George London (bass-baritone)

~ Person

Relationships

students:Jeannine Altmeyer
part of:Jury of the International Tchaikovsky Competition for voice (in 1966: number: 1966) (order: 2)
Discogs:https://www.discogs.com/artist/865655 [info]
official homepages:http://georgelondon.org/ [info]
other databases:http://id.loc.gov/authorities/names/n82032736 [info]
http://snaccooperative.org/ark:/99166/w6hm75r8 [info]
https://catalogue.bnf.fr/ark:/12148/cb13896768t [info]
https://d-nb.info/gnd/124831885 [info]
https://www.ibdb.com/person.php?id=502086 [info]
https://www.worldcat.org/identities/lccn-n82032736 [info]
Allmusic:https://www.allmusic.com/artist/mn0001756273 [info]
VIAF ID:115831690 [info]
Wikidata:Q221130 [info]

Appearances

DateTitleAttributesArtistLength
vocals
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Accende lumen sensibusbass vocals and soloNew York Philharmonic, Leopold Stokowski8:11
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Gloria Patri Dominobass vocals and soloNew York Philharmonic, Leopold Stokowski2:36
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Infirma nostri corporisbass vocals and soloNew York Philharmonic, Leopold Stokowski6:00
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 1. Hymnus. Allegro impetuoso. Veni, creator spiritusbass vocals and soloNew York Philharmonic, Leopold Stokowski5:38
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Chorus Mysticusbass vocals and soloNew York Philharmonic, Leopold Stokowski5:58
1950-04-09Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part 2. Final Scene from Goethe's “Faust II”. Pater Profundusbass vocals [Pater Profundus] and soloNew York Philharmonic, Leopold Stokowski5:00
1950-04-09Symphony No. 8 in E-flat major, Part I: I. Veni, Creator Spiritusbass-baritone vocalsNew York Philharmonic, Leopold Stokowski22:32
1950-04-09Symphony No. 8 in E-flat major: Part II "Final Scene of Goethe's Faust": IId. Pater profundusbass-baritone vocalsNew York Philharmonic, Leopold Stokowski5:16
1950-11Die Zauberflöte, K. 620: Act I. "Zurück!... Zurück?" (Stimme, Tamino, Sprecher)bass-baritone vocals [Speaker]Jean Wiener, Anton Dermota, Erich Majkut, Wiener Philharmoniker, Herbert von Karajan5:59
1950Le nozze di Figaro, Akt II: "Susanna, or via sortite"bass-baritone vocalsGeorge London, Elisabeth Schwarzkopf, Irmgard Seefried, Wiener Philharmoniker, Herbert von Karajan2:50
1951-04-10 – 1951-04-13Act V (complete) from "Don Quichotte"George London, Orchestra of the Metropolitan Opera Association, Jean Morel12:19
1951-12-10 – 1951-12-13"Ne plach', ditya" from "The Demon"George London, Orchestra of the Metropolitan Opera Association, Kurt Herbert Adler2:57
1951-12-10 – 1951-12-13"Ni sna, ni otdykha" from "Prince Igor"George London, Orchestra of the Metropolitan Opera Association, Kurt Herbert Adler9:20
1951-12-10 – 1951-12-13"Pauvre martyr obscur" from "Patrie"George London, Orchestra of the Metropolitan Opera Association, Jean Morel4:30
1952-06"Abendlich strahlt der Sonne Auge" from "Das Rheingold"George London, Vienna Symphony Orchestra, Rudolf Moralt4:05
1952-06"Ecco il mondo" from "Mefistofele"George London, Vienna Symphony Orchestra, Rudolf Moralt2:18
1952-06"Le Veau d'or" from "Faust"George London, Vienna Symphony Orchestra, Rudolf Moralt2:08
1952-06"Mephistophélès Serenade" from "La Damnation de Faust"George London, Vienna Symphony Orchestra, Rudolf Moralt2:21
1952-06"Wotans Scheidegruss und Feuerzauber" from "Die Walkure"George London, Vienna Symphony Orchestra, Rudolf Moralt15:18
1952-06Mephistopheles' Song of the FleaGeorge London, Vienna Symphony Orchestra, Rudolf Moralt3:19
1953-05-07 – 1953-05-08Le nozze di Figaro, K. 492: Act I. “La vendetta, oh, la vendetta” (Bartolo)bass-baritone vocals [Bartolo]George London, Columbia Symphony Orchestra, Bruno Walter2:58
1953-05-07 – 1953-05-08Le nozze di Figaro, K. 492: Act I. “Se vuol ballare, signor contino” (Figaro)bass-baritone vocals [Figaro]George London, Bruno Walter, Columbia Symphony Orchestra3:28
