| “With Malice Toward None” | | | | | | - 6228170 (AGADU ID)
- 764818101 (AKM ID)
- (show 16 more)
- 004813 282 57 (SUISA ID)
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| 2 Pictures, op. 10, Sz. 46: 1. In voller Blüte | | | | | | | |
| 2 Pictures, op. 10, Sz. 46: 2. Dorftanz | | | | | | | |
| 4 Gesänge, op. 43: Nr. 1. Von ewiger Liebe | | | | Song | | | |
| 4 Lieder, op. 96: Nr. 2. Wir wandelten, wir zwei zusammen | | | | Song | | | |
| 5 Lieder, op. 49: Nr. 4. Wiegenlied "Guten Abend, gute Nacht" | | | | Song | | | |
| 5 Lieder, op. 107: Nr. 3. Das Mädchen spricht | | | | Song | | | |
| 6 Gesänge, op. 6: Nr. 4. Juchhe! | | | | Song | | | |
| 6 Lieder, op. 86: Nr. 3. Nachtwandler | | | | Song | | | |
| 9 Lieder und Gesänge, op. 63: Nr. 5. Junge Liebe I | | | | Song | | | |
| 9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II | | | | Song | | | |
| A Kékszakállú herceg vára: Door 1 "'Jaj! Mit látsz? Mit látsz? Láncok, kések" | | | | | | | |
| A Kékszakállú herceg vára: Door 2 "Mit látsz? Százkegyetlen szörnyü fegyver" | | | | | | | |
| A Kékszakállú herceg vára: Door 3 "Oh, be sok kincs! Oh, be sok kincs!" | | | | | | | |
| A Kékszakállú herceg vára: Door 4 "Oh! virágok! Oh! ilatoskert!" | | | | | | | |
| A Kékszakállú herceg vára: Door 5 "Ah! Lásdez az én birodalmam" | | | | | | | |
| A Kékszakállú herceg vára: Door 6 "Csendes fehér tavat látok" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Jessye Norman, Chicago Symphony Orchestra, Pierre Boulez
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
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| A Kékszakállú herceg vára: Door 7 "Lásd a régi aszszonyokat" | | - Katalin Kasza, György Melis, Budapest Philharmonic Orchestra, János Ferencsik
- Christa Ludwig, Walter Berry, London Symphony Orchestra, István Kertész
- Siegmund Nimsgern, Tatiana Troyanos, BBC Symphony Orchestra, Pierre Boulez
- László Polgár, Chicago Symphony Orchestra, Pierre Boulez
- (show 14 more)
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| A Kékszakállú herceg vára: Opening "Megérkeztünk" | | | | | | | |
| A Night on Bald Mountain | | | | Symphonic poem | | | |
| A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday | | | | | | | |
| A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day | | | | | | | |
| A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July | | | | | | | |
| A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day | | | | | | | |
| African Portraits: Act 1 "Drum and Cross": Attack/Subjugation | | | | | | | |
| African Portraits: Act 1 "Drum and Cross": Chorus: "Duwa beh" | | | | | | | |
| African Portraits: Act 1 "Drum and Cross": Libation Harvest | | | | | | | |
| African Portraits: Act 1 "Drum and Cross": The Middle Passage | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": 400 years ago today - Living inside the clear glass cell | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Auction: Potter's Mart | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Chorus: "You can find a way" | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Epilogue | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Music Man | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Redemption | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": The Three Deuces Club | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Victor Nelson's Cotton Field | | | | | | | |
| African Portraits: Act 2 "Land of Milk and Honey": Wailing Song | | | | | | | |
| Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) | | - Katia Ricciarelli, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- [unknown]
- Romano Gandolfi, Coro del Teatro alla Scala di Milano, Nicolaï Ghiaurov, Orchestra del Teatro alla Scala di Milano, Claudio Abbado
- Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev / Chor Ljubljana, Radio Symphony Orchestra Ljubljana, Marko Munih
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| Akademische Fest-Ouvertüre, op. 80 | | | | Overture | | | |
| Alborada del gracioso | | | | | | | |
| Alexander Nevsky, op. 78: I. Russia Under the Mongolian Yoke | | | | | | | |
| Alexander Nevsky, op. 78: II. Song About Alexander Nevsky | | | | | | | |
| Alexander Nevsky, op. 78: III. The Crusaders in Pskov | | | | | | | |
| Alexander Nevsky, op. 78: IV. Arise, Ye Russian People | | | | | | | |
