| arranged |
---|
| Folksong: Avenging and Bright | | Peter Pears, Benjamin Britten | 1:31 |
| Folksong: Sally in Our Alley | | Peter Pears, Benjamin Britten | 4:16 |
| How Sweet the Answer | | Ann Murray, Graham Johnson | 2:07 |
| How Sweet the Answer (The Wren) | | Yvonne Kenny, Tan Crone | 1:59 |
| O the Sight Entrancing | | Ann Murray, Graham Johnson | 2:06 |
| Oft in the Stilly Night | | Ann Murray, Graham Johnson | 2:47 |
| Oliver Cromwell | | [anonymous] | 0:46 |
| Pomp and Circumstance Marches, op. 39: March no. 4 in G | | National Youth Orchestra of Great Britain, Reginald Jacques | 5:24 |
| Sally in our Alley | | Peter Pears, Benjamin Britten | 4:35 |
| Sound the Trumpet | | Felicity Lott, Ann Murray, Graham Johnson | 2:22 |
| The Ashgrove (Welsh Tune) | | Sarah Brightman, Geoffrey Parsons | 2:35 |
| The Holly and the Ivy | | Choir of King’s College, Cambridge | 3:49 |
| The Last Rose of Summer (Groves of Blarney, Moore's Irish Melodies) | | Sarah Brightman, Geoffrey Parsons | 4:21 |
| The Plaint : O Let Me Weep, For Ever Weep | | [unknown] | 7:51 |
| The Salley Gardens | | David Victor-Smith, Farnham Youth Choir | 2:40 |
| When Night Her Purple Veil Had Softly Spread | | Dietrich Fischer‐Dieskau, Benjamin Britten, Alberni String Quartet | 15:15 |
| conducted |
---|
1944-10 | Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 4:11 |
1944-10 | Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 4:19 |
1944-10 | Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 2:00 |
1944-10 | Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 3:17 |
1944-10 | Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 3:54 |
1944-10 | Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight | | Peter Pears, Dennis Brain, The Boyd Neel Orchestra, Benjamin Britten | 4:01 |
1953-09 | Sinfonia da Requiem, op. 20: Dies Irae | | Danish Radio Symphony Orchestra, Benjamin Britten | 5:20 |
1953-09 | Sinfonia da Requiem, op. 20: I. Lacrymosa | | DR SymfoniOrkestret, Benjamin Britten | 8:20 |
1953-09 | Sinfonia da Requiem, op. 20: II. Dies irae | | DR SymfoniOrkestret, Benjamin Britten | 5:20 |
1953-09 | Sinfonia da Requiem, op. 20: III. Requiem aeternam | | DR SymfoniOrkestret, Benjamin Britten | 6:09 |
1953-09 | Sinfonia da Requiem, op. 20: Lacrymosa | | Danish Radio Symphony Orchestra, Benjamin Britten | 8:20 |
1953-09 | Sinfonia da Requiem, op. 20: Requiem aeternam | | Danish Radio Symphony Orchestra, Benjamin Britten | 6:08 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Theme | | Julius Katchen | 1:08 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation I: Recitative | | Julius Katchen | 1:29 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation II: Romance | | Julius Katchen | 1:30 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation III: March | | Julius Katchen | 1:19 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation IV: Arabesque | | Julius Katchen | 1:37 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation IXa -Toccata I | | Julius Katchen | 0:48 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation IXb: Toccata II | | Julius Katchen | 2:01 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation V: Chant | | Julius Katchen | 1:47 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation VI: Nocturne | | Julius Katchen | 2:07 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation VII: Badinerie | | Julius Katchen | 1:26 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation VIII: Burlesque | | Julius Katchen | 1:53 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation X: Adagio | | Julius Katchen | 4:18 |
1954-07 | Diversions for piano (left hand) & orchestra, op. 21: Variation XI: Tarantella | | Julius Katchen | 2:43 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Theme | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:06 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:28 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:29 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:18 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:36 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 0:48 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:01 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:47 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:07 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:25 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:51 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 4:17 |
