| performed |
|---|
| Heiligmesse - Agnus Dei | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Agnus Dei | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Benedictus | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Credo | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Gloria | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Kyrie | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| Heiligmesse - Sanctus | | Joseph Haydn & Sir Neville Marriner | ?:?? |
| vocals |
|---|
| 1985 | La forza del destino: Atto III, scena 1. “All'armi! ... Arde la mischia! ... Piano... qui posi” (Soldati, Don Alvaro, Don Carlo, ordinanze, Chirurgo) | baritone vocals [un chirurgo] | Ambrosian Opera Chorus, Renato Bruson, José Carreras, Petteri Salomaa, Philharmonia Orchestra, Giuseppe Sinopoli | 3:52 |
| 1985 | La forza del destino: Atto III, scena 2. “Urna fatale del mio destino ... Egli è salvo! oh gioia immensa” (Don Carlo, Chirurgo) | baritone vocals [un chirurgo] | Renato Bruson, Petteri Salomaa, Philharmonia Orchestra, Giuseppe Sinopoli | 5:50 |
| 1987-02 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto - Allegro | bass vocals | The London Classical Players, Roger Norrington | 22:42 |
| 1987-02 | Symphony no. 9 in D minor, op. 125: IVb. – Presto – Recitativo – Allegro assai | bass vocals | The London Classical Players, Roger Norrington | 3:10 |
| 1987-02 | Symphony no. 9 in D minor, op. 125: IVf. – Allegro ma non tanto – Poco adagio – Tempo I – Poco adagio | bass vocals | The London Classical Players, Roger Norrington | 2:01 |
| 1987-08 | Le nozze di Figaro: Atto IV: Giunse alfin il momento | baritone vocals [Figaro] | Barbara Bonney, Petteri Salomaa, Alicia Nafé, Arleen Augér, Drottningholm Court Theatre Orchestra, Arnold Östman | 4:09 |
| 1990-05-07 – 1990-05-11 | Peer Gynt musique de scène, Op. 23 Peer Gynt et les filles des pâturages | | Petteri Salomaa, Berliner Philharmoniker, Jeffrey Tate | 3:55 |
| 1990-05-07 – 1990-05-11 | Peer Gynt musique de scène, Op. 23 Scène nocturne | | Ernst Senff, Ernst‐Senff‐Chor, Petteri Salomaa, Berliner Philharmoniker, Jeffrey Tate | 7:34 |
| 1990-05-07 – 1990-05-11 | Peer Gynt musique de scène, Op. 23 Sérénade de Peer Gynt | | Petteri Salomaa, Berliner Philharmoniker, Jeffrey Tate | 2:48 |
| 1995-02 | King Arthur: Act III. "Great Love, I know thee now" | bass vocals [Cold Genius] | Petteri Salomaa, Les Arts Florissants | 0:55 |
| 1995-02 | King Arthur: Act III. "Sound a parley" - "'Tis Love that has warm'd us" | bass vocals [Cold Genius] | Les Arts Florissants, Petteri Salomaa, Susannah Waters | 4:01 |
| 1995-02 | King Arthur: Act III. Prelude while the Cold Genius rises - "What power art thou" | bass vocals [Cold Genius] | Petteri Salomaa, Les Arts Florissants | 4:08 |
| 1995-02 | King Arthur: Act V. "Ye blust'ring brethren of the skies" | bass vocals [Aeolus] | Petteri Salomaa, Les Arts Florissants | 3:24 |
| 1995-02 | King Arthur: Act V. "Your hay it is mow'd" | bass vocals [Comus] | Les Arts Florissants, Petteri Salomaa | 2:28 |
| 2000-02 | Caliban's Dream | baritone vocals | Petteri Salomaa, Avanti!, Hannu Lintu | 3:42 |
| 2002-05 | True & False Unicorn: II. Horn and Hounds: 10. His Honor the Mayor | baritone vocals | Finnish Radio Chamber Choir, Finnish Radio Symphony Orchestra, Timo Nuoranne | 1:11 |
| 2004-03-09 – 2004-03-12 | Combattimento di Tancredi e Clorinda (Madrigali guerrieri et amorosi) | baritone vocals | Monica Groop, Ian Honeyman, Petteri Salomaa, Helsingin Barokkiorkesteri, Aapo Häkkinen | 19:07 |
| La forza del destino: Atto III, scena 2. "Lieta novella, è salvo" / "È salvo! Oh gioia" | baritone vocals [un chirurgo] | Renato Bruson, Petteri Salomaa, Philharmonia Orchestra, Giuseppe Sinopoli | 2:05 |
| Macbeth: Atto IV. Gran scena del sonnambulismo: "Vegliammo invan due notti" (Lady, Medico, Dama) | baritone vocals [un medico] | Lucia Aliberti, Petteri Salomaa, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | 15:14 |
| Madama Butterfly: Act I. "L'imperial commissario" | baritone vocals | Mirella Freni, José Carreras, Teresa Berganza, Juan Pons, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli | 3:13 |
