| vocals |
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1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibus | bass vocals and solo | New York Philharmonic, Leopold Stokowski | 8:11 |
1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Domino | bass vocals and solo | New York Philharmonic, Leopold Stokowski | 2:36 |
1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporis | bass vocals and solo | New York Philharmonic, Leopold Stokowski | 6:00 |
1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritus | bass vocals and solo | New York Philharmonic, Leopold Stokowski | 5:38 |
1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticus | bass vocals and solo | New York Philharmonic, Leopold Stokowski | 5:58 |
1950-04-09 | Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundus | bass vocals [Pater Profundus] and solo | New York Philharmonic, Leopold Stokowski | 5:00 |
1950-04-09 | Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritus | bass-baritone vocals | New York Philharmonic, Leopold Stokowski | 22:32 |
1950-04-09 | Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundus | bass-baritone vocals | New York Philharmonic, Leopold Stokowski | 5:16 |
1950-11 | Die Zauberflöte, K. 620: Act I. "Zurück!... Zurück?" (Stimme, Tamino, Sprecher) | bass-baritone vocals [Speaker] | Jean Wiener, Anton Dermota, Erich Majkut, Wiener Philharmoniker, Herbert von Karajan | 5:59 |
1950 | Le nozze di Figaro, Akt II: "Susanna, or via sortite" | bass-baritone vocals | George London, Elisabeth Schwarzkopf, Irmgard Seefried, Wiener Philharmoniker, Herbert von Karajan | 2:50 |
1951-04-10 – 1951-04-13 | Act V (complete) from "Don Quichotte" | | George London, Orchestra of the Metropolitan Opera Association, Jean Morel | 12:19 |
1951-12-10 – 1951-12-13 | "Ne plach', ditya" from "The Demon" | | George London, Orchestra of the Metropolitan Opera Association, Kurt Herbert Adler | 2:57 |
1951-12-10 – 1951-12-13 | "Ni sna, ni otdykha" from "Prince Igor" | | George London, Orchestra of the Metropolitan Opera Association, Kurt Herbert Adler | 9:20 |
1951-12-10 – 1951-12-13 | "Pauvre martyr obscur" from "Patrie" | | George London, Orchestra of the Metropolitan Opera Association, Jean Morel | 4:30 |
1952-06 | "Abendlich strahlt der Sonne Auge" from "Das Rheingold" | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 4:05 |
1952-06 | "Ecco il mondo" from "Mefistofele" | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 2:18 |
1952-06 | "Le Veau d'or" from "Faust" | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 2:08 |
1952-06 | "Mephistophélès Serenade" from "La Damnation de Faust" | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 2:21 |
1952-06 | "Wotans Scheidegruss und Feuerzauber" from "Die Walkure" | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 15:18 |
1952-06 | Mephistopheles' Song of the Flea | | George London, Vienna Symphony Orchestra, Rudolf Moralt | 3:19 |
1953-05-07 – 1953-05-08 | Le nozze di Figaro, K. 492: Act I. “La vendetta, oh, la vendetta” (Bartolo) | bass-baritone vocals [Bartolo] | George London, Columbia Symphony Orchestra, Bruno Walter | 2:58 |
1953-05-07 – 1953-05-08 | Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro) | bass-baritone vocals [Figaro] | George London, Bruno Walter, Columbia Symphony Orchestra | 3:28 |
1953-05-07 – 1953-05-08 | Le nozze di Figaro, K. 492: Act III. “Hai già vinta la causa!” ... “Vedrò mentr'io sospiro” (Conte) | bass-baritone vocals [Conte] | George London, Columbia Symphony Orchestra, Bruno Walter | 4:37 |
1953-05-07 – 1953-05-08 | Le nozze di Figaro, K. 492: Act IV. “Aprite un po' quegli occhi” (Figaro) | bass-baritone vocals [Figaro] | George London, Bruno Walter, Columbia Symphony Orchestra | 4:03 |
1953-05-07 – 1953-05-08 | Mentre ti lascio, o figlia, K. 513 | bass-baritone vocals | George London, Columbia Symphony Orchestra, Bruno Walter | 8:03 |