1954-07 | Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:41 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Theme | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:06 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation I (Recitative) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:29 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation II (Romance) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:30 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation III (March) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:19 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IV (Arabesque) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:37 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXa (Toccata) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 0:48 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXb (Toccata II) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:01 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation V (Chant) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:47 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VI (Nocturne) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:07 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VII (Badinerie) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:25 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VIII (Burlesque) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 1:53 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation X (Adagio) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 4:18 |
1954 | Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation XI (Tarantella) | | Julius Katchen, London Symphony Orchestra, Benjamin Britten | 2:37 |
1954 | Sinfonia da Requiem op. 20: I. Lacrymosa. Andante ben misurato / II. Dies irae. Allegro con fuoco / III. Requiem aeternam. Andante molto tranquillo | | Symphonie‐Orchester des Staatlichen Dänischen Rundfunks, Benjamin Britten | 19:47 |
1954 | The Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess) | | Benjamin Britten | 3:22 |
1954 | The Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess) | | Benjamin Britten | 4:00 |
1954 | The Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess) | | Benjamin Britten | 3:51 |
1954 | The Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess) | | Benjamin Britten | 5:37 |
1954 | The Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose) | | Benjamin Britten | 9:57 |
1954 | The Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess) | | Benjamin Britten | 4:44 |
1954 | The Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles) | | Benjamin Britten | 7:07 |
1954 | The Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose) | | Benjamin Britten | 11:03 |
1954 | The Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess | | Benjamin Britten | 8:20 |
1954 | The Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess) | | Benjamin Britten | 8:36 |
1954 | The Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel) | | Benjamin Britten | 6:43 |
1954 | The Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint) | | Benjamin Britten | 6:22 |
1954 | The Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint) | | Benjamin Britten | 2:06 |
1954 | The Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora) | | Benjamin Britten | 4:28 |
1954 | The Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora) | | Benjamin Britten | 4:20 |
1954 | The Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint) | | Benjamin Britten | 12:05 |
1954 | The Turn of the Screw: Prologue (The Prologue) | | Benjamin Britten | 3:07 |
1955-04-13 – 1955-04-14 | Saint Nicolas: He journeys to Palestine | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 7:36 |
1955-04-13 – 1955-04-14 | Saint Nicolas: His Piety and Marvellous Works | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 5:11 |
1955-04-13 – 1955-04-14 | Saint Nicolas: Introduction | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 5:19 |
1955-04-13 – 1955-04-14 | Saint Nicolas: Nicolas and the Pickled Boys | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 6:28 |
1955-04-13 – 1955-04-14 | Saint Nicolas: Nicolas comes to Myra and is chosen Bishop | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 6:54 |
1955-04-13 – 1955-04-14 | Saint Nicolas: Nicolas devotes himself to God | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 4:22 |
1955-04-13 – 1955-04-14 | Saint Nicolas: Nicolas from Prison | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 3:03 |
1955-04-13 – 1955-04-14 | Saint Nicolas: The birth of Nicolas | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 2:26 |
1955-04-13 – 1955-04-14 | Saint Nicolas: The Death of Nicolas | | Aldeburgh Festival Choir, Boys' Choir of Ipswich School Preparatory Department, Girls' Choir of Sir John Leman School, Beccles, David Hemmings, Peter Pears, Ralph Downes, Aldeburgh Festival Orchestra, Benjamin Britten | 6:29 |
