| 1964 | Dido and Aeneas | Purcell; Mary Thomas, Honor Sheppard, Helen Watts, Maurice Bevan, Ellen Dales, Robert Tear, Harold Lester, Oriana Concert Choir and Orchestra, Alfred Deller | | 2 |
| 1966 | A Midsummer Night’s Dream | Britten; Alfred Deller, Elizabeth Harwood, Peter Pears, Thomas Hemsley, Josephine Veasey, Heather Harper, Stephen Terry, John Shirley‐Quirk, Helen Watts, Owen Brannigan, Norman Lumsden, Kenneth MacDonald, David Kelly, Robert Tear, Keith Raggett, London Symphony, Benjamin Britten | | 2 |
| 1966 | Symphony no. 2 “Resurrection” | Gustav Mahler; Heather Harper, Helen Watts, London Symphony, Georg Solti | | 3 |
| 1967 | Harmoniemesse | Haydn; Spoorenberg, Watts, Young, Rouleau, Choir Of St John's College Cambridge, The Academy Of St Martin-in-the-Fields, George Guest | | 1 |
| 1968 | Symphony no. 3 | Mahler; London Symphony Orchestra, Sir Georg Solti, Helen Watts, The Ambrosian Singers, Wandsworth School Boys’ Choir | | 1 |
| 1969 | Magnificat in D major / Cantata no. 10 | Bach; Ameling, Van Bork, Watts, Krenn, Rintzler, Krause, Wiener Akademiechor, Stuttgart Chamber Orchestra, Karl Münchinger | | 1 |
| 1969 | Creation Mass | Haydn; April Cantelo, Helen Watts, Robert Tear, Forbes Robinson, Academy of St. Martin in the Fields, Choir of St. John’s College Cambridge, George Guest | | 1 |
| 1970 | Paukenmesse | J. Haydn; April Cantelo, Robert Tear, Helen Watts, Barry McDaniel, Academy of St. Martin-in-the-Fields, Choir of St. John’s College, Cambridge, George Guest | | 2 |
| 1974 | Mass in C major opus 86 | Beethoven; Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Choir of St. John’s College, Cambridge, Academy of St. Martin-in-the-Fields, George Guest | | 1 |
| 1975 | Le Messie | Haendel; Felicity Palmer, Helen Watts, Ryland Davies, John Shirley‐Quirk, English Chamber Choir, English Chamber Orchestra, Raymond Leppard | | 1 |
| 1975 | Mass in E flat | Schubert; Felicity Palmer, Helen Watts, Kenneth Bowen, Wynford Evans, Christopher Keyte, Choir of St. John’s College, Cambridge, Academy of St. Martin-in-the-Fields, George Guest | | 1 |
| 1977 | Requiem | Mozart; Ileana Cotrubaş, Helen Watts, Robert Tear, John Shirley‐Quirk, Academy and Chorus of St. Martin‐in‐the‐Fields, László Heltay, Neville Marriner | | 5 |
| 1978 | Béatrice et Bénédict | Berlioz; Baker, Eda‐Pierre, Watts, Tear, Allen, Lloyd, Bastin, John Alldis Choir, London Symphony Orchestra, Colin Davis | | 1 |
| 1978 | Favourite Schubert Songs | Franz Schubert, Kathleen Ferrier, Helen Watts, Hermann Prey, Margaret Price, Stuart Burrows & Tom Krause | | 1 |
| 1978 | Mariazeller Mass / Little Organ Mass | Haydn; Jennifer Smith, Helen Watts, Robert Tear, Benjamin Luxon, Choir of St. John’s College, Cambridge, John Scott, Academy of St. Martin-in-the-Fields, George Guest | | 1 |
| 1981 | Our Hunting Fathers / On This Island / A Charm of Lullabies | Benjamin Britten; Peter Pears, London Symphony Orchestra, Benjamin Britten, Helen Watts | | 1 |
| 1984 | Symphony no. 2 “Resurrection” | Mahler; Harold Farberman, Royal Philharmonic Orchestra, Felicity Lott, Helen Watts, Brighton Festival Chorus | | 2 |
| 1985 | Messe in h-Moll | J.S. Bach; Hansmann, Iiyama, Watts, Equiluz, Van Egmond, Wiener Sängerknaben, Chorus Viennensis, Concentus Musicus Wien, Nikolaus Harnoncourt | | 4 |
| 1988 | Exsultate, Jubilate / Krönungsmesse / Litaniae Lauretanae, K195 | Mozart; Spoorenberg, Cotrubaș, Watts, Tear, Shirley‐Quirk, Schola Cantorum of Oxford, Academy of St Martin-in-the-Fields, Sir Neville Marriner | | 1 |
| 1992 | British Composers: A Mass of Life / Songs of Sunset / An Arabesque | Delius; Heather Harper, Helen Watts, Robert Tear, Benjamin Luxon, Dame Janet Baker, John Shirley‐Quirk, Royal Liverpool Philharmonic Choir, London Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, London Philharmonic Orchestra, Sir Charles Groves | | 1 |
| 1994 | Cantatas BWV 198, 158 & 27 | Johann Sebastian Bach; Rotraud Hansmann, Helen Watts, Kurt Equiluz, Max van Egmond, Monteverdi-Chor Hamburg, Concerto Amsterdam, Jürgen Jürgens | | 1 |
| 1995 | A Child of Our Time | Tippett; Jill Gomez, Helen Watts, Kenneth Woollam, John Shirley‐Quirk, BBC Symphony Chorus, BBC Symphony Orchestra, Gennadi Rozhdestvensky | | 2 |
| 1995 | The Midsummer Marriage: Opera in Three Acts | Tippett: Chorus and Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis, Alberto Remedios, Joan Carlyle, Elizabeth Harwood, Stuart Burrows, Helen Watts, Stafford Dean, Elizabeth Bainbridge | | 1 |
| 1996 | Alto Rhapsody / Nänie / Four Serious Songs / Five Songs | Johannes Brahms; Helen Watts, L’Orchestre de la Suisse Romande, Ernest Ansermet, John Shirley‐Quirk, Martin Isepp | | 1 |
| 1998 | The Dancers / Harp Song of the Dane Women / Mariners' Song / Ave maris stella / Six Gerard Manley Hopkins Poems | Grace Williams; Eiddwen Harrhy, Helen Watts, Caryl Thomas, City of London Sinfonia, Richard Hickox | | 1 |
| 1999 | Symphony no. 8 | Mahler; Joyce Barker, Hatt, Giebel, Meyer, Watts, Neate, Orda, van Mill, London Symphony Orchestra, Jascha Horenstein | | 1 |
| 2001 | The British Music Collection: Benjamin Britten: The Rarities | Benjamin Britten; Norma Procter, Peter Pears, Dietrich Fischer‐Dieskau, Owen Brannigan, Mtislav Rostropovich, András Schiff, Jennifer Vyvyan, Helen Watts, Osian Ellis, Galina Vishnevskaya, Heinz Holliger, Benjamin Britten, George Malcolm, London Symphony Orchestra & Chorus | | 2 |
| — | Hugh the Drover | Vaughan Williams; Armstrong, Watts, Tear, Lloyd, Rippon, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Sir Charles Groves | | 1 |
