| arranged |
---|
| Intermezzo In Modo Classico (arr. Rimsky-Korsakov) | Nikolaï Rimski-Korsakov | | Мodeste Moussorgski | 7:44 |
| La Khovanchtchina (arr. Rimsky-Korsakov) : Prélude : Lever du jour sur la Moskova | Nikolaï Rimski-Korsakov | | Мodeste Moussorgski | 5:01 |
| La Prise de Kars, marche solennelle (arr. Rimsky-Korsakov) | Nikolaï Rimski-Korsakov | | Мodeste Moussorgski | 5:39 |
| Night on the Bare Mountain | Rimsky-Korsakov | | Saint Louis Symphony Orchestra, Leonard Slatkin | 11:15 |
| Prince Igor: Polovtsian Dances: Allegro | Nikolai Rimsky-Korsakov | | Boston Pops Orchestra, John Williams | 2:16 |
| Prince Igor: Polovtsian Dances: Andantino (Dances with Chorus) | Nikolai Rimsky-Korsakov | | Boston Pops Orchestra, John Williams | 3:47 |
| Prince Igor: Polovtsian Dances: Presto | Nikolai Rimsky-Korsakov | | Boston Pops Orchestra, John Williams | 5:44 |
| Prince Igor: Polovtsian Dances: Presto (Dance of the Maidens) | Nikolai Rimsky-Korsakov | | Boston Pops Orchestra, John Williams | 2:20 |
| orchestrated |
---|
| A Night on the Bare Mountain (arr. Rimsky‐Korsakov) | Rimsky-Korsakov | | State Symphony Orchestra of Russian Federation, Evgeny Svetlanov | 10:49 |
| Boris Godunov: Act I, Scene I. "Borís" | | | Модест Петрович Мусоргский | 1:12 |
| Boris Godunov: Act I, Scene I. "Bózhe krépkii" | | | Модест Петрович Мусоргский | 5:39 |
| Boris Godunov: Act I, Scene I. "Davnó, chestnói" | | | Модест Петрович Мусоргский | 1:57 |
| Boris Godunov: Act I, Scene I. "Yeschyó ordnó" | | | Модест Петрович Мусоргский | 4:46 |
| Boris Godunov: Act I, Scene I. "Zvonyát k zaútrene" | | | Модест Петрович Мусоргский | 1:40 |
| Boris Godunov: Act I, Scene II. "Chto-zh ty" | | | Модест Петрович Мусоргский | 1:31 |
| Boris Godunov: Act I, Scene II. "Chúdova monastyryá" | | | Модест Петрович Мусоргский | 3:32 |
| Boris Godunov: Act I, Scene II. "Kak vo górode" | | | Модест Петрович Мусоргский | 3:48 |
| Boris Godunov: Act I, Scene II. "Kak, yédet yon" | | | Модест Петрович Мусоргский | 3:40 |
| Boris Godunov: Act I, Scene II. "Poïmala ya síza" | | | Модест Петрович Мусоргский | 4:09 |
| Boris Godunov: Act I, Scene II. "Stártsy smiyrénnyie" | | | Модест Петрович Мусоргский | 4:05 |
| Boris Godunov: Act II. "Chevó?" | | | Модест Петрович Мусоргский | 2:31 |
| Boris Godunov: Act II. "Gide ty" | | | Модест Петрович Мусоргский | 2:52 |
| Boris Godunov: Act II. "Kak komár dovrá" | | | Модест Петрович Мусоргский | 2:22 |
| Boris Godunov: Act II. "Kak kúrochla" | | | Модест Петрович Мусоргский | 1:30 |
| Boris Godunov: Act II. "Kak s oblakóv" | | | Модест Петрович Мусоргский | 7:02 |
| Boris Godunov: Act II. "Ne kázen" | | | Модест Петрович Мусоргский | 1:55 |
| Boris Godunov: Act II. "Ty zachém?" | | | Модест Петрович Мусоргский | 1:01 |
| Boris Godunov: Act II. "Uf tyazheló!" | | | Модест Петрович Мусоргский | 3:52 |
| Boris Godunov: Act II. "Velikii gosudár" | | | Модест Петрович Мусоргский | 6:11 |