1955 | The Turn of the Screw (1955): Act II: Colloquy and Soliloquy - The Bells - Miss Jessel - The Bedroom Conclusion - Quint - The Piano - Flora - Miles | | Britten | 52:43 |
1955 | The Turn of the Screw (1955): The Prologue - Act I: The Journey - The Welcome - The Letter - The Tower - The Window - The Letter Conclusion - The Lesson - The Lake - At Night | | Britten | 51:35 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Belle Epine | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:27 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Belle Rose | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 6:10 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Gavotte | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:36 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Prelude | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:19 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Rage of the Kings | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:41 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The Emperor | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:30 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The Fool and the Dwarf | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:21 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The Four Frogs | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:02 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The Four Kings | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:21 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The King of the East | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:31 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The King of the North | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:18 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The King of the South | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:43 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The King of the West | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:07 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. The Kings and Belle Rose | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:26 |
1957-02 | The Prince of the Pagodas op. 57: Act 1. Triumph of Belle Epine | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 1:53 |
1957-02 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Air | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 5:36 |
1957-02 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Fire | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 5:59 |
1957-02 | The Prince of the Pagodas op. 57: Act 2, Scene 1. Water | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 7:14 |
1957-02 | The Prince of the Pagodas op. 57: Act 2, Scene 2. Belle Rose in Pagoda‐Land | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 2:06 |
1957-02 | The Prince of the Pagodas op. 57: Act 2, Scene 2. The Pagodas | | Orchestra of the Royal Opera House, Covent Garden, Benjamin Britten | 3:03 |
| See all 1,050 relationships |
| instruments |
---|
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna | piano | Peter Pears, Benjamin Britten | 2:03 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai | piano | Peter Pears, Benjamin Britten | 1:20 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi | piano | Peter Pears, Benjamin Britten | 3:10 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so | piano | Peter Pears, Benjamin Britten | 1:46 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei | piano | Peter Pears, Benjamin Britten | 1:50 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor | piano | Peter Pears, Benjamin Britten | 1:15 |
1942-11-20 | Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato | piano | Peter Pears, Benjamin Britten | 4:42 |
1944-01 | Introduction and Rondo alla burlesca, op. 23, no. 1 | piano | Benjamin Britten, Clifford Curzon | 8:56 |
1944-01 | Mazurka elegiaca, op. 23, no. 2 | piano | Benjamin Britten, Clifford Curzon | 7:35 |
1945-07 | On Wenlock Edge: Bredon Hill | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 6:47 |
1945-07 | On Wenlock Edge: Clun | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 3:30 |
1945-07 | On Wenlock Edge: From far, from eve and morning | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 2:15 |
1945-07 | On Wenlock Edge: Is my team ploughing? | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 3:43 |
1945-07 | On Wenlock Edge: Oh, when I was in love with you | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 0:43 |
