotan, Fasolt, Fafner) | | Robert Lloyd, Norman Bailey, Emile Belcourt,Clifford Grant | 1:05 |
| The Rhinegold: Scene 2: Soft Sleep Closed Your Eyes (Fasolt, Wotan, Fafner) | | Robert Lloyd, Norman Bailey & Clifford Grant | 3:20 |
| The Rhinegold: Scene 2: Then Shelter Her Now (Fricka, Freia, Wotan) | | Norman Bailey, Katherine Pring, Lois McDonall | 2:24 |
| The Rhinegold: Scene 2: This Bond Is Graved on My Spear's Strong Shaft (Wotan, Freai, Fricka) | | Norman Bailey, Katherine Pring, Lois McDonall | 1:14 |
| The Rhinegold: Scene 2: To Me, Freia! Back from Her, Giant! (Froh, Donner, Fafner, Fasolt, Wotan) | | Robert Lloyd, Norman Bailey, Robert Ferguson, Clifford Grant, Norman Welsby | 1:17 |
| The Rhinegold: Scene 2: What? How Am I Concerned in a Contract? (Loge, Wotan, Fricka, Froh, Donner, Fafner, Fasolt) | | Robert Lloyd, Norman Bailey, Robert Ferguson, Emile Belcourt, Clifford Grant, Norman Welsby, Katherine Pring | 4:15 |
| The Rhinegold: Scene 2: Wotan, My Lord! Awaken! (Fricka, Wotan) | | Norman Bailey, Katherine Pring | 6:12 |
| The Rhinegold: Scene 3: All Must Stand in Amazement (Loge, Alberich) | | Emile Belcourt, Derek Hammond-Stroud | 4:58 |
| The Rhinegold: Scene 3: Better Take Care! Alberich's Near (Mime, Wotan, Alberich) | | Norman Bailey, Gregory Dempsey, Derek Hammond-Stroud | 2:56 |
| See all 214 relationships |
| vocals |
|---|
| John Barbirolli - A Memoir: Puccini's Madama Butterfly in Rome | spoken vocals | Robert Gooch, Renata Scotto, Jon Tolansky, Hallé Orchestra, Sir John Barbirolli | 13:06 |
| balance engineered |
|---|
| Boris Godunov | | Mussorgsky; Boris Christoff, Chorus of the National Opera of Sofia, Orchestre de la Société des Concerts du Conservatoire, André Cluytens | |
| Samson et Dalila | | Saint‐Saëns; Rita Gorr, Jon Vickers, Ernest Blanc, Orchestre du Théâtre National de l'Opéra de Paris, Georges Prêtre | |
| engineered |
|---|
| Cello Concerto, op. 85 / Enigma Variations | | Elgar; Jacqueline du Pré, Philadelphia Orchestra, London Philharmonic Orchestra, Daniel Barenboim | |
| Christmas from King's | | Choir of King’s College, Cambridge | |
| Favourite Carols From King's | | Choir of King’s College, Cambridge | |
| Piano Concertos nos. 1-5 / Choral Fantasia | | Beethoven; New Philharmonia Orchestra, Otto Klemperer, Daniel Barenboim | |
| Piano Concertos Nos. 1-5 / Choral Fantasia | | Beethoven; New Philharmonia Orchestra, Otto Klemperer, Daniel Barenboim | |
| Piano Concertos Nos. 1-5 / Choral Fantasia | | Beethoven; New Philharmonia Orchestra, Otto Klemperer, Daniel Barenboim | |
| Sämtliche Klavierkonzerte | | Mozart; English Chamber Orchestra; Daniel Barenboim | |
| sound engineered |
|---|
| Faust: Highlights | | Charles‐François Gounod; Orchestre et Chœurs du Théâtre National de l'Opéra de Paris, Jean LaForge, Georges Prêtre | |
| Mefistofele | | Boito; Treigle, Domingo, Caballé, Ambrosian Opera Chorus, London Symphony Orchestra, Julius Rudel | |
| Tosca (extraits) | | Giacomo Puccini; Maria Callas, Giuseppe Di Stefano, Tito Gobbi, Orchestra e Coro del Teatro alla Scala di Milano, Victor de Sabata | |