| Boris Godunov: Act III, Scene I. "Akh!!! Akh" | | | Модест Петрович Мусоргский | 4:42 |
| Boris Godunov: Act III, Scene I. "Dovólno!" | | | Модест Петрович Мусоргский | 2:14 |
| Boris Godunov: Act III, Scene I. "Krasóyu svoyéyu" | | | Модест Петрович Мусоргский | 2:02 |
| Boris Godunov: Act III, Scene I. "Na Visle" | | | Модест Петрович Мусоргский | 2:28 |
| Boris Godunov: Act III, Scene I. "Plámenem" | | | Модест Петрович Мусоргский | 2:25 |
| Boris Godunov: Act III, Scene I. "Skúchno Maríye" | | | Модест Петрович Мусоргский | 3:24 |
| Boris Godunov: Act III, Scene II. "Dimítri, Tsarevich!" | | | Модест Петрович Мусоргский | 3:34 |
| Boris Godunov: Act III, Scene II. "O tsarévich!" | | | Модест Петрович Мусоргский | 3:35 |
| Boris Godunov: Act III, Scene II. "Stoi, Marína" | | | Модест Петрович Мусоргский | 1:21 |
| Boris Godunov: Act III, Scene II. "Tebyá, Tebyá" | | | Модест Петрович Мусоргский | 2:23 |
| Boris Godunov: Act III, Scene II. "V pólnoch" | | | Модест Петрович Мусоргский | 3:08 |
| Boris Godunov: Act III, Scene II. "Váshei strásti ya" | | | Модест Петрович Мусоргский | 4:01 |
| Boris Godunov: Act IV, Scene I. "Chto, otoshlá obyédnya" | | | Модест Петрович Мусоргский | 3:01 |
| Boris Godunov: Act IV, Scene I. "Léites, léites, slyozy górikye" | | | Модест Петрович Мусоргский | 2:21 |
| Boris Godunov: Act IV, Scene I. "Trrrr, trrr, trrr, trrr!" | | | Модест Петрович Мусоргский | 2:15 |
| Boris Godunov: Act IV, Scene I. "Tsar, tsar, idyót" | | | Модест Петрович Мусоргский | 3:19 |
| Boris Godunov: Act IV, Scene I. St. Basil's Cathedral Moscow | | | Модест Петрович Мусоргский | 1:35 |
| Boris Godunov: Act IV, Scene II. "Chto-sh, poidyóm na golosá, boyáre" | | | Модест Петрович Мусоргский | 3:11 |
| Boris Godunov: Act IV, Scene II. "Chur, chur!" | | | Модест Петрович Мусоргский | 3:16 |
| Boris Godunov: Act IV, Scene II. "Oi! Dúshno! Dúshno!" | | | Модест Петрович Мусоргский | 6:20 |
| Boris Godunov: Act IV, Scene II. "Smirénnyi ínok" | | | Модест Петрович Мусоргский | 4:42 |
| Boris Godunov: Act IV, Scene II. "Zhal, Shúiskovo net knyazya" | | | Модест Петрович Мусоргский | 1:48 |
| Boris Godunov: Act IV, Scene II. "Zvon!...Pogrebálnyi zvon!" | | | Модест Петрович Мусоргский | 4:11 |
| Boris Godunov: Act IV, Scene III. "Domine, Domine, salvum fac Regem" | | | Модест Петрович Мусоргский | 2:41 |
| Boris Godunov: Act IV, Scene III. "Léites, léites, slyózy górikye" | | | Модест Петрович Мусоргский | 2:02 |
| Boris Godunov: Act IV, Scene III. "My, Dimítrii Ivánovich" | | | Модест Петрович Мусоргский | 1:51 |
| Boris Godunov: Act IV, Scene III. "Ne sókol letit po podnebésyu" | | | Модест Петрович Мусоргский | 2:36 |
| Boris Godunov: Act IV, Scene III. "Sláva tebé, tsarévichu, Bógom spasyónnomu" | | | Модест Петрович Мусоргский | 1:29 |
| Boris Godunov: Act IV, Scene III. "Sólntse, luná pomérknuli" | | | Модест Петрович Мусоргский | 3:45 |
| Boris Godunov: Act IV, Scene III. "Valí syudá! Na pen sadí, na pen, rebyáta!" | | | Модест Петрович Мусоргский | 2:04 |