1945-07 | On Wenlock Edge: On Wenlock Edge | piano | Peter Pears, Benjamin Britten, Zorian Quartet | 3:24 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule | piano | Peter Pears, Benjamin Britten | 3:17 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 2. Batter My Heart | piano | Peter Pears, Benjamin Britten | 1:11 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares | piano | Peter Pears, Benjamin Britten | 3:01 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me | piano | Peter Pears, Benjamin Britten | 1:02 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 5. What If This Present | piano | Peter Pears, Benjamin Britten | 2:54 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved | piano | Peter Pears, Benjamin Britten | 3:46 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners | piano | Peter Pears, Benjamin Britten | 2:45 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me | piano | Peter Pears, Benjamin Britten | 1:22 |
1947-08-29 – 1947-12-12 | Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud | piano | Peter Pears, Benjamin Britten | 4:10 |
1947 | Six Dukes Went a-Fishing | piano | [unknown] | 3:08 |
1950-09-29 – 1950-11-15 | Auf der Bruck D. 853 (1997 - Remaster) | piano | Peter Pears, Benjamin Britten | 3:24 |
1950-09-29 – 1950-11-15 | Im Frühling D. 882 (1997 - Remaster) | piano | Peter Pears, Benjamin Britten | 5:00 |
1954-03 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | piano | Peter Pears, Benjamin Britten | 1:59 |
1954-03 | Winter Words, op. 52: At day‐close in November | piano | Peter Pears, Benjamin Britten | 1:40 |
1954-03 | Winter Words, op. 52: At the railway station, Upway | piano | Peter Pears, Benjamin Britten | 2:42 |
1954-03 | Winter Words, op. 52: Before life and after | piano | Peter Pears, Benjamin Britten | 3:18 |
1954-03 | Winter Words, op. 52: Midnight on the Great Western | piano | Peter Pears, Benjamin Britten | 4:28 |
1954-03 | Winter Words, op. 52: Proud songsters | piano | Peter Pears, Benjamin Britten | 1:10 |
1954-03 | Winter Words, op. 52: The choirmaster’s burial | piano | Peter Pears, Benjamin Britten | 3:46 |
1954-03 | Winter Words, op. 52: The little old table | piano | Peter Pears, Benjamin Britten | 1:24 |
1954-03 | Winter Words, op. 52: Wagtail and baby | piano | Peter Pears, Benjamin Britten | 1:58 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | piano | Peter Pears, Benjamin Britten | 1:47 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | piano | Peter Pears, Benjamin Britten | 4:55 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | piano | Peter Pears, Benjamin Britten | 3:16 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | piano | Peter Pears, Benjamin Britten | 1:22 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | piano | Peter Pears, Benjamin Britten | 1:20 |
1954-12 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | piano | Peter Pears, Benjamin Britten | 1:54 |
1955-06-22 | Quintet for Piano and Wind Instruments in E-flat major, op. 16: I. Grave - Allegro, ma non troppo | piano | Dennis Brain, Leonard Brain, Benjamin Britten, Cecil James, Stephen Waters | 9:52 |
1955-06-22 | Quintet for Piano and Wind Instruments in E-flat major, op. 16: II. Andante cantabile | piano | Dennis Brain, Leonard Brain, Benjamin Britten, Cecil James, Stephen Waters | 6:53 |
1955-06-22 | Quintet for Piano and Wind Instruments in E-flat major, op. 16: III. Rondo. Allegro, ma non troppo | piano | Dennis Brain, Leonard Brain, Benjamin Britten, Cecil James, Stephen Waters | 5:38 |
1955-10 | On this island, op. 11: I. Let the Florid Music Praise! | piano | Peter Pears, Benjamin Britten | 3:41 |
1956-06-21 | Adagio and Allegro in A-flat major for Piano and Horn, op. 70: Langsam, mit innigem Ausdruck - attacca: | piano | Dennis Brain, Benjamin Britten | 3:46 |
1956-06-21 | Adagio and Allegro in A-flat major for Piano and Horn, op. 70: Rasch und feurig - Etwas ruhiger - Im ersten Tempo | piano | Dennis Brain, Benjamin Britten | 4:55 |
1956-06-21 | Canticle III: Still Falls the Rain, op. 55 | piano | Peter Pears, Dennis Brain, Benjamin Britten | 11:23 |
1957-02 | Canticle II, Abraham and Isaac, op. 51 | piano | Peter Pears, Norma Procter, Benjamin Britten | 16:19 |
1957-06-16 | Fantasy in C major, D. 934: I. Andante molto | piano | Yehudi Menuhin, Benjamin Britten | 3:13 |
1957-06-16 | Fantasy in C major, D. 934: II. Allegretto | piano | Yehudi Menuhin, Benjamin Britten | 4:59 |
1957-06-16 | Fantasy in C major, D. 934: III. Andantino | piano | Yehudi Menuhin, Benjamin Britten | 12:07 |
1957-06-16 | Fantasy in C major, D. 934: IV. Allegro vivace - Allegretto - Presto | piano | Yehudi Menuhin, Benjamin Britten | 3:56 |
