| ¿Que me queréis, cavallero? | Núria Rial, José Miguel Moreno | | | 1:14 | |
| "Chi vive amante, so che delira", Hob. XXIVb:13 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 3:45 | |
| "D'una sposa meschinella", Hob. XXIVb:2 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 5:01 | |
| "Dica pure chi vuol dire", Hob. XXIVb:8 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 3:10 | |
| "Infelice sventurata", Hob. XXIVb:15 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 5:06 | |
| "La mia pace, oh Dio", Hob. XXIVb:19 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 3:56 | |
| "Pur ti miro" | Philippe Jaroussky, Nuria Rial, L'Arpeggiata, Christina Pluhar | | | 4:13 | |
| "Quando la rosa", Hob. XXIVb:3 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 1:51 | |
| "Signor voi sapete", Hob. XXIVb:7 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 3:27 | |
| "Sono Alcina, e sono ancora", Hob. XXIVb:9 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 3:47 | |
| "Vada adagio, signorina", Hob. XXIVb:12 | Núria Rial, L’Orfeo Barockorchester, Michi Gaigg | | | 4:00 | |
| A tierras agenas | Núria Rial, José Miguel Moreno | | | 3:01 | |
| Ach seht mich doch, geliebte Augen (from "Der neumodische Liebhaber Damon", TWV 21:8) | Nuria Rial, Kammerorchester Basel | | | 5:54 | |
| Achille in Sciro: Se un core annodi | Núria Rial, Artemandoline | | | 3:15 | |
| Adios, Prenda de Mi Amor | Núria Rial, Fahmi Alqhai, Accademia del Piacere | | | ?:?? | |
| Admeto: Duetto: Alma mia, dolce ristoro | Nuria Rial, Lawrence Zazzo, Kammerorchester Basel, Laurence Cummings | | | 5:03 | |
| All'assalto de Pensieri | Núria Rial, Fahmi Alqhai, Accademia del Piacere | | | ?:?? | |
| Aminta e Fillide, HWV 83: III. Recitativo: Questa sol volta almen | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 0:43 | |
| Aminta e Fillide, HWV 83: IV. Aria: Fiamma bella ch'al ciel s'invia | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 4:50 | |
| Aminta e Fillide, HWV 83: IX. Recitativo: Libero piè fugga dal laccio | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 1:22 | |
| Aminta e Fillide, HWV 83: V. Recitativo: Credi a'miei detti, Aminta | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 0:33 | |
| Aminta e Fillide, HWV 83: VII. Recitativo: Invano, invan presumi | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 1:17 | |
| Aminta e Fillide, HWV 83: VIII. Aria: Fu scherzo, fu gioco | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 5:22 | |
| Aminta e Fillide, HWV 83: XI. Recitativo: D'un incognito foco | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 0:24 | |
| Aminta e Fillide, HWV 83: XII. Aria: Sento ch'il Dio bambin | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 4:15 | |
| Aminta e Fillide, HWV 83: XIX. Recitativo: E pur, Filli vezzosa | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 0:29 | |
| Aminta e Fillide, HWV 83: XV. Recitativo: Vincesti, Aminta, e l'amoroso affanno | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 0:42 | |
| Aminta e Fillide, HWV 83: XVI. Aria: È un foco quel d'amore | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 2:38 | |
| Aminta e Fillide, HWV 83: XVII. Recitativo: Gloria bella d'Aminta | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 0:45 | |
| Aminta e Fillide, HWV 83: XX. Aria: Non si può dar un cor | Nuria Rial, La Risonanza, Fabio Bonizzoni | | | 5:08 | |
| Aminta e Fillide, HWV 83: XXI. Recitativo: O felice in amor dolce tormento | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 0:17 | |
| Aminta e Fillide, HWV 83: XXII. Duetto: Per abbattere il rigore | Nuria Rial, Maria Grazia Schiavo, La Risonanza, Fabio Bonizzoni | | | 5:00 | |
| Aria, HWV 203 „Das zitternde Glänzen der spiegelnden Wellen“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 5:24 | |
| Aria, HWV 204 „Süßer Blumen Ambraflocken“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 7:46 | |
| Aria, HWV 205 „Süße Stille, sanfte Quelle“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 4:54 | |