| Boris Godunov: Prologue, Scene I. "Nu chto-zh vy?" | | | Модест Петрович Мусоргский | 4:48 |
| Boris Godunov: Prologue, Scene I. "Pravoslávnyie" | | | Модест Петрович Мусоргский | 2:45 |
| Boris Godunov: Prologue, Scene I. "Sláva tebe Tvortsú" | | | Модест Петрович Мусоргский | 3:30 |
| Boris Godunov: Prologue, Scene I. Introduction | | | Модест Петрович Мусоргский | 1:50 |
| Boris Godunov: Prologue, Scene II. "Skorbit dushá!" | | | Модест Петрович Мусоргский | 2:45 |
| Boris Godunov: Prologue, Scene II. "Sláva!" | | | Модест Петрович Мусоргский | 1:56 |
| Boris Godunov: Prologue, Scene II. "Uzh kak ne" | | | Модест Петрович Мусоргский | 2:51 |
| Boris Godunov: Prologue, Scene II. Prologue / "Da zdrávstvuyet" | | | Модест Петрович Мусоргский | 1:53 |
| composed |
---|
| Sheherazade / Le Coq d'or / Sadko | | | Rimsky-Korsakov; CSR Symphony Orchestra, Ondrej Lenárd | |
| arranged |
---|
1887 | Nocturne for Violin and Orchestra | | | | |
1903 | Serenade for Cello and Orchestra, op. 37 | | | | |
| Finale from Mlada | | | | |
| Neapolitan Song, op. 63 "Funiculì, funiculà" | | | | |
| Neapolitan Song, op. 63 "Funiculì, funiculà" | | | | |
| Polovtsian Dances | | | | |
| Scheherazade, op. 35 | | | | |
| Scheherazade, op. 35: I. The Sea and Sinbad's Ship | | | | |
| Scheherazade, op. 35: II. The Kalendar Prince | | | | |
| Scheherazade, op. 35: III. The Young Prince and the Young Princess | | | | |
| Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | | | | |
| composed |
---|
1861 – 1865 | Symphony no. 1 in E minor, op. 1 | | | | |
1861 – 1865 | Symphony no. 1 in E minor, op. 1: I. Largo assai | | | | |
1861 – 1865 | Symphony no. 1 in E minor, op. 1: II. Andante tranquillo | | | | |
1861 – 1865 | Symphony no. 1 in E minor, op. 1: III. Scherzo. Vivace | | | | |
1861 – 1865 | Symphony no. 1 in E minor, op. 1: IV. Allegro assai | | | | |
1861 – 1865 | Symphony no. 1 in E-flat minor, op. 1 | | | | |
1866 | 4 Romances, op. 3 | | | | |
1866 | 4 Romances, op. 4 | | | | |
1866 | Na kholmakh Gruzii, op. 3 no. 4 | | | | |
1867 | 4 Romances, op. 7 | | | | |
1867 | Fantasia on Serbian Themes, op. 6 | | | | |
1867 | Fantasia on Serbian Themes, op. 6 | | | | |
1867 | Fantasia on Serbian Themes, op. 6 | | | | |
1867 | Moy golos dlya tebya, op. 7 no. 1 | | | | |
1873 – 1874-02-18 | Symphony no. 3 in C major, op. 32 | | | | |
1875 – 1876 | Three Pieces, op. 15 | | | | |
1875 – 1876 | Three Pieces, op. 15: No. 1. Waltz | | | | |
1875 – 1876 | Three Pieces, op. 15: No. 2. Romance | | | | |
1875 – 1876 | Three Pieces, op. 15: No. 3. Fugue | | | | |
1876 | Quintet in B-flat major | | | | |
1876 | Quintet in B-flat major: I. Allegro con brio - Scherzando - Poco più mosso | | | | |
1876 | Quintet in B-flat major: II. Andante - [ ] - Tempo I - Fughetta. Poco più mosso - Tempo I | | | | |
1876 | Quintet in B-flat major: III. Rondo. Allegretto - Agitato - Più vivo - Vivace | | | | |
1876 – 1877 | 4 Morceaux, op. 11 | | | | |
1876 – 1877 | 4 Morceaux, op. 11: No. 1. Impromptu | | | | |