1958-06-15 | Auflösung, D807 | piano | Peter Pears, Benjamin Britten | 2:22 |
1958-06-15 | Die Sterne, D939 (op. 96 no. 1) | piano | Peter Pears, Benjamin Britten | 3:30 |
1958-06-15 | La Bonne Chanson, op. 61: I Une sainte en son auréole | piano | Peter Pears, Benjamin Britten | 2:16 |
1958-06-15 | La Bonne Chanson, op. 61: II Puisque l'aube grandit | piano | Peter Pears, Benjamin Britten | 1:41 |
1958-06-15 | La Bonne Chanson, op. 61: III La lune blanche luit dans les bois | piano | Peter Pears, Benjamin Britten | 2:28 |
1958-06-15 | La Bonne Chanson, op. 61: IV J'allais par des chemins perfides | piano | Peter Pears, Benjamin Britten | 1:47 |
1958-06-15 | La Bonne Chanson, op. 61: IX L'hiver a cessé | piano | Peter Pears, Benjamin Britten | 3:16 |
1958-06-15 | La Bonne Chanson, op. 61: V J'ai presque peur, en vérité | piano | Peter Pears, Benjamin Britten | 2:07 |
1958-06-15 | La Bonne Chanson, op. 61: VI Avant que tu ne t'en ailles | piano | Peter Pears, Benjamin Britten | 2:28 |
1958-06-15 | La Bonne Chanson, op. 61: VII Donc, ce sera par un clair jour d'été | piano | Peter Pears, Benjamin Britten | 2:23 |
1958-06-15 | La Bonne Chanson, op. 61: VIII N'est-ce pas? | piano | Peter Pears, Benjamin Britten | 2:11 |
1958-06-15 | Liederkreis, op. 39: I In der Fremde | piano | Peter Pears, Benjamin Britten | 1:34 |
1958-06-15 | Liederkreis, op. 39: II Intermezzo | piano | Peter Pears, Benjamin Britten | 1:44 |
1958-06-15 | Liederkreis, op. 39: III Waldesgrespäch | piano | Peter Pears, Benjamin Britten | 2:02 |
1958-06-15 | Liederkreis, op. 39: IV Die Stille | piano | Peter Pears, Benjamin Britten | 1:18 |
1958-06-15 | Liederkreis, op. 39: IX Wehmut | piano | Peter Pears, Benjamin Britten | 2:24 |
1958-06-15 | Liederkreis, op. 39: V Mondnacht | piano | Peter Pears, Benjamin Britten | 3:20 |
1958-06-15 | Liederkreis, op. 39: VI Schöne Fremde | piano | Peter Pears, Benjamin Britten | 1:11 |
1958-06-15 | Liederkreis, op. 39: VII Auf einer Burg | piano | Peter Pears, Benjamin Britten | 2:26 |
1958-06-15 | Liederkreis, op. 39: VIII In der Fremde | piano | Peter Pears, Benjamin Britten | 1:28 |
1958-06-15 | Liederkreis, op. 39: X Zwielicht | piano | Peter Pears, Benjamin Britten | 2:44 |
1958-06-15 | Liederkreis, op. 39: XI Im Walde | piano | Peter Pears, Benjamin Britten | 1:17 |
1958-06-15 | Liederkreis, op. 39: XII Frühlingsnacht | piano | Peter Pears, Benjamin Britten | 1:33 |
1958-06-15 | Nachtviolen, D75 | piano | Peter Pears, Benjamin Britten | 3:07 |
1959-04 | An die Laute, D. 905 (op. 81/2) | piano | Peter Pears, Benjamin Britten | 1:52 |
1959-04 | Der Einsame, op. 41, D.800 | piano | Peter Pears, Benjamin Britten | 4:14 |
1959-04 | Schwanengesang, D. 957: Die Taubenpost, D. 965a | piano | Peter Pears, Benjamin Britten | 3:44 |
1959-06-22 | I Attempt From Love's Sickness to Fly | piano | Peter Pears, Benjamin Britten | 2:18 |
1959-06-22 | I'll sail upon the Dog-Star | piano | Peter Pears, Benjamin Britten | 1:10 |
1959-06-22 | Man is for the Woman Made | piano | Peter Pears, Benjamin Britten | 1:33 |
1959-06-22 | Not all my Torments | piano | Peter Pears, Benjamin Britten | 2:52 |
1959-06-22 | Sally in our Alley | piano | Peter Pears, Benjamin Britten | 4:35 |
1959-06-22 | The Lincolnshire Poacher | piano | Peter Pears, Benjamin Britten | 2:17 |
1959-06-22 | The Plough Boy | piano | Peter Pears, Benjamin Britten | 2:01 |
1959-06-22 | There's not a Swain of the Plain | piano | Peter Pears, Benjamin Britten | 0:46 |
1959-06-22 | Tom Bowling | piano | Peter Pears, Benjamin Britten | 4:50 |
1959-06-27 | Violin Sonata in A major, D. 574: I. Allegro moderato | piano | Yehudi Menuhin, Benjamin Britten | 8:15 |
1959-06-27 | Violin Sonata in A major, D. 574: II. Scherzo. Presto | piano | Yehudi Menuhin, Benjamin Britten | 4:11 |
1959-06-27 | Violin Sonata in A major, D. 574: III. Andantino | piano | Yehudi Menuhin, Benjamin Britten | 4:05 |
1959-06-27 | Violin Sonata in A major, D. 574: IV. Allegro vivace | piano | Yehudi Menuhin, Benjamin Britten | 4:54 |
1959-06-27 | Violin Sonata no. 1 in G major: I. Andante | piano | Yehudi Menuhin, Benjamin Britten | 5:56 |
1959-06-27 | Violin Sonata no. 1 in G major: II. Allegro | piano | Yehudi Menuhin, Benjamin Britten | 4:39 |
1959-06-27 | Violin Sonata: I. Allegro vivo | piano | Yehudi Menuhin, Benjamin Britten | 4:39 |
1959-06-27 | Violin Sonata: II. Intermède: Fantasque et léger | piano | Yehudi Menuhin, Benjamin Britten | 3:56 |
1959-06-27 | Violin Sonata: III. Finale: Très animé | piano | Yehudi Menuhin, Benjamin Britten | 3:40 |