1953-05-07 – 1953-05-08Le nozze di Figaro, K. 492: Act III. “Hai già vinta la causa!” ... “Vedrò mentr'io sospiro” (Conte)bass-baritone vocals [Conte]George London, Columbia Symphony Orchestra, Bruno Walter4:37
1953-05-07 – 1953-05-08Le nozze di Figaro, K. 492: Act IV. “Aprite un po' quegli occhi” (Figaro)bass-baritone vocals [Figaro]George London, Bruno Walter, Columbia Symphony Orchestra4:03
1953-05-07 – 1953-05-08Mentre ti lascio, o figlia, K. 513bass-baritone vocalsGeorge London, Columbia Symphony Orchestra, Bruno Walter8:03
1953-05-07 – 1953-05-08Per questa bella mano, K. 612bass-baritone vocalsGeorge London, George Neikrug, Columbia Symphony Orchestra, Bruno Walter7:44
1953-05-07 – 1953-05-08Rivolgete a lui lo sguardo, K. 584bass-baritone vocalsGeorge London, Columbia Symphony Orchestra, Bruno Walter4:53
1953-05-07 – 1953-05-08The Marriage of Figaro, K. 492: Act I. "Non più andrai" (Aria: Figaro)bass vocals [Figaro]George London, Columbia Symphony Orchestra, Bruno Walter3:56
1954-12-20Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderatobaritone vocalsGeorge London, Westminster Choir, New York Philharmonic, Bruno Walter9:45
1954-12-20Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - Allegrobaritone vocalsGeorge London, Westminster Choir, New York Philharmonic, Bruno Walter10:08
1954-12-28 – 1954-12-29Ein deutsches Requiem, op. 45: III. “Herr, lehre doch mich, dass ein Ende mit mir haben muss” (baritone, chorus). Andante moderatobaritone vocalsGeorge London, Westminster Choir, New York Philharmonic, Bruno Walter9:45
1954-12-28 – 1954-12-29Ein deutsches Requiem, op. 45: VI. “Denn wir haben hie keine bleibende Statt” (baritone, chorus). Andante - AllegroGeorge London, Westminster Choir, New York Philharmonic, Bruno Walter10:08
1955-02-26Arabella, op. 79: Act I. "May I? Perhaps you could do with some?" (Darf ich vielleicht?) (Mandryka, Waldner)baritone vocals [Mandryka]Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe2:12
1955-02-26Arabella, op. 79: Act I. "Now I am Mandrika" (Heut bin ich der Mandryka, niemand sonst) (Mandryka, Waldner)baritone vocals [Mandryka]Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe2:45
1955-02-26Arabella, op. 79: Act I. "The gentlemen is most anxious" (Der Herr fragt dringend an) (Waldner, Mandryka)baritone vocals [Mandryka]Ralph Herbert, George London, Metropolitan Opera Orchestra, Rudolf Kempe7:20
1955-02-26Arabella, op. 79: Act II. "But now you must go home" (Jetzt aber fahren Sie nach Haus) (Arabella, Mandryka)baritone vocals [Mandryka]Clifford Harvuot, George London, Roberta Peters, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe3:36
1955-02-26Arabella, op. 79: Act II. "Herr von Mandrika, where is my daughter?" (Wo ist meine Tochter?) (Adelaide)baritone vocals [Mandryka]Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe3:04
1955-02-26Arabella, op. 79: Act II. "I could be in the mood!" (Ich wäre aufgelegt!) (Mandryka, Fiakermilli)baritone vocals [Mandryka]George London, Roberta Peters, Metropolitan Opera Orchestra, Rudolf Kempe1:22
1955-02-26Arabella, op. 79: Act II. "I had a wife" (Ich habe eine Frau gehabt) (Mandryka, Arabella)baritone vocals [Mandryka]Lawrence Davidson, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe4:11
1955-02-26Arabella, op. 79: Act II. "I have never seen a person" (So wie Sie sind, so hab' ich keinen Menschen) (Mandryka)baritone vocals [Mandryka]George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe4:33
1955-02-26Arabella, op. 79: Act II. "I see an angel" (Das ist ein Engel) (Mandryka)baritone vocals [Mandryka]Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe3:11
1955-02-26Arabella, op. 79: Act II. "My father says you wish to marry me" (Sie woll'n mich heiraten, sagt mein Vater) (Arabella)baritone vocals [Mandryka]George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe4:50
1955-02-26Arabella, op. 79: Act II. "Stop! Whoever you are!" (Halt! Du irgendeiner oder wer Du bist! ) (Mandryka)baritone vocals [Mandryka]Gabor Carelli, George London, Metropolitan Opera Orchestra, Rudolf Kempe5:15