1953-05-07 – 1953-05-08 | Per questa bella mano, K. 612 | bass-baritone vocals | George London, George Neikrug, Columbia Symphony Orchestra, Bruno Walter | 7:44 |
1953-05-07 – 1953-05-08 | Rivolgete a lui lo sguardo, K. 584 | bass-baritone vocals | George London, Columbia Symphony Orchestra, Bruno Walter | 4:53 |
1953-05-07 – 1953-05-08 | The Marriage of Figaro, K. 492: Act I. "Non più andrai" (Aria: Figaro) | bass vocals [Figaro] | George London, Columbia Symphony Orchestra, Bruno Walter | 3:56 |
1954-12-20 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderato | baritone vocals | George London, Westminster Choir, New York Philharmonic, Bruno Walter | 9:45 |
1954-12-20 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - Allegro | baritone vocals | George London, Westminster Choir, New York Philharmonic, Bruno Walter | 10:08 |
1954-12-28 – 1954-12-29 | Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderato | baritone vocals | George London, Westminster Choir, New York Philharmonic, Bruno Walter | 9:45 |
1954-12-28 – 1954-12-29 | Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - Allegro | | George London, Westminster Choir, New York Philharmonic, Bruno Walter | 10:08 |
1955-02-26 | Arabella, op. 79: Act I. "May I? Perhaps you could do with some?" (Darf ich vielleicht?) (Mandryka, Waldner) | baritone vocals [Mandryka] | Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe | 2:12 |
1955-02-26 | Arabella, op. 79: Act I. "Now I am Mandrika" (Heut bin ich der Mandryka, niemand sonst) (Mandryka, Waldner) | baritone vocals [Mandryka] | Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe | 2:45 |
1955-02-26 | Arabella, op. 79: Act I. "The gentlemen is most anxious" (Der Herr fragt dringend an) (Waldner, Mandryka) | baritone vocals [Mandryka] | Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe | 7:20 |
1955-02-26 | Arabella, op. 79: Act II. "But now you must go home" (Jetzt aber fahren Sie nach Haus) (Arabella, Mandryka) | baritone vocals [Mandryka] | Clifford Harvuot, George London, Roberta Peters, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 3:36 |
1955-02-26 | Arabella, op. 79: Act II. "Herr von Mandrika, where is my daughter?" (Wo ist meine Tochter?) (Adelaide) | baritone vocals [Mandryka] | Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 3:04 |
1955-02-26 | Arabella, op. 79: Act II. "I could be in the mood!" (Ich wäre aufgelegt!) (Mandryka, Fiakermilli) | baritone vocals [Mandryka] | George London, Roberta Peters, Metropolitan Opera Orchestra, Rudolf Kempe | 1:22 |
1955-02-26 | Arabella, op. 79: Act II. "I had a wife" (Ich habe eine Frau gehabt) (Mandryka, Arabella) | baritone vocals [Mandryka] | Lawrence Davidson, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 4:11 |
1955-02-26 | Arabella, op. 79: Act II. "I have never seen a person" (So wie Sie sind, so hab' ich keinen Menschen) (Mandryka) | baritone vocals [Mandryka] | George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 4:33 |
1955-02-26 | Arabella, op. 79: Act II. "I see an angel" (Das ist ein Engel) (Mandryka) | baritone vocals [Mandryka] | Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 3:11 |
1955-02-26 | Arabella, op. 79: Act II. "My father says you wish to marry me" (Sie woll'n mich heiraten, sagt mein Vater) (Arabella) | baritone vocals [Mandryka] | George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 4:50 |
1955-02-26 | Arabella, op. 79: Act II. "Stop! Whoever you are!" (Halt! Du irgendeiner oder wer Du bist! ) (Mandryka) | baritone vocals [Mandryka] | Gabor Carelli, George London, Metropolitan Opera Orchestra, Rudolf Kempe | 5:15 |
1955-02-26 | Arabella, op. 79: Act II. "You are alone?" (Sie sind allein?) (Adelaide, Mandryka) | baritone vocals [Mandryka] | Hilde Güden, Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 3:58 |
1955-02-26 | Arabella, op. 79: Act II. "You don't look like the sort" (Sie seh'n nicht aus wie jemand) (Arabella, Mandryka) | baritone vocals [Mandryka] | Gabor Carelli, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 1:26 |