1959-10 | Die schöne Müllerin, op. 25, D.795: 1I. Mein! | piano | Peter Pears, Benjamin Britten | 2:08 |
| See all 564 relationships |
| orchestrated |
---|
| Orchestral Arrangements: Come You not From Newcastle | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 1:13 |
| Orchestral Arrangements: Little Sir William | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 2:54 |
| Orchestral Arrangements: O Can Ye Sew Cushions | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 2:14 |
| Orchestral Arrangements: O Waly, Waly | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 3:22 |
| Orchestral Arrangements: Oliver Cromwell | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 0:41 |
| Orchestral Arrangements: The Bonny Earl o’ Moray | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 2:39 |
| Orchestral Arrangements: The Plough Boy | | Philip Langridge, Northern Sinfonia, Steuart Bedford | 1:59 |
| vocals |
---|
| Benjamin Britten in conversation with Donald Mitchell: Composing | spoken vocals | Benjamin Britten, Donald Mitchell | 3:58 |
| Benjamin Britten in conversation with Donald Mitchell: Dreams | spoken vocals | Benjamin Britten, Donald Mitchell | 3:45 |
| Benjamin Britten in conversation with Donald Mitchell: Map-reading | spoken vocals | Benjamin Britten, Donald Mitchell | 5:18 |
| Benjamin Britten in conversation with Donald Mitchell: Opera | spoken vocals | Benjamin Britten, Donald Mitchell | 7:50 |
| Benjamin Britten in conversation with Donald Mitchell: Teaching | spoken vocals | Benjamin Britten, Donald Mitchell | 5:41 |
| arranged |
---|
| Folksongs | | Britten; Peter Pears, Benjamin Britten | |
| composed |
---|
| Chamber Music | | Benjamin Britten | |
| Peter Grimes | | Britten; Jon Vickers, Heather Harper, Jonathan Summers, Royal Opera House, Covent Garden, Sir Colin Davis | |
| conducted |
---|
| The Rape of Lucretia / Phaedra | | Benjamin Britten; English Chamber Orchestra, Benjamin Britten | |
| arranged |
---|
1941 | What the Wild Flowers Tell Me | | | |
1943 | Folksong Arrangements, Volume I: The Salley Gardens | | | |
1952 | The Deaf Woman's Courtship | | | |
1961 | God Save the Queen | | | |
1976-02 | Lachrymae: Reflections on a song of Dowland, op. 48a | | | |
| A Hymn on Divine Musick | | | |
| Bonny at morn | | | |
| Celemene | | | |
| Chacony in G minor | | | |
| Come You Not From Newcastle? (Hullah's Song-Book) | | | |
| Dulcibella | | | |
| Eight Folk Song Arrangements, for High Voice and Harp | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 1. Lord! I Married Me a Wife | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 2. She's Like the Swallow | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 3. Lemady | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 4. Bonny at Morn | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 5. Bugeilio'r Gwenith Gwyn | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 6. Dafydd y Garreg Wen | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 6. David of the White Rock | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 7. The False Knight upon the Road | | | |
| Eight Folk Song Arrangements, for High Voice and Harp: 8. Bird Scarer's Song | | | |
| Eight Folk Song Arrangements: 2. She's Like the Swallow | | | |
| Eight Folk Song Arrangements: 3. Lemady | | | |
| Eight Folk Song Arrangements: 6. David of the White Rock | | | |
| Eight Folk Song Arrangements: 8. Bird Scarer's Song | | | |
| Five Songs: Hark the ech'ing air | | | |
| Five Songs: How blest are Shepherds | | | |
| Five Songs: I attempt from Love's sickness to fly | | | |
| Five Songs: I take no pleasure | | | |
| Five Songs: Take not a woman's anger ill | | | |
| Folksong Arrangements | | | |
| Folksong Arrangements, Volume I: British Isles, for high voice & piano | | | |
| Folksong Arrangements, Volume I: British Isles, for medium voice & piano | | | |
| Folksong Arrangements, Volume I: British Isles, for voice & piano | | | |
| Folksong Arrangements, Volume I: Little Sir William | | | |
| Folksong Arrangements, Volume I: O Can Ye Sew Cushions? | | | |
| Folksong Arrangements, Volume I: Oliver Cromwell | | | |
| Folksong Arrangements, Volume I: The Ash Grove | | | |
| Folksong Arrangements, Volume I: The Bonny Earl o' Moray | | | |
| Folksong Arrangements, Volume I: The Trees They Grow So High | | | |
| Folksong Arrangements, Volume II: 1. La Noël passée | | | |
| Folksong Arrangements, Volume II: 2. Voici le Printemps | | | |
| Folksong Arrangements, Volume II: 3. Fileuse | | | |
| Folksong Arrangements, Volume II: 4. Le roi s'en va-t'en chasse | | | |
| Folksong Arrangements, Volume II: 5. La belle est au jardin d'amour | | | |
