| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Prelude, Song & Chorus – Come If You Dare, Our Trumpets Sound (Chorus) | James Way, Gabrieli Consort, Paul McCreesh | | | 3:19 | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – The White Horse Neigh’d Aloud / To Woden Thanks We Render (Chorus) | Jeremy Budd, James Way, Gabrieli Consort, Paul McCreesh | | | 1:17 | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act I: Verse & Chorus – Woden, First to Thee / We Have Sacrific’d (Chorus) | Ashley Riches, James Way, Roderick Williams, Gabrieli Consort, Paul McCreesh | | | 2:34 | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act II: Prelude, Song & Chorus – How Blest Are Shepherds (Shepherd) | James Way, Gabrieli Consort, Paul McCreesh | | | 5:24 | |
| King Arthur, Z. 628 (Suckling/McCreesh Edition), Act V: Song – For Folded Flocks (Three Shepherds) | Jeremy Budd, Ashley Riches, James Way | | | 2:57 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part seconda: Air and Chorus. These delights if thou canst give (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 3:21 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part seconda: Air. I’ll to the well-trod stage anon (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 2:02 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part seconda: Air. There let Hymen oft appear (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 2:25 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part terza: Air. Each Action will derive new Grace (Il Moderato) | James Way, Les Arts Florissants, William Christie | | | 2:23 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part terza: Duet. As steals the morn upon the night (Il Moderato) | Rachel Redmond, James Way, Les Arts Florissants, William Christie | | | 6:02 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Part terza: Recitative. No more short life (Il Moderato) | James Way, Les Arts Florissants, William Christie | | | 0:37 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Accompagnato. Hence loathed Melancoly (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 1:54 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Air and Chorus. Come, and trip it as you go (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 2:38 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Air and Chorus. Haste thee, nymph, and bring with thee (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 2:34 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Air. Let me wander, not unseen (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 2:11 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Recitative. Hence, loathed Melancholy (L’Allegro) / Recitative. And if I give thee honour due (L’Allegro) | James Way, Leo Jemison, Les Arts Florissants, William Christie | | | 0:33 | |
| L’Allegro, il Penseroso ed il Moderato, HWV 55, Parte prima: Recitative. If I give thee honour due (L’Allegro) | James Way, Les Arts Florissants, William Christie | | | 0:11 | |
| Requiem, op. 63: Agnus Dei et Lux aeterna: Agnus Dei – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 3:20 | |
| Requiem, op. 63: Agnus Dei et Lux aeterna: Lux aeterna | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 6:50 | |
| Requiem, op. 63: Gradual: In memoria aeterna | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:40 | |
| Requiem, op. 63: Gradual: Requiem aeternam – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:35 | |
| Requiem, op. 63: Introit: Requiem aeternam | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:47 | |
| Requiem, op. 63: Introit: Te decet hymnus – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:49 | |
| Requiem, op. 63: Kyrie: Kyrie I – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:55 | |
| Requiem, op. 63: Kyrie: Kyrie II | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:01 | |
| Requiem, op. 63: Kyrie: Kyrie III | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:13 | |
| Requiem, op. 63: Offertorium: Domine Jesu Christe – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:45 | |
| Requiem, op. 63: Offertorium: Hostias et preces tibi – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:11 | |
| Requiem, op. 63: Offertorium: Transire ad vitam | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:52 | |
| Requiem, op. 63: Sanctus: Benedictus – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 4:16 | |
| Requiem, op. 63: Sanctus: Osanna | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:49 | |
| Requiem, op. 63: Sequence: Confutatis maledictis – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:25 | |
| Requiem, op. 63: Sequence: Inter oves locum praesta | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:39 | |
| Requiem, op. 63: Sequence: Iuste iudex ultionis – | James Way, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:39 | |
| Requiem, op. 63: Sequence: Lacrimosa dies illa – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 4:48 | |
| Requiem, op. 63: Sequence: Pie Jesu Domine | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:18 | |
| Requiem, op. 63: Sequence: Recordare, Jesu pie | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 2:27 | |
| Requiem, op. 63: Sequence: Rex tremendae maiestatis – | Carolyn Sampson, Marta Fontanals-Simmons, James Way, Ross Ramgobin, University of Birmingham Voices, City of Birmingham Symphony Orchestra, Martyn Brabbins | | | 1:33 | |
| The Truth Sent From Above | Ralph Allwood, Helen Hugh-Jones, Emily Kirby-Ashmore, James Robinson, Rodolfus Choir, James Way | | | 2:59 | |