1876 – 1877 | 4 Morceaux, op. 11: No. 2. Novellette | | | | |
1876 – 1877 | 4 Morceaux, op. 11: No. 3. Scherzino | | | | |
1876 – 1877 | 4 Morceaux, op. 11: No. 4. Étude | | | | |
1877 | Concerto for Trombone and Military Band | | | | |
1877 | Concerto for Trombone and Military Band | | | | |
1877 | Concerto for Trombone and Military Band | | | | |
1877 | Concerto for Trombone and Military Band: I. Allegro vivace | | | | |
1877 | Concerto for Trombone and Military Band: I. Allegro vivace | | | | |
1877 | Concerto for Trombone and Military Band: I. Allegro vivace | | | | |
1877 | Concerto for Trombone and Military Band: II. Andante cantabile | | | | |
1877 | Concerto for Trombone and Military Band: II. Andante cantabile | | | | |
1877 | Concerto for Trombone and Military Band: II. Andante cantabile | | | | |
1877 | Concerto for Trombone and Military Band: III. Allegro | | | | |
1877 | Concerto for Trombone and Military Band: III. Allegro | | | | |
1877 | Concerto for Trombone and Military Band: III. Allegro | | | | |
1878 | Clarinet Concerto | | | | |
1878 | Variations on a Theme by Glinka | | | | |
1878 – 1879 | At the Monastery (Fugue) | | | | |
1879 – 1880 | Fairy Tale, op. 29 | | | | |
1879 – 1884 | Sinfonietta on Russian Themes, op. 31 | | | | |
1879 – 1884 | Sinfonietta on Russian Themes, op. 31: I. Allegretto Pastorale | | | | |
1879 – 1884 | Sinfonietta on Russian Themes, op. 31: II. Adagio | | | | |
1879 – 1884 | Sinfonietta on Russian Themes, op. 31: III. Scherzo-Finale | | | | |
1882 – 1883 | Piano Concerto in C-sharp minor, op. 30 | | | | |
1883 | 4 Romances, op. 27 | | | | |
1883 | Tï i vï, op. 27 no. 3 | | | | |
1885 | Variations on a Chorale | | | | |
1886 | String Quartet on the Theme 'B-la-F': I. Sostenuto assai. Allegro | | | | |
1886 – 1887 | Concert Fantasy on Russian Themes, op. 33 | | | | |
1887-08 – 1888-04 | Russian Easter Festival Overture, op. 36 | Nikolai Rimsky-Korsakov | | | |
1887 | Capriccio Espagnol, op. 34 | | | | |
1887 | Capriccio espagnol, op. 34: I. Alborada | Nikolai Rimsky-Korsakov | | | |
1887 | Capriccio Espagnol, op. 34: II. Variazioni | Nikolai Rimsky-Korsakov | | | |
1887 | Capriccio Espagnol, op. 34: III. Alborada | Nikolai Rimsky-Korsakov | | | |
1887 | Capriccio Espagnol, op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov | | | |
1887 | Capriccio Espagnol, op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov | | | |
1887 | Каприччио на испанские темы, op. 34 | | | | |
1887 – 1888 | Prince Igor | | additional | | |
1887 – 1888 | Prince Igor: Act I | | additional | | |
1888 | Scheherazade | | | | |
1888 | Scheherazade, op. 35 | | | | |
1888 | Scheherazade, op. 35 | | | | |
1888 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | | | | |
1888 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | | | | |
1888 | Scheherazade, op. 35: II. The Kalendar Prince | | | | |
1888 | Scheherazade, op. 35: II. The Kalendar Prince | | | | |