| Alexander Nevsky, op. 78: V. The Battle on the Ice | | | | | | | |
| Alexander Nevsky, op. 78: VI. The Field of the Dead | | | | | | | |
| Alexander Nevsky, op. 78: VII. Alexander's Entry Into Pskov | | | | | | | |
| All These Lighted Things (three little dances for orchestra) | | | | | | | |
| Allegro vivace a movimento perpetuo, op. 11, MS 72 | | | | | | | |
| Also sprach Zarathustra | | | | Symphonic poem | | | 4 |
| Also sprach Zarathustra, op. 30: I. Einleitung | | | | | | | |
| Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | | | | | | | |
| Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | | | | | | | |
| Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | | | | | | | |
| Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | | | | | | | |
| Also sprach Zarathustra, op. 30: V. Das Grablied | | | | | | | |
| Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | | | | | | | |
| Also sprach Zarathustra, op. 30: VII. Der Genesende | | | | | | | |
| Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | | | | | | | |
| Alternative Energy | | | | Symphony | | | |
| Amériques | | | | | | | |
| An American in Paris | | | | | | | |
| An American in Paris | | | | Symphonic poem | | | |
| An American Oratorio: 1. The New Colossus | | | | | | | |
| An American Oratorio: 2. To Helen | | | | | | | |
| An American Oratorio: 3. Snowflakes | | | | | | | |
| An American Oratorio: 4. Something Lost | | | | | | | |
| An American Oratorio: 5. Raven Days | | | | | | | |
| An American Oratorio: 6. Misgivings | | | | | | | |
| An American Oratorio: 7. I Saw a Man Passing | | | | | | | |
| An American Oratorio: 8. There was a Crimson Clash | | | | | | | |
| An American Oratorio: 9. War is Kind | | | | | | | |
| An American Oratorio: 10. A New York Soldier | | | | | | | |
| An American Oratorio: 11. Here the Frailest Leaves | | | | | | | |
| An American Oratorio: 12. To Ned | | | | | | | |
| An der schönen blauen Donau, op. 314 | | | | | | | 5 |
| Andante for horn and piano in C major | | | | | | | |
| Annen‐Polka, op. 117 | | | | | | | |
| Anthology of Fantastic Zoology | | | | Symphony | | | |
| Appomattox, April 9, 1865 | | | | | | | |
| Arcana | | | | | | | |
| Atlas Eclipticalis | | | | | | | |
| Aufforderung zum Tanz, J. 260 | | | | | | | |
| Aufforderung zum Tanz, op. 65 | | | | | | | |
| Bacchus et Ariane, op. 43: Suite no. 2 | | | | Suite | | | |
| Bear Down, Chicago Bears | | | | | | | |
| Boléro | | | | Ballet | | | 5 |
| Burleske in D minor, TrV 145 | | | | | | | |
| Byzantium: I. The unpurged images of day recede | | | | | | | |
| Byzantium: II. Before me floats an image, man or shade | | | | | | | |
| Byzantium: III. Miracle, bird or golden handiwork | | | | | | | |
| Byzantium: IV. At midnight on the Emperor's pavement | | | | | | | |
| Byzantium: V. Astraddle on the dolphin's mire and blood | | | | | | | |
| Cadenza for the First Movement of Brahms' Violin Concerto in D major, op. 77 | | | | | | | |
| Cadenza for the First Movement of Brahms' Violin Concerto in D major, op. 77 | | | | | | | |
| Call to Muster and Battle Cry of Freedom | | | | | | | |
| Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": I. Molto moderato. Once there was an old man | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Budapest Symphony Orchestra, János Ferencsik
- Budapest Festival Orchestra, Sir Georg Solti
- Bogdan Baciu, Ioan Hotea, The Transylvania State Philharmonic Choir, Transylvania State Philharmonic Orchestra, Lawrence Foster
- (show 4 more)
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| Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": II. Andante. Through forest aroving, hey-yah! | | - Margaret Hillis, John Aler, Chicago Symphony Chorus, John Tomlinson, Chicago Symphony Orchestra, Pierre Boulez
- Budapest Symphony Orchestra, János Ferencsik
- Budapest Festival Orchestra, Sir Georg Solti
- Helmut Krebs, Dietrich Fischer‐Dieskau, RIAS Kammerchor, Chor der St.‐Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay
- (show 4 more)
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| Cantata profana for tenor, baritone, double chorus & orchestra (or piano), Sz. 94, BB 100 "The Enchanted Stags": III. Moderato. Once there was an old man | | | | | | | |
| Capriccio italien, op. 45 | | | | | | | |