| Folksong Arrangements, Volume II: 6. Il est quelqu’un sur terre | | | |
| Folksong Arrangements, Volume II: 7. Eho! Eho! | | | |
| Folksong Arrangements, Volume II: 8. Quand j'étais chez mon père | | | |
| Folksong Arrangements, Volume II: France, for voice & piano | | | |
| Folksong Arrangements, Volume III: British Isles, for high voice & piano | | | |
| Folksong Arrangements, Volume III: British Isles, for medium voice & piano | | | |
| Folksong Arrangements, Volume III: British Isles, for voice & piano | | | |
| Folksong Arrangements, Volume III: Come You Not From Newcastle? | | | |
| Folksong Arrangements, Volume III: O Waly, Waly | | | |
| Folksong Arrangements, Volume III: Sweet Polly Oliver | | | |
| Folksong Arrangements, Volume III: The Foggy, Foggy Dew | | | |
| Folksong Arrangements, Volume III: The Miller of Dee | | | |
| Folksong Arrangements, Volume III: The Plough Boy | | | |
| Folksong Arrangements, Volume III: There's None to Sooth | | | |
| Folksong Arrangements, Volume IV: The Minstrel Boy | | | |
| Folksong Arrangements, Volume V: Ca' the Yowes | | | |
| Folksong Arrangements, Volume V: The Brisk Young Widow | | | |
| Folksong Arrangements, Volume V: The Lincolnshire Poacher | | | |
| French Folk Songs, for baritone and orchestra | | | |
| French Folk Songs, for baritone and orchestra: Eho! Eho! | | | |
| French Folk Songs, for baritone and orchestra: Fileuse | | | |
| French Folk Songs, for baritone and orchestra: La belle est un jardin d'amour | | | |
| French Folk Songs, for baritone and orchestra: Le roi s'en va-t'en chasses | | | |
| French Folk Songs, for baritone and orchestra: Quand j'étais chez mon père | | | |
| Greensleeves | | | |
| Hymn to God the Father | | | |
| I Wonder as I Wander | | | |
| Job's Curse | | | |
| King Herod and the Cock | | | |
| Let the dreadful engines of eternal will | | | |
| Lord, I Have Sinned | | | |
| Master Kilby | | | |
| O Solitude | | | |
| Sail on, sail on | | | |
| Sailor Boy | | | |
| Saul and the Witch at Endor | | | |
| Seven Songs: Fairest Isle | | | |
| Seven Songs: I'll sail upon the Dog-star | | | |
| Seven Songs: If music be the food of love | | | |
| Seven Songs: Music for a while | | | |
| Seven Songs: On the brow of Richmond Hill | | | |
| Seven Songs: Pious Celinda | | | |
| Seven Songs: Turn then thine eyes | | | |
| Six Duets: I spy Celia | | | |
| Six Duets: Lost is my quiet | | | |
| Six Duets: No, resistance is but vain | | | |
| Six Duets: Shepherd, leave decoying | | | |
| Six Duets: Sound the Trumpet | | | |
| Six Duets: What can we poor females do | | | |
| Six Dukes Went a-Fishing | | | |
| Six Songs: If music be the food of love | | | |
| Six Songs: Madd Bess | | | |
| Six Songs: Man is for the Woman made | | | |
| Six Songs: Not all my torments | | | |
| Six Songs: Sweeter than roses | | | |
| See all 122 relationships |
| composed |
---|
1923 – 1925 | Five Waltzes | | | |
1923 – 1925 | Five Waltzes: No. 1. Rather fast and nervous | | | |
1923 – 1925 | Five Waltzes: No. 2. Quick, with wit | | | |
1923 – 1925 | Five Waltzes: No. 3. Dramatic | | | |
1923 – 1925 | Five Waltzes: No. 4. Rhythmic: not fast | | | |
1923 – 1925 | Five Waltzes: No. 5. Variations: Quiet and simple; Flowing, slow and sad | | | |
1928-04-02 – 1928-04-11 | String Quartet in F | | | |
1928-04-02 – 1928-04-11 | String Quartet in F: I. Allegro vivace e con brio | | | |
1928-04-02 – 1928-04-11 | String Quartet in F: II. Andante | | | |
1928-04-02 – 1928-04-11 | String Quartet in F: III. Allegro vivace | | | |
1928-04-02 – 1928-04-11 | String Quartet in F: IV. Allegro molto | | | |
1928-04-16 – 1928-04-23 | Elegy for Strings | | | |
1928-06-13 | Tit for Tat: III. Silver | | | |
1928 | Chanson d'automne | | | |
1928 | L'Enfance | | | |
1928 | Quatre chansons françaises | | | |
1928 | Sagesse | | | |
1928 – | Nuits de juin | | | |
1929-01-28 – 1929-02-06 | Rhapsody | | | |
1929-01 | Tit for Tat: I. A song of enchantment | | | |
1929-01 | Tit for Tat: V. Tit for tat | | | |
1929 | Miniature Suite | | | |
1929 | Miniature Suite: I. Novelette | | | |
1929 | Miniature Suite: II. Menuetto | | | |
1929 | Miniature Suite: III. Romanza | | | |
1929 | Miniature Suite: IV. Gavotte | | | |
1930-01-03 – 1930-04-17 | Quartettino | | | |
1930-07-09 – 1934-04-29 | A Hymn to the Virgin | | | |
1930-12-23 | Tit for Tat: IV. Vigil | | | |
1930 | A Little Idyll | | | |
1930 | Elegy for viola solo | | | |
1930 | Movement for Wind Sextet | | | |
1930 | Quartettino: I. Andante | | | |
1930 | Quartettino: II. Poco adagio ma con moto | | | |
1930 | Quartettino: III. Allegro molto vivace | | | |
1930 | Rondo concertante | | | |
1930 | Rondo concertante: I. Allegro molto | | | |