1955-02-26Arabella, op. 79: Act II. "You are alone?" (Sie sind allein?) (Adelaide, Mandryka)baritone vocals [Mandryka]Hilde Güden, Ralph Herbert, George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe3:58
1955-02-26Arabella, op. 79: Act II. "You don't look like the sort" (Sie seh'n nicht aus wie jemand) (Arabella, Mandryka)baritone vocals [Mandryka]Gabor Carelli, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe1:26
1955-02-26Arabella, op. 79: Act III. "All she meant was that she wanted" (Sie hat gar nichts gemeint) (Mandryka)baritone vocals [Mandryka]George London, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe1:04
1955-02-26Arabella, op. 79: Act III. "How meekly do I stand before you" (Wie steh' ich vor Ihnen) (Mandryka, Arabella)baritone vocals [Mandryka]Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe1:33
1955-02-26Arabella, op. 79: Act III. "I alone am guilty" (Ich bin allein der Schuldige) (Matteo, Waldner)baritone vocals [Mandryka]Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Metropolitan Opera Orchestra, Rudolf Kempe2:42
1955-02-26Arabella, op. 79: Act III. "I am glad, Mandryka" (Das war sehr gut, Mandryka) (Arabella, Mandryka)baritone vocals [Mandryka]George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe6:17
1955-02-26Arabella, op. 79: Act III. "I congratulate you, Lieutenant" (Ich gratuliere Ihnen) (Mandryka, Arabella)baritone vocals [Mandryka]Ralph Herbert, George London, Eleanor Steber, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe2:05
1955-02-26Arabella, op. 79: Act III. "Mandryka" (Arabella)baritone vocals [Mandryka]Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Metropolitan Opera Orchestra, Rudolf Kempe5:12
1955-02-26Arabella, op. 79: Act III. "Papa! Mama!" (Zdenka, Arabella, Mandryka, Adelaide)baritone vocals [Mandryka]Hilde Güden, Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe4:15
1955-02-26Arabella, op. 79: Act III. "What an animated tête-à-tête" (Welch ein erregtes tête-à-tête) (Adelaide)baritone vocals [Mandryka]Ralph Herbert, George London, Eleanor Steber, Brian Sullivan, Blanche Thebom, Metropolitan Opera Orchestra, Rudolf Kempe6:15
1955-03-29 – 1955-04-06"Dostig ya vysshel Vlasti" from "Boris Godunov"George London, Columbia Symphony Orchestra, Jean Morel5:43
1955-03-29 – 1955-04-06"Standing in the Need of Prayer" from "The Emperor Jones", op. 36George London, Columbia Symphony Orchestra, Jean Morel3:46
1955-03-29 – 1955-04-06"Uf, tyazhelo! Dai dukh perevadu" from "Boris Godunov"George London, Columbia Symphony Orchestra, Jean Morel3:53
1955-03-29 – 1955-04-06"Voilà donc la terrible cité" from "Thaïs"George London, Columbia Symphony Orchestra, Jean Morel3:42
1955-10-17Kindertotenlieder: In diesem Wetter, in diesem Brausbaritone vocalsGeorge London, WDR Sinfonieorchester Köln, Otto Klemperer6:23
1955-10-17Kindertotenlieder: Nun seh’ ich wohlbaritone vocalsGeorge London, WDR Sinfonieorchester Köln, Otto Klemperer4:11
1955-10-17Kindertotenlieder: Nun will die Sonn’ so hell aufgeh’nbaritone vocalsGeorge London, WDR Sinfonieorchester Köln, Otto Klemperer5:03
1955-10-17Kindertotenlieder: Oft denk’ ich, sie sind nur ausgegangenbaritone vocalsGeorge London, WDR Sinfonieorchester Köln, Otto Klemperer3:03
1955-10-17Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür hereinbaritone vocalsGeorge London, WDR Sinfonieorchester Köln, Otto Klemperer4:10
1956Special Bruno Walter 80th Birthday Tributes: George Londonspoken vocalsGeorge London0:58
1958-06Die Walküre "Leb' wohl, du kühnes, herrliches Kind!" (Wotan's Abschied)bass-baritone vocalsRichard Wagner17:41
1958-09 – 1958-10Das Rheingold: Szene II. "Auf, Loge, hinab mit mir!" - Verwandslungsmusik (Abstieg nach Nibelheim) - Szene III. "Hehe! hehe! hieher! hieher! Tückischer Zwerg!" (Wotan, Loge, Donner, Froh, Fricka, Orchester, Alberich, Mime)bass-baritone vocals [Wotan] and soloKirsten Flagstad, Waldemar Kmentt, Paul Kuën, George London, Gustav Neidlinger, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti4:31