| Aria, HWV 206 „Singe, Seele, Gott zum Preise“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 4:44 | |
| Aria, HWV 207 „Meine Seele hört im Sehen“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 6:09 | |
| Aria, HWV 208 „Die ihr aus dunklen Grüften“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 4:39 | |
| Aria, HWV 209 „In den angenehmen Büschen“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 3:21 | |
| Aria, HWV 210 „Flammende Rose, Zierde der Erden“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 6:09 | |
| Arie, HWV 202 „Künft’ger Zeiten eitler Kummer“ | Nuria Rial, Austrian Baroque Company, Michael Oman | | | 7:02 | |
| Arminio: Duetto: Il fuggir, cara mia vita | Nuria Rial, Lawrence Zazzo, Kammerorchester Basel, Laurence Cummings | | | 2:59 | |
| Arminio: Duetto: Ritorna nel cuore vezzosa | Nuria Rial, Lawrence Zazzo, Kammerorchester Basel, Laurence Cummings | | | 5:06 | |
| Arminio: Recitativo: Fuggi, mio dene | Nuria Rial, Lawrence Zazzo, Kammerorchester Basel, Laurence Cummings | | | 0:56 | |
| Arsilda regina di Ponto: Quell’usignolo ch’al caro nido | Núria Rial, Kammerorchester Basel | | | 4:33 | |
| Bachianas Brasileiras: No. 5, W389: I. Aria (Cantilena) | Núria Rial, 8 Cellists of the Sinfonieorchester Basel | | | 6:11 | |
| Bachianas Brasileiras: No. 5, W389: II. Dança (Martelo) | Núria Rial, 8 Cellists of the Sinfonieorchester Basel | | | 5:30 | |
| Beatus ille qui procul negociis | Núria Rial, José Miguel Moreno | | | 1:01 | |
| Benedictus de la missa de Mila regres, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 1:49 | |
| Bist du bei mir, BWV 508 (Arie) | Nuria Rial, Kammerorchester Basel, Julia Schröder | | | 3:11 | |
| BWV 21, Aria (Soprano): Seufzer, Tränen, Kummer, Not | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 4:04 | |
| BWV 21, Aria (Tenore): Bäche von gesalznen Zähren | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 5:23 | |
| BWV 21, Aria (Tenore): Erfreue dich, Seele | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:47 | |
| BWV 21, Coro: Das Lamm, das erwürget ist | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:59 | |
| BWV 21, Coro: Ich hatte viel Bekümmernis | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 4:13 | |
| BWV 21, Coro: Sei nun zufrieden, meine Seele | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 5:13 | |
| BWV 21, Coro: Was betrübst du dich, meine Seele | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 3:25 | |
| BWV 21, Duetto (Soprano e Basso): Komm, mein Jesu, und erquicke | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 3:41 | |
| BWV 21, Recitativo (Soprano e Basso): Ach Jesu, meine Ruh | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 1:23 | |
| BWV 21, Recitativo (Tenore): Wie hast du dich, mein Gott | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 1:33 | |
| BWV 21, Sinfonia | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:38 | |
| BWV 147, Aria (Alto): Schäme dich, o Seele, nicht | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 3:25 | |
| BWV 147, Aria (Basso): Ich will von Jesu Wundern singen | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:49 | |
| BWV 147, Aria (Soprano): Bereite dir, Jesu, noch itzo die Bahn | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 4:26 | |
| BWV 147, Aria (Tenore): Hilf, Jesu, hilf | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 3:00 | |
| BWV 147, Corale: Jesus bleibet meine Freude | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:43 | |
| BWV 147, Corale: Wohl mir, dass ich Jesum habe | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:35 | |
| BWV 147, Coro: Herz und Mund und Tat und Leben | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 4:04 | |
| BWV 147, Recitativo (Alto): Der höchsten Allmacht Wunderhand | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 2:19 | |
| BWV 147, Recitativo (Basso): Verstockung kann Gewaltige verblenden | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 1:34 | |