| Madama Butterfly: Act I. "O Kami! O Kami!" | baritone vocals | Mirella Freni, José Carreras, Teresa Berganza, Juan Pons, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli | 3:18 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Agnus Dei | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:58 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Benedictus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 5:20 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Credo in unum Deum | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:00 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Dona nobis pacem | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 3:49 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et incarnatus est | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 3:39 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Et resurrexit | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 4:36 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gloria in excelsis Deo | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:41 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Gratias agimus tibi | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 5:54 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Kyrie | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 5:20 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Quoniam tu solus sanctus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:55 |
| Missa ("Theresienmesse"), Hob. 22: Messe Nr. 12 , B-dur: Sanctus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:18 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Agnus Dei | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 3:40 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Benedictus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 5:36 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Credo in unum Deum | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 1:24 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Dona nobis pacem | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:36 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et incarnatus est | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 4:51 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et resurrexit | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:04 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Et vitam venturi saeculi | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 1:46 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gloria in excelsis Deo | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:06 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Gratias agimus tibi | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 4:10 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Kyrie | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 4:16 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Quoniam tu solus sanctus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 2:37 |
| Missa Sancti Bernardi Von Offida ("Heiligmesse") Hob. 22 Messe Nr. 10, B-dur: Sanctus | bass vocals and solo | Staatskapelle Dresden, Sir Neville Marriner | 1:50 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior) | bass-baritone vocals | Sabina Macculi, Ernesto Palacio, Lynda Russell, Petteri Salomaa, Caterina Trogu-Röhrich, Orchestra da Camera di Padova e del Veneto, Peter Maag | 3:23 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia) | bass-baritone vocals | Ernesto Palacio, Petteri Salomaa, Orchestra da Camera di Padova e del Veneto, Peter Maag | 6:50 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior) | bass-baritone vocals | Petteri Salomaa, Orchestra da Camera di Padova e del Veneto, Peter Maag | 4:43 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta) | bass-baritone vocals | Gloria Banditelli, Ernesto Palacio, Petteri Salomaa, Caterina Trogu-Röhrich, Orchestra da Camera di Padova e del Veneto, Peter Maag | 3:04 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital) | bass-baritone vocals | Ernesto Palacio, Lynda Russell, Petteri Salomaa, Orchestra da Camera di Padova e del Veneto, Peter Maag | 1:20 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior) | bass-baritone vocals | Gloria Banditelli, Coro del Centro di Musica Antica di Padova, Ernesto Palacio, Lynda Russell, Petteri Salomaa, Caterina Trogu-Röhrich, Orchestra da Camera di Padova e del Veneto, Peter Maag | 9:15 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior) | bass-baritone vocals | Petteri Salomaa, Orchestra da Camera di Padova e del Veneto, Peter Maag | 1:15 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior) | bass-baritone vocals | Petteri Salomaa, Orchestra da Camera di Padova e del Veneto, Peter Maag | 3:52 |
| Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta) | bass-baritone vocals | Gloria Banditelli, Ernesto Palacio, Lynda Russell, Petteri Salomaa, Caterina Trogu-Röhrich, Orchestra da Camera di Padova e del Veneto, Peter Maag | 0:55 |
| vocals |
|---|
| King Arthur | bass vocals | Henry Purcell; Véronique Gens, Claron McFadden, Sandrine Piau, Susannah Waters, Jonathan Best, Mark Padmore, Iain Paton, Petteri Salomaa, Les Arts Florissants, William Christie | |
| La Serva Padrona | bass vocals | Giovanni Paisiello; Jeanne Marie Bima, Münchner Rundfunkorchester, Hans-Ludwig Hirsch | |
| Theresienmesse / Heiligmesse | bass vocals | Joseph Haydn; Rundfunkchor Leipzig, Staatskapelle Dresden, Sir Neville Marriner | |