1888 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | | | | |
1888 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | | | | |
1888 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | | | | |
1888 | Scheherazade, op. 35: IV. Festival at Baghdad. The Sea. The Ship Breaks Against a Cliff Surmounted by a Bronze Horseman | | | | |
1888 | Thème de "Shéhérazade" | | | | |
1893 | Serenade for Cello and Orchestra, op. 37 | | | | |
1893 | Serenade for Cello and Piano, op. 37 | | | | |
1894 – 1895 | Christmas Eve | | | | |
1895 | Suite from "The Snow Maiden": I. Beautiful Spring | | | | |
1895 | Suite from "The Snow Maiden": II. Dance of the Birds | | | | |
1895 | Suite from "The Snow Maiden": III. The Procession of Tsar Berendey | | | | |
1895 | Suite from “The Snow Maiden” | | | | |
1895 | Suite from “The Snow Maiden”: IV. Dance of the Tumblers | | | | |
1896 | Sadko: Lied des Warägers. "Am Felsenufer toben ungestüm die Wellen" | | | | |
1897 | 4 Romances, op. 40 | | | | |
1897 | Ekho, op. 45 no. 1 | | | | |
1897 | In Spring, op. 43 | | | | |
1897 | Mozart and Salieri op. 48 (Моцарт и Сальери) | | | | |
1897 | Not the Wind, Blowing from the Heights, op. 43 no. 2 | | | | |
1897 | Piano Trio in C minor | | | | |
1897 | Piano Trio in C minor: I. Allegro | | | | |
1897 | Piano Trio in C minor: II. Allegro | | | | |
1897 | Piano Trio in C minor: III. Adagio | | | | |
1897 | Piano Trio in C minor: IV. Adagio - Allegro assai | | | | |
1897 | Symphony no. 2 "Antar", op. 9: I. Largo | | | | |
1897 | Symphony no. 2 "Antar", op. 9: II. Allegro | | | | |
1897 | Symphony no. 2 "Antar", op. 9: III. Allegro risoluto | | | | |
1897 | Symphony no. 2 "Antar", op. 9: IV. Allegretto - Adagio | | | | |
1897 | To the Poet, op. 45 | | | | |
| See all 447 relationships |
| dedicated works |
---|
| 6 Songs, op. 16: No. 2. Pogodi! | | | | |
| Chant funèbre, op. 5 | | | | |
| Overture on Russian Themes, "Rus" | | | | |
| Prélude symphonique, op. 7 | | | | |
| Symphony no. 1 in E major, op. 5 "Slavonian Symphony" | | | | |
| libretto |
---|
1897 | Mozart and Salieri op. 48 (Моцарт и Сальери) | | additional | | |
– 1896 | Садко | | | | |
| Christmas Eve | | | | |
| Christmas Eve: Act I | | | | |
| Christmas Eve: Act II | | | | |
| Christmas Eve: Act III | | | | |
| Christmas Eve: Act IV | | | | |
| Mlada | | | | |
| Sadko: I söderns hav | | | | |
| Servilia | | | | |
| The Maid of Pskov: Act I | | | | |
| The Maid of Pskov: Act II | | | | |
| The Maid of Pskov: Act III | | | | |
| The Snow Maiden | | | | |
| Tsveti Moi! | | | | |
| Кащей бессмертный | | | | |
| Майская ночь | | | | |
| Майская ночь: Действие 1 | | | | |
| Майская ночь: Действие 2 | | | | |
| Майская ночь: Действие 3 | | | | |
| Ночь перед Рождеством | | | | |
| Псковитянка | | | | |
| orchestrated |
---|
1881 – 1882 | Хованщина | | | | |
1882 | Khovanshchina: Prelude: Dawn Over the River Moscow | Nikolai Rimsky-Korsakov | | | |
1886 | A Night on Bald Mountain | Nikolai Rimsky-Korsakov | | | |