1955-02-26 | Arabella, op. 79: Act III. "All she meant was that she wanted" (Sie hat gar nichts gemeint) (Mandryka) | baritone vocals [Mandryka] | George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 1:04 |
1955-02-26 | Arabella, op. 79: Act III. "How meekly do I stand before you" (Wie steh' ich vor Ihnen) (Mandryka, Arabella) | baritone vocals [Mandryka] | Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 1:33 |
1955-02-26 | Arabella, op. 79: Act III. "I alone am guilty" (Ich bin allein der Schuldige) (Matteo, Waldner) | baritone vocals [Mandryka] | Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Metropolitan Opera Orchestra, Rudolf Kempe | 2:42 |
1955-02-26 | Arabella, op. 79: Act III. "I am glad, Mandryka" (Das war sehr gut, Mandryka) (Arabella, Mandryka) | baritone vocals [Mandryka] | George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 6:17 |
1955-02-26 | Arabella, op. 79: Act III. "I congratulate you, Lieutenant" (Ich gratuliere Ihnen) (Mandryka, Arabella) | baritone vocals [Mandryka] | Ralph Herbert, George London, Eleanor Steber, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 2:05 |
1955-02-26 | Arabella, op. 79: Act III. "Mandryka" (Arabella) | baritone vocals [Mandryka] | Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe | 5:12 |
1955-02-26 | Arabella, op. 79: Act III. "Papa! Mama!" (Zdenka, Arabella, Mandryka, Adelaide) | baritone vocals [Mandryka] | Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 4:15 |
1955-02-26 | Arabella, op. 79: Act III. "What an animated tête-à-tête" (Welch ein erregtes tête-à-tête) (Adelaide) | baritone vocals [Mandryka] | Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe | 6:15 |
1955-03-29 – 1955-04-06 | "Dostig ya vysshel Vlasti" from "Boris Godunov" | | George London, Columbia Symphony Orchestra, Jean Morel | 5:43 |
1955-03-29 – 1955-04-06 | "Standing in the Need of Prayer" from "The Emperor Jones", op. 36 | | George London, Columbia Symphony Orchestra, Jean Morel | 3:46 |
1955-03-29 – 1955-04-06 | "Uf, tyazhelo! Dai dukh perevadu" from "Boris Godunov" | | George London, Columbia Symphony Orchestra, Jean Morel | 3:53 |
1955-03-29 – 1955-04-06 | "Voilà donc la terrible cité" from "Thaïs" | | George London, Columbia Symphony Orchestra, Jean Morel | 3:42 |
1955-10-17 | Kindertotenlieder: In diesem Wetter, in diesem Braus | baritone vocals | George London, WDR Sinfonieorchester Köln, Otto Klemperer | 6:23 |
1955-10-17 | Kindertotenlieder: Nun seh’ ich wohl | baritone vocals | George London, WDR Sinfonieorchester Köln, Otto Klemperer | 4:11 |
1955-10-17 | Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’n | baritone vocals | George London, WDR Sinfonieorchester Köln, Otto Klemperer | 5:03 |
1955-10-17 | Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangen | baritone vocals | George London, WDR Sinfonieorchester Köln, Otto Klemperer | 3:03 |
1955-10-17 | Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein | baritone vocals | George London, WDR Sinfonieorchester Köln, Otto Klemperer | 4:10 |
1956 | Special Bruno Walter 80th Birthday Tributes: George London | spoken vocals | George London | 0:58 |
1958-06 | Die Walküre "Leb' wohl, du kühnes, herrliches Kind!" (Wotan's Abschied) | bass-baritone vocals | Richard Wagner | 17:41 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Auf, Loge, hinab mit mir!" - Verwandslungsmusik (Abstieg nach Nibelheim) - Szene III. "Hehe! hehe! hieher! hieher! Tückischer Zwerg!" (Wotan, Loge, Donner, Froh, Fricka, Orchester, Alberich, Mime) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, Waldemar Kmentt, Paul Kuën, George London, Gustav Neidlinger, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 4:31 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Ein Runenzauber zwingt das Gold zum