| BWV 147, Recitativo accompagnato (Tenore): Gebenedeiter Mund! | Johann Sebastian Bach, Hans-Christoph Rademann, Núria Rial, Wiebke Lehmkuhl, Benedikt Kristjánsson, Matthias Winckhler & Gächinger Kantorei Stuttgart | | | 1:38 | |
| Cantata “A voi prati felici”, SF A4: Aria: Perchè non dirmi, o fior | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 3:55 | |
| Cantata “A voi prati felici”, SF A4: Aria: Voi fiori che siete | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 5:50 | |
| Cantata “A voi prati felici”, SF A4: Recitativo: A voi prati felici | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 0:37 | |
| Cantata “A voi prati felici”, SF A4: Recitativo: Fiori sentite, il so | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 0:51 | |
| Cantata “Non son morta nel partire”, SF A213: Aria: Non son morta nel partire | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 3:18 | |
| Cantata “Non son morta nel partire”, SF A213: Aria: Quando mai sarà quel dì | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 3:41 | |
| Cantata “Non son morta nel partire”, SF A213: Recitativo: Dovean dovean quest’occhi | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 1:15 | |
| Cantata “Qual turbine improvviso”, SF A266: Aria. Allegro assai: Al turbine che freme | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 6:31 | |
| Cantata “Qual turbine improvviso”, SF A266: Aria. Presto: Men fiera procella | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 5:13 | |
| Cantata “Qual turbine improvviso”, SF A266: Prestissimo. Recitativo: Qual turbine improvviso | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 1:58 | |
| Cantata “Qual turbine improvviso”, SF A266: Recitativo: Ma già sereno il cielo | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 0:50 | |
| Cantata “Ti sento, Amor, ti sento”, SF A350a: Aria: Pur che tu m’ami | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 3:47 | |
| Cantata “Ti sento, Amor, ti sento”, SF A350a: Aria: Ti sento, Amor, ti sento | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 4:16 | |
| Cantata “Ti sento, Amor, ti sento”, SF A350a: Recitativo: Dorinda sventurata | Núria Rial, La Floridiana, Nicoleta Paraschivescu | | | 1:24 | |
| Claros y frescos rios, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 4:03 | |
| Cruda amarilli | Núria Rial | | | 0:13 | |
| Das Auge starrt, die Lippen beben (from "Die Last-tragende Liebe oder Emma und Eginhard") | Nuria Rial, Kammerorchester Basel | | | 1:33 | |
| De Antequera sale el moro, for voice & vihuela (after Morales) | Núria Rial, José Miguel Moreno | | | 3:01 | |
| De dònde venis, amore? | Núria Rial, José Miguel Moreno | | | 1:27 | |
| Deposuit potentes (Voice & 16th Century Positive Organ) | Raúl Mallavibarrena & Núria Rial | | | 1:17 | |
| Der geduldige Socrates, TWV 21:9: Mich tröstet die Hoffnung | Núria Rial, Kammerorchester Basel, Julia Schröder | | | 5:37 | |
| Der geduldige Socrates, TWV 21:9: Mir schmeichelt die Hoffnung | Núria Rial, Kammerorchester Basel, Julia Schröder | | | 5:13 | |
| Der Neu‐modische Liebhaber Damon, TWV 21:8: Ach seht mich doch, geliebte Augen | Núria Rial, Kammerorchester Basel, Julia Schröder | | | 5:46 | |
| Der unglückliche Alcmon: Ach was für Qual und Schmerz | Nuria Rial, Kammerorchester Basel, Julia Schröder | | | 5:01 | |
| Dezilde al caballero, for voice & vihuela | Núria Rial, José Miguel Moreno | | | 2:07 | |
| Didone abbandonata: L’augelletto in lacci stretto | Núria Rial, Kammerorchester Basel, Maurice Steger | | | 8:35 | |
| Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Nuria Rial, Kammerorchester Basel, Julia Schröder | | | 8:37 | |
| Die Last‐tragende Liebe oder Emma und Eginhard: Das Auge starrt, die Lippen beben | Núria Rial, Kammerorchester Basel, Julia Schröder | | | 1:33 | |
| Die Last‐tragende Liebe oder Emma und Eginhard: Erscheine bald, du Irrstern | Núria Rial, Kammerorchester Basel, Julia Schröder | | | 6:05 | |