1930 | Rondo concertante: II. Lento | | | |
1930 | Three Character Pieces | | | |
1930 | Three Character Pieces: No. 1. John | | | |
1930 | Three Character Pieces: No. 2. Daphne | | | |
1930 | Three Character Pieces: No. 3. Michael | | | |
1930 | Two Portraits | | | |
1930 | Two Portraits: No. 1. "David Layton". Poco presto | | | |
1930 | Two Portraits: No. 2. "E.B.B.". Poco lento | | | |
1930 | Untitled Fragment for Strings | | | |
1931-01-28 | Tit for Tat: II. Autumn | | | |
1931 | Christ’s Nativity | | | |
1931 | Christ’s Nativity: I. Christ’s Nativity | | | |
1931 | Christ’s Nativity: II. Sweet was the Song | | | |
1931 | Christ’s Nativity: III. Preparations | | | |
1931 | Christ’s Nativity: IV. New Prince, New Pomp | | | |
1931 | Christ’s Nativity: V. Carol of King Cnut | | | |
1931 | Plymouth Town | | | |
1931 | String Quartet in D major | | | |
1931 | String Quartet in D major: I. Allegro maestoso | | | |
1931 | String Quartet in D major: II. Lento ed espressivo | | | |
1931 | String Quartet in D major: III. Allegro giocoso | | | |
1931 | Twelve Variations on a Theme | | | |
1932-06 – 1932-07 | Sinfonietta, op. 1 | | | |
1932 | Phantasy in F minor | | | |
1932 | Phantasy Quartet, op. 2 | | | |
1932 | Sinfonietta, op. 1: I. Poco presto ed agitato | | | |
1932 | Sinfonietta, op. 1: II. Variations | | | |
1932 | Sinfonietta, op. 1: III. Tarantella | | | |
1932 | Three Two-Part Songs | | | |
1932 | Three Two-Part Songs: No. 1. The Ride-by-nights | | | |
1932 | Three Two-Part Songs: No. 2. The Rainbow | | | |
1932 | Three Two-Part Songs: No. 3. The Ship of Rio | | | |
1932 – 1933 | A Boy Was Born, op. 3 | | | |
1932 – 1933 | A Boy Was Born, op. 3: Theme. A boy was born | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation I. Lullay, Jesu | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation II. Herod | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation IV. The three kings | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation V. In the bleak mid-winter | | | |
1932 – 1933 | A Boy Was Born, op. 3: Variation VI (Finale). Noel! | | | |
1933-12 – 1934-02 | Simple Symphony, op. 4 | | | |
1933-12 – 1934-02 | Simple Symphony, op. 4: I. Boisterous Bourrée | | | |
1933-12 – 1934-02 | Simple Symphony, op. 4: II. Playful Pizzicato | | | |
1933-12 – 1934-02 | Simple Symphony, op. 4: III. Sentimental Saraband | | | |
1933-12 – 1934-02 | Simple Symphony, op. 4: IV. Frolicsome Finale | | | |
1933 | Alla Marcia | | | |
1933 – 1935 | Friday Afternoons, op. 7 | | | |
1934-07-11 – 1934-09-17 | Te Deum in C major | | | |
1934 | Friday Afternoons, op. 7: No. 5. A New Year Carol | | | |
1934 | Holiday Diary, op. 5 | | | |
1934 | Holiday Diary, op. 5: I. Early Morning Bath | | | |
1934 | Holiday Diary, op. 5: II. Sailing | | | |
1934 | Holiday Diary, op. 5: III. Fun-Fair | | | |
1934 | Holiday Diary, op. 5: IV. Night | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6 | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6: I. March | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6: II. Moto perpetuo | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6: III. Lullaby | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6: Introduction - | | | |
1934 – 1935 | Suite for Violin and Piano, op. 6: IV. Waltz | | | |
1935-03-02 | A Poison Tree | | | |
1935 | Two Insect Pieces for Oboe and Piano, op. posth. | | | |
1935 | Two Insect Pieces for Oboe and Piano, op. posth. | | | |
| See all 1,125 relationships |
| dedicated works |
---|
| Symphony no. 14, op. 135 | | | |
| libretto |
---|
| A Midsummer Night's Dream, op. 64: Act I | | | |
| A Midsummer Night's Dream, op. 64: Act II | | | |
| A Midsummer Night's Dream, op. 64: Act III | | | |
| A Midsummer Night’s Dream, op. 64 | | | |
| orchestrated |
---|
| Die Forelle, D. 550 | | | |
| Die Forelle, D. 550 | | | |
| Liederkreis, op. 39, no. 12 "Frühlingsnacht" | | | |
| Orpheus Britannicus: "'Tis holiday" / "Sound, Fame, they brazen trumpet" | | | |
| Orpheus Britannicus: "Let sullen discorn smile" | | | |
| Orpheus Britannicus: "So when the glittering Queen of Night" | | | |
| Orpheus Britannicus: "Thou tun'st this world" | | | |
| Orpheus Britannicus: "Why should men quarrel?" | | | |
| Rossini Suite: I. March. Allegro brillante | | | |
| Rossini Suite: II. Canzonetta. Allegretto | | | |
| Rossini Suite: III. Allegretto | | | |
| Rossini Suite: IV. Bolero. Allegro moderato | | | |
| Rossini Suite: V. Allegro con brio | | | |
| revised |
---|
1945 | Concerto for Piano, op. 13 | | | |
1960 | Billy Budd | | | |
| The Beggar’s Opera | | | |
| wrote |
---|
| The soldier and the sailor | | | |