Reif" (Loge, Donner, Wotan, Froh, Fricka, Fafner) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Kirsten Flagstad, Waldemar Kmentt, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 3:07 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Endlich Loge!" (Wotan, Loge, Donner, Froh, Fricka) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 3:45 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Hör', Wotan, der Harrenden Wort!" (Fafner, Wotan, Fasolt, Freia, Froh, Donner, Loge) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Claire Watson, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 2:47 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Sanft schloß Schlaf dein Aug'" (Fasolt, Wotan, Fafner, Freia) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Walter Kreppel, George London, Claire Watson, Wiener Philharmoniker, Sir Georg Solti | 7:28 |
1958-09 – 1958-10 | Das Rheingold: Szene II. "Wotan! Gemahl! Erwache!" - "Nur Wonne schafft dir, was mich erschreckt" (Fricka, Wotan, Freia) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, George London, Wiener Philharmoniker, Sir Georg Solti | 10:53 |
1958-09 – 1958-10 | Das Rheingold: Szene III. "Nehmt euch in acht! Alberich naht!" (Mime, Wotan, Alberich) | bass-baritone vocals [Wotan] and solo | Paul Kuën, George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 7:33 |
1958-09 – 1958-10 | Das Rheingold: Szene III. "Nibelheim hier: Durch bleiche Nebel was blitzen dort feurige Funken?" (Loge, Mime, Wotan) | bass-baritone vocals [Wotan] and solo | Paul Kuën, George London, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 5:20 |
1958-09 – 1958-10 | Das Rheingold: Szene III. "Ohe! Ha Ha Ha!" - Verwandslungsmusik (Aufstieg auf Nibelheim) (Loge, Alberich, Wotan) | bass-baritone vocals [Wotan] and solo | George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 6:30 |
1958-09 – 1958-10 | Das Rheingold: Szene III. "Vergeh', frevelnder Gauch!" (Wotan, Alberich, Loge) | bass-baritone vocals [Wotan] and solo | George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 3:55 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Abendlich strahlt der Sonne Auge" - "Ihrem Ende eilen sie zu" (Wotan, Fricka, Loge) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 4:50 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Bin ich nun frei? Wirklich frei?" (Alberich, Loge, Wotan) | bass-baritone vocals [Wotan] and solo | George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 4:09 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Da, Vetter, sitze du fest!" - "Wohlan, die Nibelungen rief ich mir nah" (Loge, Alberich, Wotan) | bass-baritone vocals [Wotan] and solo | George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 4:41 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Fasolt und Fafner nahen von fern" (Loge, Froh, Donner, Fricka, Fasolt, Wotan) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 5:17 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Gepflanzt sind die Pfähle nach Pfandes Maß" (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasfolt, Freia) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 5:48 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Gezahlt hab' ich; nun lasst mich zieh'n!" (Alberich, Loge, Wotan) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti | 5:35 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Hört, ihr Riesen! Zurück, und Harret!" - "Was gleicht, Wotan" (Donner, Freia, Wotan, fasolt, Fafner, Loge, Fricka) | bass-baritone vocals [Wotan] and solo | Kurt Böhme, Kirsten Flagstad, Walter Kreppel, George London, Set Svanholm, Claire Watson, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti | 6:34 |
1958-09 – 1958-10 | Das Rheingold: Szene IV. "Weiche, Wotan, weiche!" (Erda, Wotan, Fricka, Froh) | bass-baritone vocals [Wotan] and solo | Kirsten Flagstad, Waldemar Kmentt, George London, Jean Madeira, Wiener Philharmoniker, Sir Georg Solti | 6:00 |
