| Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto | | | | | | | |
| Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro | | | | | | | |
| Étude in E major, op. 10 no. 3: Lento ma non troppo | | | | Étude | | - 0O5-1297-6 (JASRAC ID)
- E major (Key)
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| Excerpt from Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug II, Scene IV. Festmarsch | | | | | | | |
| Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” | | - Berliner Philharmoniker, Herbert von Karajan
- Birgit Nilsson, Orchester der Bayreuther Festspiele, Karl Böhm
- Kirsten Flagstad, Philharmonia Orchestra, Wilhelm Furtwängler
- Walter Berry, Chor der Deutschen Oper Berlin, Helga Dernesch, Christa Ludwig, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan
- (show 121 more)
| | Aria | | | |
| Le Carnaval des animaux : I. Introduction et marche royale du lion | | - Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
- Eduard Brunner, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann, Martha Argerich, Nelson Freire
- Orchestre national de la Radiodiffusion française, Süddeutsche Philharmonie, Pierre Carbidier, Hanspeter Gmür
- Camille Saint‐Saëns
- (show 78 more)
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| Piano Concerto no. 2 in C minor, op. 18: I. Moderato | | | | | | | |
| Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto | | | | | | | |
| Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando | | | | | | - 310153545 (ASCAP ID)
- C-1257183085 (CASH ID)
- (show 3 more)
- 747957 (SAYCO ID)
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| Polonaise in A major, op. 40 no. 1 “Military” | | | | | | | |
| Polonaise in A-flat major, op. 53 “Heroique” | | | | | | | |
| Sonata for Piano no. 2 in B-flat minor, op. 35: III. Marche funèbre. Lento | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile – Andante moderato – Tempo I – Andante moderato – Adagio – Lo stesso tempo | | | | | | | |
| Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | | | | | | | |
| Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto | | | | | | | |
| Symphony no. 40 in G minor, K. 550 “Great”: II. Andante | | | | | | | |
| Symphony no. 40 in G minor, K. 550 “Great”: III. Minuetto. Allegretto & Trio | | | | | | | |
| Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai | | | | | | | |
| Vesperae solennes de confessore, K. 339: V. Laudate dominum | | - Jeunesses Musicales, Mária Zádori, Budapest Philharmonic Orchestra, Iván Fischer
- London Symphony Chorus, Kiri Te Kanawa, John Constable, London Symphony Orchestra, Sir Colin Davis
- [unknown]
- Peter Hanson, Barbara Bonney, The English Concert Choir, The English Concert, Trevor Pinnock
- (show 104 more)
| | Mass | | | |
| Waltz no. 1 in E-flat major, op. 18 “Grande Valse brillante” | | | | | | | |