1958-09 – 1958-10Das Rheingold: Szene II. "Ein Runenzauber zwingt das Gold zum Reif" (Loge, Donner, Wotan, Froh, Fricka, Fafner)bass-baritone vocals [Wotan] and soloKurt Böhme, Kirsten Flagstad, Waldemar Kmentt, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti3:07
1958-09 – 1958-10Das Rheingold: Szene II. "Endlich Loge!" (Wotan, Loge, Donner, Froh, Fricka)bass-baritone vocals [Wotan] and soloKurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti3:45
1958-09 – 1958-10Das Rheingold: Szene II. "Hör', Wotan, der Harrenden Wort!" (Fafner, Wotan, Fasolt, Freia, Froh, Donner, Loge)bass-baritone vocals [Wotan] and soloKurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Claire Watson, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti2:47
1958-09 – 1958-10Das Rheingold: Szene II. "Sanft schloß Schlaf dein Aug'" (Fasolt, Wotan, Fafner, Freia)bass-baritone vocals [Wotan] and soloKurt Böhme, Walter Kreppel, George London, Claire Watson, Wiener Philharmoniker, Sir Georg Solti7:28
1958-09 – 1958-10Das Rheingold: Szene II. "Wotan! Gemahl! Erwache!" - "Nur Wonne schafft dir, was mich erschreckt" (Fricka, Wotan, Freia)bass-baritone vocals [Wotan] and soloKirsten Flagstad, George London, Wiener Philharmoniker, Sir Georg Solti10:53
1958-09 – 1958-10Das Rheingold: Szene III. "Nehmt euch in acht! Alberich naht!" (Mime, Wotan, Alberich)bass-baritone vocals [Wotan] and soloPaul Kuën, George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti7:33
1958-09 – 1958-10Das Rheingold: Szene III. "Nibelheim hier: Durch bleiche Nebel was blitzen dort feurige Funken?" (Loge, Mime, Wotan)bass-baritone vocals [Wotan] and soloPaul Kuën, George London, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti5:20
1958-09 – 1958-10Das Rheingold: Szene III. "Ohe! Ha Ha Ha!" - Verwandslungsmusik (Aufstieg auf Nibelheim) (Loge, Alberich, Wotan)bass-baritone vocals [Wotan] and soloGeorge London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti6:30
1958-09 – 1958-10Das Rheingold: Szene III. "Vergeh', frevelnder Gauch!" (Wotan, Alberich, Loge)bass-baritone vocals [Wotan] and soloGeorge London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti3:55
1958-09 – 1958-10Das Rheingold: Szene IV. "Abendlich strahlt der Sonne Auge" - "Ihrem Ende eilen sie zu" (Wotan, Fricka, Loge)bass-baritone vocals [Wotan] and soloKirsten Flagstad, George London, Hetty Plümacher, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti4:50
1958-09 – 1958-10Das Rheingold: Szene IV. "Bin ich nun frei? Wirklich frei?" (Alberich, Loge, Wotan)bass-baritone vocals [Wotan] and soloGeorge London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti4:09
1958-09 – 1958-10Das Rheingold: Szene IV. "Da, Vetter, sitze du fest!" - "Wohlan, die Nibelungen rief ich mir nah" (Loge, Alberich, Wotan)bass-baritone vocals [Wotan] and soloGeorge London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti4:41
1958-09 – 1958-10Das Rheingold: Szene IV. "Fasolt und Fafner nahen von fern" (Loge, Froh, Donner, Fricka, Fasolt, Wotan)bass-baritone vocals [Wotan] and soloKirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti5:17
1958-09 – 1958-10Das Rheingold: Szene IV. "Gepflanzt sind die Pfähle nach Pfandes Maß" (Fafner, Wotan, Loge, Froh, Fricka, Donner, Fasfolt, Freia)bass-baritone vocals [Wotan] and soloKurt Böhme, Kirsten Flagstad, Waldemar Kmentt, Walter Kreppel, George London, Set Svanholm, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti5:48
1958-09 – 1958-10Das Rheingold: Szene IV. "Gezahlt hab' ich; nun lasst mich zieh'n!" (Alberich, Loge, Wotan)bass-baritone vocals [Wotan] and soloKirsten Flagstad, George London, Gustav Neidlinger, Set Svanholm, Wiener Philharmoniker, Sir Georg Solti5:35
1958-09 – 1958-10Das Rheingold: Szene IV. "Hört, ihr Riesen! Zurück, und Harret!" - "Was gleicht, Wotan" (Donner, Freia, Wotan, fasolt, Fafner, Loge, Fricka)bass-baritone vocals [Wotan] and soloKurt Böhme, Kirsten Flagstad, Walter Kreppel, George London, Set Svanholm, Claire Watson, Eberhard Wächter, Wiener Philharmoniker, Sir Georg Solti6:34