1886 | Night on Bald Mountain | | | | |
1906 | The Sea | | additional | | |
| Joshua | | | | |
| Khovanshchina: Act I. Andrei Khovanski, Dosifei, Emma, Marfa, Ivan Khovanski, Streltsi, Old Believers | | | | |
| Khovanshchina: Act I. Emma, Andrei Khovanski, Marfa, People, Ivan Khovanski, Streltsi | | | | |
| Khovanshchina: Act I. Kuzka, First and Second Strelyets, Scribe, Shakloviti, People | | | | |
| Khovanshchina: Act I. People, Ivan Khovanski, Streltsi | | | | |
| Khovanshchina: Act II. Dosifei, Golitsin, Ivan Khovanski, Varsonofiev, Shakloviti | | | | |
| Khovanshchina: Act II. Golitsin, Varsonofiev, Marfa, Ivan Khovanski | | | | |
| Khovanshchina: Act III. Dosifei, Marfa | | | | |
| Khovanshchina: Act III. Kuzka, Streltsi and Their Women, Ivan Khovanski | | | | |
| Khovanshchina: Act III. Marfa | | | | |
| Khovanshchina: Act III. Shakloviti, Streltsi and Thier Women, Scribe | | | | |
| Khovanshchina: Act IV, Scene I. Dance of the Persian Slave Girls | | | | |
| Khovanshchina: Act IV, Scene I. Girls, Ivan Khovanski, Varsonofiev | | | | |
| Khovanshchina: Act IV, Scene I. Ivan Khovanski, Shakloviti, Peasant Girls | | | | |
| Khovanshchina: Act IV, Scene II: Beginning | | | | |
| Khovanshchina: Act IV, Scene II. Prelude; Dosifei, Marfa, Andrei Khovanski, Women, Streltsi | | | | |
| Khovanshchina: Act V. Dosifei, Marfa, Andrei Khovanski, Old Believers | | | | |
| Khovanshchina: Galitsyn's Journey | | | | |
| Oedipus in Athens: Chorus of People in the Temple | | | | |
| Polovtsian Dances no. 8, “Dance of the Polovtsian Maidens”: Presto, 6/8, F major | | | | |
| Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” | | | | |
| Prince Igor: Act I | | | | |
| Prince Igor: Act II | | | | |
| Prince Igor: Act II. Polovtsian Dance with Choir | | | | |
| Prince Igor: Overture | | | | |
| Salammbô: Chorus of Priestesses | | | | |
| Scherzo in B-flat major | | | | |
| The Destruction of Sennacherib | | | | |
| The Stone Guest | | | | |
| revised |
---|
1884 | Symphony no. 1 in E minor, op. 1 | | | | |
1884 | Symphony no. 1 in E minor, op. 1: I. Largo assai | | | | |
1884 | Symphony no. 1 in E minor, op. 1: II. Andante tranquillo | | | | |
1884 | Symphony no. 1 in E minor, op. 1: III. Scherzo. Vivace | | | | |
1884 | Symphony no. 1 in E minor, op. 1: IV. Allegro assai | | | | |
1886 | Symphony no. 3 in C major, op. 32 | | | | |
1886 | Symphony no. 3 in C major, op. 32: I. Moderato assai — Allegro | | | | |
1886 | Symphony no. 3 in C major, op. 32: II. Scherzo. Vivo | | | | |
1886 | Symphony no. 3 in C major, op. 32: III. Andante | | | | |
1886 | Symphony no. 3 in C major, op. 32: IV. Allegro con spirito | | | | |
1887 | Fantasia on Serbian Themes, op. 6 | | | | |
| wrote |
---|
| Flight of the Batmobile | Nikolai Rimsky-Korsakov | | | |
| Mozart and Salieri op.48: Act I, Scene I: Introduction and Salieri's Monologue (Salieri) | | | | |
| Mozart and Salieri op.48: Act I, Scene I: Introduction of Salieri's Second Monologue (Salieri) | | | | |