| “Hail! Bright Cecilia”, Z. 328: IV. “’Tis nature’s voice” | | | | | | | |
| “Hail! Bright Cecilia”, Z. 328: X. “In vain the am’rous flute” | | | | | | | |
| Acis & Galatée, Act 1: Prélude: "Vous n'êtes pas le seul" | | | | | | | |
| Acis & Galatée, Act 1: Quoi? m'arrêterez-vous dépit de moi-même? | | - Bénédicte Tauran, Robert Getchell, Cyril Auvity, Ambroisine Bré, Les Talens Lyriques, Christophe Rousset
- Françoise Masset, Howard Crook, Jean-Paul Fouchécourt, Véronique Gens, Les Musiciens du Louvre, Marc Minkowski
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| Acis & Galatée, Act 2: De mon fidèle amant | | - Ambroisine Bré, Cyril Auvity, Robert Getchell, Bénédicte Tauran, Les Talens Lyriques, Christophe Rousset
- Véronique Gens, Jean-Paul Fouchécourt, Howard Crook, Françoise Masset, Les Musiciens du Louvre, Marc Minkowski
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| Acis & Galatée, Act 3: "Les voici, ces.."/"Que vois-je?"/"Fuyons sa violance." violence.." | | - Enguerrand de Hys, Edwin Crossley-Mercer, Ambroisine Bré, Cyril Auvity, Chœur de Chambre de Namur, Les Talens Lyriques, Christophe Rousset
- Howard Crook, Laurent Naouri, Véronique Gens, Jean-Paul Fouchécourt, Les Musiciens du Louvre, Marc Minkowski, Chœur des Musiciens du Louvre
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| Acis & Galatée, Act 3: "Vous qui dans ces lieux solitaires" (Symphonie) | | | | | | | |
| Acis & Galatée: Prélude: "Apollon en ce jour" | | | | | | | |
| Aubade, H. 78B | | | | | | | |
| Birthday Ode for Queen Mary "Love's Goddess Sure Was Blind", Z. 331: Sweetness of nature / Long may she reign | | | | | | | |
| Castor et Pollux: Acte IV | | | | | | | |
| Castor et Pollux: Acte V | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: I. Solo "Er kam, lobsingt ihm" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: II. Solo "Sie haßten ihn" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: III. Solo "Doch nicht auf ewig" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: IV. Solo "Itzt steigt er" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: V. Solo "Die aufgehabnen Donnerkeile des Vaters" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: VI. Chorus "Wenn dann die Stern' erbleichend stehen" | | | | | | | |
| Er kam, lobsingt ihm, TWV 1:462: VII. Choral "Du fährest, Jesu, himmelauf" | | | | | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus | | | | Mass | | | |
| h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur | | | | Mass | | | |
| If ever I more riches did desire, Z. 544 | | | | Song | | | |
| If Music Be the Food of Love, Z. 379 | | | | Song | | | |
| Le jeune pâtre breton, op. 13 no. 4, H. 65A | | | | Song | | | |
| Les Indes galantes: Acte I "Le Turc généreux" | | | | | | | |
| Les Indes galantes: Acte IV "Les Sauvages" | | | | | | | |
| Les Nuits d’été, H. 81, op. 7: Nº 1. Villanelle | | | | Song | | | |
| Les Nuits d’été, H. 81, op. 7: Nº 5. Au cimetière | | | | Song | | | |
| Lord, what is Man?, Z. 192 | | | | | | | |
| Lovely Albina's come ashore, Z. 394 | | | | Song | | | |
| Messiah, HWV 56: Part I, no. 2. Recitativo “Comfort Ye” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part II, no. 27. Recitative “All they that see him” (Tenor) | | - Alexander Young, English Chamber Orchestra, Johannes Somary
- Simon Preston, Christ Church Cathedral Choir, Oxford, Paul Elliott, Academy of Ancient Music, Christopher Hogwood
- Atlanta Symphony Orchestra Chamber Chorus, Jon Humphrey, Atlanta Symphony Orchestra, Robert Shaw
- Howard Crook, The English Concert, Trevor Pinnock
- (show 70 more)
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| Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken his heart” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (tenor) | | | | | | | |
| Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) | | | | Aria | | | |
| Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) | | - Yvonne Minton, Alexander Young, English Chamber Orchestra, Johannes Somary
- Christopher Hogwood, The Academy of Ancient Music, Christ Church Cathedral Choir, Oxford
- Michael Chance, Howard Crook, The English Concert, Trevor Pinnock
- John Mark Ainsley, Hilary Summers, The Brandenburg Consort, Stephen Cleobury
- (show 61 more)
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| Ode for St. Cecilia's Day "Welcome to All the Pleasures", Z. 339: Beauty thou scene of love | | | | | | | |
| Oedipus, King of Thebes, Z. 583: II. "Music for a While" | | | | | | | |
| Pygmalion | | | | Opera | | | |
| Pygmalion: Scène I. Fatal Amour, cruel vainqueur | | - Howard Crook, Agnès Mellon, Donatienne Michel-Dansac, Les Arts Florissants, William Christie
- Chœurs de la chapelle royale, Paris, John Elwes, Mieke van der Sluis, Françoise Vanhecke, Rachel Yakar, La Petite Bande, Gustav Leonhardt
- Les Talens Lyriques, Christophe Rousset
- Gustav Leonhardt, La Petite Bande
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| Round O, ZT. 684 | | | | | | | |
| Saccharissa's Grown Old, Z. 507 | | | | Song | | | |
| Six Duets: Sound the Trumpet | | | | | | | |
| The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance" | | | | | | | |
| The Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air" | | | | | | | |