1958-09 – 1958-10Das Rheingold: Szene IV. "Weiche, Wotan, weiche!" (Erda, Wotan, Fricka, Froh)bass-baritone vocals [Wotan] and soloKirsten Flagstad, Waldemar Kmentt, George London, Jean Madeira, Wiener Philharmoniker, Sir Georg Solti6:00
1959Tosca: Atto I. “Or tutto è chiaro”bass-baritone vocals [Scarpia]Fernando Corena, George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli7:21
1959Tosca: Atto I. “Tre sbirri una carrozza”bass-baritone vocals [Scarpia]Coro dell’Accademia Nazionale di Santa Cecilia, George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli4:40
1959Tosca: Atto I. “Un tal baccano in chiesa!”bass-baritone vocals [Scarpia]Fernando Corena, George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli3:54
1959Tosca: Atto II. “Chi è là?”bass-baritone vocals [Scarpia]George London, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli1:55
1959Tosca: Atto II. “Ha più forte sapore”bass-baritone vocals [Scarpia]George London, Giovanni Morese, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli1:24
1959Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca)bass-baritone vocals [Scarpia]George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli6:43
1959Tosca: Atto II. “O galantuomo, come andò la caccia?”bass-baritone vocals [Scarpia]George London, Piero de Palma, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli3:32
1959Tosca: Atto II. “Orsù, Tosca, parlate”bass-baritone vocals [Scarpia]Mario Del Monaco, George London, Giovanni Morese, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli3:49
1959Tosca: Atto II. “Ov’è Angelotti?”bass-baritone vocals [Scarpia]Mario Del Monaco, George London, Piero de Palma, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli4:02
1959Tosca: Atto II. “Quanto?… Quanto?… Il prezzo!”bass-baritone vocals [Scarpia]George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli4:58
1959Tosca: Atto II. “Sciarrone, che dice il Cavalier?”bass-baritone vocals [Scarpia]Mario Del Monaco, George London, Giovanni Morese, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli2:50
1959Tosca: Atto II. “Tosca è un buon falco!”bass-baritone vocals [Scarpia]George London, Giovanni Morese, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli3:01
1959Tosca: Atto II. “Vittoria! Vittoria!”bass-baritone vocals [Scarpia]Mario Del Monaco, George London, Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Francesco Molinari‐Pradelli2:40
1960-09Der Fliegende Holländer: Act 1: "Durch Sturm und bösen Wind verschlagen"baritone vocals [Der Holländer]George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti4:33
1960-09Der Fliegende Holländer: Act 1: 3. Szene, Duett und Chor. "He! Holla! Steuermann"baritone vocals [Der Holländer]Richard Lewis, George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti4:18
1960-09Der Fliegende Holländer: Act 1: Die Frist ist um...Wie oft in Meeres tiefsten Schlundbaritone vocals [Der Holländer]Chorus of the Royal Opera House, Covent Garden, George London, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti12:51
1960-09Der Fliegende Holländer: Act 1: Wie? Hört' ich recht?...Südwind! Südwind!baritone vocals [Der Holländer]Chorus of the Royal Opera House, Covent Garden, Richard Lewis, George London, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti8:54
1960-09Der Fliegende Holländer: Act 2: "Verzeiht! Mein Volk hält draußen sich nicht mehr"baritone vocals [Der Holländer]George London, Leonie Rysanek, Giorgio Tozzi, Orchestra of the Royal Opera House, Covent Garden, Antal Doráti2:53
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performed
Der fliegende HolländerRichard Wagner
vocals
1950-04-09Symphony no. 8 "Symphony of a Thousand"bass vocalsGustav Mahler; New York Philharmonic Orchestra, Leopold Stokowski
Pelléas et Mélisandebaritone vocalsDebussy; L’Orchestre de la Suisse Romande, Ernest Ansermet
wrote
Stop, Look, and Listen