1959 | Tosca: Atto I. “Or tutto è chiaro” | bass-baritone vocals [Scarpia] | Fernando Corena, George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 7:21 |
1959 | Tosca: Atto I. “Tre sbirri una carrozza” | bass-baritone vocals [Scarpia] | Coro dell’Accademia Nazionale di Santa Cecilia, George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 4:40 |
1959 | Tosca: Atto I. “Un tal baccano in chiesa!” | bass-baritone vocals [Scarpia] | Fernando Corena, George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 3:54 |
1959 | Tosca: Atto II. “Chi è là?” | bass-baritone vocals [Scarpia] | George London, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 1:55 |
1959 | Tosca: Atto II. “Ha più forte sapore” | bass-baritone vocals [Scarpia] | George London, Giovanni Morese, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 1:24 |
1959 | Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) | bass-baritone vocals [Scarpia] | George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 6:43 |
1959 | Tosca: Atto II. “O galantuomo, come andò la caccia?” | bass-baritone vocals [Scarpia] | George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 3:32 |
1959 | Tosca: Atto II. “Orsù, Tosca, parlate” | bass-baritone vocals [Scarpia] | Mario Del Monaco, George London, Giovanni Morese, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 3:49 |
1959 | Tosca: Atto II. “Ov’è Angelotti?” | bass-baritone vocals [Scarpia] | Mario Del Monaco, George London, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 4:02 |
1959 | Tosca: Atto II. “Quanto?… Quanto?… Il prezzo!” | bass-baritone vocals [Scarpia] | George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 4:58 |
1959 | Tosca: Atto II. “Sciarrone, che dice il Cavalier?” | bass-baritone vocals [Scarpia] | Mario Del Monaco, George London, Giovanni Morese, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 2:50 |
1959 | Tosca: Atto II. “Tosca è un buon falco!” | bass-baritone vocals [Scarpia] | George London, Giovanni Morese, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 3:01 |
1959 | Tosca: Atto II. “Vittoria! Vittoria!” | bass-baritone vocals [Scarpia] | Mario Del Monaco, George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli | 2:40 |
1960-09 | Der Fliegende Holländer: Act 1: "Durch Sturm und bösen Wind verschlagen" | baritone vocals [Der Holländer] | George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti | 4:33 |
1960-09 | Der Fliegende Holländer: Act 1: 3. Szene, Duett und Chor. "He! Holla! Steuermann" | baritone vocals [Der Holländer] | Richard Lewis, George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti | 4:18 |
1960-09 | Der Fliegende Holländer: Act 1: Die Frist ist um...Wie oft in Meeres tiefsten Schlund | baritone vocals [Der Holländer] | Chorus of the Royal Opera House, Covent Garden, George London, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti | 12:51 |
1960-09 | Der Fliegende Holländer: Act 1: Wie? Hört' ich recht?...Südwind! Südwind! | baritone vocals [Der Holländer] | Chorus of the Royal Opera House, Covent Garden, Richard Lewis, George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti | 8:54 |
1960-09 | Der Fliegende Holländer: Act 2: "Verzeiht! Mein Volk hält draußen sich nicht mehr" | baritone vocals [Der Holländer] | George London, Leonie Rysanek, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti | 2:53 |
| See all 186 relationships |
| performed |
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| Der fliegende Holländer | | Richard Wagner | |
| vocals |
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1950-04-09 | Symphony no. 8 "Symphony of a Thousand" | bass vocals | Gustav Mahler; New York Philharmonic Orchestra, Leopold Stokowski | |
| Pelléas et Mélisande | baritone vocals | Debussy; L’Orchestre de la Suisse Romande, Ernest Ansermet | |
| wrote |
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| Stop, Look, and Listen | | | |